A medley of French, Saudi melodies and visual art

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Bahraini DJ Na Der, Saudi calligraphy artist Faisal Altayeb, French artist JA Dupont Castro and Syrian oud player Wasem. (Supplied)
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Updated 07 December 2024
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A medley of French, Saudi melodies and visual art

  • Alliance Francaise d’Arabie Saoudite partners with SASCA for vibrant live performances

DAMMAM: On a cool Friday evening, Dammam’s Saudi Arabian Society for Culture and Arts hosted a groundbreaking collaboration with the Alliance Francaise d’Arabie Saoudite and the French Embassy.

The eclectic two-hour show featured celebrated French artist JA Dupont Castro, Saudi calligrapher Faisal Al-Tayeb, Bahraini DJ and musician Na Der, and Syrian oud player Wasem.

Brought together “to build cultural bridges and explore the dynamics of collaboration,” the unlikely group of artists delivered an enriching experience for all to see and hear.

The result combined tangible art — such as paint smeared on a large black sheet — with digital and light projections illuminated and woven into the same work.

The sounds of live music from both sides further added to the allure and ambiance of the space and helped the hands of the visual artists move to the beats. The outcome was an improvised yet cohesive masterpiece.

The local community was invited to witness the interaction on stage at SASCA’s newly unveiled location. The event blended sights and sounds from the East and West with cutting-edge innovation, offering a one-night-only live performance that merged calligraphy, music and what was referred to as “paint-mapping.”

Castro, renowned for his live paint-mapping — a method combining projection technology and live artistic improvization — shared his excitement with Arab News about the performance. He was also ecstatic about his first visit to the Kingdom and the creation of completely curated works — all live.

“I developed a form of art that thrives on collaboration, where I work with painters and musicians live. It’s always exciting because I come to discover how local artists work — their processes, their world. My world meets theirs and we try to create something unique together.

“Improvization is at the heart of this. The energy of the audience shapes our performance. The audience, they’re witnessing something that is going to happen once, not twice. You know, it’s a one-time creation that begins, ends, and we don’t do it again,” he told us.

Al-Tayeb, who lives in the Eastern Province, brought his distinctive Arabic calligraphy style to the mix. He used real paint to write words in an abstract form, which Castro layered overtop with light and digital color. For Al-Tayeb, the project was not just about showcasing his skills but also expanding his artistic vision.

“For now, I’m a calligrapher, but I’m exploring other kinds of art. This collaboration with Jack (Castro) is an incredible opportunity to learn and grow,” he told Arab News.

“We’ve been working together to understand each other’s processes — blending Saudi desert hues with Jack’s digital and light-based techniques. Art doesn’t require a language; it’s about communicating through colors, forms and sound. This project is my first time working with music alongside visuals, and it’s truly fascinating.”

Al-Tayeb also reflected on Saudi Arabia’s evolving art scene: “The Kingdom has made tremendous progress in the arts, thanks to government support and initiatives by the Ministry of Culture.

“Saudi Arabia is becoming a hub for global collaboration, providing artists like me the opportunity to share our culture with the world.”

Syrian oud player and Saudi resident Wasem added depth and warmth to the space with his soulful compositions, inspired by the themes extracted from the artworks. He explained his distinctive approach to Arab News.

“I translate paintings and sculptures into music. It’s not just about improvization — it’s about understanding the artist’s concept and expressing it through melodies,” he said. “In Saudi Arabia, much of our work is influenced by local heritage. We incorporate eastern rhythms and quarter tones to give our compositions authenticity while merging them with global musical scales. This collaboration today is a bridge between East and West, creating a blend that honors both traditions.”

Wasem emphasized the humanistic essence of such collaborations.

“This kind of fusion serves global heritage and promotes universal traditions. It’s about connecting deeply with the stories and movements we experience and translating them through strings,” he said.

Bahraini DJ Na Der, who provided the evening’s dynamic soundtrack, described the event to Arab News as a metaphorical bridge.

“It only took me an hour to cross from Bahrain to Saudi today, but the more beautiful bridge is the cultural one we are building here tonight. This collaboration — blending music, painting, and light mapping — is unlike anything seen in the Gulf before — I’ve never seen it.

“We’ve synchronized well (the artists), and I believe tonight’s show will be unforgettable,” he told Arab News ahead of the performance.

The event marked another milestone in SASCA’s efforts to foster cultural exchange. Yousef Al-Harbi, director of SASCA’s Dammam branch, shared the significance of such initiatives with Arab News.

“This collaboration with the French Cultural Center is not our first. Over the years, we’ve partnered with French, British and American cultural organizations to host renowned artists and introduce new artistic concepts,” he said. “Such events broaden artistic horizons and encourage exchanges between local and international artists, enriching the community. They also help strengthen the cultural fabric of Saudi Arabia, by combining visual and auditory arts to create a holistic experience for us all to enjoy.”

Held inside SASCA’s state-of-the-art venue, the live performance captivated a diverse audience. The interplay of traditional Saudi calligraphy, French projection art and customized music coming from both sides offered a fusion of culture and innovation that reverberated within the space long after the improvised art was completed.

As Castro and Al-Tayeb’s work illuminated the real and metaphoric canvas, Wasem’s sultry oud and Na Der’s electronic beats created a rhythm that resonated with the crowd. The event was attended by mostly French and Saudi residents and its success was a testament to the interest within the local community who came together to witness an experimental live show.

The French artist will continue his journey across Saudi Arabia, performing a few other exclusive one-night shows in other cities, each with local artists from those area, further enriching the Kingdom’s vibrant cultural tapestry for both the performers and the audience.


Saudi aid agency and UK government sign $10m agreement for cholera response in Yemen

Updated 57 min 54 sec ago
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Saudi aid agency and UK government sign $10m agreement for cholera response in Yemen

  • KSrelief will provide $5m to the WHO, while the UK government will provide a further $5m to the UN Children’s Fund
  • An estimated 3.5m people will benefit from the deal to fund a wide range of disease management and prevention services

LONDON: Saudi aid agency KSrelief and the UK’s Foreign, Commonwealth and Development Office on Monday signed an agreement to expand cholera response efforts in Yemen, potentially benefiting an estimated 3.5 million people.

KSrelief will provide $5 million to the World Health Organization, while the UK government will provide a further $5 million to the UN Children’s Fund. The money will help support emergency cholera-response activities in Yemen’s worst-affected provinces.

The WHO will deliver a range of services to tackle cholera, including leadership and coordination expertise, disease surveillance, rapid-response teams, and management of cases. KSrelief will assist these efforts through infection-prevention and control efforts, water sanitation and hygiene improvements, risk communication, community engagement, and oral cholera-vaccination campaigns.

The UK funding will be used to tackle water sanitation, hygiene, and health interventions in the most contaminated and high-risk areas.

The agreement was signed in London by Abdullah Al-Rabeeah, supervisor general of KSrelief, and Jenny Chapman, minister of state for international development at the Foreign Office, during the former’s official visit to the UK.


Saudi interior ministry announces penalties for unauthorized Hajj Pilgrims and facilitators

Saudi Arabia’s Ministry of Interior has announced penalties for individuals who violate Hajj permit regulations.
Updated 28 April 2025
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Saudi interior ministry announces penalties for unauthorized Hajj Pilgrims and facilitators

  • Penalties will apply from Tuesday until approximately June 10

RIYADH: Saudi Arabia’s Ministry of Interior has announced penalties for individuals who violate Hajj permit regulations and those who facilitate such violations.

The ministry said the following penalties would apply from Tuesday until approximately June 10.

A fine of up to SR20,000 ($5,331.43) will be imposed on individuals caught performing or attempting to perform Hajj without a permit, and on holders of all types of visit visas who attempt to enter or stay in Makkah city and the holy sites during the specified period.

A fine of up to SR100,000 will also be imposed on anyone who applies for a visit visa for an individual who has performed or attempted to perform Hajj without a permit, or who has entered or stayed in Makkah city and the holy sites during the specified period. The fine will multiply for each individual involved.

The same fine will apply to anyone who transports or attempts to transport visit visa holders to Makkah city and the holy sites during the specified period, as well as to those who shelter or attempt to shelter visit visa holders in any accommodation, including hotels, apartments, private housing, shelters, or housing sites for Hajj pilgrims.

This includes concealing their presence or providing assistance that enables their stay. The fine will multiply for each individual sheltered, concealed, or assisted.

A separate penalty would also apply to illegal infiltrators attempting to perform Hajj, whether residents or overstayers, and the guilty parties would be deported to their countries and banned from entering the Kingdom for ten years.

Lastly, the ministry said the relevant court will be requested to confiscate land vehicles used to transport visit visa holders to Makkah city and the holy sites during the specified period, if owned by the transporter, facilitator, or any accomplices.


Turning a dream into reality: retired Saudi teacher copies Qur’an by hand in inspiring journey

Updated 28 April 2025
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Turning a dream into reality: retired Saudi teacher copies Qur’an by hand in inspiring journey

  • Al-Zahrani shared with Arab News that the experience was both demanding and humbling, requiring exceptional precision and unwavering concentration, as copying the Qur’an allowed no margin for error

MAKKAH: In an era of rapid technological change and evolving traditions, some individuals still embody steadfast devotion to craftsmanship and the quiet power of creativity.

Among them is retired teacher Khaled Al-Zahrani, who turned his retirement into a journey of fulfillment by realizing a dream he had cherished since his college days — copying the entire Holy Qur’an by hand in his own script.

Al-Zahrani, who is nearly 60, has a lifelong passion for Arabic calligraphy, especially the naskh and ruq’ah scripts. He had dreamed of hand-copying the Holy Qur’an since his university days. However, the demands of work and daily life postponed his ambition until retirement gave him the opportunity to finally turn his dream into reality.

HIGHLIGHTS

• Al-Zahrani shared with Arab News that the experience was both demanding and humbling, requiring exceptional precision and unwavering concentration, as copying the Qur’an allowed no margin for error.

• He explained that the experience strengthened his bond with the Qur’an, deepening his connection to its message while instilling a profound sense of responsibility toward the sanctity of the words he transcribed.

He explained that his journey truly began when a friend introduced him to the Qur’an by Hand initiative, which provides blank copies of the Qur’an for personal transcription. Inspired, he purchased two copies and embarked on his endeavor.

Al-Zahrani shared with Arab News that the experience was both demanding and humbling, requiring exceptional precision and unwavering concentration, as copying the Qur’an allowed no margin for error.

He carefully transcribed around two or two-and-a-half pages each day, meticulously counting the letters to ensure a balanced layout and to avoid omitting any verses.

He began with Surah Al-Zalzalah as a test of his abilities and, upon completing it, he gained the confidence to move forward, despite the profound sense of awe he felt when starting the lengthy Surah Al-Baqarah.

Al-Zahrani said that he relied on a standard half-millimeter pen and used an eraser or a fine needle to make corrections when needed, although he was meticulous to minimize errors as much as possible.

He explained that he had to devote himself fully to this work, so he decided to seclude himself in his home for six months — avoiding all distractions and social visits — so that he could finish writing the Holy Qur’an in conditions that would help him concentrate and achieve his goal.

Al-Zahrani said that his project remained out of the public eye until a relative filmed him writing and posted the video in a family WhatsApp group. The video quickly went viral, drawing widespread admiration and attention.

He added that while he received numerous requests for media interviews, he chose to delay them until he had fully completed the Qur’an, emphasizing that a task of such significance required unwavering focus and could not afford any distractions.

Al-Zahrani said that his transcription of the Qur’an was far more than an artistic pursuit or personal project: It was a profound spiritual journey that drew him into deep contemplation of God’s verses and their meanings. Every letter he penned resonated within him, as if he were living and interacting with the words themselves.

He explained that the experience strengthened his bond with the Qur’an, deepening his connection to its message while instilling a profound sense of responsibility toward the sanctity of the words he transcribed.

He also expressed the hope that his work would inspire younger generations to reconnect with the art of Arabic calligraphy, not simply as an aesthetic pursuit but as a powerful means of drawing closer to and honoring the Qur’an.

Al-Zahrani believes that his experience taught him profound lessons in patience and perseverance, calling it one of the most meaningful chapters of his life.

He expressed hope that his story would inspire others with long-delayed dreams to take the first step toward realizing them, no matter how late it may seem, proving that with sincere determination, dreams can indeed become reality.

 


Saudi project clears 1,488 Houthi mines in Yemen

The initiative trains local demining engineers and provides them with modern equipment. (Supplied)
Updated 28 April 2025
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Saudi project clears 1,488 Houthi mines in Yemen

  • The demining operations took place in Marib, Aden, Jouf, Shabwa, Taiz, Hodeidah, Lahij, Sanaa, Al-Bayda, Al-Dhale and Saada

RIYADH: Members of Saudi Arabia’s Project Masam removed 1,488 explosive devices from various regions of Yemen last week.

The total included 1,437 unexploded ordnances, 46 anti-tank mines, three anti-personnel mines and two explosive devices, according to a recent report.

Ousama Al-Gosaibi, the initiative’s managing director, said that 490,144 mines have been cleared since the project began in 2018.

The explosives were planted indiscriminately and posed a threat to civilians, including children, women and the elderly.

The demining operations took place in Marib, Aden, Jouf, Shabwa, Taiz, Hodeidah, Lahij, Sanaa, Al-Bayda, Al-Dhale and Saada.

The project trains local demining engineers and provides them with modern equipment. It also offers support to Yemenis injured by the devices.

Teams are tasked with clearing villages, roads and schools to facilitate the safe movement of civilians and delivery of humanitarian aid.

 


Huge ‘800-year-old’ coral colony identified in Red Sea

Updated 28 April 2025
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Huge ‘800-year-old’ coral colony identified in Red Sea

  • The discovery, off the northwestern coast of Saudi Arabia, is said to be one of the largest of its kind in the world
  • It is expected to become a carefully managed tourist attraction for visitors to the Red Sea Global resort of Amaala

JEDDAH: A massive Pavona coral colony has been discovered in the Red Sea, off the northwestern coast of Saudi Arabia. The largest of its kind ever identified in the waters, it is expected to become a tourist attraction at the nearby Red Sea Global resort of Amaala.

This standalone colony — in contrast to a much larger reef, which is made up of many individual colonies — was described as one of the most significant environmental discoveries in the region and, although an exact size was not immediately given, it was said to rival the world’s largest-known individual coral colony, which is in the Pacific Ocean, covers an area of 32 meters by 34 meters and is 5.5 meters high.

Researchers say that studying this colony will be essential for safeguarding coral reefs in the Red Sea and around the globe. (SPA)

Red Sea Global told Arab News it will offer visitors to the Amaala resort the chance to view the colony in a secure and environmentally responsible way that ensures it is properly protected and minimizes effects on the local ecosystem.

Ahmad Al-Ansary, the organization’s head of environmental protection and regeneration, told Arab News that “a discovery of this magnitude underscores both the Red Sea’s environmental importance and its natural beauty.”

FASTFACT

The discovery, off the northwestern coast of Saudi Arabia, is said to be one of the largest of its kind in the world.

Estimating the age of the colony poses a technical challenge because of the limited growth-rate data for this species of coral in the Red Sea. Based on its size, comparative growth rates from Pacific specimens, and photogrammetry techniques that create 3D models from two-dimensional images, conservative estimates put its age at between 400 and 800 years old. Red Sea Global and KAUST said they were carrying out additional research and will refine the estimate.

“These giant coral formations act as ‘time capsules,’ preserving critical data on past climate conditions and helping us anticipate future environmental challenges,” he added.  

He went on to say that studying this colony will be essential for safeguarding coral reefs in the Red Sea and around the globe.

Red Sea coral ecosystems are among the hardiest in the world, genetically adapted to relatively high temperatures and salinity, and researchers said they will continuously monitor the colony to understand the nature of its resilience.

Ronda Sokka, a marine scientist at Red Sea Global and a co-discoverer of the colony, described it as “a natural treasure whose incredible hardiness in harsh conditions is truly rare.”

Her colleague Sylvia Yagerous said that mapping and documenting such large colonies is a core objective of the “Map the Giants” project, which aims to record all coral formations worldwide exceeding five meters in size. The latest find is the second giant colony documented by Red Sea Global in recent months.