Book Review: ‘Behave’ by Robert Sapolsky

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Updated 27 October 2024
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Book Review: ‘Behave’ by Robert Sapolsky

  • Sapolsky makes the reader eat their vegetables, so to speak, with the science, but the resounding feeling they are left with comes from the dessert

Robert Sapolsky is a Stanford neuroscientist who has spent much of his adult life studying the behavior of baboons in Africa.

Reflecting on the similarities between the savannah-dwelling primates and our own species, Sapolsky rose to YouTube fame with a series of Stanford lectures on human behavior in the early 2010s.

His 2017 New York Times bestseller “Behave” is the product of a lifetime of research, capitalizing on his internet popularity.

Structured into sections that attempt to explain human behavior over different spans of time — starting with studies of brain chemistry moments before an action takes place, and ranging all the way through to the history of human evolution — the book mixes in-depth scientific fact with broader views of culture and society.

If the reader can wade through the technical descriptions of dendrites, axons, and action potentials, they are rewarded with Sapolsky’s profound observations on what exactly it means to be human.

Without giving too much away, the scientific studies presented in the first half of the book are later revealed to be evidence for some of Sapolsky’s more unorthodox theories on free will, society, and the justice system which, if presented without the preceding pages of argument, might not be quite as digestible.

Sapolsky makes the reader eat their vegetables, so to speak, with the science, but the resounding feeling they are left with comes from the dessert: his heartfelt take on compassion, morality, and the progress that humankind is making in becoming kinder despite the darker aspects of our nature.
 


What We Are Reading Today: ‘Rare Tongues’ by Lorna Gibb

Updated 27 April 2025
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What We Are Reading Today: ‘Rare Tongues’ by Lorna Gibb

Languages and cultures are becoming increasingly homogenous, with the resulting loss of a rich linguistic tapestry reflecting unique perspectives and ways of life.

‘Rare Tongues” tells the stories of the world’s rare and vanishing languages, revealing how each is a living testament to human resilience, adaptability, and the perennial quest for identity.

Taking readers on a captivating journey of discovery, Lorna Gibb explores the histories of languages under threat or already extinct as well as those in resurgence, shedding light on their origins, development, and distinctive voices.


What We Are Reading Today: The Teacher in the Machine

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Updated 26 April 2025
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What We Are Reading Today: The Teacher in the Machine

  • Scholars at Stanford, MIT, and the University of Illinois in the 1960s and 1970s were encouraged by the US government to experiment with computers and AI in education

Author: Anne Trumbore

From AI tutors who ensure individualized instruction but cannot do math to free online courses from elite universities that were supposed to democratize higher education, claims that technological innovations will transform education often fall short.

Yet, as Anne Trumbore shows in “The Teacher in the Machine,” the promises of today’s cutting-edge technologies aren’t new. Scholars at Stanford, MIT, and the University of Illinois in the 1960s and 1970s were encouraged by the US government to experiment with computers and AI in education.

 


What We Are Reading Today: All the World on a Page

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Updated 25 April 2025
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What We Are Reading Today: All the World on a Page

  • “All the World on a Page” gathers 34 poems, written between 1907 and 2022, presenting each poem in the original Russian and an English translation, accompanied by an essay that places the poem in its cultural, historical, and biographical contexts

Author: Andrew Kahn and Mark Lipovetsky

The Russian cultural tradition treats poetry as the supreme artistic form, with Alexander Pushkin as its national hero. Modern Russian lyric poets, often on the right side of history but the wrong side of their country’s politics, have engaged intensely with subjectivity, aesthetic movements, ideology (usually subversive), and literature itself. 

“All the World on a Page” gathers 34 poems, written between 1907 and 2022, presenting each poem in the original Russian and an English translation, accompanied by an essay that places the poem in its cultural, historical, and biographical contexts.

The poems, both canonical and lesser-known works, extend across a range of moods and scenes: Velimir Khlebnikov’s Futurist revolutionary prophecy, Anna Akhmatova’s lyric cycle about poetic inspiration, Vladimir Nabokov’s Symbolist erotic dreamworld, and Joseph Brodsky’s pastiche of a Chekhovian play set on a country estate.

 

 


What We Are Reading Today: ‘What Is Ancient History?’ by Walter Scheidel

Updated 24 April 2025
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What We Are Reading Today: ‘What Is Ancient History?’ by Walter Scheidel

It’s easy to think that ancient history is, well, ancient history —obsolete, irrelevant, unjustifiably focused on Greece and Rome, and at risk of extinction.

In “What Is Ancient History?” Walter Scheidel presents a compelling case for a new kind of ancient history — a global history that captures antiquity’s pivotal role as a decisive phase in human development, one that provided the shared foundation of our world and continues to shape our lives today.

For Scheidel, ancient history is when the earliest versions of today’s ways of life were created and spread — from farming, mining, and engineering to housing and transportation, cities and government, writing and belief systems. 

Transforming the planet, this process unfolded all over the world, in Eurasia, Africa, and the Americas, often at different times, sometimes haltingly but ultimately unstoppably.


What We Are Reading Today: ‘I Was Working: Poems’ by Ariel Yelen

Updated 23 April 2025
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What We Are Reading Today: ‘I Was Working: Poems’ by Ariel Yelen

Seeking to find a song of the self that can survive or even thrive amid the mundane routines of work, Ariel Yelen’s lyrics include wry reflections on the absurdities and abjection of being a poet who is also an office worker and commuter in New York.

In the poems’ dialogues between labor and autonomy, the beeping of a microwave in the staff lounge becomes an opportunity for song, the poet writes from a cubicle as it is being sawed in half, and the speaker of the title poem decides “to quit everything except work.”