A medley of French, Saudi melodies and visual art

1 / 6
Bahraini DJ Na Der, Saudi calligraphy artist Faisal Altayeb, French artist JA Dupont Castro and Syrian oud player Wasem. (Supplied)
Short Url
Updated 07 December 2024
Follow

A medley of French, Saudi melodies and visual art

  • Alliance Francaise d’Arabie Saoudite partners with SASCA for vibrant live performances

DAMMAM: On a cool Friday evening, Dammam’s Saudi Arabian Society for Culture and Arts hosted a groundbreaking collaboration with the Alliance Francaise d’Arabie Saoudite and the French Embassy.

The eclectic two-hour show featured celebrated French artist JA Dupont Castro, Saudi calligrapher Faisal Al-Tayeb, Bahraini DJ and musician Na Der, and Syrian oud player Wasem.

Brought together “to build cultural bridges and explore the dynamics of collaboration,” the unlikely group of artists delivered an enriching experience for all to see and hear.

The result combined tangible art — such as paint smeared on a large black sheet — with digital and light projections illuminated and woven into the same work.

The sounds of live music from both sides further added to the allure and ambiance of the space and helped the hands of the visual artists move to the beats. The outcome was an improvised yet cohesive masterpiece.

The local community was invited to witness the interaction on stage at SASCA’s newly unveiled location. The event blended sights and sounds from the East and West with cutting-edge innovation, offering a one-night-only live performance that merged calligraphy, music and what was referred to as “paint-mapping.”

Castro, renowned for his live paint-mapping — a method combining projection technology and live artistic improvization — shared his excitement with Arab News about the performance. He was also ecstatic about his first visit to the Kingdom and the creation of completely curated works — all live.

“I developed a form of art that thrives on collaboration, where I work with painters and musicians live. It’s always exciting because I come to discover how local artists work — their processes, their world. My world meets theirs and we try to create something unique together.

“Improvization is at the heart of this. The energy of the audience shapes our performance. The audience, they’re witnessing something that is going to happen once, not twice. You know, it’s a one-time creation that begins, ends, and we don’t do it again,” he told us.

Al-Tayeb, who lives in the Eastern Province, brought his distinctive Arabic calligraphy style to the mix. He used real paint to write words in an abstract form, which Castro layered overtop with light and digital color. For Al-Tayeb, the project was not just about showcasing his skills but also expanding his artistic vision.

“For now, I’m a calligrapher, but I’m exploring other kinds of art. This collaboration with Jack (Castro) is an incredible opportunity to learn and grow,” he told Arab News.

“We’ve been working together to understand each other’s processes — blending Saudi desert hues with Jack’s digital and light-based techniques. Art doesn’t require a language; it’s about communicating through colors, forms and sound. This project is my first time working with music alongside visuals, and it’s truly fascinating.”

Al-Tayeb also reflected on Saudi Arabia’s evolving art scene: “The Kingdom has made tremendous progress in the arts, thanks to government support and initiatives by the Ministry of Culture.

“Saudi Arabia is becoming a hub for global collaboration, providing artists like me the opportunity to share our culture with the world.”

Syrian oud player and Saudi resident Wasem added depth and warmth to the space with his soulful compositions, inspired by the themes extracted from the artworks. He explained his distinctive approach to Arab News.

“I translate paintings and sculptures into music. It’s not just about improvization — it’s about understanding the artist’s concept and expressing it through melodies,” he said. “In Saudi Arabia, much of our work is influenced by local heritage. We incorporate eastern rhythms and quarter tones to give our compositions authenticity while merging them with global musical scales. This collaboration today is a bridge between East and West, creating a blend that honors both traditions.”

Wasem emphasized the humanistic essence of such collaborations.

“This kind of fusion serves global heritage and promotes universal traditions. It’s about connecting deeply with the stories and movements we experience and translating them through strings,” he said.

Bahraini DJ Na Der, who provided the evening’s dynamic soundtrack, described the event to Arab News as a metaphorical bridge.

“It only took me an hour to cross from Bahrain to Saudi today, but the more beautiful bridge is the cultural one we are building here tonight. This collaboration — blending music, painting, and light mapping — is unlike anything seen in the Gulf before — I’ve never seen it.

“We’ve synchronized well (the artists), and I believe tonight’s show will be unforgettable,” he told Arab News ahead of the performance.

The event marked another milestone in SASCA’s efforts to foster cultural exchange. Yousef Al-Harbi, director of SASCA’s Dammam branch, shared the significance of such initiatives with Arab News.

“This collaboration with the French Cultural Center is not our first. Over the years, we’ve partnered with French, British and American cultural organizations to host renowned artists and introduce new artistic concepts,” he said. “Such events broaden artistic horizons and encourage exchanges between local and international artists, enriching the community. They also help strengthen the cultural fabric of Saudi Arabia, by combining visual and auditory arts to create a holistic experience for us all to enjoy.”

Held inside SASCA’s state-of-the-art venue, the live performance captivated a diverse audience. The interplay of traditional Saudi calligraphy, French projection art and customized music coming from both sides offered a fusion of culture and innovation that reverberated within the space long after the improvised art was completed.

As Castro and Al-Tayeb’s work illuminated the real and metaphoric canvas, Wasem’s sultry oud and Na Der’s electronic beats created a rhythm that resonated with the crowd. The event was attended by mostly French and Saudi residents and its success was a testament to the interest within the local community who came together to witness an experimental live show.

The French artist will continue his journey across Saudi Arabia, performing a few other exclusive one-night shows in other cities, each with local artists from those area, further enriching the Kingdom’s vibrant cultural tapestry for both the performers and the audience.


2 journeys, 1 destination: Hajj through the eyes of the young, elderly

Updated 19 min 37 sec ago
Follow

2 journeys, 1 destination: Hajj through the eyes of the young, elderly

  • Generations decades apart walk same sacred path

MINA: Mina was alive in recent days with the footsteps of millions, yet every pilgrim’s pace told a different story, from those who waited decades for the moment to those capturing it in real time.

In the tent city of Mina, two pilgrims rested side by side: one catching his breath, the other capturing a selfie. One scrolled through prayer times on his smartphone; the other adjusted the strap of his orthopedic sandal. One leaned on a walking stick; the other scrolled through digital navigation. But both wore the same white ihram and followed the same steps.

This was the paradox of Hajj 2025, where generations decades apart walked the same sacred path in remarkably different ways. They shared no common language except the unspoken one of faith.

For 73-year-old Moinuddin from Pakistan, the pilgrimage was a long-awaited dream, one that had been etched over decades of supplication.

He said: “I have the desire and I ask help from God to give me courage and power to perform this Hajj for the Isaal-e-Sawaab (gifting of spiritual rewards) for my mother.”

He paused often, not just for rest, but to reflect — at Arafat, in Muzdalifah, and between the pillars of Jamarat.

Just a few rows behind him, Mustafa, 22, from Denmark, documented his Hajj in quick snaps and video clips. He brought a camera with him to capture the moments for his friends and family back home. He said: “Coming here as a young person, I am grateful. I see a lot of older people and it’s difficult; you have to work a lot.”

While Mustafa relied on digital navigation to track his group, Moinuddin leaned gently on a young companion’s shoulder. Both pilgrims endured the same sun, the same crowds, and the same powerful rituals, but the lens through which they experienced Hajj was shaped by their stage in life.

As the majority of pilgrims were elderly, many arrived with wheelchairs, walkers, or full family support. Their presence was treated with reverence — volunteers readily offered water, fans, and silent prayers as they passed.

In contrast, the younger generation brought a different rhythm — one of documentation, discovery, digital devotion, QR codes at checkpoints, real-time language translation apps, and virtual guides to make this year’s Hajj more accessible than ever.

But tech aside, the younger pilgrims still found themselves drawn into moments of stillness.

What binds both ends of the age spectrum was the raw, shared surrender to something greater. In a space where nationality, status, and language dissolve, so too does age. You could be 18 or 81 — you still bow to the same qibla.

At Mina, where pebbles were cast in symbolic defiance of ego, one young man gently steadied an old man’s arm before throwing his own stones. A quiet exchange, but one that said everything.

As pilgrims circled the Kaaba one final time before departure, the generational divide faded further. Some walked swiftly, others were pushed gently in wheelchairs, but all completed the same Tawaf Al-Wadaa (farewell tawaf).

The journey in the end was not measured in steps or speed, but in surrender. And that, in the valley of Makkah, was a language every pilgrim spoke fluently.


Exploring the hidden gems of Saudi Arabia’s sacred heritage

Beyond the holy cities, other sacred destinations continue to attract pilgrims in search of spiritual enrichment. (Supplied/File
Updated 09 June 2025
Follow

Exploring the hidden gems of Saudi Arabia’s sacred heritage

  • In the holy city of Makkah, pilgrims visit Jabal Al-Nour, whose name means “Mountain of Light”

JEDDAH: As pilgrims complete the sacred rites of Hajj, many embark on a deeper spiritual journey by exploring historic Islamic sites across Saudi Arabia to connect with the roots of their faith.

In the holy city of Makkah, pilgrims visit Jabal Al-Nour, whose name means “Mountain of Light.” At its peak lies the Cave of Hira, where the first verses of the Qur’an were revealed through the Angel Jibreel.

The mountain’s distinctive camel-hump shape makes it a striking landmark, especially with the nearby Hira Cultural District, where the Revelation Gallery offers pilgrims to learn the story of divine revelation and history.

Beyond the holy cities, other sacred destinations continue to attract pilgrims in search of spiritual enrichment. (Supplied/File photo)

Ahmed Khan, a private tour guide said: “There’s something unexplainable about standing where it all began. When I take pilgrims to Jabal al-Nour, many of them are moved to tears it’s not just a climb, but it’s a spiritual awakening.”

To the south lies Jabal Thawr, the mountain that cradled the Prophet and his companion Abu Bakr as-Siddiq in its cave during their migration to Madinah. The story of divine protection, where a spider’s web and a dove’s nest concealed their presence from their pursuers, resonates deeply with pilgrims.

Another frequently visited site is Jabal Abu Qubays, believed in some traditions to be the first mountain placed on Earth. As the closest peak to the Grand Mosque, it resonates with the early public da’wah and the great spiritual responsibility.

FASTFACTS

• Al-Qiblatain Mosque, where revelation changed the direction of prayer from Jerusalem to Makkah, remains a must-visit site for pilgrims. 

• Programs like ‘Hala,’ launched by Al-Bait Guests Co., are curating journeys for pilgrims to explore with knowledgeable guides. 

Nearby, the modest yet historically significant Al-Bay’ah Mosque marks the location of the Pledge of Aqabah, where the Ansar of Madinah pledged allegiance to the Prophet Muhammad.

Built during the Abbasid era, it symbolizes early Muslim unity and commitment to the new faith. A short distance away in Al-Hajun district is Jabal Al-Sayyidah, at the base of which lies the revered Al-Ma’la Cemetery, resting place of Khadijah, the Prophet’s beloved wife. Her grave remains a focal point of deep reverence.

“Pilgrims love visiting these places and it helps them to understand the sacrifices of the people who shaped Islam,” Khan added.

Madinah has its own timeless legacy. Al-Qiblatain Mosque, where revelation changed the direction of prayer from Jerusalem to Makkah and marked a defining shift in Muslim identity and remains a must-visit site for pilgrims.

Hussain Rauff, regional director of Madinah Hotels at Elaf Al-Taqwa, said: “We’re planning to organize guided tours across Madinah to help pilgrims explore the city’s rich Islamic heritage. It’s a meaningful way to extend their spiritual journey beyond the rituals of Hajj.”

Further west of the Prophet’s Mosque lies the cluster known as the Seven Mosques, each linked to events from the Battle of the Trench. Among them are Al-Fath Mosque and those named after figures such as Fatimah, Ali ibn Abi Talib, and Salman Al-Farsi. These mosques are rich in historical memory and serve as reminders of hardship during one of Islam’s critical battles.

Mount Uhud rises just north of Madinah city, its slopes reminds of the Battle of Uhud and the place where the Prophet’s uncle, Hamza ibn Abdul Muttalib, and 70 companions were martyred. Today, pilgrims pause at the Uhud Martyrs Cemetery indicating the modesty found in victory and the strength drawn from loss.

Equally powerful is a visit to Baqi’ Al-Gharqad Cemetery, the resting place of many of the Prophet’s family members and companions. Located near the Prophet’s Mosque, the cemetery has long served as a site for prayer and remembrance, offering pilgrims a moment of intimate connection with those who stood beside the Prophet during Islam’s formative years.

Beyond the holy cities, other destinations continue to attract pilgrims in search of spiritual enrichment. Northwest of Madinah lies Khaybar, the site of a pivotal military campaign that showcases both the strategic and ethical dimensions of the Prophet’s leadership. Its volcanic terrain and ancient fortifications tell stories etched in stone.

Fatima Al-Mutairi, a pilgrim from Kuwait: “I am planning to visit these places in Jeddah and Taif after my Hajj. I am planning to visit the Tomb of Hawa in Jeddah and in Taif, I look forward to visiting Masjid Abdullah ibn Abbas, to pay tribute to one of the great scholars whose work in Qur’anic interpretation and Hadith continues to inspire many seekers of knowledge.”

Recognizing the growing desire for such experiences, programs like “Hala,” launched by Al-Bait Guests Co., are curating immersive journeys for pilgrims to explore these sacred sites with knowledgeable guides and spiritual context.

Mohammed Al-Shahrani, experience officer in Hajj and Umrah sector said: “Our aim is to enrich the post-Hajj experience. We want pilgrims to understand that the journey of faith continues, and Saudi Arabia is opening its heritage for those who wish to walk in the footsteps of the Prophet.”

 


MWL, GCC chiefs praise Saudi Arabia’s Hajj success

Updated 09 June 2025
Follow

MWL, GCC chiefs praise Saudi Arabia’s Hajj success

  • Muslim World League Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa also extended his congratulations on behalf of all MWL agencies

RIYADH: The secretary-general of the Gulf Cooperation Council, Jassem Al-Budaiwi, has congratulated King Salman and Crown Prince Mohammed bin Salman on a successful Hajj season.

“This success reflects the Saudi government’s great efforts and capabilities in serving pilgrims and ensuring they perform rituals with ease, safety and security,” he said.

Al-Budaiwi praised the Kingdom’s advanced infrastructure, precise organization, use of modern technologies — including artificial intelligence — and skilled workforce.

“These efforts delivered an exceptional Hajj experience and reaffirmed Saudi Arabia’s leadership in serving Islam and Muslims,” he added. The secretary-general also lauded the Kingdom’s continuous development of the Hajj system.

Muslim World League Secretary-General Dr. Mohammed bin Abdulkarim Al-Issa also extended his congratulations on behalf of all MWL agencies.

He praised the generous care provided to pilgrims, highlighting the smooth movement between holy sites and the commitment to ensuring their comfort and spiritual focus.

 


Maldivian president leaves Saudi Arabia after official visit

Updated 09 June 2025
Follow

Maldivian president leaves Saudi Arabia after official visit

  • Deputy Mayor of Jeddah Ali Mohammed Al-Qarni and Ahmed bin Dhafer, director of the Royal Protocol Office in the Makkah region, were among the officials present

JEDDAH: Maldivian President Mohamed Muizzu departed Saudi Arabia on Monday.

Jeddah Gov. Prince Saud bin Abdullah bin Jalawi and several other officials accompanied Muizzu to King Abdulaziz International Airport to wish him farewell, the Saudi Press Agency reported.

Deputy Mayor of Jeddah Ali Mohammed Al-Qarni and Ahmed bin Dhafer, director of the Royal Protocol Office in the Makkah region, were among the officials present.

 


Spiritual journey of Hajj pilgrims ends with gifts and souvenirs

As Hajj concludes, pilgrims commonly engage in the cherished custom of purchasing gifts. (SPA)
Updated 09 June 2025
Follow

Spiritual journey of Hajj pilgrims ends with gifts and souvenirs

  • Many gifts symbolize the holy sites and carry deep religious significance
  • Popular choices include Zamzam water, prayer beads, and copies of the Holy Qur’an

MAKKAH: Throughout their profound journey of faith, especially as Hajj concludes, pilgrims commonly engage in the cherished custom of purchasing gifts.

They flock to the malls and markets of Makkah, particularly those around the Grand Mosque. This tradition expresses their spiritual fulfillment and prepares them for their return home, blessed by Allah for having performed the sacred rites, according to a Saudi Press Agency report.

Gift buying represents joy at Hajj’s successful conclusion and strengthens social bonds between relatives, SPA added.

Many gifts symbolize the holy sites and carry deep religious significance. Popular choices include Zamzam water, prayer beads, and copies of the Holy Qur’an.

Pilgrims also frequently buy perfumes like incense and musk, along with various types of dates — ajwa dates being especially sought after.

The markets of Makkah and Madinah see a significant boom after Hajj, bustling with pilgrims of diverse nationalities.

These vibrant markets include modern malls in the Haram area, the traditional Aziziyah Market, the Hijaz Market, and bazaars near the Prophet’s Mosque in Madinah.

Merchants actively meet this demand, offering a wide range of products, special offers for pilgrims, and often discounts on bulk purchases.