Anthony Hopkins enchants Riyadh with dreamlike symphony

1 / 4
Hollywood icon Anthony Hopkins graced the Bakr Al-Shaddi Theater in Boulevard City, Riyadh, with a performance titled “Life is a Dream.” (Supplied)
Short Url
Updated 18 January 2025
Follow

Anthony Hopkins enchants Riyadh with dreamlike symphony

  • Introduced by Morgan Freeman, the Hollywood icon reflects on universal language of music
  • Performing concert in Saudi Arabia ‘an unimaginable honor,’ Hopkins says

RIYADH: In a captivating blend of art and humanity, Hollywood icon Anthony Hopkins graced the Bakr Al-Shaddi Theater in Boulevard City, Riyadh, with a performance titled “Life is a Dream” as part of the Riyadh Season festivities.

Introduced by fellow actor Morgan Freeman, Hopkins opened his speech with the Arabic greeting, “As-salamu alaykum,” setting a tone of cultural respect and unity.

Hopkins shared his reflections on life and art, drawing from the words of Edgar Allan Poe: “I have always believed that all we see or seem is but a dream within a dream.”

He thanked Turki Al-Sheikh, chairman of the General Entertainment Authority, for the invitation to perform in Riyadh.

“I am deeply humbled and immensely grateful to premiere my piece, ‘Life is a Dream,’ during Riyadh Season,” he said.

Reflecting on his life, he described the path from “the son of a simple baker” in South Wales to a world-renowned composer and actor.

“My life, to me, is a profound mystery,” he said. “It’s impossible to understand or take credit for the blessings I’ve been given. That’s why I believe life is a dream, and this piece, ‘Life is a Dream,’ was inspired by my dreamy childhood in South Wales, my wonderfully supportive mother and my father, who was larger than life and worked tirelessly throughout his life.”

Hopkins invoked the philosophy of Ralph Waldo Emerson, highlighting music and art as spiritual connectors.

“Music and art are paths to God, the primary means to connect all human souls. Emerson understood that touching one soul means touching all souls and I too believe that music is a transformative power,” he said.

“I always dreamed of being a composer, but I never knew how. Yet performing this concert in Saudi Arabia, the cradle of Islam, where Prophet Muhammad received his messages and home to the holy cities of Makkah and Madinah is an unimaginable honor.”

Addressing global challenges, Hopkins stressed the importance of unity and peace.

“I cannot imagine a better place than here to come together, bridge our differences and envision a world of peace, balance and love,” he said.

“At 87 years old, I understand deeply that death is inevitable. But the theme of this concert is that life is a long farewell to everything we love, a prolonged goodbye, but one filled with forgiveness and wonder.”

Hopkins concluded by acknowledging the team that made the concert possible, giving special thanks to Rakan Al-Harthi, managing director of Sela, his music producer Stephen Barton, conductor Matthew Freeman, and the Royal Philharmonic Orchestra. He ended his speech with “Shukran.”

Through this event, Hopkins not only showcased his musical talents but also made a lasting impression on Riyadh Season, emphasizing the unifying power of art and music in promoting tolerance, love and understanding across cultures.


Built by hand, rooted in history: National Historical Palace in Taif is one man’s tribute to Saudi heritage and Islamic history

Updated 11 May 2025
Follow

Built by hand, rooted in history: National Historical Palace in Taif is one man’s tribute to Saudi heritage and Islamic history

  • Built by Majid Al-Thabiti, the site blends Islamic history with contemporary design, rooted in the symbolism of the number seven
  • Spanning 70,000 sq. meters, the palace features seven museums, seven facades, seven gates and almost 7 million stones cut and laid by the man himself

MAKKAH: In the heart of Wadi Qarn in Taif governorate, one man’s vision has resulted in one of Saudi Arabia’s most striking heritage landmarks: the National Historical Palace for Islamic Civilization.

Built by Majid Al-Thabiti, the site blends Islamic history with contemporary design, rooted in the symbolism of the number seven.

In an interview with Arab News, Al-Thabiti said: “The number symbolizes perfection and completeness in several Qur’anic verses, including the seven heavens, the seven earths and the seven shaded by God in his shadow, among others.”

The palace includes flooring adorned with colored stones and inspired by the historical art of Sadu, an intangible cultural heritage recognized by UNESCO.  (SPA)

The project was born out of Al-Thabiti’s strong will. He believed in his dream and devoted his effort, time and energy to bring it to life.

Spanning 70,000 sq. meters, the palace features seven museums, seven facades, seven gates and almost 7 million stones cut and laid by the man himself.

The museums offer distinct cultural and education experiences. Exhibits cover Islamic architecture, local heritage, plastic arts and sculpture, rare collections, astronomy, military history documenting the unification of the Kingdom and an agricultural museum featuring seeds mentioned in the Holy Qur’an.

The palace includes 600 square meters of flooring adorned with colored stones and inspired by the historical art of Sadu, an intangible cultural heritage recognized by UNESCO.

Al-Thabiti said that he personally cuts, shapes and stacks the stones himself. “The manual labor is what gives the project its true spirit, as every corner bears (my) imprint, effort and dedication,” he added.

He used seven types of stone sourced from across Saudi Arabia, including basalt, quartz and shale. His attention to detail is reflected in features such as hand-shaped facades, floor mosaics inspired by Sadu art and stonework colored in seven hues that mirror the Kingdom’s geological diversity.

Majid Al-Thabiti used seven types of stone sourced from across Saudi Arabia, including basalt, quartz and shale. (SPA)

Highlights at the palace include an Abbasid-style minaret with a water fountain in honor of Zubaida, the wife of Harun Al-Rashid; an observatory used to track the crescent moon; and stone engravings of Saudi megaprojects like NEOM and The Line.

The site also includes engravings on stone of the Kingdom’s military vehicles, such as a fighter jet and ship.

Al-Thabiti also built a 700-meter sports track along the banks of Qarn valley, a stable for purebred Arabian horses, as well as replicas of symbolic gates like Makkah Gate, Taif Gate and King Abdulaziz Islamic Gate, with stones from Mounts Al-Nur, Thawr and Uhud. Other exhibits, like Diriyah and Yawm Badina (The Day We Began), commemorate key moments in Saudi history.

According to Al-Thabiti, his goal is to transform the palace into a cultural and educational destination that celebrates the Kingdom’s history and heritage.

“We possess a great civilizational legacy and a deep-rooted history. It is our duty to present it to the world in the finest way. This palace is the beginning,” he said.
 


Ancient terrace farming technique shapes Asir’s agricultural heritage

Updated 4 min 7 sec ago
Follow

Ancient terrace farming technique shapes Asir’s agricultural heritage

  • Together, the thumalah and mughayyid systems stand as a testament to early innovation sustaining life in one of Saudi Arabia’s most challenging landscapes

 

RIYADH: For centuries, the people of Saudi Arabia’s Asir region have cultivated food on steep mountain slopes using stone terracing systems.

They began with the construction of stone retaining walls known locally as “thamayil,” the Saudi Press Agency reported.

Each individual wall, called “thumalah,” is anchored into bedrock and can rise two to six meters in height.

They serve as critical infrastructure for mountain agriculture by creating level growing surfaces on otherwise impossible terrain.

Each individual wall, called “thumalah,” is anchored into bedrock and can rise two to six meters in height. (SPA)

“The thumalah represents a stone containment system designed to capture sloping mountain terrain,” Ahmed Al-Bariqi, an architectural heritage researcher, said in an interview with the SPA. “After building the stone barrier, the enclosed space is filled with a mixture of clay, soil and rocks to create a flat, arable surface suitable for both farming and habitation.”

Local builders adapted to their surroundings, often reinforcing these structures with juniper and sidr tree trunks, as well as massive stones to withstand the pressure of heavy seasonal rains.

Water management is equally sophisticated. The “mughayyid” regulates irrigation and controls flooding by channeling water flow between terraced fields.

The “mughayyid” regulates irrigation and controls flooding by channeling water flow between terraced fields. (SPA)

“Ancient builders displayed remarkable engineering precision in the mughayyid’s construction,” Al-Bariqi has said in his book “Antiquities and Heritage in Bariq Governorate.”

He added: “Square or elongated stones formed the base structure, while carefully polished flat stones were placed at the top, precisely leveled to allow water to flow at calculated rates between terraces.”

Positioned at strategic elevations, the mughayyid retains optimal water volumes while preventing destructive flooding that could compromise the entire terrace system.

Terraces were reinforced by stone retaining walls known locally as “thamayil.” (SPA)

These terraces do more than support agriculture. According to Dr. Ghaithan bin Jurais of King Khalid University, they reflect a deep-rooted civilization in Asir dating back thousands of years.

“These structures preserve soil resources, establish clear property boundaries between neighboring farms, and historically served as recognized markers of family and tribal land ownership,” he said.

Together, the thumalah and mughayyid systems stand as a testament to early innovation sustaining life in one of Saudi Arabia’s most challenging landscapes.
 


Saudi, British foreign ministers discuss regional and international developments

Updated 10 May 2025
Follow

Saudi, British foreign ministers discuss regional and international developments

  • Two ministers also discussed Saudi-UK relations

RIYADH: Saudi Foreign Minister Prince Faisal bin Farhan on Saturday spoke with his British counterpart David Lammy, the Saudi Press Agency reported.

The two ministers discussed Saudi-UK relations, as well as regional and international developments and the efforts being made in this regard, SPA added.

The call came on the same day as Prince Faisal's meeting with Iranian foreign minister Abbas Araghchi in Jeddah.


Saudi minister meets with UNIDO director-general

Updated 15 min 44 sec ago
Follow

Saudi minister meets with UNIDO director-general

During his official visit to Denmark this weekend, Saudi Minister of Industry and Mineral Resources Bandar Alkhorayef met with Gerd Muller, the director-general of the United Nations Industrial Development Organization.

The Saudi Press Agency reported that the two men “discussed ways to deepen the strategic partnership between the Kingdom and the organization in a way that supports the goals of sustainable industrial development.”

Alkhorayef also held bilateral meetings with leaders of several leading Danish companies in the industry and mining sectors, according to the SPA, to discuss “joint investment opportunities, as well as the incentives offered by the Kingdom to investors.”


Crown prince holds phone calls with King of Bahrain, Emir of Kuwait

Updated 10 May 2025
Follow

Crown prince holds phone calls with King of Bahrain, Emir of Kuwait

RIYADH: Saudi Crown Prince Mohammed bin Salman spoke on the phone with King Hamad bin Isa Al-Khalifa of Bahrain and Kuwaiti Emir Sheikh Mishal Al-Ahmad Al-Jaber Al-Sabah on Saturday, the Saudi Press Agency reported.

During the calls, the crown prince reviewed relations between the Kingdom and Bahrain and Kuwait, SPA added. 

They also discussed a number of issues of common interest.