‘No one else will’: Sudan’s journalists risk all to report the war

Since the fighting began, conditions have only worsened. Many journalists have been forced to flee, while others remain trapped across the country, struggling to survive. (AFP/File)
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Updated 23 April 2025
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‘No one else will’: Sudan’s journalists risk all to report the war

  • According to Sudan’s journalist union, at least 28 reporters have been killed since conflict began in April 2023
  • Journalists say huge efforts are needed to inform the world about the horrors unfolding in Darfur, where accounts of sexual violence, ethnic massacres, and mass displacement persist

CAIRO: On a mountain near Sudan’s border, journalists climb rugged slopes, phones held high, hoping to catch a faint signal from neighboring Chad to send stories amid the war’s two-year communications blackout.
Journalists say efforts like these are their only way to tell the world about the horrors unfolding in Darfur, where accounts of sexual violence, ethnic massacres and mass displacement continue to emerge.
Since fighting erupted between the army and the paramilitary Rapid Support Forces (RSF) in April 2023, at least 28 reporters have been killed, according to Sudan’s journalist union.
Dozens more have been detained and tortured, while many have been displaced and cut off from electricity, water and Internet.
Noon, a 35-year-old freelance journalist who requested a pseudonym for her safety, said she was forced to flee the West Darfur capital of El-Geneina after reporting on ethnically motivated mass killings committed by the RSF and its allied militias in 2023.
Her stories on the massacres, where UN experts say up to 15,000 mostly Massalit people were killed — leading to genocide accusations against the RSF — made her a target.
“They raided my family’s house. They took all my equipment, my cameras, everything,” she said.
By the third raid, she knew she had to go, and fled with her family to the eastern state of Gedaref, nearly 1,800 kilometers (1120 miles) away.
But even there, she was not safe.

While reporting in a displacement shelter, she said she was arrested by the army, accused of collaborating with the RSF and forced to sign a pledge to obtain government approval on every story.
According to Reporters Without Borders, since the start of the war more than 400 journalists have fled the country, which last year was second only to Gaza in the Committee to Protect Journalists’ tally of reporters killed.
Yet some remain on the ground, working in secret with nothing to their name.
In the North Darfur town of Tawila, where the UN says 180,000 survivors of nearby RSF attacks are sheltering, 30-year-old photojournalist Ibrahim works undercover to report on those trapped between famine and brutal violence.
“No one can know what I do,” Ibrahim, who asked to use a pseudonym to protect his identity, told AFP.
“If they find out, they’ll arrest me or take my phone,” he said.
Last July, RSF fighters detained him in El-Fasher and accused him of being an army spy. He said they tortured him for five days and confiscated his equipment, documents and money.
Since then, he has sent his family out of Darfur and relocated to Tawila, leaving his cameras behind. His mobile phone is all he has left.

Even before the war, Sudan was a hostile environment for journalists, consistently ranking near the bottom of the Reporters Without Borders’s Press Freedom Index.
Since the fighting began, conditions have only worsened. Many journalists have been forced to flee, while others remain trapped across the country, struggling to survive.
In the central state of Al-Jazira, the country’s breadbasket prior to the war, veteran reporter Youssef, 62, now raises goats and grows sorghum to support himself.
“The last salary I received was at the beginning of 2024,” he told AFP by phone from state capital Wad Madani.
“My newspaper moved operations to Cairo, but I still send them reports — when I can get a signal.”
Youssef, whose name has also been changed, lost all contact with his editors and the outside world for months while the RSF controlled the city.
In February 2024, fighters stormed his home.
“They tied my hands, blindfolded me, shackled my feet,” he recalled. “No food. No toilets. I was detained for three days.”
He said when he told those interrogating him he was a journalist, a fighter said: “That is the biggest crime.”
He was freed only after a local community leader signed a guarantee pledging that Youssef would remain under house arrest. He did not leave until the army recaptured Wad Madani in January.
Both Youssef and Ibrahim say they have received no protection from local or international media organizations.
Still, Ibrahim continues, turning a coffee shop in Tawila — powered by a single public solar panel — into a makeshift newsroom.
“Who else will tell the world what’s happening in Darfur if we leave?” he told AFP, crouching to reach his phone, plugged into an overloaded extension cord.
“No one else will tell these stories. No one can imagine the atrocities happening here.”


Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows

Updated 02 May 2025
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Eurovision lifts ban on Palestinian flags as scrutiny of Israel’s participation grows

  • Fans will now be allowed to bring and display any flag that does not contain racist content, hate symbols
  • Iceland, Spain and Slovenia have all raised concerns about Israel’s participation at this year’s contest

LONDON: Organizers of the Eurovision Song Contest have lifted a ban on Palestinian flags for audience members, but maintained restrictions for participating artists, as pressure over Israel’s inclusion in this year’s event increased.

The change, confirmed by Danish broadcaster DR, marks a shift from the European Broadcasting Union’s longstanding rule prohibiting flags from non-competing countries and territories. That policy led to Palestinian flags being banned in previous years.

According to updated guidelines obtained by DR, fans will now be allowed to bring and display any flag that does not contain “racist and/or discriminatory content,” or symbols thought to incite hatred, violence, or linked to banned organizations.

In a statement to CNN, the EBU said the update seeks to “strike a balance to ensure that our audiences and artists can express their enthusiasm and identities,” while offering greater clarity for national delegations.

However, the relaxed policy applies only to the audience. Participating artists will still be restricted to displaying official national flags in all official Eurovision spaces, including the stage, green room, and Eurovision Village. Artists may show only the flag of the country they represent.

The revised policy comes amid growing criticism of Israel’s participation in this year’s contest to be held in Basel, Switzerland, with semifinals on May 13 and 15 and the final on May 17.

Officials in countries including Slovenia, Spain and Iceland have questioned Israel’s inclusion.

Icelandic Foreign Minister Porgerour Katrin Gunnarsdottir told a local outlet she found it “strange and actually unnatural that Israel is allowed to participate,” accusing the country of committing “war crimes” and “ethnic cleansing” in Gaza.

Despite these objections, the EBU has confirmed that Israel’s entry meets the competition’s rules. As with last year, large-scale protests are expected in Basel against Israel’s participation.

Despite pressure from pro-Israel organizations, Swiss authorities said demonstrations are permitted in principle, including those opposing Israel’s presence, provided they comply with public safety regulations.


Spotify, EA Sports test in-game music integration in Saudi Arabia

Updated 01 May 2025
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Spotify, EA Sports test in-game music integration in Saudi Arabia

  • Players in Kingdom can now link their account directly with video game

LONDON: Spotify and EA Sports have launched a pilot project that allows players to link their Spotify accounts directly with the EA Sports FC 25 video game.

The feature is being rolled out in Saudi Arabia and selected other markets.

The project, which was announced on Thursday, enables Spotify Premium users to log in via a new tab in the main game menu and control music playback during gameplay, including during team selection or from the pause menu.

The Swedish music platform said the partnership aimed at offering players more control over their in-game audio.

It said: “Long seen as the perfect companion to gaming, music boosts focus, amplifies adrenaline, and heightens the emotional highs of every match.

“Through this collaboration, players can now curate their perfect in-game soundtrack, listening to the artists they love.”

Podcast access and curated playlists will also be available.

The feature is currently accessible to Premium users playing EA Sports FC 25 on PlayStation 5 and Xbox Series X|S in Saudi Arabia and Australia.

The Kingdom has become a growing market for gaming and electronic sports, driven by a young and tech-savvy population.

Gaming now plays a prominent role in the Kingdom’s Vision 2030 diversification strategy, with plans for the sector to contribute more than $13 billion to the economy and create tens of thousands of jobs, according to Savvy Games Group.

Riyadh hosted the inaugural Esports World Cup last summer, a large-scale tournament featuring 23 events across major titles including Fortnite, Call of Duty, and EA Sports FC, with a record-setting prize pool of $62.5 million.


Jeddah communication conference explores anime’s digital evolution

Updated 01 May 2025
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Jeddah communication conference explores anime’s digital evolution

  • The session focused on anime’s shift from traditional television broadcasts and DVDs to digital platforms, including live streaming, instant subtitling and cloud-based production

RIYADH: The eighth session of the Digital Communication Conference, titled “Anime in the Digital Space,” explored the transformation of Japanese anime over the past two decades, highlighting the impact of digital innovation and the internet.

According to Saudi Press Agency, the session focused on anime’s shift from traditional television broadcasts and DVDs to digital platforms, including live streaming, instant subtitling and cloud-based production.

Streaming giants such as Netflix, Crunchyroll, and Funimation were highlighted as pivotal players in the transition, offering translated or dubbed episodes immediately upon release and funding original series such as “Devilman Crybaby” and “Cyberpunk: Edgerunners.”

Speakers in the session, including Manga Productions CEO Essam Bukhary, said that social media and online forums have opened the door to unprecedented engagement among fans, as well as community and cultural interaction, since audiences now take part in evaluating episodes.

Concerns were raised that heavy dependence on technology could erode the handcrafted aesthetic that defines traditional anime.

Saudi Arabia’s burgeoning interest in manga and anime, which dates back to the 1970s, is helping to usher in a revolution in cultural production.

Japanese art forms have captivated audiences of all ages, gaining significant popularity in recent years. Their ability to combine entertainment, culture and education has made them of great interest to Saudi society.

To support this interest, the General Entertainment Authority has hosted events like the Saudi Anime Expo, drawing international visitors.

In line with these efforts, the ministries of culture and education launched the Manga Education program to nurture student talent, as well as integrate arts and culture into public education.
 


Israel arrests veteran Palestinian journalist in West Bank

Updated 30 April 2025
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Israel arrests veteran Palestinian journalist in West Bank

  • Ali Al-Samoudi’s family denies claims of links to Islamic Jihad
  • Palestinian Journalists Syndicate condemns reporter’s arrest

DUBAI: Israeli forces arrested prominent Palestinian journalist Ali Al-Samoudi during an overnight raid on Tuesday in the northern West Bank city of Jenin, according to media reports.

Al-Quds newspaper correspondent Al-Samoudi, 58, was detained after the Israeli military raided and searched up his home in Al-Zahraa neighborhood, destroying “some of its contents”.

According to the military, he is accused of having ties with the militant Palestinian Islamic Jihad organization and transferring funds to the group. However, the military did not provide evidence to support the claim.

After he was interrogated at a disclosed location, Al-Samoudi was transferred to an Israeli hospital due to his health deteriorating, his son Mohammed told the BBC.

His family, who denies the accusations, was not informed of the name of the hospital where he was being treated, or any other details.

Al-Samoudi previously survived an attack by Israeli forces in 2022, the same assault that killed prominent Palestinian-American journalist Shireen Abu Aqleh, who was a correspondent for Al-Jazeera.

Al-Samoudi was shot and wounded in his back.

The Palestinian Journalists Syndicate condemned Al-Samoudi’s arrest in a statement on Tuesday.

As of April 30, 2025, the Committee to Protect Journalists has documented 79 arrests of journalists by Israel in the Palestinian territories of the West Bank and Gaza since Oct. 7 war began, in addition to five other arrests by the Palestinian authorities.

Forty-nine of these journalists, including the five held by Palestinian authorities, have since been released, while 35 remain under arrest.

The CPJ’s preliminary investigations also showed at least 176 journalists and media staff were killed during Israel’s war on Gaza, West Bank and Lebanon, marking the deadliest period for journalists in the region.


Houthi drone strike kills Yemeni-Dutch journalist, injures brother, says media watchdog

Updated 29 April 2025
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Houthi drone strike kills Yemeni-Dutch journalist, injures brother, says media watchdog

  • Musab Al-Hattami killed, brother Suhaib wounded working on documentary project in Marib

LONDON: A Yemeni-Dutch journalist has been killed and his brother injured in a drone strike carried out by Iran-backed Houthi forces near the central Yemeni city of Marib, according to the Committee to Protect Journalists.

Musab Al-Hattami, a journalist and filmmaker, was killed on Saturday while filming a documentary in his family’s hometown. His brother, photographer Suhaib Al-Hattami, sustained serious injuries in the same attack, the US-based media watchdog said on Monday while condemning the strike.

Sara Qudah, regional director of the CPJ, said: “The killing of Musab Al-Hattami is yet another stark reminder to the international community that the warring parties in Yemen are violating international law by killing civilians. Such indiscriminate violence exposes all journalists, who are brave enough to document the war in Yemen, to extreme risk.

“We call on the international community to investigate the attack and hold those responsible to account.”

The Al-Hattami brothers had recently returned to Yemen from the Netherlands to report on the ongoing civil war and were working on a documentary project about their parents’ hometown when the strike occurred.

According to Dutch media outlet RTL, Houthi forces targeted the area with grenades and drones while the brothers were filming. Musab Al-Hattami and three government soldiers were killed, while Suhaib was seriously wounded.

Musab Al-Hattami, who had moved to the Netherlands after studying film in Jordan, held Dutch citizenship. The Dutch Ministry of Foreign Affairs confirmed his death and said he was buried in Marib on Monday.

He is the 20th journalist to be killed in Yemen since 2015, when a Saudi-led coalition launched military operations against Houthi rebels who had seized the capital, Sanaa.

Al-Qaeda in the Arabian Peninsula announced in December 2024 it had executed 11 individuals, including Yemeni journalist Mohamed Al-Maqri, who had been abducted in 2015 and accused of spying. At least 18 journalists were killed in Yemen between 2015 and 2020.