Princess Iman of Jordan is expecting her first child
Princess Iman of Jordan is expecting her first child /node/2587679/lifestyle
Princess Iman of Jordan is expecting her first child
Queen Rania, the princess’s mother, shared the news on Instagram with a photo of the couple at sunset by the beach, highlighting the mother-to-be’s growing belly. (Instagram)
Queen Rania, the princess’s mother, shared the news on Instagram with a photo of the couple at sunset by the beach, highlighting the mother-to-be’s baby bump. “Two is a couple, three is a blessing,” the Queen captioned the image.
This will be the second grandchild for Queen Rania and King Abdullah II. Their first grandchild, born in August, is the daughter of Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein. She was named Iman in honor of her aunt.
More than 300 aspiring chefs taking part in seafood cooking workshop in Riyadh
Workshops organized by Saudi Chefs Association
Sessions blend traditional Saudi methods, international expertise
Updated 22 sec ago
Waad Hussain
RIYADH: More than 300 cooking enthusiasts are taking part in a three-day seafood cooking workshop in Riyadh in which top chefs are sharing their expertise.
Organized by the Saudi Chefs Association, the event is a highlight of the Saudi International Fisheries Exhibition, which is taking place until Feb. 5 at the Riyadh International Convention and Exhibition Center.
The workshop provides participants with an opportunity to learn from renowned Saudi and international chefs and features more than 20 seafood recipes drawing on traditional regional dishes.
The event is led by Yasser Jad, president of the Saudi Chefs Association, who spoke of the importance of mentorship and hands-on experience in the culinary industry.
Jad said: “Each day we hold six interactive sessions, featuring two master chefs who mentor two young chefs from different culinary schools, including students from HTMi Saudi Arabia, a leading hospitality and culinary institute.”
The association serves as a professional network, supporting chefs at all levels with practical training.
Jad added: “This is how chefs have always learned — by working side by side with experienced mentors. Masterclass continues that tradition in a structured, engaging environment.”
The masterclass workshop focuses on both traditional Saudi recipes and international seafood dishes.
Jad said: “We are proud to conduct this kind of workshop. Our goal is to preserve and modernize Saudi cuisine, ensuring that young chefs understand its history while also exploring contemporary techniques.”
Those participating work with fresh, locally sourced seafood, learning techniques for cleaning, filleting, marinating, and cooking different types of fish and shellfish.
Now in its fourth edition, the Saudi International Fisheries Exhibition is organized by the National Livestock and Fisheries Development Program under the Ministry of Environment, Water and Agriculture, with the participation of various public and private sector entities.
The event highlights sustainable seafood initiatives, aquaculture advancements, and cutting-edge fishing technologies. Visitors can explore live aquaculture systems and experience seafood tastings and interactive exhibits showcasing the latest industry innovations.
For the Saudi Chefs Association, education plays a key role.
Jad said: “We want chefs to understand the value of local seafood, both from a culinary and environmental perspective.
“By supporting local fisheries, we strengthen Saudi Arabia’s food security and culinary identity.”
Cynthia Erivo kicks off Grammys in Ashi Studio look as Beyonce wins top award
Updated 03 February 2025
Arab News and AP
DUBAI/ LOS ANGELES: The 2025 Grammys in Los Angeles saw “Wicked” star Cynthia Erivo kick off proceedings in a gown by Saudi couturier Mohammed Ashi.
Accompanied by Herbie Hancock on piano, Erivo sang Frank Sinatra’s “Fly Me to the Moon” while wearing a sculpted gown from the Paris-based designer’s Fall/ Winter 2024 collection.
Cynthia Erivo showed off a gown by Ashi Studio at the Grammys. (AFP)
She complemented her Ashi Studio dress with Messika jewelry and Christian Louboutin heels.
Erivo’s look hailed from Ashi Studio’s Fall/Winter 2024-25 collection, titled “Sculpted Clouds.”
At the ceremony on Sunday night, Beyoncé won album of the year for “Cowboy Carter,” delivering her — at last — the show’s elusive top award.
The superstar, who is both the most awarded and nominated artist in Grammys history, has been up for the category four times before.
In winning album of the year with “Cowboy Carter,” Beyoncé became the first Black woman to win the top prize in the 21st century. The last was Lauryn Hill with “The Miseducation of Lauryn Hill” 26 years ago. Before her was Natalie Cole and Whitney Houston. That means Beyoncé is only the fourth Black woman to win album of the year at the Grammys.
Beyonce accepts the Album of the Year award with Blue Ivy Carter onstage. (AFP)
Members of the Los Angeles Fire Department presented Beyonce with the trophy Sunday, one of several times the show reflected the recent wildfires that burned thousands of homes.
“It’s been many, many years,” Beyoncé said in her speech. “I want to dedicate this to Ms. Martell,” she said, referencing Linda Martell, the performer who became the first Black woman to play the Grand Ole Opry, a music venue in Nashville, Tennessee.
“We finally saw it happen, everyone,” host Trevor Noah said, nodding to the long overdue achievement for one of music's transcendent artists.
Kendrick Lamar won song and record of the year for his diss track “Not Like Us” at the 2025 Grammys, taking home two of the night's most prestigious awards.
Kendrick Lamar, winner of the Record of the Year, Best Rap Performance, Best Rap Song, Best Music Video, and Song of the Year Awards for "Not Like Us" poses in the press room during the 67th Annual Grammy Awards. (AFP)
“We're gonna dedicate this one to the city,” Lamar said before shouting out Los Angeles area neighborhoods.
It is the second hip-hop single to ever win in the category. The first was Childish Gambino’s “This Is America."
Iconic works on show ahead of Sotheby’s auction in Riyadh
Updated 02 February 2025
Sulafa Alkhunaizi
RIYADH: On Feb. 8, Sotheby’s will host “Origins,” which it is billing as “the first international auction in Saudi Arabia’s history.” Key pieces from the auction are on display in the accompanying exhibition at Diriyah’s Bujairi Terrace that is free and open to the public.
Ashkan Baghestani — senior vice president and head of contemporary day sale, contemporary art, New York & Middle East — told Arab News of the importance of offering a diverse array of lots, from sculptures to paintings.
"In terms of fine art, I think it was important for us to show the wide breath of the fields we represent at Sotheby’s,” he said, adding “in the last three years, every time I have been coming I have been seeing more international artists and curators, events, integrated with Arab culture.”
René Magritte is famed for his intriguing images combining everyday objects in whimsical and thought-provoking contexts. “L’État de veille” belongs to a series of dreamlike gouaches featuring several emblematic motifs. (Sotheby's)
While curating the auction and exhibit, Baghestani sought to bring the "greatest Arab and Saudi artists to an international audience … don’t forget, we don’t only cater toward the local audience and Saudi audience … a lot of our clients are looking at the sale."
Baghestani also broke down the different types of auctions to be held: Online, day and evening sales.
"The evening sale auction is probably the highest caliber in terms of quality, featuring the most expensive, museum-quality, and rarest works. However, in terms of volume, it is usually the smallest."
“O' God, Honour Them and Do Not Honor an Enemy Over Them” by Saudi artist Mohammed Al-Saleem. (Sotheby's)
One of the pieces set to be auctioned is by Saudi artist Mohammed Al-Saleem (1939-1997), a key contributor to the evolution of the Kingdom’s art scene.
His painting, titled “O' God, Honour Them and Do Not Honor an Enemy Over Them” is inspired by the gradating skyline of Riyadh from the desert, with both the skyline and calligraphy blended into mosaic-like designs.
The auction will also include works from icons such as Rene Magritte and Andy Warhol, and regional art pioneers including Etel Adnan.
Dubai Fashion Week’s opening night hosts diverse designs
Updated 02 February 2025
Arab News
DUBAI: Set to run until Feb. 6, the opening night of Dubai Fashion Week saw designers show off their Autumn/Winter 2025-26 collections in the city on Saturday.
The opening night’s line-up included an ode to Paris by Manel, founded by Dubai-based designer Manel Aboudaoud; a tribute to batik craftsmanship by Indonesian brand Toton; and a nod to Moscow and the Silk Road by Dubai-based Filipino designer Angelo Estera.
From flowing gowns to structured silhouettes, Iraqi designer Zaki presented a collection marked by subdued, elegant hues. Zaki — who has dressed celebrities including Kris Jenner, Ciara and Tyra Banks — created a number of ombre gowns for her latest line, which also included metallic evening wear amid nude-colored looks. Rouching was seen in many of the figure-hugging gowns, with a creamy beige menswear look turning heads on the runway.
Iraqi designer Zeena Zaki presented a collection marked by subdued, elegant hues. (Supplied)
Meanwhile, Toton Januar collaborated with batik artisans from Tuban and Cirebon, Indonesia, for a collection that combined traditional artistry with upcycled fabrics and innovative use of materials such as paper clay.
Toton Januar collaborated with batik artisans from Tuban and Cirebon, Indonesia. (Supplied)
Aboudaoud made a winning debut at Dubai Fashion Week with the “Paris Day to Night” collection, a tribute to her Parisian upbringing and Arab roots. The collection combined elegant tailoring, luxurious fabrics, and versatile designs that can transition from day to night. The colour palette drew inspiration from Parisian winters, blending earthy tones with opulent hues. Textured velvet, jacquard, Chantilly lace, and satin were employed across the collection to create a refined, yet wearable line.
Manel Aboudaoud made a winning debut at Dubai Fashion Week with the “Paris Day to Night” collection. (Supplied)
For his part, Estera fused traditional Russian elements with Eastern influences in a show inspired by the ancient trade routes connecting the East and West. The Autumn/Winter 2025-26 collection featured a rich colour palette of red, black, and gold, representing luck, mystery, and cultural prosperity, according to the show notes.
Angelo Estera fused traditional Russian elements with Eastern influences. (Supplied)
1-54 Contemporary African Art Fair returns to Marrakech for sixth edition
30 exhibitors include galleries from Africa, Europe, India and for the first time, the Gulf
Updated 01 February 2025
Rebecca Anne Proctor
MARRAKECH: The sixth edition of the 1-54 Contemporary African Art Fair has returned to the opulent La Mamounia Hotel bringing together collectors and art aficionados from across Africa, the Middle East and Europe.
The smallest of the 1-54 fairs — which are also held in London and New York — the Marrakech edition, which opened on Jan. 30, presents a more intimate, upscale experience.
There is a great focus on establishing connections between the Marrakech art scene and greater Africa and its diaspora, the Middle East and Europe.
1-54 Marrakech 2025. (Courtesy Mohamed Lakhda)
Running until Feb. 2, the event is being held at both the La Mamounia Hotel and multidisciplinary art space DaDa, located within the famous bustling Jemaa El-Fnaa square and marketplace in the city’s Medina quarter.
The latter highlights predominantly art concepts from across Morocco whereas within the lavish halls of La Mamounia, both international and Moroccan galleries present works by local African and international artists.
“In this edition, there is a very good balance between African, international and local Moroccan galleries,” fair director and founder Touria El Glaoui, the daughter of the late celebrated Moroccan modernist painter Hassan El Glaoui, told Arab News.
1-54 Marrakech 2025. (Courtesy Mohamed Lakhda)
“This year presents 14 galleries from Africa … in addition to a gallery from Kuwait City, Tokyo, two galleries from Milan, and the Kalhath Foundation from Mumbai, India, presenting Moroccan artist Amina Benbouchta.”
Newcomers this year include Milan-based C+N Gallery CANEPANERI; space Un from Tokyo, Japan; and GALERIE FARAH FAKHRI from Abidjan, Cote d’Ivoire.
Also represented for the first time will be Galerie Medina from Bamako, Mali; Hunna Art from Kuwait City, Kuwait; Le Violon Bleu Gallery from Sidi Bou Said in Tunis, Tunisia; and Rabat-based Abla Ababou Galerie.
1-54 Marrakech 2025. (Courtesy Mohamed Lakhda)
On view at Le Violon Bleu from Tunisia are also paintings by Hassan El Glaoui. The display marks the first time the artist’s works are exhibited at the fair.
The Gulf is represented this year through the debuting Hunna Art from Kuwait City.
In addition, a talk, titled “AlUla a New Laboratory for Contemporary Art,” will be delivered by French curator Arnaud Morand who has staged exhibitions and residencies for several years in the ancient Saudi Arabia desert region.
1-54 Marrakech 2025. (Courtesy Mohamed Lakhda)
Also from the Gulf will be a special performance titled “Le Miroir (Acte I)” by renowned artist Miles Greenberg, to be staged at the historic El-Badi Palace, commissioned by ICD Brookfield Place Arts Program in Dubai.
Since its launch in Morocco in 2018, 1-54 has grown into a global event bringing collectors, major art institutions and artists from across the world to Morocco.
The fair, as El Glaoui noted, is also building on Marrakech’s rich cultural and art scene which has been expanding over the years. Of note this year is the reopening of the Museum of African Contemporary Art Al-Maaden alongside numerous exhibitions and museum shows and performances.
“Marrakech has a strategic geographic location serving as a meeting point for audiences from the Middle East, Africa and the rest of the world,” said El Glaoui.
“Morocco has a vibrant art scene that has significantly grown over the years. I think between its auction houses, museums, private foundations and the various galleries we have in each city, it has become an important international contender for modern and contemporary art.”
