Superheroes take to the stage at Middle East Film & Comic Con

Wilson Bethel, Andrew Garfield, Grant Gustin and Charlie Cox at the Middle East Film & Comic Con on Saturday. (Instagram)
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Updated 20 April 2025
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Superheroes take to the stage at Middle East Film & Comic Con

DUBAI: Abu Dhabi’s Middle East Film & Comic Con turned into a multiverse crossover event as Andrew Garfield, Charlie Cox, Grant Gustin, and Wilson Bethel took the stage for a packed superhero panel.

The four actors — known for portraying Spider-Man, Daredevil, The Flash, and Bullseye respectively — reflected on their iconic roles and what it means to bring beloved comic-book characters to life.

 

 

Garfield discussed meeting fans at conventions. “It’s always a bit nerve-wracking when you’re coming to see fans. And every time I get very shy, and then as soon as I am faced with, you know, a group of people who just love so deeply what they love, and the fact that we’re all involved in things that you guys love so much, it’s such a beautiful relationship that we get to have with all of you,” he said. “I just feel so lucky. I think we all feel so lucky to get to be a part of your lives in such an intimate and emotionally joyful way.”

Bethel has returned to her role as Bullseye in the Disney+ show “Daredevil: Born Again,” in which Cox plays the titular hero. “Charlie and I just fell back into our dancing positions. I lead and he follows. Coming out of that long period of not doing the show, to returning to it in such a dramatic, physical way, was very cool,” she said, referencing their bloody fight in episode one of the new series.

Gustin, who played Barry Allen/The Flash on the hit CW show “The Flash” from 2014 to 2023, said: “The coolest part of playing a character like this is that, no matter what else you do, you’ll carry it always, because you will forever be a part of that character’s legacy.

“I was 23 when the show started filming,” he added. “And I didn’t know how stressful that would be at times. I had to learn how to handle that stress as I grew up on the show. And I think by the time it was over, I was enjoying it more than ever.”


British Lebanese actress Razane Jammal authors children’s book

Updated 16 June 2025
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British Lebanese actress Razane Jammal authors children’s book

DUBAI: British Lebanese actress Razane Jammal is set to release a children’s book titled “Lulu & Blu.”

The actress, famous for her roles in Netflix series “The Sandman” and “Paranormal,” took to social media on Sunday to share the news, writing: “What started as a little story I wrote seven years ago turned into a book for your little ones. I’ve poured my (heart) into this and I’m thrilled to invite you all to our first launch in Beirut.”

The launch event is scheduled to take place on June 25 at community space Minus 1 in the Lebanese capital. The actress will perform a reading of the children’s story, which tells the tale of a “vegetarian lioness, a friendly fish and their most unusual friendship,” according to the author.

Published by Turning Point Books, the story was illustrated by Sasha Haddad, a Lebanese illustrator who graduated from Cambridge School of Arts in 2014.

In the role that arguably shot her to stardom, Jammal played Lyta Hall in 2022’s “The Sandman,” based on the legendary graphic novels.

Her character dreams of her dead husband each night, slowly realizing that he is not a figment of her imagination but is hiding out in the dream world.

It is a part that Jammal managed to play truthfully with subtlety — a subtlety for which she credited her mother in a previous interview with Arab News.

“I’ve always been extra, and my mom was far more subtle than I am. I had to fine-tune myself to vibrate on her frequency, a frequency that was very sweet and very raw, and vulnerable and nurturing. I took that from her.

“I grew up having a simple, community-based life in a place where you have 500 mothers and everyone feeds you and you feel safe — even if it’s not safe at all. At the same time we went through so many traumas, from civil wars to assassinations to losing all our money in another financial crisis.”


Mideast content creators unveil bold short films in collaboration with YouTube

Updated 16 June 2025
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Mideast content creators unveil bold short films in collaboration with YouTube

DUBAI: Some of the region’s most celebrated content creators — including Bahrain’s Omar Farooq, the UAE’s Anas Bukhash, Morocco’s Taha Essou, Palestine’s Haifa Beseisso and Egypt’s Sherif Nabil — have premiered powerful short films in collaboration with YouTube to mark the platform’s 20th anniversary.

“For years, creating and distributing entertainment was limited to major studios. Today, we’re at an inflection point — YouTube creators are the entertainment industry’s new startups,” said Tarek Amin, YouTube’s regional director for the Middle East, Africa and Turkiye, during the premiere in Dubai this weekend.

These creators, who amass billions of views across their channels, showcased deeply personal stories that transcend borders and languages, highlighting YouTube’s role as a platform for emotional storytelling and global connection.

The shift reflects a wider trend across the region with YouTube creators across the Middle East and North Africa rapidly becoming entertainment startups.

Companies such as Telfaz11, which has offices in Saudi Arabia and the UAE, have scaled from popular YouTube series to successful feature films.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by #ABtalks (@abtalks)

Bukhash’s signature charm and curiosity is reflected in his film “ABtalks Diaries: Korea Edition.” The work follows him on a journey through South Korea where he interviews chefs, artists, and members of the public.

Despite a glaring language barrier, Bukhash draws out surprisingly intimate moments, proving that vulnerability is a universal language. “We did this because we realized Arabs are obsessed with K-Pop,” Bukhash joked on stage.

In “Into the Dark,” Beseisso documents her four-day stay in a darkness retreat. Blending humor and reflection, her film becomes a deeply personal meditation on silence, emotion and reconnection — with herself and others.

“I heard about the darkness retreat from a friend and was intrigued,” she told Arab News. “I went, closed my eyes for three days, and it turned out to be one of my favorite experiences.”

In “Into the Fire: Mount Ijen,” Nabil documents the harsh realities of sulfur miners working in Indonesia’s active volcanic mountain. He exposes the conditions these workers face and the generational impact of their labor.

“YouTube gives you that intimacy,” Nabil said. “It’s a challenge, but it’s rewarding.”

The connection between these filmmakers lies in their ability to confront discomfort, explore untold stories, and share them with candor.

“This event is not for us,” Bukhash reflected. “It’s for the people at home wondering if they should start, and need that extra push.”


‘Ocean’ — bleak indictment of mankind offers a glimmer of hope

Updated 13 June 2025
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‘Ocean’ — bleak indictment of mankind offers a glimmer of hope

  • David Attenborough’s latest documentary is a vital, compelling call to action

JEDDAH: “Ocean with David Attenborough” was released regionally on Disney+ on June 8 — World Ocean Day. It hit cinemas in May, on the 99th birthday of its venerable and venerated presenter, the famed biologist and broadcaster.

Like all Attenborough-fronted nature docs, “Ocean” is gorgeously shot and an immersive viewing experience. But while the vast majority of his output leaves you speechless at the on-screen beauty, “Ocean” also strikes you dumb at the horrifying devastation wrought on the open seas by the 40,000+ super-sized fishing trawlers operating around our planet constantly.

Sweeping the seabed with their giant nets, these ships commit slaughter on an unimaginable scale, leaving little alive in their rapacious search for a few specific species that humans actually eat. In their wake they leave something akin to the dystopian portrayals of a nuclear winter in post-apocalyptic dramas. These grim, heart-breaking shots are interspersed with glorious, vibrant scenes of what a healthy seabed should look like — towering forests of kelp, sea meadows, abundant diverse communities of extraordinary marine life… A reminder of what we are destroying every minute of every day.

Attenborough lays out for us with all of his trademark passion and authority just what is at risk here. The seas, he stresses, are vital for the survival of humankind. And humankind is putting the seas in terrible jeopardy. Marine ecosystems are delicately balanced and linked in complex, subtle ways that we are only now beginning to understand. And industrial fishing is far from subtle. As Attenborough notes, if rainforests were being razed at this rate, the protests would be global and furious. But because this destruction takes place miles below the surface of the water, it goes mainly unnoticed. Incredibly, this mindless, untargeted carnage is not illegal; it is positively encouraged — and heavily subsidized — by many governments. 

Thankfully, there is hope. Attenborough reveals that scientists have discovered that — if left alone through the imposition of “no-take zones” — the oceans can recover at an incredible rate, and the most barren of sea floors can once again flourish in just a few years. There is now an international pact to turn one-third of Earth’s seas into no-take zones by 2030. And if this does happen — note the if — then there’s a good chance that man-made damage can be reversed not just in the water, but on land, as sea life is, it turns out, extremely adept at reducing carbon. The sea could save the world.

As nature documentaries go, it’s hard to imagine “Ocean” being bettered (except perhaps for the distracting clichéd mishmash that serves as its soundtrack, which deserves to be classified as a man-made disaster itself). This is a compelling, vital and urgent narrative delivered by an expert scientist and broadcaster accompanied by awe-inspiring, mind-boggling cinematography showing us wonders that most of us will never come close to seeing first-hand. And it lays out a path for survival. Whether we actually take that path...


Streaming successes: What’s coming to your screens later this year 

Updated 13 June 2025
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Streaming successes: What’s coming to your screens later this year 

  • From stressed-out cooks to foul-mouthed spymasters, the must-see shows still to come in 2025 

‘Squid Game’ season 3 

Starring: Lee Jung-jae, Lee Byung-hun, Wi Ha-joon 

Where: Netflix  

When: June 27 

The final season of the South Korean survival thriller about a game show where the rewards are enormous but loss means death, Seong Gi-hun (or player 456, as you might know him) and his friends must fight for survival in ever-more fiendish challenges. The VIPs — the wealthy individuals who fund the games — return to the island once again, perhaps setting the stage for a vengeance-fueled finale and a showdown between the Front Man and his brother, police officer Jun-ho. 

‘Ironheart’ 

Starring: Dominique Thorne, Anthony Ramos, Lyric Ross 

Where: Disney+ 

When: June 25 

This Marvel miniseries is a spinoff from the “Black Panther” movie franchise and follows MIT student and genius inventor Riri Williams, aka Ironheart, who was responsible for creating the vibranium detector that sparked the events of 2022’s “Black Panther: Wakanda Forever,” in which she also invented an exoskeleton to rival that of Tony Stark/Ironman so that she could fight alongside the Wakandans. Now Williams has returned home to Chicago, where she meets Parker Robbins, aka The Hood, who is able to access dark magic, setting Williams on a “path of danger and adventure.”  

‘The Bear’ season 4 

Starring: Jeremy Allen White, Ebon Moss-Bachrach, Ayo Edebiri 

Where: Disney+ 

When: June 26 

The first two seasons of the horribly tense kitchen-based drama “The Bear” were fantastic TV. The third? Not so much. (Although it should be said that even weak episodes of “The Bear” are still better than the vast majority of shows.) But hopefully season four finds super-talented chef Carmy Berzatto and his crew back on form as they try to make a success of the titular family restaurant which they’ve shifted from run-down sandwich shop to fine-dining venue. And after a wait of almost a year, we’ll finally get to find out what that all-important review said. 

‘Wednesday’ season 2  

Starring: Jenna Ortega, Catherine Zeta-Jones, Luis Guzman 

Where: Netflix  

When: August 6 

Wednesday Addams is back at Nevermore Academy for another year. And this time around, the rest of her spooky, kooky family will be spending a lot more time there, too — much to Wednesday’s chagrin — and not just because her brother Pugsley has enrolled. Co-showrunners Alfred Gough and Miles Millar have promised a “darker, more complex” series. And at Netlix’s live Tudum event last month, it was announced that Lady Gaga will be guest starring as the “mysterious and enigmatic” Nevermore teacher Rosaline Rotwood. 

‘Slow Horses’ season 5 

Starring: Gary Oldman, Jack Lowden, Kristin Scott Thomas 

Where: Apple+ TV 

When: Sept. 24 

Former British super-spy Jackson Lamb and his unfortunate crew of misfit spooks return for another series of this excellent, darkly humorous espionage drama. This time around, the trouble starts when Slough House’s resident tech nerd Roddy gets a glamorous new girlfriend, who everyone — or, at least, everyone except for Roddy — can see is well out of his league. The show is an adaptation of Mick Herron’s “Slough House” novels, and this season is based on “London Rules.” “Ted Lasso” star Nick Mohammed is perhaps the biggest new name to join the cast; he'll be playing an ambitious London mayoral candidate. 

‘Stranger Things’ season 5 

Starring: Winona Ryder, David Harbour, Millie Bobby Brown 

Where: Netflix 

When: November 26 

The final (really?) season of the phenomenally successful Eighties-set sci-fi horror drama has a lot to live up to. Once again, psychokinetic Eleven and her pals in Hawkins, Indiana, must fight to save the Earth from the alternate dimension known as the Upside Down. Since its arrival on our screens in 2016, “Stranger Things” has been one of the world’s most talked-about and beloved series. Showrunners The Duffer Brothers have got pretty much everything right so far. Can they stick the landing? 


‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix

Updated 11 June 2025
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‘Fever Dream’ starring Fatima Al-Banawi lands on Netflix

DUBAI: Saudi filmmaker Faris Godus’ latest feature “Fever Dream” is now available to stream on Netflix, bringing together a star-studded local cast including Fatima Al-Banawi, Sohayb Godus, Najm, Hakeem Jomah and Nour Al-Khadra.

Supported by the Red Sea Fund, the film, which explores themes of media manipulation, digital identity, and the cost of fame in the age of online influence, had its world premiere at the 2023 Red Sea International Film Festival. 

It tells the story of Samado, a retired football star who, burdened by media scrutiny and public notoriety, finds a chance to reclaim control. Partnering with his daughter, he sets out to take revenge on a powerful social media portal. But as they plunge deeper into their pursuit of fame and digital redemption, the line between ambition and obsession begins to blur.

Najm plays Ahlam, the daughter of Samado, while Jomah appears as Hakeem, a PR agent hired to help restore Samado’s public image. Al-Banawi takes on the role of Alaa, another key PR agent working alongside Hakeem.

Godus is famous for his work “Shams Alma’arif” (The Book of Sun), which also streamed on Netflix, and “Predicament in Sight.” 

He previously said in an interview with Arab News: “(In Saudi Arabia), we have a rich soil to build content on and so many stories to tell. I do believe that nowadays the support coming from our country is just awesome. People have so many chances to create films now.”

Meanwhile, Al-Banawi is recognized for her roles in “Barakah Meets Barakah” and the Saudi thriller “Route 10.” 

She made her directorial debut with “Basma,” in which she also plays the title role — a young Saudi woman who returns to her hometown of Jeddah after studying in the US. Back home, she is confronted with her father’s mental illness, strained family ties, and the challenge of reconnecting with a past life that no longer feels familiar.

“I really went into cinema — in 2015 with my first feature as an actress — with one intention: to bridge the gap between the arts and social impact and psychology,” she previously told Arab News. “And I was able to come closer to this union when I positioned myself as a writer-director, more so than as an actor.”