Book Review: ‘Thinking with Type’

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Updated 18 October 2024
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Book Review: ‘Thinking with Type’

It has been 20 years since Ellen Lupton’s 2004 book, “Thinking with Type: A critical guide for designers, editors & students” was released, but it is still as relevant as ever.

The book opens with: “The organization of letters on a blank page — or screen — is the designer’s most basic challenge. What kind of font to use? How big? How should those letters, words and paragraphs be aligned, spaced, ordered, shaped and otherwise manipulated?”

While teaching at the Maryland Institute College of Art in Baltimore, Lupton wrote the book because she could not find one that encapsulated everything she deemed important for her students.

Lupton, a renowned graphic designer, educator and writer, has been a go-to person for typography and design theory for decades. Her work blends theory with practical insight, making complex design concepts accessible to a wider audience.

The book is divided into three sections — “Letter,” “Text” and “Grid” — which address a different aspect of typography.

In the “Letter” section, Lupton explores the anatomy of individual characters, explaining font styles, classifications and the historical evolution of typefaces.

The “Text” section focuses on how text is structured on a page, discussing important details like spacing, alignment and legibility — all of which are crucial for effective communication.

The “Grid” section explores how type can be organized to create a balanced and visually appealing layout.

The book has become a staple in classrooms and for people simply interested in typography. The pages offer a clear and engaging roadmap for the principles of working with type, in both print and digital mediums.

Lupton’s use of real-world examples — along with exercises for readers — makes the book both practical and visually stimulating.


What We Are Reading Today: ‘Rare Tongues’ by Lorna Gibb

Updated 27 April 2025
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What We Are Reading Today: ‘Rare Tongues’ by Lorna Gibb

Languages and cultures are becoming increasingly homogenous, with the resulting loss of a rich linguistic tapestry reflecting unique perspectives and ways of life.

‘Rare Tongues” tells the stories of the world’s rare and vanishing languages, revealing how each is a living testament to human resilience, adaptability, and the perennial quest for identity.

Taking readers on a captivating journey of discovery, Lorna Gibb explores the histories of languages under threat or already extinct as well as those in resurgence, shedding light on their origins, development, and distinctive voices.


What We Are Reading Today: The Teacher in the Machine

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Updated 26 April 2025
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What We Are Reading Today: The Teacher in the Machine

  • Scholars at Stanford, MIT, and the University of Illinois in the 1960s and 1970s were encouraged by the US government to experiment with computers and AI in education

Author: Anne Trumbore

From AI tutors who ensure individualized instruction but cannot do math to free online courses from elite universities that were supposed to democratize higher education, claims that technological innovations will transform education often fall short.

Yet, as Anne Trumbore shows in “The Teacher in the Machine,” the promises of today’s cutting-edge technologies aren’t new. Scholars at Stanford, MIT, and the University of Illinois in the 1960s and 1970s were encouraged by the US government to experiment with computers and AI in education.

 


What We Are Reading Today: All the World on a Page

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Updated 25 April 2025
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What We Are Reading Today: All the World on a Page

  • “All the World on a Page” gathers 34 poems, written between 1907 and 2022, presenting each poem in the original Russian and an English translation, accompanied by an essay that places the poem in its cultural, historical, and biographical contexts

Author: Andrew Kahn and Mark Lipovetsky

The Russian cultural tradition treats poetry as the supreme artistic form, with Alexander Pushkin as its national hero. Modern Russian lyric poets, often on the right side of history but the wrong side of their country’s politics, have engaged intensely with subjectivity, aesthetic movements, ideology (usually subversive), and literature itself. 

“All the World on a Page” gathers 34 poems, written between 1907 and 2022, presenting each poem in the original Russian and an English translation, accompanied by an essay that places the poem in its cultural, historical, and biographical contexts.

The poems, both canonical and lesser-known works, extend across a range of moods and scenes: Velimir Khlebnikov’s Futurist revolutionary prophecy, Anna Akhmatova’s lyric cycle about poetic inspiration, Vladimir Nabokov’s Symbolist erotic dreamworld, and Joseph Brodsky’s pastiche of a Chekhovian play set on a country estate.

 

 


What We Are Reading Today: ‘What Is Ancient History?’ by Walter Scheidel

Updated 24 April 2025
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What We Are Reading Today: ‘What Is Ancient History?’ by Walter Scheidel

It’s easy to think that ancient history is, well, ancient history —obsolete, irrelevant, unjustifiably focused on Greece and Rome, and at risk of extinction.

In “What Is Ancient History?” Walter Scheidel presents a compelling case for a new kind of ancient history — a global history that captures antiquity’s pivotal role as a decisive phase in human development, one that provided the shared foundation of our world and continues to shape our lives today.

For Scheidel, ancient history is when the earliest versions of today’s ways of life were created and spread — from farming, mining, and engineering to housing and transportation, cities and government, writing and belief systems. 

Transforming the planet, this process unfolded all over the world, in Eurasia, Africa, and the Americas, often at different times, sometimes haltingly but ultimately unstoppably.


What We Are Reading Today: ‘I Was Working: Poems’ by Ariel Yelen

Updated 23 April 2025
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What We Are Reading Today: ‘I Was Working: Poems’ by Ariel Yelen

Seeking to find a song of the self that can survive or even thrive amid the mundane routines of work, Ariel Yelen’s lyrics include wry reflections on the absurdities and abjection of being a poet who is also an office worker and commuter in New York.

In the poems’ dialogues between labor and autonomy, the beeping of a microwave in the staff lounge becomes an opportunity for song, the poet writes from a cubicle as it is being sawed in half, and the speaker of the title poem decides “to quit everything except work.”