KARACHI: For over seven decades, the Bundoo Khan Restaurant has been a culinary landmark in the Pakistani port city of Karachi, delighting generations of food lovers with its signature kebabs, sizzling chicken tikkas and crunchy parathas.
Founded in 1948 by Al Hajj Bundoo Khan, a migrant from Meerut in present day India, the restaurant began as a humble barbecue stall on Karachi’s MA Jinnah Road, then known as Bandar Road, using family recipes passed down from a maternal uncle.
While the eatery was a hit from the beginning, it gained visibility when its innovative approach to grilling and marinating caught the eye of General Ayub Khan, who served as the president of Pakistan from 1958 until his resignation in 1969. Becoming a favorite of the president turned the small eatery into the talk of the town, and it began to draw large crowds from all walks of life.
“My father can be called the founder of barbecue [in Karachi],” Akber Bundoo Khan, the founder’s 62-year-old son, told Arab News.
“No one knew how to make tikka [like him], how kebabs were made, how parathas were made or how halwa was made.”
Indeed, barbeque has become synonymous with the Bundoo Khan name in Karachi, cementing its reputation as a must-visit destination for the city’s residents and a gathering place for politicians, government officials, actors and singers.
“This brand has been around for 76 years,” said Waqar Mehmood, Bundoo Khan’s grandson who oversees a branch in the city’s Sindhi Muslim area.
“When we first set up an exhibition [during the first few decades], the first person to visit was [Pakistan’s former president] Ayub Khan who gave us the first prize and a gold medal for our barbecue.”
Mehmood spoke about visits to the restaurant by General Ayub Khan’s family, as well as Pakistan’s former first lady Ranaa Liaquat Ali Khan, ex-premier Zulfiqar Ali Bhutto and the now jailed former Prime Minister Imran Khan. Legendary Pakistani actors like Muhammad Ali, Zeba and Waheed Murad were also loyal patrons and iconic singer Noor Jehan continued to request Bundoo Khan’s food until her last days before she passed away in 2000.
“Every day, I would personally take her double-spiced chicken tikka and six kebabs to the hospital,” he said.
The restaurant’s influence has also been immortalized in Pakistani music, with songs like Ahmed Rushdi’s 1954 hit “Bandar Road Se Keamari” and Mehdi Hassan’s 1977 track “Makhan Jesi Larki,” both mentioning the eatery.
Pakistani TV and film actor Behroze Sabzwari recalled childhood memories of visiting the original branch on MA Jinnah Road and meeting the restaurant’s founder, who passed away in 1987 at the age of 105.
“I lived and grew up in the area right behind the Bundoo Khan [Restaurant] in Jacob Line,” he told Arab News. “It wasn’t much, but you could get tikka for just 10 or 15 rupees [$0.05] and everything else as well. And believe me, the taste from those days of that halwa, that tikka, those kebabs, that paratha still lingers with me to this day.”
Asad Sohail, an engineer and regular customer, also recalled visiting Bundoo Khan as a child with his father and grandfather, saying dinner at the restaurant was a must after a night out at the movies.
“We used to come here with my grandfather, wearing shorts, when we were little. Then, as kids, we came with our father,” he said.
“Their barbecue, I haven’t tasted anything like it anywhere in Pakistan. It’s truly unique. Their kebabs are so tender, the marination is perfect, and the tikka, what can I say? It’s completely different from anything else.”
Today, while the restaurant keeps attracting new customers at all its branches in Karachi and across Pakistan as well as in Dubai and Madinah, the first branch on MA Jinnah Road has seen a decline in clients in recent years due to a rise in crime in the area.
Still, Akber Bundoo Khan’s son insists the original location will never shut down.
“This is our asset,” he said. “The flavor that started here has spread all over the world. It’s because of this taste that we’re famous ... Our identity, our entire legacy, has been built from here.”
Bundoo Khan: How one restaurant parlayed barbeque into a Karachi landmark
https://arab.news/6jmjs
Bundoo Khan: How one restaurant parlayed barbeque into a Karachi landmark
- Founded in 1948, Bundoo Khan Restaurant is a mainstay for politicians, celebrities, and residents of the port city
- Eatery first gained prominence when its barbeque caught the eye of ex-president Ayub Khan at a local exhibition
‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix
DUBAI: Saudi filmmaker Faris Godus’ latest feature “Fever Dream” is now available to stream on Netflix, bringing together a star-studded local cast including Fatima Al-Banawi, Sohayb Godus, Najm, Hakeem Jomah and Nour Al-Khadra.
Supported by the Red Sea Fund, the film, which explores themes of media manipulation, digital identity, and the cost of fame in the age of online influence, had its world premiere at the 2023 Red Sea International Film Festival.
It tells the story of Samado, a retired football star who, burdened by media scrutiny and public notoriety, finds a chance to reclaim control. Partnering with his daughter, he sets out to take revenge on a powerful social media portal. But as they plunge deeper into their pursuit of fame and digital redemption, the line between ambition and obsession begins to blur.
Najm plays Ahlam, the daughter of Samado, while Jomah appears as Hakeem, a PR agent hired to help restore Samado’s public image. Al-Banawi takes on the role of Alaa, another key PR agent working alongside Hakeem.
Godus is famous for his work “Shams Alma’arif” (The Book of Sun), which also streamed on Netflix, and “Predicament in Sight.”
He previously said in an interview with Arab News: “(In Saudi Arabia), we have a rich soil to build content on and so many stories to tell. I do believe that nowadays the support coming from our country is just awesome. People have so many chances to create films now.”
Meanwhile, Al-Banawi is recognized for her roles in “Barakah Meets Barakah” and the Saudi thriller “Route 10.”
She made her directorial debut with “Basma,” in which she also plays the title role — a young Saudi woman who returns to her hometown of Jeddah after studying in the US. Back home, she is confronted with her father’s mental illness, strained family ties, and the challenge of reconnecting with a past life that no longer feels familiar.
“I really went into cinema — in 2015 with my first feature as an actress — with one intention: to bridge the gap between the arts and social impact and psychology,” she previously told Arab News. “And I was able to come closer to this union when I positioned myself as a writer-director, more so than as an actor.”
What to expect at the 10th edition of the UK’s SAFAR Film Festival
DUBAI: The 10th edition of the SAFAR Film Festival launches on Wednesday with a newly restored screening of the 1972 Egyptian classic “Watch Out for Zouzou” by Hassan Al-Imam at Ciné Lumière in London.
The festival will run until June 28, concluding with the UK premiere of “Sudan, Remember Us” (2024) by Hind Meddeb.
This edition of SAFAR will take place across cinemas in London and nine other UK cities, showcasing a broad range of feature films, documentaries and shorts from the South West Asia and North Africa region.
A complementary online programme, curated by the Lebanese nonprofit cultural organization AFLAMUNA, will run throughout the month, exploring works that respond to the Lebanese civil war — 50 years after it began.
Audiences can expect films that explore themes of migration, political empowerment, conflict, creativity and joy.
Among this year’s highlights is “A State of Passion,” documenting the work of British Palestinian reconstructive surgeon Dr. Ghassan Abu Sittah in Gaza. Directed by Carol Mansour and Muna Khalidi, the film delves into the emotional toll of his work.
Veteran Palestinian actor, director and documentarian Mohammad Bakri will be a special guest, delivering a masterclass and appearing for screenings of “Upshot” (2024) by Maha Haj and his landmark 2002 documentary “Jenin, Jenin,” which was banned by the Israeli Film Board. The film features testimonies from survivors of the 2002 Israeli military assault on the Jenin refugee camp.
Among other notable titles is “Seeking Haven for Mr Rambo” (2024) by Khaled Mansour, an emotive thriller that follows Hassan on a mission to protect his best friend and dog. The film previously won the Grand Prize at the Red Sea International Film Festival.
“Red Path” (2024) by Lotfi Achour, based on a true story, recounts the harrowing experience of 13-year-old Achraf, who is forced to carry the severed head of his cousin back to their village after a terrorist attack.
In “Saify” (2024) by Wael Abu Mansour, a middle-aged trickster sells tapes of banned Islamic sermons in hopes of quick profit, offering a sharp social commentary on the pursuit of wealth.
Directors of all three films will be present at SAFAR for post-screening discussions.
Also part of this year’s programme is Laila Abbas’s dark comedy “Thank You for Banking With Us!” (2024), where two estranged sisters reunite to claim their inheritance before the authorities discover their father’s death and transfer it to their brother.
SAFAR will also present “Palestine – A Revised Narrative,” a 30-minute silent film compiled from 35mm archival footage shot by British forces in Palestine between 1914 and 1918. Commissioned by ALFILM, this screening will feature a live score by composer Cynthia Zaven and sound design by Rana Eid, re-examining the British imperial narrative at a pivotal moment in Middle Eastern history.
The festival includes environmental programming through “Biodiversity and Cinema,” an initiative launched in 2023 that brings together Lebanese filmmakers and ecologists to create short documentaries on ecosystems and microorganisms. A selection of these films will screen under the title “Rooted Resistance,” with filmmakers in attendance.
“The Brink of Dreams” (2024) by Nada Riyadh and Ayman El-Amir also features in this year’s line-up. Shot over four years in southern Egypt, the film follows a group of girls who form a street theatre troupe to challenge the expectations of their conservative village.
Review: Aria Aber’s debut novel ‘Good Girl’ marks her as a writer to watch
JEDDAH: In her debut novel “Good Girl,” German-born poet Aria Aber writes a raw tableau of contemporary German society, plunging readers into post-9/11 psyche through the eyes of Nila, a 19-year-old Afghan German girl.
As Nila stumbles through Berlin’s underground techno scene, the city emerges as a character that, like her, is fractured and being forged anew. Berlin seems to be in the throes of struggling to reinvent itself amidst rising Islamophobia and neo-Nazi violence, while Nila’s quest for selfhood emerges in her rebellion against the suffocating expectations imposed on Afghan girls and the identity crisis born out of living in a society that seems suspicious of her presence.
It's a tale as old as the human desire for movement and refuge: Nila is too Afghan for German society, and too German for the Afghan community, with both watching her every move. Aber’s raw and fragmented narrative style mirrors her character’s splintered identity while capturing her “violent desire” to live and her aching need to belong and to be accepted as she is.
Though the novel occasionally stumbles with uneven pacing and moments that may seem repetitive or overwritten, what sets it apart is the author’s refusal to sanitize or sermonize. Nila’s messy, unconventional path to self-discovery remains unapologetically hers.
The emotional core of the novel lies in the tension between expectations placed on girls and the honor-based abuse that simmers beneath. Nila’s parents, progressive by diaspora standards, permit her artistic pursuits and eschew strict traditions. Yet their insistence on a “good girl” image still carries an undercurrent of control that constrains her freedom.
Ultimately, “Good Girl” is a young woman’s howl against a world that demands she shrink, marking Aber as a writer to watch.
Mya lights up BET red carpet in Alexis Bittar jewels
DUBAI: US singer-songwriter Mya Marie Harrison, who goes by the stage name Mya, showed off accessories by a part-Syrian designer at the BET Awards in Los Angeles on Monday night.
Grammy Award–winning singer and entertainer Mya showed off a handbag and jewelry by accessories designer Alexis Bittar on the red carpet before she delivered a dynamic performance of her 2000 hit “Case of the Ex.”
On the carpet, she was fully accessorized in Bittar’s flashy, decadent pieces — from an extravagant pendant at her neck to an eclectic stack of bangles, all topped off with a sparkly silver clutch.
Known for his bold, organic designs and use of mixed materials, Bittar infuses distinct Middle Eastern flair into his work. The New York–based designer, who is half Syrian on his father’s side, has built a global reputation for his statement-making accessories.
Mya is far from his first celebrity client. His expansive portfolio includes the likes of Michelle Obama and Cameron Diaz, and he famously served as the costume jewelry designer for HBO series “Sex and the City,” helping define character Carrie Bradshaw’s now iconic looks.
On Monday night, Bittar’s creations were just one part of a star-studded evening that balanced fashion, purpose, and powerful performances.
The BET Awards delivered a night of major star power and poignant moments, marking the ceremony's 25th anniversary with a mix of comedy, emotion and calls for justice, the Associated Press reported. The festivities included a powerful speech by Doechii, Jamie Foxx’s emotional reflection and Kevin Hart’s sharp comedic opener.
Doechii, in particular, made her presence felt early during the five-hour ceremony, using her acceptance speech for best female hip-hop artist to draw attention to the immigration raids and protest crackdowns taking place just miles from the venue.
Foxx, Mariah Carey, Snoop Dogg and Kirk Franklin received the Ultimate Icon Award. They were selected due to their impact on entertainment as well as their community impact and advocacy.
Carey said this was her first time collecting a trophy at the BET Awards.
“It took me a while, but I finally realized that life is far too short to live for anyone else's approval, which is something I always did,” said Carey, a five-time Grammy winner. “I decided to own who I am.”
Cynthia Erivo wears Ashi Studio at Tony Awards
- Show’s major highlight sees cast of hit musical ‘Hamilton’ reunited
DUBAI: British singer-songwriter and actor Cynthia Erivo picked Saudi-helmed Parisian label Ashi Studio for two of her electrifying looks as she hosted the 2025 Tony Awards, the annual ceremony celebrating the best in Broadway theater, held at the Radio City Music Hall in New York.
Erivo’s first Ashi Studio look featured an oversized black coat dress dotted with bedazzled details, which she wore over black pants and a tube top.
Her second look was a black and gold snakeskin-print tailored trench coat with voluminous sleeves and an oversized collar, cinched by a fitted corset from the SS25 Ashi Studio collection. She wore the look to welcome Auli'i Cravalho to the stage.
“Maybe Happy Ending,” “Purpose,” “Sunset Blvd.” and “Eureka Day” took the top prizes at the awards, winning best musical, best play, best musical revival, and best play revival, respectively.
The ceremony also saw Sarah Snook (“The Picture of Dorian Gray”), Cole Escola (“Oh, Mary!”), Darren Criss (“Maybe Happy Ending”), and Nicole Scherzinger (“Sunset Blvd.”) win the lead acting awards for plays (Snook and Escola) and musicals (Criss and Scherzinger).
“Maybe Happy Ending” won a total of six awards after going into the night tied with “Buena Vista Social Club” and “Death Becomes Her” for the most nominations, with 10 apiece.
“Buena Vista Social Club” won four awards, while “Death Becomes Her” only took home one trophy, for Paul Tazewell’s costume design, which was presented in the “Tony Awards: Act One” pre-show.
Also in attendance at the event as British Lebanese human rights lawyer Amal Clooney, along with actor-husband George Clooney. The couple’s arrival at the Tonys came hours after George closed his record-breaking Broadway show, “Good Night, and Good Luck.” Amal wore an off-the-shoulder white gown with strands of pearls draped across the fabric, which she accessorized with a matching clutch.
A major highlight of the show saw the cast of the hit musical “Hamilton” reunited for a special performance in honor of its 10th anniversary.
Lin-Manuel Miranda, the creator and star of the Tony-winning show, was joined by more than two dozen members of the original cast, including Leslie Odom Jr., Phillipa Soo, Daveed Diggs, Renee Elise Goldsberry, Anthony Ramos, Christopher Jackson, Jonathan Groff, and Ariana DeBose.
The performance began with Miranda and Odom Jr. performing a snippet from the song “Non-Stop.” The show continued with a medley of tracks from the “Hamilton” score, including “My Shot,” “The Schuyler Sisters,” “You’ll Be Back,” “The Room Where it Happens” and “History Has Its Eyes on You.”
