Mad for momos: Pakistan’s first dumplings-only café carves a niche

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Updated 09 October 2024
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Mad for momos: Pakistan’s first dumplings-only café carves a niche

  • Maria Mushtaq opened first branch of Mariyah’s Den in Karachi in 2021, she now has two more outlets in Pakistan
  • Food critic Ahmer Naqvi says dumplings popular as they “fit into modern life in terms of convenience and fusion”

KARACHI: If by chance you are a lover of dumplings and based in Karachi or Islamabad, then consider this a good time to pay a visit to Mariyah’s Den, Pakistan’s first dumplings-only café.
While Chinese dishes like fried rice, chow mein noodles and chicken manchurian have long been beloved to the Pakistani flavor palate, a taste for dumplings, a globe-spanning culinary trope, has been on the rise in the South Asian city in recent years. This growing taste is what founder and chef Maria Mushtaq was counting on when she started Mariyah’s Den as a delivery service for ready-to-cook frozen dumplings which she made and sold from home in 2020, as people opened up to trying new recipes and dishes during coronavirus lockdowns.
“Then my husband, who is also a partner in this venture, said ‘The way you steam it [dumpling] and the way you make it and serve it in the sauce, it’s very unique, so, you should open a café’,” Mushtaq told Arab News in an interview earlier this month.
The first branch of Mariyah’s Den opened in Karachi in November 2021. Three years later, the cafe has another outlet in Karachi and one in Islamabad as well.
The restaurant serves nine types of dumplings including beef, chicken, lamb, prawn, a combination of prawn and chicken, vegetarian, mushroom and a sweet variety filled with chocolate.
“A lot of people did come up and say, ‘Oh, you’re very brave that you opened a restaurant just on the basis of one dish’,” Mushtaq said. “But I realized that in Karachi, we do have specific places where we go to eat specific foods like nihari and bun kebab so why not dumplings?”
The cafe was a “hit since day one,” the chef added.
“Dumplings as a dish in itself were not that popular a long time ago, but now people do consider that it’s a snack and they like it,” Mushtaq said, explaining that she had tweaked what she thought were the “bland flavors” of Chinese dumplings to Pakistani tastes.
The dumplings at Mariyah’s Den are also served in the sauce, rather than with the sauce of the side.
“Dumplings have been there for a very long time, it’s like a 2000-year-old Chinese dish and dumplings are present in every culture but everyone has adapted it to their own taste and liking,” Mushtaq said. “The Nepalese have their own version, we have mamtus in the mountains [of Pakistan].
Customers also said dumplings were the “perfect comfort food,” filled with both carbohydrates and protein ingredients. Others liked the ease of eating them.
“I think we live in an era of snack foods. Most people like me prefer [dumplings], because it’s instantly available to grab and go,” Mohammad Shams, who was visiting Mariyah’s Den earlier this month, told Arab News.
Ahmer Naqvi, a Pakistani culture and food critic, agreed that dumplings were a comfort food and “very common” across cultures.
“It’s actually one of the oldest and most familiar things going around, like a samosa,” he said, “It is a different dough texture but using the same logic. As a result of globalization, you are seeing a combination of a more Chinese style of the dumplings. It’s more popular now because of the ways it fits into modern life whether in terms of convenience or in terms of fusion.”
Dumplings were also very easy to cook and store, Naqvi added.
For the future, Mushtaq plans to expand her menu but wants to stay true to the cafe’s roots in Chinese flavors.
“We are slowly adding noodles also. So, we have chilly noodles. We have just added a soup bowl, which is noodles with chicken curry,” she said. “I think the genre is just going to be dumplings and we’d just keep on experimenting with that kind of food which is fast, not junk, and it’s very healthy.”


Moscow bids farewell to late ballet supremo Grigorovich

Updated 14 sec ago
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Moscow bids farewell to late ballet supremo Grigorovich

MOSCOW: Fans paid tribute on Friday in Moscow’s Bolshoi Theatre to late ballet supremo Yuri Grigorovich, who died this week at the age of 98.
Born in the Soviet city of Leningrad to a ballet family, Grigorovich’s career — as a dancer and choreographer — spanned 80 years.
For much of it, he was the artistic powerhouse behind the Bolshoi, which he was said to have run with an iron fist.
Grigorovich made his name staging classics such as The Nutcracker, Swan Lake and The Stone Flower.
The latter was his most famous piece, based on folk tales from the Urals accompanied by composer Sergei Prokofiev’s music.
He then led the Bolshoi between 1964 and 1995.
“This man was a gift from God,” Agnessa Balieva, 78, a former star dancer at the Bolshoi, told AFP when she came to pay tribute to Grigorovich.
The choreographer’s coffin was covered in garlands in front of the stage of the Bolshoi, alongside a large black and white portrait of him, while music from his ballets was played.
“He was a great man, a genius, a legend,” said Ilia Krivov, a 42-year-old former Bolshoi dancer.
He said Grigorovich had elevated male ballet to “an unprecedented level.”
“Grigorovich was the soul of the Bolshoi,” said Svetlana Staris, a journalist and poet, hailing a figure who “revolutionized ballet.”

U2’s Bono calls for Israel to be ‘released’ from Netanyahu

Updated 23 May 2025
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U2’s Bono calls for Israel to be ‘released’ from Netanyahu

  • Singer tells country to shun ‘far-right fundamentalists that twist your sacred texts’
  • Calls for protection of aid workers: ‘They’re the best of us’

LONDON: U2 singer Bono has called for Israel to be “released from (Prime Minister) Benjamin Netanyahu and far-right fundamentalists.” 

The Irish musician made the statement at the Ivor Novello Awards, and called on Hamas to release all remaining hostages still being held in Gaza.

At the ceremony in London on Thursday, the singer said: “Peace creates possibilities in the most intractable situations. Lord knows there’s a few of them out there right now. 

“Hamas: Release the hostages. Stop the war. Israel: Be released from Benjamin Netanyahu and far-right fundamentalists that twist your sacred texts. All of you protect our aid workers, they’re the best of us.”

U2, who were at the ceremony to be honored with an Academy Fellowship, then performed their song “Bloody Sunday,” which references the massacre of peaceful protesters by British troops in Londonderry, Northern Ireland, in 1972.

It is the first time that Bono, who received the Peace Summit Award at the 2008 Nobel Peace Laureates Summit, has spoken publicly about Netanyahu since the outbreak of the Gaza war in October 2023.

His words coincided with criticism of the prime minister by a number of Western leaders over Israel’s approach to the war, with international bodies warning that Gaza faces famine following an 11-week blockade on aid entering the Palestinian enclave.


Kneecap say Glastonbury slot at risk after terrorism charge

Updated 23 May 2025
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Kneecap say Glastonbury slot at risk after terrorism charge

  • Group member scheduled to appear in court on June 18

DUBAI: The Irish rap group Kneecap said this week that efforts are ongoing to block their appearance at Glastonbury this summer, following a surprise show held just one day after one of their members was charged with a terrorism-related offence.

During their performance at London’s 100 Club on Thursday night, the trio said they were being made a “scapegoat” because they “spoke about the genocide (in Gaza)” at Coachella in April.

Group member Liam Og O Hannaidh was charged on Wednesday with a terrorism offence for allegedly displaying a flag in support of Hezbollah at a gig in London in November 2024. The rapper performs under the stage name Mo Chara and he is scheduled to appear at Westminster Magistrates’ Court in London on June 18.

The police force’s counter-terrorism command was made aware on April 22 of an online video from the event and then carried out an investigation. After that, the Crown Prosecution Service authorized the charge. 

The group posted on social media and said in a statement: “We deny this ‘offence’ and will vehemently defend ourselves. This is political policing. This is a carnival of distraction.”

They added: “14,000 babies are about to die of starvation in Gaza, with food sent by the world sitting on the other side of a wall, and once again the British establishment is focused on us.

“This is a carnival of distraction. We are not the story, genocide is.”

Hours after the charge was filed, Kneecap announced a last-minute gig that reportedly sold out in 90 seconds, with 2,000 people on the waiting list. 

Chara took to the stage at 9 p.m. with tape over his mouth in a symbolic protest. He suggested the timing of the charge was deliberate, saying it came just ahead of their scheduled Glastonbury appearance.

He said: “There’s a reason why what’s happened to me happened before Glastonbury. There’s a reason they’re trying to … stop me speaking at Glastonbury in front of the UK.”


Fashion trailblazers honored at Riyadh awards

Updated 23 May 2025
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Fashion trailblazers honored at Riyadh awards

  • Saudi Fashion Awards spotlight innovators and local talent
  • Women’s Wear Daily collaborates to honor Saudi creatives

RIYADH: Women’s Wear Daily, in collaboration with the Saudi Fashion Commission, honored several creatives at an awards ceremony in Riyadh on Thursday.

(AN: Huda Bashatah)

Alessandro Sartori, artistic director of Zegna, was named International Designer of the Year, while Matteo Tamburini, creative director of Tod’s, received the International Brand of the Year award.

Patrick Ta, founder of Patrick Ta Beauty, was named International Beauty Innovator of the Year, and Glow Recipe was awarded International Beauty Brand of the Year.

(AN: Huda Bashatah)

Additional awards presented by the Saudi Fashion Commission celebrated the achievements of several Saudi Arabia brands and individuals.

Rawan Kattoa was named Fashion Stylist of the Year, Rayyan Nawawi received the Fashion Photographer of the Year award, and KML was recognized as Menswear Brand of the Year.

(AN: Huda Bashatah)

In addition, Abadia was named Womenswear Brand of the Year,  Charmaleena as Jewelry Brand of the Year, and the Elite Model Honorary Award for Model of the Year went to Talida Tamer.

The judging panel included industry leaders Law Roach, Amanda Smith, Burak Cakmak, Xavier Romatet, Mohammed Aldabbageh, and Mai Badr.

(AN: Huda Bashatah)

In her acceptance speech, Kattoa said: “This award means so much to me. It represents a journey that started as a freelancer ... I want to thank my husband for his support, my parents for their inspiration, and all the creatives who made this possible.”

Ahmad Hassan, co-founder of KML, said: “This is such an award for the first time ... It means the world to us. Being recognized in our home country makes this achievement even more special.”

(AN: Huda Bashatah)

“We were born and raised here, and to have our work celebrated in Riyadh is a dream come true. This award inspires us to push boundaries and innovate in our designs,” he added.

Reflecting on the evolving fashion scene, Hassan said: “Events like this showcase the incredible talent we have in Saudi Arabia. It encourages us to keep creating and to elevate our craft.”

“We are committed to telling our story through fashion and contributing to this vibrant industry,” he added.


REVIEW: ‘Lilo and Stitch’ returns with heart, hula and a whole lot of charm

Updated 23 May 2025
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REVIEW: ‘Lilo and Stitch’ returns with heart, hula and a whole lot of charm

  • Homage to 2002 classic while vibrantly fresh
  • Maia Kealoha, 8, playing Lilo steals the show

DUBAI: The new “Lilo & Stitch” reboot honors the 2002 classic while giving it a vibrant look and feel for a new generation.

With stunning animation, amazing casting, and a deep sense of nostalgia, the film strikes an emotional chord from the opening frame.

With the original film being one of the most beloved Disney classics, there was a lot of pressure riding on this remake, especially considering the inconsistency in the latest Disney productions.

Visually, the animation is outstandingly expressive.

The Hawaiian landscapes practically glow and the redesigns of Stitch and his alien companions retain their mischievous charm, even with the updated disguises for Jumba Pleakley.

Although many were not happy with these changes, I personally loved the scene of them learning how to walk as humans.

The emotional core of the film, however, remains unchanged: the powerful bond between sisters Lilo and Nani.

Their dynamic is portrayed with warmth and honesty, balancing cheeky sibling rivalry moments with sincere, tender ones.

The comedic timing is spot-on throughout the movie but is not overdone to the point where it becomes cringey.

Casting is another major win.

The new ensemble delivers energy and heart, with the debuting young actress, Maia Kealoha, 8, playing Lilo stealing the show. She captures Lilo’s quirky spirit, fiery independence and emotional depth perfectly.

While longtime fans may note a few subtle updates to the characters and plot, the film stays true to its core message of family, belonging, and unconditional love.

The film really tugs at the heart strings and may even leave one teary-eyed at some points.

Reintroducing the beloved story to a new generation, “Lilo and Stitch” is a must-watch this summer.