Gold-laden Indian brides defy prime minister as culture triumphs

Updated 29 January 2014
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Gold-laden Indian brides defy prime minister as culture triumphs

MUMBAI, India: As the sound of traditional drums, trumpets and cymbals ushers Amrita Mannil into the wedding hall, she’s adorned by four finely crafted necklaces, rings, 16 bangles, a glistening belt, dangling chandelier earrings and a stone-encrusted headpiece to match the silk borders of her dress. She’s wearing about 800 grams (1.8 pounds) of gold.
Amid the music and the chanted prayers, a gold chain is placed around her neck as the 25-year-old advertising executive marries Vimal Mohan in a traditional Hindu ceremony attended by 500 friends and relatives in Kozhikode, about 112 miles from the city of Kochi in Kerala.
“Gold is an asset the girl carries,” 28-year-old Namitha Shyam, the bride’s older sister, said after last month’s ceremony. “The values, status and wealth of the family is represented by the gold the girl wears as she gets married. The more gold you wear, the more pride you have in your family.”
The jewelry worn by the bride is typical and represents the cultural and social affinity Indians have had toward gold for centuries, making the country the world’s largest consumer last year. Demand in India and China helped bullion to climb by more than $1,000 an ounce since 2000 and helped to curb this year’s 23 percent rout.
At the same time, the resilience of Indian demand, and the fact the nation imports almost all the bullion it uses, poses a challenge for Prime Minister Manmohan Singh, as he seeks to trim a record current-account deficit and stem the rupee’s 15 percent slide this year.
Finance Minister Palaniappan Chidambaram responded by raising import taxes three times this year to curb consumption which represented about 20 percent of world demand in 2012.
Prices more than doubled in India since 2008 and reached a record in August. The increase gave pause to Ramesh Babu, the 61-year-old father of the bride, who bought Amrita less gold than he did for her sister’s wedding five years ago. He bought 100 sovereigns, each weighing 8 grams. “We are moderate,” said Babu. “There are people who give 300 to 400 sovereigns.”
Indians purchase gold at festivals and for marriages as part of the bridal trousseau and as gifts in the form of jewelry. Demand will be 900 to 1,000 metric tons this year, from 864.2 tons in 2012, the World Gold Council says.
Demand in India has helped curb this year’s slump in gold prices after some investors lost faith in the metal, a traditional store of value, as global inflation remained low. Bullion plunged 23 percent this year to $1,290.20 an ounce on Friday, poised for its first annual retreat since 2000. Prices in rupees have declined only 1.7 percent.
The slump in London prices erased about $64 billion from global exchange-traded products, data compiled by Bloomberg show. Central banks added to gold reserves the last two years even as they lost about $573 billion in value since bullion peaked at $1,921 an ounce in September 2011. The $350 million PFR Gold Fund of billionaire John Paulson declined 62 percent this year through September.
For Indians, gold is not so much an investment as a cultural experience, said Pallavi Rao, assistant professor at the School of Communication, Manipal University, in south India.
“When you think about the great Indian wedding, you cannot think about it without all that gold jewelry,” said Rao, based in Manipal, about 250 miles from Bangalore. “Gold buying itself becomes part of the wedding ritual.”
Mannil’s family spent more than six hours selecting the chains and necklaces Amrita wore at the wedding. An Indian bride without gold “is like rice without salt: bland,” said Sheela Ramesh, her mother, while fiddling with her own Thali, or gold wedding locket.
“I got married in 1984, and the same tradition is being followed even now,” said Ramesh. “My parents gave me gold, and we give our daughters,” she said, as three other mothers, gathered at a pre-wedding ceremony to decorate Amrita’s hands with henna, nodded in agreement. “In our custom we wear only gold, no artificial jewelry.”
The insatiable appetite is good news for retailers such as Gitanjali Gems, Malabar Gold and Diamonds, Titan Industries, Tribhovandas Bhimji Zaveri and Kalyan Jewellers. The stores represent 10 percent of the market estimated at about 1 trillion rupees ($15.9 billion), Edelweiss Securities said in a report last month.
“In the long term, the fundamentals of gold demand are still intact,” said Haresh Soni, chairman of the All India Gems & Jewellery Trade Federation, which represents 300,000 jewelers and bullion dealers. “For Indians, gold buying is not just a cultural or traditional compulsion but also acts as social security. From birth to death, gold is involved in all aspects of our life and used in our prayers and rituals.”
To lure customers, jewelers are spending more on television and outdoor commercials and signing up Bollywood stars from Amitabh Bachchan to Shah Rukh Khan and Aishwarya Rai Bachchan. Award-winning South Indian actor Mohanlal is a brand ambassador along with actress Kareena Kapoor for Malabar Gold, which has 102 stores in the Middle East, India and Singapore.
The Babus purchased all their wedding gold from Malabar’s flagship store in Kozhikode, a city famous for being the first trade link between India and Europe after Portuguese explorer Vasco Da Gama landed on its shores.
“It helped that Mohanlal is my mom’s and fiance’s favorite actor,” said Amrita, drawing laughs from those gathered at the henna ceremony.
There are about 5 million weddings in India every year, said Prithviraj Kothari, managing director of Riddhisiddhi Bullions and a director with the Bombay Bullion Association. The average purchase is 200 grams (7.05 ounces) , he said.
The government is seeking to cut imports to 800 tons in the 12 months through March 31, from 845 tons a year earlier, to reduce the current-account deficit. The gap results mainly from bullion and crude oil imports, according to the Reserve Bank of India. The curbs caused a domestic gold shortage and buyers are paying a premium for supplies, according to the All India Gems & Jewellery Trade Federation.
“The more negative statements the government makes about gold, the more people are attracted toward it as they think that the government might ban imports,” said Bachhraj Bamalwa, a director with the trade group. Farmers also invest in gold because it helps when crops are poor and some rural people use it to store wealth rather than bank accounts, said Bamalwa.
Prospects for a better-than-average harvest are fueling demand. Rural India accounts for 60 percent of consumption and the best monsoon rain in six years has boosted rice, corn and cotton crops, increasing farmers’ incomes.
“A major chunk of our income goes in development of the next season’s crop and some of it is invested in gold, especially if there’s any marriage in the family,” said Sandeep Chakane, a sugarcane farmer from Bhigwan, a town about 100 kilometers from the city of Pune.
Futures traded in Mumbai surged more than fivefold since they began about a decade ago, reaching a record 35,074 rupees per 10 grams in August.
“Price is not an issue at all,” said Jyostnarani Sahoo, a 41-year-old mother from Angul in the eastern state of Odisha, who drove 15 miles with her husband to buy a necklace and earrings for her daughter. “In our tradition, it’s a prerequisite thing in weddings. Gold prices will only rise, so we didn’t want to delay it further.”
Higher tariffs and central-bank rules linking foreign purchases to re-exports may cut official gold imports in the second half of the year to less than 150 tons, from 478 tons a year earlier, said the federation’s Bamalwa.
That’s spurred smuggling from the Middle East, Singapore and Sri Lanka. Indian laborers working in the Middle East are acting as couriers for gangs in return for a ticket home and a few thousand rupees, said Rishi Yadav, assistant commissioner at the Mumbai customs department’s Air Intelligence Unit.
“When you have social compulsions, there are many ways of overcoming restrictions,” said Babu as he sat in his house a day before the wedding. “Irrespective of what the government does, Indians will find a way to get around this because every wedding has to have gold.”
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•With assistance from Pratik Parija in New Delhi


Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah

Updated 28 January 2025
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Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah

  • Ancient edict, prayer carpet fragment, religious manuscript among artifacts
  • Event explores ways faith is experienced, celebrated

JEDDAH: Historic Islamic artifacts are being displayed by the King Abdulaziz Center for World Culture at the second edition of the Islamic Arts Biennale currently underway in Jeddah.

Running until May 25 at the iconic Western Hajj Terminal, this year’s biennale, titled “And All That Is In Between,” explores the profound ways faith is experienced, expressed and celebrated.

Pieces on display include an edict from the Ottoman Sultan Mustafa III, who reigned from 1757 to 1774, regarding the Prophet Muhammad’s tomb; a prayer carpet fragment; a tafsir (interpretation of the Qur’an) manuscript; a folding manuscript stand; a mosque lamp; and a large wooden minbar (pulpit).

Ithra, which is renowned as a global leader in Islamic arts and heritage, will feature its pieces in the biennale’s Al-Madar section. This exhibition brings together contributions from prominent local and international institutions, emphasizing the richness and diversity of Islamic culture.

Farah Abushullaih, the head of the museum at Ithra, said: “It is a privilege for Ithra’s Islamic collection to be featured once again at this prestigious biennale, which celebrates the diversity and depth of Islamic arts.

“Our participation underscores our ongoing commitment to preserving and sharing the rich heritage of Islamic art with a global audience while expanding knowledge of key concepts of Islamic traditions that have shaped and continue to shape Islamic identities today.”

The artifacts on display, which were carefully curated in collaboration with Heather Ecker and Marika Sardar from Al-Madar’s curatorial team, reflect the theme of waqf. This fundamental Islamic concept involves dedicating assets for communal benefit, supporting religious, educational, or charitable initiatives.

Ithra’s participation aligns with its mission to inspire, enrich and foster appreciation for Islamic heritage through various initiatives, including its triennial Islamic Art Conference and major exhibitions. Its current “In Praise of the Artisan" exhibition showcases over 130 historic and contemporary works, many of which are on public display for the first time.

With its robust programming of lectures, workshops, and live demonstrations, Ithra continues to honor the past and present, positioning Islamic craftsmanship as a living tradition. Its efforts underscore the institution’s role as a global champion of cultural exchange and creativity.

The Islamic Arts Biennale, hosted by the Diriyah Biennale Foundation, provides a platform for exploring Islamic arts and traditions.

The event’s first edition in 2023, at which Ithra also participated, attracted more than 600,000 visitors.


Immersive installation takes center stage at Quoz Arts Fest with ENESS’s ‘Forest Dancer’

Updated 26 January 2025
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Immersive installation takes center stage at Quoz Arts Fest with ENESS’s ‘Forest Dancer’

DUBAI: As part of this year’s Quoz Arts Fest in Dubai, ENESS, the Australian-based creative studio, will debut an immersive light and sound installation titled “Forest Dancer and the Path to Pure Creation” at Concrete in Alserkal Avenue on Jan. 25-26. 

ENESS founder Nimrod Wies said that the installation symbolized “freedom and joy through creativity.”

“The artwork promotes the idea that embracing your creative gifts positively impacts those around you and inspires you to find your place in humanity through art,” he said. “We hope that visitors experience joy and playfulness in our exhibition and take away from it the inspiration to fill their lives with creativity and expression.”

The installation features inflatables packed with computers controlling sound, lightplay and motion-tracking LED eyes. “The biggest challenge is that we arrive from the other side of the world and we work all hours to create a completely immersive artwork that takes over any space that it occupies,” Wies said.

“The most rewarding part of my journey has been to exhibit all over the world and see different people respond to the artworks. I love seeing the appreciation audiences feel and experience, and hearing their joyful feedback.”

Speaking about the festival’s appeal, Wies said: “Working with Quoz Arts Fest suits the ENESS vision because we love to be involved in local cultures and bring our work to thriving areas with all-ages audiences who are open to new ideas. We think that the Alserkal neighborhood is the coolest place in Dubai.”

Wies said that public art created opportunities for alternate behavior and emotion. “Public spaces are generally relatively codified with clear designations for what sort of behavior is undertaken where. However, the introduction of public art can reconfigure a space visually, emotionally and behaviorally.”

Looking ahead, Wies said: “We have works coming up all around the world. We are looking forward to our next experience in Saudi Arabia.”


Rare Vatican artifacts on show at Islamic Arts Biennale in Jeddah

Updated 25 January 2025
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Rare Vatican artifacts on show at Islamic Arts Biennale in Jeddah

  • More than 500 historic items, contemporary artworks on display
  • 1685 Nile map’s journey to Jeddah a ‘cultural milestone’

JEDDAH: A six-meter map of the Nile believed to be more than 300 years old has left its home in the Vatican archives for the first time to become the centerpiece of the second Islamic Arts Biennale launched in Jeddah on Saturday.

Visitors to Jeddah’s Western Hajj Terminal, the biennale venue, can see the map along with 10 other artifacts from the Vatican Library.

The historic chart, drawn with watercolor ink on Venetian paper and depicting historic sites along the Nile, has been dated to around 1685.

Display space is divided into several sections, each blending Islamic cultural heritage with contemporary interpretations. (Supplied)

Its inclusion in the biennale marks a cultural milestone, showcasing the Vatican’s commitment to interreligious and intercultural dialogue, according to Vatican archivist and librarian Angelo Vincenzo Zani.

The map underwent restoration by the Vatican before making the journey to Jeddah. It is displayed alongside a sister map of the Arabian Gulf from the National Library of Qatar.

Both maps are believed to have been acquired in the 1700s in Constantinople by Giuseppe Alemanni, a Lebanese librarian who later became the Vatican Library’s prefect.

HIGHLIGHTS

• Organized by the Diriyah Biennale Foundation, the exhibition in Jeddah explores faith by juxtaposing contemporary and newly commissioned artworks with historical objects from Islamic cultures.

• More than 30 cultural institutions have provided objects from their collections, as well as 29 newly commissioned works of art.

Zani attended the biennale’s opening ceremony and later told Arab News that the artifacts highlight a rich history of cultural exchange and shared knowledge.

The Islamic Arts Biennale features more than 500 historical artifacts and contemporary artworks, including treasures from Makkah, Madinah, and around the world. (Supplied)

“I think this Islamic Arts Biennale is very important. The concept of art is very important — to expand knowledge and creativity. Art is an emotion that we can all understand. It can cross over in a dialogue that is ‘in between’.”

The 2025 biennale’s theme, “And all that is in between,” draws from the Qur’anic verse “And God created the Heavens and the Earth and all that is in between.”

The Vatican Library is also showcasing several works from its collections in “The Art of Numbers” display at Al-Madar section of the biennale.

Display space is divided into several sections, each blending Islamic cultural heritage with contemporary interpretations. (Supplied)

Al-Madar, or “The Orbit” section, features items from 20 institutions with significant Islamic art collections worldwide.

The section examines the role of numbers in collective history, exploring their origins in natural calculations and applications across Islamic culture, mathematics, architecture, music, design, celestial and terrestrial mapping, ocean navigation, trade and geometric patterns in Qur’anic decoration.

Heather Ecker, Al-Madar’s curator, said the Vatican Library, which was established in the Middle Ages, is the oldest taking part in Al-Madar.

The Islamic Arts Biennale will run in Jeddah until may 25. (Supplied)

“The Vatican has Arabic manuscripts on virtually any subject, and has a large collection of early Qur’ans. It has early translations of the Qur’an, of which we are exhibiting several,” she said.

Ecker said the Nile map appears to have been linked to a travel log and is a visual record of a journey.

“The maps were created from the written text and from memory, apparently,” she said.

The Islamic Arts Biennale features more than 500 historical artifacts and contemporary artworks, including treasures from Makkah, Madinah, and around the world. (Supplied)

“It’s not a map as we conceive it, because it is image with text, with annotations that correspond to observations made during the voyage and notes taken. It collapses geography in a certain way, so it scrunches up the land between the Nile and the Red Sea, for example, in order to include more sites such as Jeddah.”

The map has been in the Vatican since the late 18th century, but had never been restored and was first shown in 2021, Ecker said. The Diriyah Biennale Foundation helped fund its restoration and conservation.

“It’s much brighter now,” Ecker said. “The paper is much more supple now, so it’s really vastly improved, and it’s much easier to exhibit and for people to appreciate. That was a big undertaking, and important in the field of conservation preservation.”

Organized by the Diriyah Biennale Foundation, the Jeddah exhibition explores faith by juxtaposing contemporary and newly commissioned artworks with historical objects from Islamic cultures.

The event has built on the success of the first biennale, and is bigger in scale and ambition, Aya Al-Bakree, CEO of the foundation, told Arab News.

This year, more than 30 cultural institutions have provided objects from their collections, as well as 29 newly commissioned works of art.

“The biennale is rooted in Saudi Arabia and has become a clear landmark on the international stage as well. We are excited to share this exhibition with audiences from near and far,” Al-Bakree added.

Display space is divided into several sections, each blending Islamic cultural heritage with contemporary interpretations.

The inaugural Islamic Arts Biennale in 2023 attracted more than 600,000 visitors. The 2025 edition will feature more than 500 historical artifacts and contemporary artworks, including treasures from Makkah, Madinah, and around the world.

The 2025 curatorial team is led by Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, with Saudi artist Muhannad Shono as curator of contemporary art.

The Islamic Arts Biennale will run until May 25.

 


Oscar-winning composer Hans Zimmer wows fans in Riyadh  

Updated 25 January 2025
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Oscar-winning composer Hans Zimmer wows fans in Riyadh  

RIYADH: Renowned composer Hans Zimmer performed on Friday at the Mohammed Abdo Arena in Saudi Arabia as part of the Riyadh Season events. 

The Oscar-winning composer performed a selection of compositions from films such as “Dune,” “Wonder Woman,” “Pirates of the Caribbean,” “Interstellar,” “The Lion King” and “No Time to Die.” 

The concert concluded with enthusiastic applause, marking a memorable highlight of the Riyadh Season. (Supplied)

The music was accompanied by interactive visual projections and stage effects that complemented the performance and highlighted its theme. 

The concert, which sold out immediately on ticket release, concluded with enthusiastic applause, marking a memorable highlight of the Riyadh Season.

Zimmer expressed his gratitude to the Riyadh Season audience in a recorded message at the end of the concert, thanking them for their enthusiasm and energy.

Turki Alalshikh, chairman of the General Entertainment Authority, revealed this week that the composer is working on a new interpretation of Saudi Arabia’s national anthem. 

The post continued that the German composer was also offered the chance to create the soundtrack for the upcoming Saudi Arabia film, “The Battle of Yarmouk.”

Zimmer attended the Kingdom’s Joy Awards on Jan. 18, which honors the achievements of artists in the Arab world.


Gwen Stefani to perform in the UAE in February

Updated 25 January 2025
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Gwen Stefani to perform in the UAE in February

DUBAI: US pop star Gwen Stefani is set to perform in Abu Dhabi on Feb. 21 as part of the city’s Saadiyat Nights, marking her first-ever performance in the UAE capital.

The triple Grammy Award winner will take the stage just 24 hours before legendary US singer Lionel Richie closes the event on Feb. 22.

The three-month open-air music series will also feature performances by Egyptian composer Omar Khairat on Feb. 1, British musician Sting on Feb. 3, Lebanese music icon Magida El-Roumi on Feb. 10 and US pop star Christina Aguilera on Feb. 15.

Artists who have already performed include Grammy-winning Michael Buble, Russian band Leningrad, US R&B group Boyz II Men, British singer Robbie Williams and Iranian singer Ebi.

Stefani has achieved global recognition as a songwriter, performer, and frontwoman of the US rock band No Doubt, and as a multi-platinum solo artist. Over the course of her career, she has received numerous awards, including four MTV Video Music Awards, two Billboard Awards, an American Music Award and a Brit Award.

Stefani has sold over 60 million records worldwide, combining her success with No Doubt and her solo career. Her 2004 debut solo album, “Love. Angel. Music. Baby.,” achieved multi-platinum status and included chart-topping hits like “Hollaback Girl,” which became the first digital download to sell over 1 million copies in the US.

Stefani is no stranger to Emirati culture. In 2019, she performed in Dubai at the Dubai World Cup. During her visit, the singer immersed herself in Emirati culture, embracing the quintessential tourist experience by taking a desert safari, dining in a desert tent, watching a falcon show, riding a camel, covering her face and hair with a headscarf, shopping at the perfume souk, and visiting the iconic Burj Khalifa, the world’s tallest building.

Saadiyat Nights is part of the Abu Dhabi Calendar’s year-round schedule of events, which includes music, sports, comedy, family-friendly shows, cultural festivals and art exhibitions.

Held on Saadiyat Island, the concert series is set against the backdrop of the Saadiyat Cultural District, pristine beaches, and luxurious resorts.

The inaugural edition of Saadiyat Nights, which ran from January to March 2024, featured a lineup of artists, including American stars Mariah Carey, John Legend, and Alicia Keys, Iranian singer Googoosh, and Italian tenor Andrea Bocelli.