Racil Chalhoub adds a feminine twist to tuxedos

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Updated 02 September 2016
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Racil Chalhoub adds a feminine twist to tuxedos

Women shine like a true diva in tuxedos. Don’t they? Of course they do. Plus, there is no denying that they mean real business wearing their bossy tuxedos on any given day. After all, the innovative style they bring to it has forced fashion pundits from across the globe to admire how brilliantly they can add their own spark to it and in so doing outshine their male counterparts.
Its robust popularity among celebrities or women in general is proof that it can sometimes easily replace the usual gowns that they are more often than not expected to wear to big event galas. In a way, it’s a good second-to-none option as the Beirut-born, Paris-raised and London-based tuxedo designer Racil Chalhoub continues to tell loud and clear through her blissful designs. In fact, her tryst with designing tuxedos began when she couldn’t find one that fitted her well and reflected her sense of style.
In an exclusive interview with Arab News, we caught up with her to find out how she became what she wanted to be, why tuxedo matters so much to her and much more.
Chalhoub fell in love with fashion at a very young age. Growing up in a city like Paris with a very elegant mother did influence her tremendously as to what she would become later in her life. “My mother used to take me to boutiques and fashion shows and that is when I became highly mesmerized by the fashion world and dreamt to have my own fashion brand one day,” she says.
With this aspiration on her mind, she came to London where she studied fashion and marketing. Right after that, she went on to launch her own cool tuxedo brand because she knew it’s something that is timeless and ever so chic and more importantly she had knowhow of how a business is run. “It might be stolen from a man’s wardrobe but it gives a woman so much power and elegance as well as understated glamor,” she says. “In a tuxedo you are neither exposed as overdressed nor underdressed; you can wear it from day to night and vice versa. I love how easy it is to wear yet will never fail to turn heads.”
Just within a year since the launch of her label, it struck a chord with its customers who were hunting for a tuxedo that had a lively vibe to it as Chalhoub explains, “I think the reason my brand is by and large sought-after today is because it’s so focused. More and more women want to wear a tuxedo and now they sort of know where to look for it. The Racil tuxedo has a cool flair to it, it’s sharp but not stiff — it’s versatile and playful, it fits today’s lifestyle. I wear mine in the day and evening alike.”
Since Chalhoub designs the right fit tuxedo dresses for every type of woman out there (which she knows is not easy as everybody is different), it’s very important for her to draw a woman’s figure in her head first. “I design with real women in mind. I want to create pieces that women can wear easily and so I always tend to visualize them, how different they would wear their tuxedo and where to,” she says.
Her grand tuxedos are for every woman who thinks of becoming a Racil woman. So the individual experimentation with it is endless as it can be a 20-year-old’s first ever tuxedo, a working woman who packs it on all her work trips or a stylish girl who will style it differently every day. “That woman could even be my own mother who will wear it in the most elegant style the old fashioned way,” she says.

Inspirations behind what she does
While her inspirations can crop up from anywhere like a trip abroad or someone in the street or even the colors in a bouquet of flowers, she mostly looks at men’s vintage clothing with more enthusiasm and openness. “I love the freedom found in the clothing of the 1920s and 1970s. Bianca Jagger in her studio 54 days is always at the heart of my mood boards,” Chalhoub reveals.
Her mother has always been a main attraction because she taught her the basis of fashion and is by far the most elegant woman she knows today. Apart from her, there are lots of other women she looks up to solely for never letting their own style vanish. “One of my big time idols is Iris Apfel— I love how original and individual she looks. That freedom of wearing whatever you like is something I have a lot of respect for,” Chalhoub says.
There is definitely a cozy feel to her creations as they are made using men’s tailoring wool mostly as well as satin for the lapels and refined details. When it comes to color and the pivotal role it plays in her collections, let’s just say she breathes it all the time. “I love and live in color and so it was vital for me to have great colors and color combinations in my collection. My use of color is a way of breaking the rules for tuxedos. People obviously assume a tuxedo has to be black or midnight blue or white, but why does it have to be this way only,” she asks. “I think it can be made in as many colors as you want.”
With success steadily knocking at her door, Chalhoub wants her tuxedos to be worn by high profile celebs like Beyoncé and Rihanna. “I would also love to dress Meryl Streep and Bianca Jagger of course,” she says.
While she acknowledges the potential of celebrity endorsement when it comes to strengthening one’s brand power, she favors more of bumping into someone she doesn’t know wearing one of her pieces or a friend of hers who ordered a special piece to wear on the day of her wedding! “That kind of support is much more important to me, as it’s more genuine and real, which is what we are all about at the end of the day,” she says. “I find it really rewarding.”
Chalhoub’s latest collection sheds light on the richness of the fabrics. It all resulted from a trip of hers to Venice which she says was a major inspiration as she immersed herself in the fabric shops that specialize in velvets and brocades. “I looked at men’s dinner jackets as that’s what a tuxedo is initially I found a lot more inspiration there. Men’s 1920s jackets and Oxford pants told the story of the shapes I designed,” she says. “I also got a lot of inspiration from constellations and had a special lining made for us to reflect that. Every piece is named after a constellation which I think sprinkles a little bit of magic over the collection.”
As the Racil Chalhoub brand takes its course in terms of making waves, there are already a few surprises up her sleeve that will unfold in the coming months.
In fact, all her creations are an embodiment of three cities (Paris, London and New York) she keeps traveling to quite often and she calls herself lucky that she is able to do so. “I get a different kick from each place and I love that. I love how elegant Paris is, how eclectic and homey London is to me and the madness and rush of New York,” she says.
It comes as no surprise that her style is quite eclectic as she puts it, “I would say it is modern bohemian-boyish yet very feminine at the same time.”

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Iraqi archaeologists piece together ancient treasures ravaged by Daesh

Updated 08 January 2025
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Iraqi archaeologists piece together ancient treasures ravaged by Daesh

NIMRUD: A decade after jihadists ransacked Iraq’s famed Nimrud site, archaeologists have been painstakingly putting together its ancient treasures, shattered into tens of thousands of tiny fragments.
Once the crown jewel of the ancient Assyrian empire, the archaeological site was ravaged by Daesh fighters after they seized large areas of Iraq and neighboring Syria in 2014.
The precious pre-Islamic artefacts destroyed by the jihadists are now in pieces, but the archaeologists working in Nimrud are undaunted by the colossal task they face.
“Every time we find a piece and bring it to its original place, it’s like a new discovery,” Abdel Ghani Ghadi, a 47-year-old expert working on the site, told AFP.
More than 500 artefacts were found shattered at the site, located about 30 kilometers (19 miles) from Mosul, the city in northern Iraq where IS established the capital of their self-declared “caliphate.”
Meticulous excavation work by Iraqi archaeologists has already yielded more than 35,000 fragments.
The archaeologists have been carefully reassembling bas-reliefs, sculptures and decorated slabs depicting mythical creatures, which had all graced the palace of Assyrian King Ashurnasirpal II nearly 3,000 years ago.
Seen from above, the pieces of the puzzle gradually come together. Shards of what just several years ago was a single artefact are placed side by side, protected by sheets of green tarpaulin.
Bit by bit, the image of Ashurnasirpal II appears on one bas-relief alongside a winged, bearded figure with curly hair and a flower on its wrist, as the restoration brings back to life rich details carved in stone millennia ago.
Another artefact shows handcuffed prisoners from territories that rebelled against the mighty Assyrian army.
Partially reconstructed lamassus — depictions of an Assyrian deity with a human head, the body of a bull or a lion and the wings of a bird — lay on their side, not far from tablets bearing ancient cuneiform text.

“These sculptures are the treasures of Mesopotamia,” said Ghadi.
“Nimrud is the heritage of all of humanity, a history that goes back 3,000 years.”
Founded in the 13th century BC as Kalhu, Nimrud reached its peak in the ninth century BC and was the second capital of the Assyrian empire.
Propaganda videos released by IS in 2015 showed jihadists destroying monuments with bulldozers, hacking away at them with pickaxes or exploding them.
One of those monuments was the 2,800-year-old temple of Nabu, the Mesopotamian god of wisdom and writing.
IS fighters wreaked havoc at other sites too, like the once-celebrated Mosul Museum and ancient Palmyra in neighboring Syria.
The jihadist group was defeated in Iraq in 2017, and the restoration project in Nimrud began a year later, only to be interrupted by the Covid-19 pandemic and restart in 2023.
Mohamed Kassim of the Academic Research Institute in Iraq told AFP that “until now, it has been a process of collection, classification and identification.”
About 70 percent of the collection work has been completed at the Assyrian palace site, with about a year’s worth of fieldwork left before restoration can begin in full force, said Kassim, noting it was a “complex operation.”
His organization has been working closely with Iraqi archaeologists, supporting their drive to “save” Nimrud and preserve its cultural riches, through training sessions provided by the Smithsonian Institution with financial support from the United States.

Kassim said that the delicate restoration process will require expertise not found in Iraq and “international support” due to the extent of the “barbaric” destruction in Nimrud.
“One of the most important ancient sites of the Mesopotamian civilization,” according to Kassim, Nimrud is a testament to a golden age of “the art and architecture of the Assyrian civilization.”
The site was first excavated by archaeologists in the 19th century and received international recognition for the immense lamassu figures that were taken to Europe to be exhibited in London’s British Museum and the Louvre in Paris.
Other artefacts from Nimrud have been on display in Mosul and Iraq’s capital Baghdad.
The site has also attracted figures like British author Agatha Christie, who visited there with her archaeologist husband.
On a recent tour of Nimrud, Iraq’s Culture Minister Ahmed Fakak Al-Badrani hailed the “difficult” work carried out by archaeologists there, collecting broken pieces and comparing them to drawings and photographs of the artefacts they attempt to reconstruct.
The vast destruction has made it impossible, at least for now, to ascertain which antiquities were stolen by Daesh, the minister said.
And the process will take time.
Badrani said he expects that it will take 10 years of hard work before the marvels of King Ashurnasirpal II’s palace can be seen again, complete.


Man charged in Tupac Shakur killing files motion to dismiss the case

Updated 07 January 2025
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Man charged in Tupac Shakur killing files motion to dismiss the case

LAS VEGAS: An ex-gang leader is seeking to have all the charges against him dismissed in the 1990s killing of rap music icon Tupac Shakur.
Attorney Carl Arnold filed the motion on Monday in the District Court of Nevada to dismiss charges against Duane Davis in the 1996 shooting of Shakur. The motion alleges “egregious” constitutional violations because of a 27-year delay in prosecution. The motion also asserts a lack of corroborating evidence and failure to honor immunity agreements granted to Davis by federal and local authorities.
“The prosecution has failed to justify a decades-long delay that has irreversibly prejudiced my client,” Arnold said in a news release. “Moreover, the failure to honor immunity agreements undermines the criminal justice system’s integrity and seriously questions this prosecution.”
Clark County District Attorney Steve Wolfson didn’t immediately respond to an email seeking comment on the filing. He has said evidence against Davis is strong and it will be up to a jury to decide the credibility of Davis’ accounts of the shooting including those in a 2019 memoir.
Davis is originally from Compton, California. He was arrested in the case in September 2023 near Las Vegas. He has pleaded not guilty to first-degree murder and has sought to be released since shortly after his arrest.
Davis is accused of orchestrating and enabling the shooting that killed Shakur and wounded rap music mogul Marion “Suge” Knight after a brawl at a Las Vegas Strip casino involving Shakur and Davis’ nephew, Orlando “Baby Lane” Anderson.
Authorities have said that the gunfire stemmed from competition between East Coast members of a Bloods gang sect and West Coast groups of a Crips sect, including Davis, for dominance in a genre known at the time as “gangsta rap.”
In interviews and a 2019 tell-all memoir that described his life as a leader of a Crips gang sect in Compton, Davis said he obtained a .40-caliber handgun and handed it to Anderson in the back seat of a car from which he and authorities say shots were fired at Shakur and Knight in another car at an intersection near the Las Vegas Strip. Davis didn’t identify Anderson as the shooter.
Shakur died a week later in a nearby hospital. He was 25. Knight survived and is serving a 28-year prison sentence in connection with the killing of a Compton man in 2015.
Anderson denied involvement in Shakur’s death and died in 1998 at age 23 in a shooting in Compton. The other two men in the car are also dead.
A Las Vegas police detective testified to a grand jury that police do not have the gun that was used to shoot at Shakur and Knight, nor did they find the vehicle from which shots were fired.


Algerians campaign to save treasured songbird from hunters

Updated 06 January 2025
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Algerians campaign to save treasured songbird from hunters

  • Goldfinches are native to Western Europe and North Africa, and raising them is a cherished hobby in Algeria, where they are known locally as “maknin”
  • Caging the wild birds cause them to suffer from serious health problems due to abrupt changes in their diet and environment, say advocates

SETIF, Algeria: With its vivid plumage and sweet trill, the goldfinch has long been revered in Algeria, but the national obsession has also driven illegal hunting, prompting calls to protect the songbird.
Amid a persistent demand for the bird that many choose to keep in their homes, conservation groups in the North African country are now calling for the species to be safeguarded from illegal hunting and trading.
“The moment these wild birds are caged, they often suffer from serious health problems, such as intestinal swelling, due to abrupt changes in their diet and environment,” said Zinelabidine Chibout, a volunteer with the Wild Songbird Protection Association in Setif, about 290 kilometers (180 miles) east of the capital, Algiers.
Goldfinches are native to Western Europe and North Africa, and raising them is a cherished hobby in Algeria, where they are known locally as “maknin.”
The bird is considered a symbol of freedom, and was favored by poets and artists around the time of Algeria’s war for independence in the 1950s and 60s. The country even dedicates an annual day in March to the goldfinch.
Laws enacted in 2012 classified the bird as a protected species and made its capture and sale illegal.
But the practices remain common, as protections are lacking and the bird is frequently sold in pet shops and markets.
A 2021 study by Guelma University estimated that at least six million goldfinches are kept in captivity by enthusiasts and traders.
Researchers visiting markets documented the sale of hundreds of goldfinches in a single day.
At one market in Annaba, in eastern Algeria, they counted around 300 birds offered for sale.

Back to the wild
Chibout’s association has been working to reverse the trend by purchasing injured and neglected goldfinches and treating them.
“We treat them in large cages, and once they recover and can fly again, we release them back into the wild,” he said.
Others have also called on enthusiasts to breed the species in order to offset demand.
Madjid Ben Daoud, a goldfinch aficionado and member of an environmental association in Algiers, said the approach could safeguard the bird’s wild population and reduce demand for it on the market.
“Our goal is to encourage the breeding of goldfinches already in captivity, so people no longer feel the need to capture them from the wild,” he said.
Souhila Larkam, who raises goldfinches at home, said people should only keep a goldfinch “if they ensure its reproduction.”
The Wild Songbird Protection Association also targets the next generation with education campaigns.
Abderrahmane Abed, vice president of the association, recently led a group of children on a trip to the forest to teach them about the bird’s role in the ecosystem.
“We want to instill in them the idea that these are wild birds that deserve our respect,” he said. “They shouldn’t be hunted or harmed.”


World’s oldest person dies at 116 in Japan

Updated 04 January 2025
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World’s oldest person dies at 116 in Japan

  • Tomiko Itooka was born on May 23, 1908 in the commercial hub of Osaka, near Ashiya
  • As of September, Japan counted more than 95,000 people who were 100 or older

TOKYO: The world’s oldest person, Japanese woman Tomiko Itooka, has died aged 116, the city where she lived, Ashiya, announced on Saturday.
Itooka, who had four children and five grandchildren, died on December 29 at a nursing home where she resided since 2019, the southern city’s mayor said in a statement.
She was born on May 23, 1908 in the commercial hub of Osaka, near Ashiya – four months before the Ford Model T was launched in the United States.
Itooka was recognized as the oldest person in the world after the August 2024 death of Spain’s Maria Branyas Morera at age 117.
“Ms Itooka gave us courage and hope through her long life,” Ashiya’s 27-year-old mayor Ryosuke Takashima said in the statement.
“We thank her for it.”
Itooka, who was one of three siblings, lived through world wars and pandemics as well as technological breakthroughs.
As a student, she played volleyball.
In her older age, Itooka enjoyed bananas and Calpis, a milky soft drink popular in Japan, according to the mayor’s statement.
Women typically enjoy longevity in Japan, but the country is facing a worsening demographic crisis as its expanding elderly population leads to soaring medical and welfare costs, with a shrinking labor force to pay for it.
As of September, Japan counted more than 95,000 people who were 100 or older – 88 percent of whom were women.
Of the country’s 124 million people, nearly a third are 65 or older.


Former UK home secretary mocked for claiming she visited ‘land border’ between Italy and Turkiye

Updated 03 January 2025
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Former UK home secretary mocked for claiming she visited ‘land border’ between Italy and Turkiye

  • Suella Braverman was criticized for her ignorance by social media users, public figures
  • Italy and Turkiye are separated by hundreds of kilometers and share no border

LONDON: Former UK Home Secretary Suella Braverman faced widespread ridicule after claiming in a radio interview that she visited a land border between Italy and Turkiye — two countries separated by hundreds of kilometers.

Speaking on LBC Radio on Thursday morning, Braverman, known for her hardline anti-immigration stance, described visiting what she said was a wall built by Italy to stem migration.

“Italy have reinforced their borders. They built a wall. I went to see that wall,” she said.

“They built a wall on the land border between Italy and Turkey. They’ve got drones. They’ve got armored vehicles. They’ve got soldiers. The numbers crossing that border have plummeted.”

The statement quickly went viral, with social media users and public figures mocking the former Home Secretary for referencing a non-existent border.

Italy and Turkiye, located in southern Europe and western Asia respectively, share no land border.

Former Conservative MP Sir Michael Take responded sarcastically, suggesting that people were overreacting and quipping that Braverman should have claimed that “Italy had built (a wall) on its border with Syria.”

Food critic Jay Rayner also shared the clip, jokingly asking: “And is this wall ‘on the land border between Italy and Turkey’ with you in the room right now?”

Others criticized the apparent ignorance displayed by a senior politician who once held responsibility for national security and immigration.

Portuguese journalist and political commentator Bruno Macaes commented on X: “How did we get to a point where British politics is a global laughing stock?”

Following the backlash, Braverman attempted to clarify her remarks, admitting on X that she had misspoken.

“And, obviously I meant Greece’s land border with Turkey which I was honoured to visit,” she wrote.