RIYADH: The World Monuments Fund, which celebrates its sixth decade this year, has strengthened its official presence in Arab countries, organizing an exploratory tour in several countries including Saudi Arabia.

The organization has made significant contributions to the preservation of tangible heritage and has carried out 68 projects in 13 Arab countries since the mid-1990s.

At the end of last month, WMF organized an exploratory tour in several countries, including Kuwait, Bahrain and Saudi Arabia.

The delegation, composed of 45 individuals, was led by the fund’s president and CEO, Benedicte de Montlaur, with the attendance of Shaikha Mai bint Mohammed Al-Khalifa, board member of the fund, and Dr. Elie Flouty, the fund’s representative in the Arab countries, along with other members of the organization.

This tour marked the beginning of a stronger official presence of the WMF in the Arab region, coinciding with increasing official and unofficial Arab interest in heritage issues, preservation, and integrating this into economic, tourism and social development plans. This aligns with the WMF’s 60th anniversary celebration.

Dr. Elie Flouty said: “We can now say that the WMF has an official presence in the region, which is rich in world heritage sites. We will work with all Arab governmental and non-governmental entities and international institutions to safeguard our ancient Arab heritage. WMF is currently active in 14 sites across various Arab countries and collaborates with both governments and local communities to implement these projects, providing funding and expertise.”

Among the most significant initiatives of the WMF is the World Monuments Watch, a list of endangered sites issued every two years, which includes 25 historic places.

For the 2025 list, three sites from the Arab region were included — the Jewish heritage in Debdou in Morocco, the historic urban fabric of Gaza, and the water reservoirs (majels) in the Old City of Tunis.

The delegation’s tour in the Gulf region included several stops, starting in Kuwait where it visited the Arab Fund for Economic and Social Development and Dr. Mohamed Al-Rumaihi discussed the history of Kuwait and its major economic and social milestones. The delegation visited the Soof Center for Spinning and the Grand Mosque, designed by architect Mohamed Saleh Makiya.

In Saudi Arabia, it visited the Islamic Arts Biennale in Jeddah, explored the Old City of Jeddah, and toured the home of architect Sami Angawi, which reflects the architecture of Hijaz.

They also visited Madinah and its major religious landmarks and concluded their visit to AlUla, a site rich in human heritage, natural and cultural landmarks.

In Bahrain, the delegation visited the city of Muharraq and the UNESCO World Heritage-listed Pearling Path, the Bahrain National Museum, and several houses within the Sheikh Ibrahim bin Mohammed Al-Khalifa Center for Culture and Research. They also visited Bahrain Fort and its museum, the Dilmun Burial Mounds listed on UNESCO’s World Heritage list.

WMF is the world’s leading non-governmental organization for heritage preservation. Headquartered in New York, the fund has offices in Peru, London, Paris, Spain, Portugal, India and China, with projects in 112 countries. It has worked on more than 700 heritage sites. WMF’s mission is to save the most threatened landmarks, whether from war or climate change.

JEDDAH: Escaping personal strife, a Muslim single mother carves a space for herself in the heart of rural Australia in “Translations,” an engrossing debut novel by Australia-born Palestinian-Egyptian writer Jumaana Abdu.

Set in New South Wales in the period just after the COVID-19 era with the threat of bushfires looming, the novel explores one woman’s efforts to cultivate not only the land but also a sense of belonging and identity on foreign soil.

In this story of self-discovery and resilience, Abdu intricately weaves in the broader theme of solidarity between First Nations of Australia and Palestinians — two nations grappling with colonization, dispossession and cultural erasure.

The novel’s title could be a reference to not just the transformation of the land through re-vegetation and restoration, but also the translations that characters undertake to bridge linguistic, cultural and emotional gaps between them — translation in this sense is portrayed as the language of solidarity and resistance.

Hidden within the trope of new beginnings in a small town, Abdu paints a powerful picture of mutual recognition and respect, of shared struggles, and the healing potential of intercultural bonds.

This is unveiled through Aliyah’s interactions with the community into which she slowly, and sometimes reluctantly, begins to integrate, including her conversations with Shep, the reserved Palestinian man from Gaza who she hires as a farmhand, and Billie, the wise and nurturing Kamilaroi midwife.

Love and faith are also focal elements in the story. Love in its many forms — romantic, familial, and communal — acts as a balm to past wounds for the Arab and Aboriginal characters, while faith, both in the divine and in human resilience, guides Aliyah, and her childhood friend Hana, through despair toward hope.

“Translations” is a profound exploration of not just the complex interplay between identity and trauma, but also a look at how love can bridge divides, and how shared histories of resistance can unite different peoples in their quest for peace and understanding.

In one pivotal moment in the story that carries a deep message, Shep discusses displacement and the “chain of loss and expulsion” with Billie’s husband Jack, an Aboriginal character, who poignantly says: “You want to wish for something, wish for the return of the land’s dignity.”