DHAKA: Few in the Jahan family's remote Bangladeshi village had seen a jackal up close before the morning one stalked Musqan through the paddy fields, pounced on her, and maimed the four-year-old for life.

Violent and unprovoked attacks by rabid canines are rising around the South Asian nation due to rampant deforestation and habitat loss -- a trend experts say has been worsened by climate change.

Musqan is still recovering from the horrific injuries she sustained in the mauling last month by the rabid jackal. While she is rabies-free thanks to prompt treatment, her face is disfigured by bite wounds and one of her eyes remains swollen shut.

"It happened in broad daylight," her aunt Ishrat Jahan told AFP.

"A jackal pushed her to the ground and blindly bit her. Other villagers later killed it, but they are still traumatised by what happened."

Golden jackals like the one that maimed Musqan are slender, wolf-like creatures found across Bangladesh, about the same size as a greyhound but lighter in weight.

What made the attack on Musqan unusual was its timing -- she was bitten in the daytime, but golden jackals are a nocturnal species.

Animal researcher Zoheb Mahmud of Independent University in Dhaka told AFP that his studies of golden jackals over eight years showed that the "gradual erosion of habitats" had altered their behaviour.

"I found the once-shy creatures had begun staring at us," he said. "They are supposed to come out in the evening or at night, but we saw them during the day."

Urbanisation and logging have led to major human encroachment on the habitats where much of Bangladesh's jackal population resides.

According to monitoring group Global Forest Watch, Bangladesh last year lost 17,800 hectares (44,000 acres) of forest cover -- an area roughly three times the size of Manhattan.

Mahmud warned that jackal attacks on humans "would not stop" if the habitat loss continued.

Bangladesh is one the countries ranked most vulnerable to climate change, and there are signs that more extreme weather is making attacks more likely.

The country saw widespread flooding in September that displaced millions of people in the worst-hit areas for the second year running, with floodwaters coursing through forests and driving out their canine inhabitants.

"Due to the flood, the jackals lost their dwellings and food," jackal bite victim Obaidul Islam told AFP from Nilphamari in the country's north.

"So they came and bit more than a dozen people in our village."

Rakibul Hasan Mukul, executive director of civil society wildlife group Arannayk, told AFP that climate change was driving more extreme and frequent flooding in Bangladesh.

He said changes to the weather were also eroding farmlands, displacing their human inhabitants and prompting them to cut down more forests.

"The loss of land has also resulted in increased conflicts between humans and wildlife," he added.

"People are cutting bushes around wetlands and their homesteads for farming. As a result, small mammals are in crisis, losing their habitats."

While Bangladesh's health ministry does not maintain specific records on jackal bites, reports from hospitals indicate an alarming and possibly unprecedented frequency of attacks this year.

The Munshiganj District Hospital, south of Dhaka, treated 20 people for bites on just a single day in September.

"I have never seen so many people coming in with jackal bites on a single day before," hospital superintendent Dewan Nizam Uddin Ahmed told AFP.

Another hospital administrator in Dinajpur, on the other side of the country, told AFP there had been 12 cases in one day at his facility.

"We are regularly getting bite patients," Dinajpur Hospital superintendent Mohammad Fazlur Rahman said. "The jackals are roaming freely through the farmland."

Golden jackals are by nature shy and usually avoid human contact unless they contract rabies, a disease that quickly turns them bold and aggressive as its symptoms take hold.

Endemic across Bangladesh, rabies spreads quickly among canine species when infected animals bite and draw blood from other creatures.

The disease is almost guaranteed to lead to a prolonged and painful death in humans once symptoms show. Prompt intervention is needed to stop the disease in its tracks.

After Musqan was bitten last month, she received treatment for three days to prevent a rabies infection, followed by a month in hospital for surgeries related to her wounds, and is still deeply traumatised by the attack.

"We can prevent rabies with vaccines," Ariful Bashar, one of the doctors at the hospital treating Musqan, told AFP.

"But most of the time, jackals rip out flesh, deforming their victims. Almost all of them then need reconstructive surgery."

NEW DELHI: India marked on Saturday the 100th birth anniversary of Raj Kapoor, remembering the legendary actor and director, whose enduring legacy continues to shape and inspire Indian cinema.

Considered one of India’s greatest and most influential actors and filmmakers, Kapoor is fondly known as the “first showman of Bollywood” and the “greatest showman of Indian cinema.”

He was born on Dec. 14, 1924, in Peshawar, now Pakistan, from where his family later moved to Mumbai.

The son of actor Prithviraj Kapoor, he debuted alongside his father at the age of 10 in “Inquilab,” a Hindi film about an earthquake in Bihar. He went on to star in more than 60 films, directing more than a dozen of them.

Nearly four decades after his death in 1988, Kapoor remains one of India’s most-loved icons. His birthday anniversary is celebrated with a retrospective of 10 of his iconic films screened in 40 cities across India this weekend.

Marking Kapoor’s birthday on Saturday morning, India’s Prime Minister Narendra Modi paid tribute to the “visionary filmmaker, actor and the eternal showman” in a series of social media posts, saying he “was not just a filmmaker but a cultural ambassador who took Indian cinema to the global stage.”

One of Kapoor’s most famous films, “Awara” (1951), was the first Indian movie to reach the global stage. Known overseas as “The Vagabond,” it became an overnight sensation in South Asia, and soon found box-office success also in East Asia, Africa, the Middle East and Eastern Europe.

“Even today Awara is a film that is etched in my mind,” fellow film star Amitabh Bachchan wrote on X in celebration of Kapoor’s birthday. “You are amazed by his fantastical imagination.”

The film blends social themes with the genres of crime, romantic comedy and musical melodrama, featuring a character based on “the Little Tramp,” a role Kapoor also explored in other films, earning him another nickname: the “Charlie Chaplin of Indian cinema.”

For many Indians, the characters in his films were ones they could relate to.

“What strikes you is how poor people are portrayed there. They are shown as someone who is trying to survive in a world dominated by rich people and industrialists and businessmen. The main character is an outsider in the world of rich people and still manages to make inroads in their lives through his character and innocence. This appeals to me,” said Ghanshyam Datt Varma, a teacher in Chittorgarh who runs a Raj Kapoor fan page on Facebook.

“I started my life as a commoner, someone at the margin of society, and through my hard work I became a schoolteacher, despite all the hurdles. I feel the character in Raj Kapoor’s films, like ‘Sangam,’ ‘Mera Naam Joker,’ and so ... He was really a showman, a film personality who portrayed people of India and their struggle so beautifully.”

The film’s theme song, “Awara Hoon,” is still celebrated globally and has been rated among the greatest Bollywood songs of all time many times.

“I grew up watching his films and singing the songs of his films,” said Rahul Prakash, a lawyer from Patna.

Kapoor is for him a “legend-like hero who taught not one but many generations the ultimate meaning of love. A visionary director who gave birth to characters that were imaginary but also realistic,” he said.

“The way he portrayed the character of a common man on the silver screen — in such a simple and natural way — is immortal.”

Kapoor’s films were commercial successes not only in South Asia but also in the Middle East, the Caribbean, Africa and in the Soviet bloc.

“Raj Kapoor was not only a Bollywood personality but an international personality. He promoted India’s soft power through his films. His films were very popular in Russia because of the theme he chose and the pomp and gaiety he showed,” Rana Siddiqui Zaman, film critic, told Arab News.

“He is also one of the first directors to give roles to Pakistani artists. In the film ‘Heena,’ the main female character is from Pakistan. There is no other filmmaker in the industry who drove international filmmakers to call the Mumbai film industry ‘Bollywood.’”