‘Conclave’ and ‘Brutalist’ share BAFTA honors as Anna Kendrick looks to Georges Chakra archive

British German director Edward Berger (3L) Italian actor Isabella Rossellini (4L) and British actor Ralph Fiennes (2R) pose with the award for Best film for "Conclave" during the BAFTA British Academy Film Awards ceremony at the Royal Festival Hall in London on February 16, 2025. (AFP)
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Updated 18 February 2025
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‘Conclave’ and ‘Brutalist’ share BAFTA honors as Anna Kendrick looks to Georges Chakra archive

  • “Conclave”, which stars Ralph Fiennes as a cardinal corralling conniving clergy as they elect a new pope, was also named outstanding British film and took trophies for editing and adapted screenplay
  • US filmmaker Brady Corbet took the BAFTA for best director for “The Brutalist,” while leading man Adrien Brody scooped up the best actor gong

DUBAI/LONDON: Hollywood actress Anna Kendrick hit the red carpet at the 78th British Academy Film Awards in an archival look by Lebanese designer Georges Chakra on Sunday night in London.

Kendrick showed off a silk chiffon pleated gown adorned with bands of cascading black crystal fringe and a sweeping train from the designer’s Fall/Winter 2005-2006 couture collection at the BAFTAs.




Anna Kendrick showed off a look from Georges Chakra's Fall/Winter 2005-2006 couture collection. (Getty Images)

Meanwhile, Papal thriller “Conclave” and immigrant epic “The Brutalist” tied for top honors at the ceremony, with each film picking up four coveted gongs.
“Conclave,” directed by German-born Edward Berger, won the BAFTA for the best film with its tale of the intrigue and horse-trading behind the scenes during the election of a new pope.

Accepting the award, Berger recalled the journey to make the film took seven years, paying tribute to British screenplay writer Peter Straughan's “wonderful script” and lead actor Ralph Fiennes.

US filmmaker Brady Corbet took the BAFTA for best director for “The Brutalist”, while leading man Adrien Brody scooped up the best actor gong for his portrayal of a Hungarian Holocaust survivor and architect who emigrates to the United States.

Brody told a winners press conference that the film was “an opportunity for me to honor my own ancestral struggles.”

In “a film that speaks to tremendous cruelty and despicable behavior in our past... we see elements existing today that can guide us and remind us of that,” he added.

Veteran British actor Fiennes, who played a cardinal in “Conclave”, once again saw his hopes of winning a BAFTA gong dashed, losing out to Brody in the race for the honour.

Scandal-hit “Emilia Perez”, a surreal musical about a Mexican druglord, had been heavily favored at the beginning of the year. But it ended the evening with just two BAFTAs, including one for Zoe Saldana for best supporting actress.

Until last month, French director Jacques Audiard's movie had been expected to be a frontrunner having won 11 nominations.

But old racist and Islamophobic tweets by lead actor Karla Sofia Gascon surfaced at the end of January, shaking up the race just before the London ceremony and the Oscars on March 2.
 


Devastatingly good: ‘The Last of Us’ season two is a bleak triumph 

Updated 28 sec ago
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Devastatingly good: ‘The Last of Us’ season two is a bleak triumph 

JEDDAH: The key to the success of season one of HBO’s acclaimed post-apocalyptic video-game-franchise adaptation “The Last of Us” was the relationship between world-weary smuggler Joel (Pedro Pascal) and his ‘cargo,’ 14-year-old orphan Ellie (Bella Ramsey), who’s immune to the parasitic fungal infection that wiped out the majority of mankind over the previous two decades. 

In season two, which launches April 13 on OSN+, that relationship has become strained. In part because the now-19-year-old Ellie is raging against her father (-figure), as 19-year-olds will. But also due to the decisions Joel made in the season one finale (spoiler alert) — keeping Ellie alive by slaughtering dozens of people and possibly denying the world a cure.  

So fans hoping for a repeat of the crackling chemistry between Pascal and Ramsey that made up the majority of season one’s screen time will be disappointed there’s not more of it here: Ellie has made friends from her own age bracket in the relatively peaceful township of Jackson over the five years that have passed since season one and is now living in Joel’s garage, rather than the main house. It’s a big loss, not having Joel and Ellie at the heart of the show, and none of the other relationships fully compensate. 

However, once again showrunners Craig Mazin and Neil Druckmann (the latter of whom is also head of the games’ developer, Naughty Dog) have managed to navigate the line between satisfying fans of the games and viewers who know nothing of the story.  

The season begins slowly, establishing the new dynamics between Joel and Ellie, and introducing us to some of Jackson’s other inhabitants while showing that a functioning, peaceful community can still exist in an otherwise ruined world. Don’t get too cozy, though. We’re also introduced to Abby and her friends, who we quickly learn are survivors of Joel’s finale rampage out for vengeance. And they’re closing in on Jackson.  

The mellow vibe disappears fast. There’s an all-out battle against a horde of infected that compares favorably with the very best of “Game of Thrones,” and displays of narrative audacity that only very skilled writers and performers can successfully pull off and still retain their audience — or, at least, the majority (some will definitely decide not to stick with it).  

Like the game on which it’s based, season two is a different, darker, bleaker affair than the first, tackling topics that are rarely addressed in this genre: cycles of violence; the difference between justice and vengeance (or justice and selfishness); the destructive and constructive powers of love; the crushing devastation of grief; and much more. And, like the game, it’s a great piece of storytelling that rewards your attention. 


Beijing bites back at US tariffs by curbing Hollywood film imports

Updated 11 April 2025
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Beijing bites back at US tariffs by curbing Hollywood film imports

  • Hollywood’s share in China’s box office drops to 5 percent
  • Domestic films dominate China’s box office, accounting for 80 percent of revenue

BEIJING: China said on Thursday it would immediately restrict imports of Hollywood films in retaliation for President Donald Trump’s escalation of US tariffs on imported Chinese goods, targeting one of the most high-profile American exports.
Industry analysts said the financial impact was likely to be minimal, however, because Hollywood’s box office returns in China have declined significantly in recent years.
After three decades during which China imported 10 Hollywood movies per year, Beijing’s National Film Administration said Trump’s tariff actions would further sour domestic demand for US cinema in China.
“We will follow market rules, respect the audience’s choices, and moderately reduce the number of American films imported,” the NFA said on its website.
Hollywood studios once looked to China, the world’s second-largest film market, to help boost box office performance of movies. But domestic movies increasingly have outperformed Hollywood’s fare in China, with “Ne Zha 2” this year eclipsing Pixar’s “Inside Out 2” to become the highest-grossing animated film of all time.
Chris Fenton, author of “Feeding the Dragon: Inside the Trillion Dollar Dilemma Facing Hollywood, the NBA, and American Business,” said limiting US-made films was a “super high-profile way to make a statement of retaliation with almost zero downside for China.”
Hollywood films account for only 5 percent of overall box office receipts in China’s market. And Hollywood studios receive only 25 percent of ticket sales in China, compared with double that in other markets, Fenton said.
“Such a high-profile punishment of Hollywood is an all-win motion of strength by Beijing that will surely be noticed by Washington,” Fenton added.
Trump did not jump to Hollywood’s defense. “I think I’ve heard of worse things,” the president said when asked about China’s restrictions.
Many Hollywood celebrities supported Trump’s Democratic opponent in last year’s election.
One entertainment industry source predicted that big Hollywood blockbusters, which continue to attract moviegoers in China, may still reach the big screen. Walt Disney’s Marvel superhero movie “Thunderbolts,” which kicks off the summer blockbuster season, recently received permission to debut in China on April 30.
It was not clear if China would approve the entry of other major releases this summer, such as Paramount’s “Mission Impossible — The Final Reckoning,” which may mark Tom Cruise’s last appearance in the long-running franchise, Warner Bros’ new “Superman” movie from “Guardians of the Galaxy” filmmaker James Gunn, and Marvel’s new take on “The Fantastic Four.

On China’s all-time box office list, only one imported film ranks in the top 20 — “Avengers: Endgame,” with revenue of 4.25 billion yuan ($579.83 million). (Social Media)

Limited impact
IMAX said it expects the slate for its large-format screens, which includes Hollywood, Chinese and international films, would not be materially impacted by the restrictions.
“We continue to expect a strong year for IMAX in China, coming off our highest-grossing first quarter ever in the country,” an IMAX spokesperson said in a statement to Reuters.
Seth Shafer, principal analyst at S&P Global Market Intelligence Kagan, predicted the restrictions would have limited impact.
“Only roughly 25 percent of domestic wide-release films are now released in China and that percentage has dropped steadily over time due to increasing competition from China’s local film production industry,” Shafer said. “For domestic films that do get a release in China, typically less than 10 percent of the film’s global gross box office revenue comes from China.”
“Captain America: Brave New World,” a Marvel film released in February, took in $14.4 million in China out of its $413 million in global receipts.
In the past, imports including “Titanic” and “Avatar” became box office smashes in the Chinese market, making actors such as Leonardo DiCaprio and directors such as James Cameron household names among Chinese film lovers across generations.
Since 2020, Chinese-made films have consistently accounted for around 80 percent of annual box office revenue, up from around 60 percent previously.
On China’s all-time box office list, only one imported film ranks in the top 20 — “Avengers: Endgame,” with revenue of 4.25 billion yuan ($579.83 million). The remaining films in the top 20 are all domestic productions.


Rami Malek: ‘I consider myself fortunate to have shared the screen with these actors’ 

Updated 10 April 2025
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Rami Malek: ‘I consider myself fortunate to have shared the screen with these actors’ 

  • The first actor of Arab descent to win an Oscar discusses his latest movie ‘The Amateur’ 

DUBAI: Oscar-winner Rami Malek is expanding his role behind the camera with “The Amateur,” now showing in cinemas across the Middle East. Teaming up with British director James Hawes and an ensemble cast, Malek – as lead star and producer – crafts a modern spy thriller that blends classic genre tension with timely urgency, and a cerebral update. 

“I just love to see things from beginning to end all the way through — every element,” Malek tells Arab News. “I hope it’s not a perfectionist aspect, but I’ve always found myself remembering moments on certain cameras, certain lenses on other actors that I would talk to the directors about, or in post-production and wanting to make sure we get the best of the best. I heard about a lot of actors who come into the editing suite, and I thought, ‘How could I do that without having to do it in this kind of sneaky manner?’ 

“And so (this was) the way to do that. And it was nice to see this develop, to work on the script with Dan Wilson and, of course, the great (producer) Hutch Parker, and James Hawes, and sit down day in and day out and try to make this feel as authentic and unique as possible from beginning to end.” 

Malek stars as Charlie Heller, a brilliant but introverted CIA codebreaker whose life is upended when his wife (Rachel Brosnahan) is killed in a terrorist attack in London. When the agency refuses to act, Heller sets off on a dangerous, global pursuit of those responsible — using his intelligence skills to outwit enemies and seek justice on his own terms. 

Apart from Malek and Brosnahan, the film also stars Laurence Fishburne, Caitriona Balfe, Jon Bernthal, and Emmy winner Julianne Nicholson, among others. 

“I got to galvanize some of my favorite actors — people I’ve always wanted to work with — in this ensemble,” Malek says. “I think everyone recognizes them as people working at the top of their game. Every actor in this film is someone I consider myself fortunate to have shared the screen with. And yeah, I’m very proud of that. It’s quite the feat.” 

 Rami Malek on set during the shooting of  ‘The Amateur.’ (Supplied)

Balfe — the Irish actress and model known for her role as Claire Fraser in the historical drama “Outlander” — plays Inquiline Davies, Heller’s asset, a hacker with whom he communicates via secure messages online. 

“Rami is amazing. I have known him socially for many years, but I always wanted to be able to work with him. And so when this project came along, I was so excited to be able to get that opportunity,” said Balfe. 

“And he was an incredible producer as well. We had long, long days shooting, and he’s in practically every scene of the movie. And yet he would go home and watch the rushes from the day before, and he’d have his notes when he came in the next day about what was great, or maybe things that were missed, or script changes. It was a lot on his shoulders, but he was brilliant and very generous with his time. And very welcoming and kind to everybody too, which is so important.” 

Rami Malek in ‘The Amateur.’ (Supplied)

Balfe also revealed that, despite the time constraints of shooting a movie across multiple countries, “everybody was having so much fun” on set. 

“Even though it was a very intense shoot and people were under real time pressure, it was such a lovely group of people to work with,” she says. “That was the best thing.” 

British director Hawes is no stranger to the world of espionage drama, having worked on the acclaimed UK spy series “Slow Horses.” 

“I’d been able to play in that world,” Hawes says. “Those are the kinds of films I’m drawn to — moody, atmospheric, but rooted in realism.” 

While “The Amateur” nods to classic spy thrillers, Hawes aimed to update the genre for today’s world. One major change was relocating key scenes from Prague — “a city more known for beer bikes than Cold War intrigue” — to Istanbul, which he felt offered an urgent, unpredictable energy. 

“We wanted it to feel contemporary — not just in the politics, but in the tech, the pacing, the stakes,” he says. “Hopefully, it still carries the soul of those older stories, but in a way that speaks to now.”


Morad Mostafa’s Red Sea-backed debut feature ‘Aisha Can’t Fly Away’ heads to Cannes

Updated 10 April 2025
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Morad Mostafa’s Red Sea-backed debut feature ‘Aisha Can’t Fly Away’ heads to Cannes

DUBAI: The Cannes Film Festival has revealed its official selection for 2025, with “Aisha Can’t Fly Away” by Egyptian filmmaker Morad Mostafa featured in the prestigious Un Certain Regard section.

Developed with the support of the Red Sea Film Foundation through its Red Sea Labs program, the film tells the story of Aisha, a 26-year-old Somali woman living in Ain-Shams — a Cairo neighborhood home to a large African migrant community.

As the authorities turn a blind eye to escalating violence and rising tensions between locals and migrants, control of the area falls into the hands of various gangs. When one gang offers Aisha protection in exchange for a personal favor, her life begins to unravel.

Mostafa shared the news on Instagram, saying: “Extremely proud to announce that my first feature film ‘Aisha Can’t Fly Away’ in the Official Selection of the 78th Festival de Cannes in the prestigious section Un Certain Regard.”

He added that this marks the “first Egyptian film in nine years to be selected for Un Certain Regard.”

The movie stars Buliana Simon, Ziad Zaza and Emad Ghoniem.


Want to share screen with Mahira Khan, upcoming Pakistani actor Khaqan Shahnawaz says

Updated 10 April 2025
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Want to share screen with Mahira Khan, upcoming Pakistani actor Khaqan Shahnawaz says

  • Shahnawaz, law graduate in his thirties, has starred in dramas like “Accident,” “Barhwaan Khiladi,” “College Gate”
  • Shahnawaz, who rose to fame as a content creator, says being a social media star had made his entry into acting world easier 

ISLAMABAD: Upcoming actor and Internet personality Khaqan Shahnawaz has said he is a fan of Mahira Khan, one of the most popular and highest-paid actresses in Pakistan, and looked forward to sharing the screen with her in the future. 

Shahnawaz, a law graduate who is in his late twenties, gained fame with dramas like “Accident,” “Barhwaan Khiladi,” “Yunhi” and “College Gate.” He most recently played the role of a Pashtun boy in the drama series, “My Dear Cinderella,” which started airing on Hum TV during Ramadan and concluded with its final episode over the Eid holiday.

“Who wouldn’t want to? I still want to share the screen with Mahira Khan and be in her presence,” he told Independent Urdu in an interview last week. “Mahira Khan is a star and I have always been a fan of hers, still am.”

Shahnawaz recalled catching a glimpse of Khan from a distance at a wedding but unfortunately wasn’t able to meet her.

“I couldn’t meet her because she came for a very short time,” he said. “But I saw her from a distance and I said, ‘That’s a star,’ because she had an aura when she was walking.”

When asked about future projects and if would like to work in an action project, Shahnawaz said action was not a preferred genre on Pakistani TV, long known for romantic comedies and family dramas. 

“I think we don’t make that many dramas that fall under the action genre but definitely, if I had the option to choose between an action drama or a romantic comedy, it would have been a tough decision,” the actor said. 

“But right now I had the option of a family tragedy or a romantic comedy and I went for the romantic comedy [My Dear Cinderella] because the character was very different from my real life character so I thought I should experiment and I should check if I can step into this character.”

Shahnawaz, who rose to fame as a social media star, said he still identified largely as a content creator. 

“If you look at my Instagram profile or TikTok profile, I have uploaded content recently and I keep posting regularly,” he said. “My entry into acting was a lot easier because of content creation, I will say this.”