Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

Saud Aljadhi is the sous chef at The Ritz-Carlton Riyadh Palace. (Supplied)
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Updated 02 October 2024
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Recipes for Success: Chef Saud Aljadhi offers advice and a recipe for mataziz

DUBAI: From being a young boy helping his mother prepare Ramadan meals to becoming a sous chef at The Ritz-Carlton Riyadh Palace, Saud Aljadhi’s journey is one of perseverance, passion and overcoming the odds.  

Aljadhi always had a passion for cooking, he says. He would help to prepare salads and soups in his family home near Riyadh.  

In 2014, he launched a food truck business, serving burgers. Its success prompted him to quit his job at the Ministry of Education and pursue cooking full-time.  




Saudi National Day cake. (Supplied)

“I honestly lost a lot — whether financially or socially — but it was all for my passion,” Aljadhi tells Arab News. “It was a one-man show. I was operating alone.” 

Aljadhi’s ambitions led him abroad, first to Canada to study at George Brown College, then to Australia, where he was balancing his studies at Victoria University with working at restaurants while raising his child as a single father.  

“I would drop my son off at kindergarten every morning before going to work. It was quite the challenge,” he recalls. “But I got help from my colleagues, many of whom were single parents as well.” 

Despite challenges like the devastating fires in Australia in 2019, earthquakes, and the COVID-19 pandemic, Aljadhi’s determination never wavered. He returned to Saudi Arabia in 2022 and landed a position at The Ritz-Carlton Riyadh, fulfilling a long-held dream.  




Chorisia Restaurant. (Supplied)

“I used to say I would come to The Ritz-Carlton and be a sous chef,” he says. “I even have a video from over 10 years ago where I made that promise to myself when I was at the hotel. And today, I’m where I dreamed to be. I even have a video from over 10 years ago where I made that promise to myself when I was at the hotel,” he added. 

“It’s nice to reach your dreams and goals in life. It makes me extremely happy,” he continues. “But I still have a lot of ambitions, and I’m working on a plan to achieve them.” 

While working at The Ritz-Carlton, Aljadhi was selected for Marriott International’s prestigious Tahseen leadership program, aimed at nurturing local talent in Saudi Arabia. “The program taught me a lot,” he said. “I learned leadership skills, teamwork, budgeting and revenue management.” It further solidified his career path, giving him the tools to excel in the hospitality industry, he said. 

Breaking through societal stereotypes as a Saudi male chef, Aljadhi has earned respect and recognition for his accomplishments. “In our tribe, it wasn’t even allowed to work this job,” he shares. “But now, society accepts me after all that I’ve achieved. It has even become a trend now to be a chef.” 

However, he points out, it’s not an easy job. 

“People think chefs just cook, but that’s not true. A chef is like a physician, chemist, mathematician, and engineer all in one. For example, right now, I’m working on a cake that’s three by two meters for Saudi National Day. My team and I are measuring everything down to the millimeter. We’re even manufacturing custom molds that aren’t available in the market just to get this cake built. This job isn’t easy — it requires creativity and precision. Just like an engineer builds a building, we as chefs are building a plate and a dish.” 

Here, Aljadhi discusses local cuisine, his favorite dish to cook, and his management style.    

When you were starting out, what was the most common mistake you made?  

My cutting technique was all wrong. How you hold a knife and cut is so important — it really affects the dish. For example, it can change the ratio of leachate in your ingredients. I used to cut my fingers a lot — I have plenty of scars to prove it. But once I learned the proper technique, everything changed. Now, the first thing I teach my Saudi trainees is how to handle a knife properly. 

What’s your top tip for amateur chefs?  

Specialize in what you love. That’s where you’ll really excel. Find your passion — it might be pastry or baking — and go after it. Focus on what you love and you’ll never get bored. 




Moflaq Hasawi at AlOrjouan. (Supplied)

What one ingredient can instantly improve any dish?  

When it comes to local dishes, ghee is the magic ingredient. As soon as you add it, the dish instantly gets better. We use it in so many things — kabsa, jareesh, and many other dishes. Authentic, local ghee especially has such a unique flavor. And for spices, coriander is my go-to. It works with so many dishes — falafel, kabsa, molokhiya, you name it. It just adds that extra something. 

When you go out to eat, do you find yourself critiquing the food?  

I’m really detail-oriented. For example, I love going to Italian restaurants, but I always notice the little things. If a fork or plate is missing from the table, especially in a fine-dining setting, it makes me feel like I’m not welcome. It might annoy the people I’m with, but I can’t help paying attention to those details. When you’re paying for a meal, you expect everything to be perfect. One thing that really stands out to me is how the flavors in the same dish can sometimes change. Maybe they switched the type of cheese or used a different supplier—whatever it is, I can tell right away. Consistency is key in the restaurant business. If the quality starts to vary, it can really hurt the restaurant. Customers expect the same great dish every time, and if that slips, it can cost the business in the long run. 

What’s the most-common issue that you find in other restaurants?  

Many don’t really understand how much revenue they’re actually bringing in. Not many people seem interested in learning how that financial flow works, even though there’s a lot of government support available to help with it. 

When you go out to eat, what’s your favorite dish to order? 

Neopolitan pizza. I’m actually opening my own pizza business, focused on making authentic pizza, just like in Italy. I learned from the best at a restaurant in Melbourne that’s been specializing in pizza for over 70 years. They taught me how to make pizza, pasta, and tiramisu the traditional way. It’s surprisingly simple, but it’s all about doing it the right way, starting with making the dough from scratch just like the Italians do. 

What’s your go-to dish if you have to cook something quickly at home?  

Something like what I had for dinner last night — steak with asparagus, broccoli and cherry tomatoes. It doesn’t even take five minutes. I just sear the steak for two minutes on each side to get it medium-rare, toss the veggies in the pan, and that’s it. Bon appétit! 

What’s your favorite dish to cook and why?  

I really love making pizza. I let the dough rest for three days to get it just right, and I take great care of it during that time. Everyone knows that when the weekend rolls around, it’s pizza time. I have pretty high standards for my pizza, so I always use the best quality ingredients. It makes all the difference. 

What’s the most difficult dish for you to get right?  

I honestly think Saudi dishes are some of the hardest to make because they take so much time. For example, margoog can take two to three hours, and jareesh can take up to five hours. Sure, you could make them faster, but the flavor just wouldn’t be the same. Kabsa is probably the easiest local dish to make, but even that takes about an hour and a half before you’re ready to eat. 

As a leader, what are you like? 

I love working in a positive, happy environment, and I try to bring that energy to the team. I make sure everyone is happy and satisfied. Of course, when mistakes happen, there are times when I can get frustrated. The first time, I’ll address it kindly. But if the same issue keeps happening, especially when it comes to hygiene, I might get a little irritated. I have to be sharp sometimes because, at the end of the day, I’m the manager. 

When things do get stressful, I do my best to motivate the team and lighten the mood. I want them to present food with joy, not just treat it like another task. They can all cook, but if the food isn’t made with love, it won’t taste as good. The flavor just won’t be there. 

Chef Saud’s mataziz recipe 

INGREDIENTS 

For the lamb broth: 

900g lamb (shoulder or leg, cut into pieces); 2 tbsp olive oil; 1 onion, chopped; 3 cloves garlic, chopped; 3 carrots, cubed; 4 medium potatoes, peeled and cubed; 1L meat or vegetable stock; 2 tsp ground cumin; 1 tsp ground coriander; salt and pepper to taste; fresh parsley or dill for garnish. 

For the mataziz dough: 3 cups all-purpose flour; 1 tsp salt; 1 cup warm water (adjust as needed); 2 tbsp olive oil (optional) 

INSTRUCTIONS 

For the lamb broth: 

1. In a large pot, heat the olive oil over medium-high heat. Add the lamb pieces and leave until browned on all sides. Remove from the pan and set aside. 

2. In the same pan, sauté the chopped onion until soft, then add the garlic and cook for another minute. 

3. Return the browned lamb to the pan. Add the carrots, potatoes, and stock. 

4. Stir in the cumin, coriander, salt and pepper. Bring to a boil, then reduce the heat, cover and simmer for 1.5 to 2 hours until the lamb is tender. 

For the mataziz dough:  

1. In a mixing bowl, combine the flour and salt. Gradually add warm water and mix until a dough forms. 

2. Knead on a floured surface for about 5-10 minutes until smooth. Add olive oil for extra flavor and softness, if desired. 

3. Cover the dough with a damp cloth and let it rest for about 30 minutes. This helps to relax the gluten. 

4. Divide the dough into small balls (about the size of a golf ball). 

5. Roll each ball out on a floured surface until very thin (about 1/8 inch thick) and cut to size for the dish. 

6. Heat a skillet over medium-high heat. 

7. Cook each rolled out dough for 4-8 minutes on each side until lightly browned and cooked through. They should be slightly puffed. 

SERVING 

Presentation is always an opportunity to show your creativity. My only advice is to reflect nature on the plate. Start with a circle of mataziz dough in the middle as a base for all the vegetables. Don’t forget to add black lemon as it gives a different flavor to the dish. Create a garden around it using meat broth. Add the lamb and add your touch of dill or coriander. The dish should be served hot. 


Moscow bids farewell to late ballet supremo Grigorovich

Updated 14 sec ago
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Moscow bids farewell to late ballet supremo Grigorovich

MOSCOW: Fans paid tribute on Friday in Moscow’s Bolshoi Theatre to late ballet supremo Yuri Grigorovich, who died this week at the age of 98.
Born in the Soviet city of Leningrad to a ballet family, Grigorovich’s career — as a dancer and choreographer — spanned 80 years.
For much of it, he was the artistic powerhouse behind the Bolshoi, which he was said to have run with an iron fist.
Grigorovich made his name staging classics such as The Nutcracker, Swan Lake and The Stone Flower.
The latter was his most famous piece, based on folk tales from the Urals accompanied by composer Sergei Prokofiev’s music.
He then led the Bolshoi between 1964 and 1995.
“This man was a gift from God,” Agnessa Balieva, 78, a former star dancer at the Bolshoi, told AFP when she came to pay tribute to Grigorovich.
The choreographer’s coffin was covered in garlands in front of the stage of the Bolshoi, alongside a large black and white portrait of him, while music from his ballets was played.
“He was a great man, a genius, a legend,” said Ilia Krivov, a 42-year-old former Bolshoi dancer.
He said Grigorovich had elevated male ballet to “an unprecedented level.”
“Grigorovich was the soul of the Bolshoi,” said Svetlana Staris, a journalist and poet, hailing a figure who “revolutionized ballet.”

U2’s Bono calls for Israel to be ‘released’ from Netanyahu

Updated 23 May 2025
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U2’s Bono calls for Israel to be ‘released’ from Netanyahu

  • Singer tells country to shun ‘far-right fundamentalists that twist your sacred texts’
  • Calls for protection of aid workers: ‘They’re the best of us’

LONDON: U2 singer Bono has called for Israel to be “released from (Prime Minister) Benjamin Netanyahu and far-right fundamentalists.” 

The Irish musician made the statement at the Ivor Novello Awards, and called on Hamas to release all remaining hostages still being held in Gaza.

At the ceremony in London on Thursday, the singer said: “Peace creates possibilities in the most intractable situations. Lord knows there’s a few of them out there right now. 

“Hamas: Release the hostages. Stop the war. Israel: Be released from Benjamin Netanyahu and far-right fundamentalists that twist your sacred texts. All of you protect our aid workers, they’re the best of us.”

U2, who were at the ceremony to be honored with an Academy Fellowship, then performed their song “Bloody Sunday,” which references the massacre of peaceful protesters by British troops in Londonderry, Northern Ireland, in 1972.

It is the first time that Bono, who received the Peace Summit Award at the 2008 Nobel Peace Laureates Summit, has spoken publicly about Netanyahu since the outbreak of the Gaza war in October 2023.

His words coincided with criticism of the prime minister by a number of Western leaders over Israel’s approach to the war, with international bodies warning that Gaza faces famine following an 11-week blockade on aid entering the Palestinian enclave.


Kneecap say Glastonbury slot at risk after terrorism charge

Updated 23 May 2025
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Kneecap say Glastonbury slot at risk after terrorism charge

  • Group member scheduled to appear in court on June 18

DUBAI: The Irish rap group Kneecap said this week that efforts are ongoing to block their appearance at Glastonbury this summer, following a surprise show held just one day after one of their members was charged with a terrorism-related offence.

During their performance at London’s 100 Club on Thursday night, the trio said they were being made a “scapegoat” because they “spoke about the genocide (in Gaza)” at Coachella in April.

Group member Liam Og O Hannaidh was charged on Wednesday with a terrorism offence for allegedly displaying a flag in support of Hezbollah at a gig in London in November 2024. The rapper performs under the stage name Mo Chara and he is scheduled to appear at Westminster Magistrates’ Court in London on June 18.

The police force’s counter-terrorism command was made aware on April 22 of an online video from the event and then carried out an investigation. After that, the Crown Prosecution Service authorized the charge. 

The group posted on social media and said in a statement: “We deny this ‘offence’ and will vehemently defend ourselves. This is political policing. This is a carnival of distraction.”

They added: “14,000 babies are about to die of starvation in Gaza, with food sent by the world sitting on the other side of a wall, and once again the British establishment is focused on us.

“This is a carnival of distraction. We are not the story, genocide is.”

Hours after the charge was filed, Kneecap announced a last-minute gig that reportedly sold out in 90 seconds, with 2,000 people on the waiting list. 

Chara took to the stage at 9 p.m. with tape over his mouth in a symbolic protest. He suggested the timing of the charge was deliberate, saying it came just ahead of their scheduled Glastonbury appearance.

He said: “There’s a reason why what’s happened to me happened before Glastonbury. There’s a reason they’re trying to … stop me speaking at Glastonbury in front of the UK.”


Fashion trailblazers honored at Riyadh awards

Updated 23 May 2025
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Fashion trailblazers honored at Riyadh awards

  • Saudi Fashion Awards spotlight innovators and local talent
  • Women’s Wear Daily collaborates to honor Saudi creatives

RIYADH: Women’s Wear Daily, in collaboration with the Saudi Fashion Commission, honored several creatives at an awards ceremony in Riyadh on Thursday.

(AN: Huda Bashatah)

Alessandro Sartori, artistic director of Zegna, was named International Designer of the Year, while Matteo Tamburini, creative director of Tod’s, received the International Brand of the Year award.

Patrick Ta, founder of Patrick Ta Beauty, was named International Beauty Innovator of the Year, and Glow Recipe was awarded International Beauty Brand of the Year.

(AN: Huda Bashatah)

Additional awards presented by the Saudi Fashion Commission celebrated the achievements of several Saudi Arabia brands and individuals.

Rawan Kattoa was named Fashion Stylist of the Year, Rayyan Nawawi received the Fashion Photographer of the Year award, and KML was recognized as Menswear Brand of the Year.

(AN: Huda Bashatah)

In addition, Abadia was named Womenswear Brand of the Year,  Charmaleena as Jewelry Brand of the Year, and the Elite Model Honorary Award for Model of the Year went to Talida Tamer.

The judging panel included industry leaders Law Roach, Amanda Smith, Burak Cakmak, Xavier Romatet, Mohammed Aldabbageh, and Mai Badr.

(AN: Huda Bashatah)

In her acceptance speech, Kattoa said: “This award means so much to me. It represents a journey that started as a freelancer ... I want to thank my husband for his support, my parents for their inspiration, and all the creatives who made this possible.”

Ahmad Hassan, co-founder of KML, said: “This is such an award for the first time ... It means the world to us. Being recognized in our home country makes this achievement even more special.”

(AN: Huda Bashatah)

“We were born and raised here, and to have our work celebrated in Riyadh is a dream come true. This award inspires us to push boundaries and innovate in our designs,” he added.

Reflecting on the evolving fashion scene, Hassan said: “Events like this showcase the incredible talent we have in Saudi Arabia. It encourages us to keep creating and to elevate our craft.”

“We are committed to telling our story through fashion and contributing to this vibrant industry,” he added.


REVIEW: ‘Lilo and Stitch’ returns with heart, hula and a whole lot of charm

Updated 23 May 2025
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REVIEW: ‘Lilo and Stitch’ returns with heart, hula and a whole lot of charm

  • Homage to 2002 classic while vibrantly fresh
  • Maia Kealoha, 8, playing Lilo steals the show

DUBAI: The new “Lilo & Stitch” reboot honors the 2002 classic while giving it a vibrant look and feel for a new generation.

With stunning animation, amazing casting, and a deep sense of nostalgia, the film strikes an emotional chord from the opening frame.

With the original film being one of the most beloved Disney classics, there was a lot of pressure riding on this remake, especially considering the inconsistency in the latest Disney productions.

Visually, the animation is outstandingly expressive.

The Hawaiian landscapes practically glow and the redesigns of Stitch and his alien companions retain their mischievous charm, even with the updated disguises for Jumba Pleakley.

Although many were not happy with these changes, I personally loved the scene of them learning how to walk as humans.

The emotional core of the film, however, remains unchanged: the powerful bond between sisters Lilo and Nani.

Their dynamic is portrayed with warmth and honesty, balancing cheeky sibling rivalry moments with sincere, tender ones.

The comedic timing is spot-on throughout the movie but is not overdone to the point where it becomes cringey.

Casting is another major win.

The new ensemble delivers energy and heart, with the debuting young actress, Maia Kealoha, 8, playing Lilo stealing the show. She captures Lilo’s quirky spirit, fiery independence and emotional depth perfectly.

While longtime fans may note a few subtle updates to the characters and plot, the film stays true to its core message of family, belonging, and unconditional love.

The film really tugs at the heart strings and may even leave one teary-eyed at some points.

Reintroducing the beloved story to a new generation, “Lilo and Stitch” is a must-watch this summer.