ISLAMABAD: At least 16 people, including three women and two children, were killed in a fresh sectarian clash in Pakistan’s northwest, officials said.
Sunni and Shiite Muslim tribes have been engaged in intermittent fighting for several months in the Kurram district of Pakistan’s Khyber Pakhtunkhwa province.
Kurram, formerly a semi-autonomous area, has a history of bloody confrontations between tribes belonging to the Sunni and Shiite sects of Islam that have claimed hundreds of lives over the years.
A convoy of Sunnis was traveling under the protection of paramilitary soldiers on Saturday when they came under attack, a senior Kurram administration official told AFP on the condition of anonymity.
“As a result, 14 people, including 3 women and 2 children, were killed, and six others were wounded,” he said.
Frontier police responded and killed two of the attackers, who were identified as Shiites, he said.
The official said the latest attack had “sectarian motives” that “have plagued the region for the past two decades.”
“Every conflict tends to take on a sectarian dimension,” he said.
Other recent clashes in July and September killed dozens of people and ended only after a jirga, or tribal council, called a ceasefire.
Officials are attempting to broker a fresh truce.
Tribal and family feuds are common in Pakistan.
However, they can be particularly protracted and violent in remote areas of Khyber Pakhtunkhwa, where communities abide by traditional tribal honor codes.
The Shiite community in Pakistan, a predominantly Sunni Muslim country, has long suffered discrimination and violence.

LAHORE: A widely acclaimed art curator has transformed the third edition of the Lahore Biennale into an artistic engagement with ecology and the environment, selecting historic public spaces across Lahore for art installations to attract a wider audience and spark conversations about sustainable living.
Originally from Hong Kong, John Tain’s career has spanned several countries, including the United States, Taiwan, and India, where he digitally archived art before taking over curatorial duties in Pakistan.
The Lahore Biennale Foundation has been working since 2014 to preserve the city’s rich legacy of arts and culture, a heritage that stretches back thousands of years. This year’s theme, “Of Mountains and Seas,” reflects the pressing concern of how the Global South is disproportionately affected by the climate crisis.
Pakistan itself has witnessed a series of catastrophic floods, heatwaves and droughts that have claimed countless lives, caused massive financial damage and raised concerns about food security.
This is despite the fact that the country contributes less than one percent of global carbon emissions, yet remains one of the most severely affected by the impacts of climate change.
“[This year’s event] looks at the themes of ecologies and sustainable futures, but not from the perspective of the problems that we’re all facing, but really from thinking about what are the possible solutions,” Tain said while speaking to Arab News on Friday.
“Specifically, what are the solutions that we can find in a place like Lahore, Pakistan, and thinking about what resources are available locally and in the indigenous culture,” he added.
The event, which kicked off on October 5, will culminate in a Climate Congress next month, featuring international scholars, academics and artists, coinciding with the notorious smog season in the city.
Tain maintained that Lahore was the ideal location to carry out the biennale since it had been significantly impacted by the worsening climate.
“Working with 61 artists who come from over 30 countries, it’s really not about importing answers and knowledge from elsewhere,” he said. “It’s really about looking together for resources and what we can do together to find solutions for sustainability.”
Pointing to the paintings lining the walls of the Shalimar Garden, built by Mughal Emperor Shah Jahan in 1641, he highlighted works on melting glaciers and fossil fuels by artists like Hamra Abbas and Niamat Nigar.
“Lahore Biennale as a project is not located in art museums or elite spaces,” he said. “We’re really in the city. So, here we are at Shalimar Gardens, where families are playing football and taking strolls.”
Tain mentioned that art installations had also been placed at other public locations, such as the Orange Line metro system, which people use daily.
“So, it’s really meant to bring art to the people, rather than make people come to the art,” he added.
Asked about the Climate Congress at the end of the biennale, he said a lot of research on the environment had been done by experts and researchers, though it had not been properly communicated to the general public.
“The biennale is trying to think about how art and exhibitions can be vehicles for communicating these kinds of messages,” he continued, suggesting that the Climate Congress would be a continuation of the same effort.
While it has only been a week since the biennale installations were opened to the public, Tain said he was happy with the response.
“I think there was a good attendance on both of the opening days [of the inauguration],” he said, encouraging people to attend the event, which is open until November 8.