Riyadh’s Ahlam Gallery hosts group show ‘Stories in the Making’

Salah Jandali’s 'functional art' created for 'Stories in the Making.' (Supplied)
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Updated 27 March 2025
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Riyadh’s Ahlam Gallery hosts group show ‘Stories in the Making’

RIYADH: “This is a group exhibition, created by a community of eclectic artists to exchange, talk, collaborate and build a connection in a healthy environment,” Dr. Ahlam Alshedouky, founder of Ahlam Gallery in Riyadh, tells Arab News. 

Alshedoukhy is discussing “Stories in the Making,” a collection of 36 works by local and international artists which runs at the gallery until March 31. Approximately half of the participating artists were pre-selected for their unique stories, while the rest joined through an open call. 

“Most of these works were created in the last year; one of the criteria is to present something new,” Alshedoukhy explains, adding that the exhibition puts “big lights on the artist’s journey and artist’s story.” 

Jeddah-based Salah Jandali, founder of JZB Studio, says he created “functional art” for the exhibition — essentially four stools and a small table — that he hopes people will use to sit and reflect, or engage in conversation with others. The furniture blends traditional craftsmanship with contemporary design. 

“Weaving was part of our daily lives. Today, it has become more of a decoration,” Jandali tells Arab News. “This affects demand — if people aren’t interested in this craft and no one works with it, over time, it will disappear.” But he believes that it “will gradually become widely accepted again.” 

The designer sought out artisans to create the pieces. He collaborated with a palm weaver in Al-Ahsa, who worked from her home farm dyeing the palm fronds to match Jandali’s requirements. He also partnered with a carpenter known for intricate craftsmanship reminiscent of Japanese joinery. Bringing together techniques from both the east and west coasts, the work now comes full circle in the center of the Kingdom, Riyadh. 

Abdullah Alkhorayef’s work for the exhibition, “The Origins,” explores where the designs for Saudi traditional clothing came from. Finding no concrete answers, he instead created his own version of the evolution of traditional wear in the region. “I decided to start at my own zero point, which is today,” he told Arab News.  

“The Origins” comprises an installation made of black cotton linen featuring geometrical shapes that explore the origins of clothing, and a number of silkscreen prints on paper depicting the geometrical forms used.  

The shapes within the black cotton linen installation were created by folding and sewing a simple rectangle in ways that cover the body. Each piece adds onto the previous one: so a simple draped cloth acquires an arm hole, then is divided in various ways — horizontally, vertically, and diagonally — combining mathematical and engineering concepts, to create garments that could be worn by humans.  

Those shapes were then translated into visual compositions using the silkscreen technique and form an alphabet-like system that is personal to the artist, as if creating his own language for clothing.  

“It all starts with simple shapes,” he says. “With all the chaos in the past 40 or 50 years, we lost the reasoning behind anything. With this exhibition, because of the cultural boom happening in Saudi, I just wanted to throw in a question for people to ask, challenge, and research.” 

Saudi artist Zainab Abo Hussain’s tapestry “A Tide Once Near, Now Drifted to Memory” is an ode to her ancestry inspired by Islamic miniature painting, textiles and innovative construction techniques, as well as her own life.  




Zainab Abo Hussain with her work 'A Tide Once Near, Now Drifted to Memory.' (Supplied)

“Childhood memories of my grandmother, who led our family while my grandfather (was) at work in remote areas, are a significant source of inspiration,” she says. “Evenings spent gathered around her, listening to her captivating stories, are cherished moments.”  

The work aims to honor her grandmother by reimagining these narratives through contemporary miniature painting and manuscript art.  

“Henna nights, in particular, provided precious opportunities for connection and storytelling,” Hussain continues. “These experiences deeply influenced my desire to capture and preserve such memories through my art.” 


REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

Updated 31 March 2025
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REVIEW: ‘Stories from Sol: The Gun-Dog’ offers a gritty, narrative-driven adventure

LONDON: In an era in which retro gaming is somewhat mainstream with remakes, reboots and remastered games emerging on a daily basis, “Stories from Sol: The Gun-Dog” on Nintendo Switch takes things to the next level.

Going further back in time than most, it is a throwback to classic PC-9800 visual novels, blending deep storytelling with a minimalist approach to gameplay. If you enjoy immersive narratives and do not mind slow pacing, this game delivers a compelling experience — though it may not be for everyone.

“Gun-Dog” is all about story. Its deep, character-driven narrative demands patience, rewarding players willing to engage with a text-heavy experience. It starts by setting the scene of the Solar War and our protagonist being unable to prevent the loss of his crewmates. Four years later, they (you can choose your own name) are re-assigned to the Jovian patrol ship Gun-Dog which has orders to investigate mysterious signals coming from the edge of Jovian Space.

On board, the assortment of characters includes a love interest, a rival from the past and others who all seem to be hiding something. While choice is limited to movement, item interaction and conversation, the game excels at making you feel like your actions matter, especially when decisions come with a countdown clock to force your hand.

This is not an action-packed adventure. The game moves deliberately and offers little in the way of fast-paced mechanics. Exploration is limited, but the weight of each choice — especially in high-pressure moments — keeps engagement high. With sparse visuals and bit-crushed music, “Gun-Dog” leans into its retro inspirations. Interestingly, putting it on mute might give the best experience; the soundtrack can be more of a distraction than an enhancement.

“Gun-Dog” is a game for those who love slow-burn, text-heavy adventures with minimal gameplay distractions. If you are looking for deep lore, strong characters and a narrative experience, it is worth the time. Just be ready for a slower ride than that offered by most modern games.


Farshi Shalwar: Centuries-old staple of South Asian fashion makes Eid comeback in Pakistan

Updated 31 March 2025
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Farshi Shalwar: Centuries-old staple of South Asian fashion makes Eid comeback in Pakistan

  • Farshi shalwar is characterized by floor-length, flowing and wide, loose pants, creating a dramatic and graceful silhouette
  • Stylists say trend dates back to the 17th century and was popular among noblewomen and courtesans of the Mughal era

KARACHI: A centuries-old staple of South Asian closets, the farshi shalwar, is back in Pakistan and ruling fashion trends this Eid Al-Fitr. 

The word “farshi” comes from the Persian word “farsh,” meaning “floor,” and the farshi shalwar, particularly popular in Pakistan and northern India, is characterized by its floor-length, flowing and wide, loose pants, creating a dramatic and graceful silhouette. 

“Right now, it’s the hottest trend,” fashion stylist and director Tabesh Khoja, popularly known as Khoji, told Arab News, saying he first styled a farshi shalwar in 2023 for the fashion label of model and actress Sadaf Kanwal.

“I styled Sadaf Kanwal actually and after that I have seen every other designer doing a farshi shalwar version of their own,” Khoja said. 

The picture posted by Sadaf Kanwal Fashion on February 15, 2025, shows Pakistani model Sadaf Kanwal wearing farshi shalwar from her latest collection. (Sadaf Kanwal Fashion/Instagram)

No doubt, Kanwal seems to have played a key role in bringing the farshi shalwar back this Ramadan and Eid, with her label Sadaf Kanwal Fashion creating a number of outfits over the last two years featuring the baggy trousers. 

“Throughout the [last] year, I shot so many collections of so many designers and all of those designers at least used to have two farshi shalwars for sure in their collections,” Khoja said. “So it took us an entire year to make it a fashion trend.”

According to the stylist, the trend dated back to the 17th century and was popular among noble women in the Mughal era. Modeled after the flowing gowns worn by British noblewomen, the complete outfit consists of three basic parts: a kurta or a long shirt, dupatta or long stole, and the third and most important, the farshi shalwar or pajama, a flowing two-legged trouser held by drawstrings that falls straight to the ankles from where it starts flaring and flowing copiously onto the floor, trailing as one walks. 

In media, iconic movies such as Umrao Jaan (1981) and Shatranj Ke Khilari (1977) that depict Muslim culture of 19th-century Lucknow show noblewomen and royal courtesans wearing farshi shalwars. 

“They had a variety of silhouettes in terms of a kurta or a jacket on top, among other things. The outfit has been there, the silhouette has been there since the 17th century but how you make it relevant now is very important,” Khoja added.

The picture, posted on August 4, 2022, by the Instagram page " Purana Pakistan," shows Pakistani women wearing farshi shalwar in 1970s. (Hibah Najeeb via Purana Pakistan)

HOW TO STYLE A FARSHI SHALWAR?

According to Khoja, some of the popular ways to style the farshi shalwar include pairing it with a button down shirt and accessorizing it with different kinds of jewelry pieces and hairdos.

“You can dress it up or dress it down. Sadaf [Kanwal] uses big organza dupattas. You can do big shawls also like [actress] Mahira Khan wore [designer] Banto Kazmi’s when she got an award at the UK Parliament. So something of that sort also with a plain silhouette.”

The picture, posted on July 16, 2023, shows Pakistani models wearing farshi shalwar by designer Hussain Rehar. (Hussain Rehar)

Pakistani actress Tuba Anwar said celebrities had been wearing farshi shalwars since last year but the trend had “peaked” among the general public in recent months. For her, the fact that everyone would be wearing the baggy trousers this Eid reduced their appeal. 

“I was planning to wear farshi shalwar on this Eid and then when everybody started discussing it, I was like ‘No, this is not what I’m going to wear because I have to do something very different’.”

When she wore farshi shalwars at all, Anwar said she preferred them in solid colors.

“In terms of styling, I would like to wear it with solid colors, not a lot of embroidery going on, not a lot of things or abstract things going on in the clothes that I am going to wear,” she said.

Pakistani actor Tuba Anwar is seen wearing farshi shalwar. (Tuba Anwar)

The farshi shalwar craze is not limited to women alone. 

Actor and host Fahad Mustafa has donned the farshi shalwar look on his hit gaming show Jeeto Pakistan during Ramadan. Singer and songwriter Falak Shabbir has been seen in the outfit as well. 

“It’s certainly not limited to women. Fahad Mustafa was of course wearing it on Jeeto Pakistan. I am going to wear it on Eid,” Khoja said. “So, you will see a lot of people of different sorts, male and female, wearing it.”

Pakistani actor and host Fahad Mustafa r is seen wearing farshi shalwar. (Fahad Mustafa)

 


Review: Nicole Kidman’s ‘Holland’ is an underwhelming thriller

Updated 30 March 2025
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Review: Nicole Kidman’s ‘Holland’ is an underwhelming thriller

LONDON: If you think there’s something unnervingly familiar about “Holland,” then you’re in good company. In this new thriller from Prime Video, directed by Mimi Cave (2022’s excellent “Fresh”), Nicole Kidman plays a permanently frowning wife who just can’t quite shake the feeling that something about her picture-perfect life isn’t quite right – which, when you think about it, could also be the logline for the actor’s turns in “The Stepford Wives,” “Big Little Lies,” “Expats,” “The Perfect Couple” and probably a half dozen others.

This time, Kidman’s Nancy suspects that her optometrist husband Fred (Matthew Macfadyen) may be having an affair. We don’t really ever find out why she thinks this, beyond the fact that she has ‘a feeling’ and suffers from weird, surreal dreams in which the town they live in — the titular Holland, Michigan — merges with the model village Fred is building in their garage. So, despite having no obvious reason to do so, Nancy and her work colleague-turned-extramarital crush Dave (Gael García Bernal) decide to follow Fred to find out what he’s up to.

The setup for discovering Fred’s secret takes up the majority of the movie. Macfadyen, here simply playing a more homely version of his character in “Succession,” makes for an entertaining enough man of mystery while, for the most part, Kidman and García Bernal are fine as co-workers with an obvious attraction and a shared interest in what Fred is really up to. The main problem with “Holland” is eccentricity for eccentricity’s sake — Cave plays up the town’s Dutch colonial traditions seemingly because they just lend an air of unfamiliarity and weirdness, Nancy’s feelings of dread manifest in those surreal dreams, but none of it has any real-world relevance beyond making for some odd-looking visuals.

The twist, when it inevitably comes, feels disproportionate and overblown given the small-town buildup. Elements, such as Dave’s experience as the only immigrant in town, or Nancy’s issues with their babysitter, are mentioned once and never touched on again. The film suffers from too many vague ideas at the outset, before dumping most of them to make way for the most shocking story arc. Turns out, not only have we seen this film a bunch of times before, we’ve seen it done a lot better too.


Hollywood red carpets play host to Arab designs

Updated 30 March 2025
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Hollywood red carpets play host to Arab designs

DUBAI: Awards ceremonies in Hollywood played host to Arab designs over the weekend with celebrities Sophia Bush, Becky G and Jennie wearing looks from the Middle East.

US actress Bush showed off a scarlet gown by Lebanese designer Jean Pierre Khoury at the at the 36th Annual GLAAD Media Awards on Thursday, complete with a beaded bodice and separate form-fitting skirt. Bush’s ensemble was put together by Dani Charlton and Emma Rubenstein, the fashion styling duo known as Dani + Emma. 

US actress Sophia Bush showed off a scarlet gown by Lebanese designer Jean Pierre Khoury. (Getty Images)

Fast forward to Saturday night and singers Becky G and Jennie Kim, a member of K-Pop group Blackpink, both showed off looks by Lebanese designer Zuhair Murad.

Jennie, who goes by her first name, showed off a look from Zuhair Murad’s Fall/ Winter 2025 ready-to-wear collection. (Getty Images)

US singer-actress Becky G opted for an all-white dress from Murad’s pre-Fall 2025 collection at the 2025 Billboard Women In Music event, held at the YouTube Theater in Los Angeles.

The halter neck column gown boasted silver embellishments on the bodice.

Jennie, who goes by her first name, showed off a look from Murad’s Fall/ Winter 2025 ready-to-wear collection at the same event.

The form-fitting red dress featured a double slit with studs across the slits and sweetheart neckline. The look was completed with a pair of heels by Jordanian Romanian designer Amina Muaddi.

She took to the stage in the outfit to accept the Global Force Award, which is given to "singers, songwriters, instrumentalists and producers making groundbreaking contributions to the music industry" selected by Billboard publication around the world, according to Billboard.

“I’m inspired by all the women in this room — and around the globe who continue to break barriers and make their mark on the world stage,” Jennie said during her acceptance speech. “This award is dedicated to every woman who dares to dream and create and shape the world with her vision.” 

This year’s honorees also included Doechii as Woman of the Year; Erykah Badu, who received the Icon Award; Aespa as Group of the Year; and Ángela Aguilar, who won the Breakthrough Award, among others. Presenters included Becky G, Lauren Jauregui, Kali Uchis and Julia Michaels.

Performers included Ángela Aguilar, Aespa, Gracie Abrams, Megan Moroney, Muni Long, Tyla and Erykah Badu.

For her part, US Mexican singer Aguilar dedicated her moment on stage to immigrants. “I want to take this moment to raise my voice for the women whose voices are not always given a stage, for the women who leave behind everything they know crossing borders,” she said.

 


Amira Al-Zuhair, Gigi Hadid star in accessories campaign

Updated 29 March 2025
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Amira Al-Zuhair, Gigi Hadid star in accessories campaign

DUBAI: French Saudi model Amira Al-Zuhair starred in a campaign for US fashion label Tory Burch, while US Dutch Palestinian supermodel Gigi Hadid fronted the 2025 leather goods campaign for Italian high-fashion brand Miu Miu, blending fashion and fine art.

For Tory Burch, Al-Zuhair wore a silk set adorned with the brand’s logo, showcasing handbags, perfumes, accessories, shoes and watches from the brand’s latest release.

The Miu Miu campaign, captured by renowned photographer Steven Meisel, features photographs that are digitally hand-painted to achieve a tactile, velvety quality, evoking the essence of classic 20th-century portraiture.

The campaign highlights Miu Miu’s signature matelasse leather, showcased in two bags — the Wander and the Arcadie, available in rich chocolate and mustard hues, as well as vibrant pistachio and fuchsia versions.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Miu Miu (@miumiu)

On Instagram, Miu Miu shared images from the campaign featuring Hadid with soft, sculpted waves styled to evoke vintage aesthetics. In one of the images, she was dressed in a dark navy jacket layered over a light, checked shirt and a collared blouse. The look was completed with the Wander bag in a mustard hue.

Another photo shows Hadid seated on a vintage green and brown chair, wearing a blue and green gingham dress. She was holding the Arcadie bag in chocolate brown, which also features the matelasse texture.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Miu Miu (@miumiu)

A third image captured Hadid in a strapless lime green top paired with a soft brown skirt. She carried the brown Arcadie bag as a shoulder accessory.

Hadid has had a long-running relationship with Miu Miu.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Miu Miu (@miumiu)

Earlier this month, she walked the brand’s runway during Paris Fashion Week wearing a mix of classic tailoring and modern styling with a vintage edge.

She donned a charcoal, double-breasted coat-dress with a structured, oversized silhouette. The look was completed with a 1920s-inspired hat that ties under the chin.

The outfit was further styled with dangling gold earrings, knee-high scrunched socks in a muted olive tone and brown leather loafers.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Miu Miu (@miumiu)

Last year, Hadid also starred in the brand’s campaign featuring the Wander and Arcadie bags, reflecting a similar 1930s-inspired style. The campaign showcased the handbags in shades of brown, orange, and yellow, with Hadid modeling alongside them.

Also captured by Meisel, the photographs draw inspiration from the innovative style of late British photographer Yevonde Middleton, renowned for employing soft colors and incorporating drapery and foliage in her portraits.