ABU DHABI: The latest Hollywood movie to film in Abu Dhabi, Brad Pitt’s “War Machine,” released its first teaser Thursday, revealing it will launch on Netflix on May 26.
The satirical comedy, produced by Netflix and Pitt’s production company, Plan B Entertainment, filmed for 22 days in Abu Dhabi at the end of 2015, facilitated by twofour54. The production also took advantage of Abu Dhabi Film Commission’s 30 percent rebate.
Filming took place at 20 locations around the capital, transforming parts of Abu Dhabi in order to create a fictional American Embassy in Kabul. Scenes were also shot at Abu Dhabi National Exhibition Center (ADNEC), in remote areas of the Abu Dhabi desert, as well as in nearby emirate Ras Al-Khaimah. The film included 2,300 extras representing 20-plus nationalities, coordinated by twofour54-based casting agency, Miranda Davidson Studios. In partnership with twofour54, the production also gave the opportunity to seven young UAE nationals to intern on the set of the film.
Maraym Al-Mheiri, twofour54’s acting CEO, said: “We can’t wait to see Abu Dhabi featured in another Hollywood movie, this time as the backdrop to a number of scenes in ‘War Machine.’ Close collaboration from across the UAE’s government entities, especially the military, ensured a smooth filming experience for the production team, cast and crew.”
The film was inspired by the bestselling book “The Operators: The Wild and Terrifying Inside Story of America’s War in Afghanistan” by the late American journalist Michael Hastings. The film stars Brad Pitt, Anthony Michael Hall, Will Poulter and Topher Grace.
In addition to “War Machine,” Abu Dhabi has attracted a number of major film productions in recent years including two of the top six films of all time, “Star Wars: The Force Awakens” and “Fast & Furious 7.”
Made in Abu Dhabi: Netflix releases first teaser of ‘War Machine’
Made in Abu Dhabi: Netflix releases first teaser of ‘War Machine’
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Bereaved orca seen carrying another dead calf in US waters
Scientists say whales are among the world’s most intelligent animals, exhibiting complex social behavior including self-awareness and suffering.
The Washington state-based Center for Whale Research said the endangered orca named Tahlequah, also known as J35, was spotted carrying her deceased calf in Puget Sound off Seattle on New Year’s Day.
“J35 has been seen carrying the body of the deceased calf,” the center said in an Instagram post Thursday.
“This behavior was seen previously by J35 in 2018 when she carried the body of her deceased calf for 17 days,” it said.
When Tahlequah was carrying her previous deceased newborn seven years ago she was seen sometimes nudging its body with her nose and sometimes gripping it with her mouth, US media reported.
“It’s a very tragic tour of grief,” Center for Whale Research founder Ken Balcomb told public broadcaster NPR at the time.
The center said the loss of the latest female newborn was “particularly devastating” because Tahlequah has now lost two of her four documented calves.
“We hope to have more information on the situation through further observation,” the post said.
The center also said Tahlequah’s pod had been joined by another newborn. “The calf’s sex is not yet known but the team reports that the calf appeared physically and behaviorally normal,” the center said.
Tahlequah and her pod mates are Southern Resident Killer Whales, a population listed as endangered in the United States.
There are only three pods in the population, numbering around 70 whales. They spend several weeks of each spring and fall in the waters of Puget Sound.
Their numbers are dwindling owing to a combination of factors, including a reduction in their prey and the noise and disturbance caused by ships and boats, according to the National Marine Fisheries Service.
Olympics-World’s oldest living gold medallist Agnes Keleti dies at 103
- Keleti joined the National Gymnastics Association in 1938 and won her first Hungarian championship in 1940
BUDAPEST: Five-time Olympic champion Hungarian gymnast Agnes Keleti, the world’s oldest living Olympic gold medallist and a survivor of the persecution of Jews in World War Two, died at the age of 103 on Thursday, the Hungarian Olympic Committee said.
Born as Agnes Klein in Budapest on Jan. 9, 1921, Keleti joined the National Gymnastics Association in 1938 and won her first Hungarian championship in 1940, only to be banned from all sports activities that year because of her Jewish origin.
“Agnes Keleti is the greatest gymnast produced by Hungary, but one whose life and career were intertwined with the politics of her country and her religion,” the International Olympic Committee said in a profile on its website.
The HOC said Keleti escaped deportation to Nazi death camps, where hundreds of thousands of Hungarian Jews were killed, by hiding in a village south of Budapest with false papers. Her father and several relatives died in the Auschwitz death camp.
She won her first gold at the Helsinki games in 1952 aged 31, when most gymnasts had long been retired, the HOC said.
Keleti reached the peak of her career in Melbourne in 1956, where she won four gold medals and became the oldest female gymnast to win gold, the HOC said. A year later Keleti settled in Israel, where she married and had two children.
Her 10 Olympic medals, including five golds, rank Keleti as the second most successful Hungarian athlete of all time, the HOC said. She has also received multiple Hungarian state awards.
Harry Chandler, Navy medic who survived Japan’s attack on Pearl Harbor, dies at 103
- Harry Chandler’s family says he died at a senior living center in Tequesta, Florida on Monday
- He had congestive heart failure but his doctors and nurses noted his advanced age when giving a cause of death
HONOLULU: Harry Chandler, a Navy medic who helped pull injured sailors from the oily waters of Pearl Harbor after the 1941 Japanese attack on the naval base, has died. He was 103.
Chandler died Monday at a senior living center in Tequesta, Florida, according to Ron Mahaffee, the husband of his granddaughter Kelli Fahey. Chandler had congestive heart failure, but Mahaffee said doctors and nurses noted his advanced age when giving a cause of death.
The third Pearl Harbor survivor to die in the past few weeks, Chandler was a hospital corpsman 3rd class on Dec. 7, 1941, when waves of Japanese fighter planes dropped bombs and fired machine guns on battleships in the harbor and plunged the US into World War II.
He told The Associated Press in 2023 that he saw the planes approach as he was raising the flag that morning at a mobile hospital in Aiea Heights, which is in the hills overlooking the base.
“I thought they were planes coming in from the states until I saw the bombs dropping,” Chandler said. His first instinct was to take cover and ”get the hell out of here.”
“I was afraid that they’d start strafing,” he said.
His unit rode trucks down to attend the injured. He said in a Pacific Historic Parks oral history interview that he boarded a boat to help pluck wounded sailors from the water.
The harbor was covered in oil from exploding ships, so Chandler washed the sailors off after lifting them out. He said he was too focused on his work to be afraid.
“It got so busy you weren’t scared. Weren’t scared at all. We were busy. It was after you got scared,” Chandler said.
He realized later that he could have been killed, “But you didn’t think about that while you were busy taking care of people.”
The attack killed more than 2,300 US servicemen. Nearly half, or 1,177, were sailors and Marines on board the USS Arizona, which sank nine minutes after it was bombed.
Chandler’s memories came flowing back when he visited Pearl Harbor for a 2023 ceremony commemorating the 82nd anniversary of the bombing.
“I look out there, and I can still see what’s going on. I can still see what was happening,” Chandler told The Associated Press.
Asked what he wanted Americans to know about Pearl Harbor, he said: “Be prepared.”
“We should have known that was going to happen. The intelligence has to be better,” he said.
After the war Chandler worked as a painter and wallpaper hanger and bought an upholstery business with his brother. He also joined the Navy reserves, retiring as a senior chief in 1981.
Chandler was born in Holyoke, Massachusetts, and lived for most of his adult life in nearby South Hadley, Mahaffee said. In recent decades he split his time between Massachusetts and Florida.
An avid golfer, he shot five hole-in-ones during his lifetime, his grandson-in-law added.
Chandler had one biological daughter and adopted two daughters from his second marriage, to Anna Chandler, who died in 2004. He is survived by two daughters, nine grandchildren, 17 great-grandchildren and five great-great-grandchildren.
Military historian J. Michael Wenger has estimated that there were some 87,000 military personnel on the island of Oahu the day of the attack. With Chandler’s death only 15 are still living, according to a tally maintained by Kathleen Farley, the California state chair of the Sons and Daughters of Pearl Harbor Survivors.
Bob Fernandez, who served on the USS Curtiss, also died this month, at age 100, and Warren Upton, 105, who served on the USS Utah, died last week.
Blake Lively sues ‘It Ends With Us’ director Justin Baldoni alleging harassment and smear campaign
- The lawsuit was filed Tuesday, just hours after the director, Justin Baldoni, and several others tied to the film filed their own lawsuit against The New York Times
- Lively’s suit filed in federal court in New York says the director schemed with publicists to plant negative stories about her
Actor Blake Lively sued “It Ends With Us” director Justin Baldoni and several others tied to the romantic drama on Tuesday, alleging harassment and a coordinated campaign to attack her reputation for coming forward about her treatment on the set.
The federal lawsuit was filed in New York just hours after Baldoni and many of the other defendants in Lively’s suit sued The New York Times for libel for its story on her allegations, saying the newspaper and the star were the ones conducting a coordinated smear campaign.
The lawsuits are major developments in a story emerging from the surprise hit film that has already made major waves in Hollywood and led to discussions of the treatment of female actors both on sets and in media.
Lively’s suit said that Baldoni, the film’s production company Wayfarer Studios and others engaged in “a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others, from speaking out.”
She accuses Baldoni and the studio of embarking on a “multi-tiered plan” to damage her reputation following a meeting in which she and her husband, actor Ryan Reynolds, addressed “repeated sexual harassment and other disturbing behavior” by Baldoni and a producer Jamey Heath, who is also named in both lawsuits.
The plan, the suit said, included a proposal to plant theories on online message boards, engineer a social media campaign and place news stories critical of Lively.
The alleged mistreatment on set included comments from Baldoni on the bodies of Lively and other women on the set. And the suit says Baldoni and Heath “discussed their personal sexual experiences and previous porn addiction, and tried to pressure Ms. Lively to reveal details about her intimate life.”
Baldoni’s attorney Bryan Freedman did not immediately respond to a request for comment on Lively’s lawsuit. But he previously called the same allegations “completely false, outrageous and intentionally salacious.”
Lively’s lawsuit comes the same day as the libel lawsuit filed in Los Angeles Superior Court by Baldoni and others against the Times seeking at least $250 million. The Times stood by its reporting and said it plans to “vigorously defend” against the lawsuit.
Others who are defendants in Lively’s suit and plaintiffs in the libel suit include Wayfarer and crisis communications expert Melissa Nathan, whose text message was quoted in the headline of the Dec. 21 Times story: “‘We Can Bury Anyone’: Inside a Hollywood Smear Machine.”
Written by Megan Twohey, Mike McIntire and Julie Tate, the story was published just after Lively filed a legal complaint with the California Civil Rights Department, a predecessor to her new lawsuit.
The libel lawsuit says the newspaper “relied almost entirely on Lively’s unverified and self-serving narrative, lifting it nearly verbatim while disregarding an abundance of evidence that contradicted her claims and exposed her true motives. But the Times did not care.”
A spokesperson for the Times, Danielle Rhoades, said in a statement that “our story was meticulously and responsibly reported.”
“It was based on a review of thousands of pages of original documents, including the text messages and emails that we quote accurately and at length in the article. To date, Wayfarer Studios, Mr. Baldoni, the other subjects of the article and their representatives have not pointed to a single error,” the statement said.
But Baldoni’s lawsuit says that “If the Times truly reviewed the thousands of private communications it claimed to have obtained, its reporters would have seen incontrovertible evidence that it was Lively, not Plaintiffs, who engaged in a calculated smear campaign.”
Lively is not a defendant in the libel lawsuit. Her lawyers said in a statement that “Nothing in this lawsuit changes anything about the claims advanced in Ms. Lively’s California Civil Rights Department Complaint, nor her federal complaint, filed earlier today.”
The romantic drama “It Ends With Us,” an adaptation of Colleen Hoover’s bestselling 2016 novel, was released in August, exceeding box office expectations with a $50 million debut. But the movie’s release was shrouded by speculation over discord between Lively and Baldoni. Baldoni took a backseat in promoting the film while Lively took centerstage along with Reynolds, who was on the press circuit for “Deadpool & Wolverine” at the same time.
Lively came to fame through the 2005 film “The Sisterhood of the Traveling Pants,” and bolstered her stardom on the TV series “Gossip Girl” from 2007 to 2012. She has since starred in films including “The Town” and “The Shallows.”
Baldoni starred in the TV comedy “Jane the Virgin,” directed the 2019 film “Five Feet Apart” and wrote “Man Enough,” a book pushing back against traditional notions of masculinity. He responded to concerns that “It Ends With Us” romanticized domestic violence, telling the AP at the time that critics were “absolutely entitled to that opinion.”
He was dropped by his agency, WME, immediately after Lively filed her complaint and the Times published its story. The agency represents both Lively and Reynolds.
Baldoni’s attorney, Freedman, said in a statement on the libel suit that “the New York Times cowered to the wants and whims of two powerful ‘untouchable’ Hollywood elites.”
“In doing so, they pre-determined the outcome of their story, and aided and abetted their own devastating PR smear campaign designed to revitalize Lively’s self-induced floundering public image and counter the organic groundswell of criticism among the online public,” he added. “The irony is rich.”
China’s frigid northeast thrives on ‘little potato’ tourism boom
- Animal ears and pom-poms on fuzzy hats adorn tourists’ heads on the streets of the frigid northeastern Chinese city of Harbin, which is enjoying a surge in visitors driven by social media
HARBIN: Animal ears and pom-poms on fuzzy hats adorn tourists’ heads on the streets of the frigid northeastern Chinese city of Harbin, which is enjoying a surge in visitors driven by social media.
Photos and videos taken around the city’s landmarks flood platforms such as TikTok counterpart Douyin and Instagram-esque Xiaohongshu — many featuring tourists from the warmer south.
They’re affectionately known as “southern little potatoes,” a reference to their alleged smaller stature and cutesy winter gear that contrast with the area’s stereotypically coarse character.
A search for “southern little potatoes visit the north” racked up more than 428,000 notes on Xiaohongshu.
That’s where Chen Xiting, who works in e-commerce in the southern province of Guangdong, said she was inspired to visit.
“It’s the quickest way young people get trip recommendations,” said Chen.
She said she had noticed a sizeable number of fellow southerners.
“I heard quite a bit of Cantonese, which we’re very familiar with, today at tourist sites and on the street,” said the 29-year-old, wearing a hat with dog ears and with only her face exposed to the air.
Liu Rong, a student from Sichuan, said the city’s push for more southern tourists was clear from the surge in videos about Harbin he often watched with his wife.
“These years, especially this year, Harbin’s cultural tourism has placed a lot of importance on paying attention to us southerners,” Liu said.
Harbin is the capital of Heilongjiang, one of three provinces that make up the “Dongbei” (northeast) region, where temperatures can reach -30 degrees Celsius (-22 degrees Fahrenheit) during winter.
Bordered by Russia and North Korea, it is one of China’s poorest provinces, outperforming only neighboring Jilin, Gansu, Hainan island and sparsely populated Tibet, Qinghai and Ningxia.
But the first five months of 2024 saw the operating income of Heilongjiang’s cultural, sports and entertainment industries rise nearly 60 percent year-on-year, according to official data.
Tourists spent 154 billion yuan ($21 billion) in the first half of 2024, up 171 percent from the first half of 2023.
Popular novels and dramas set in the northeast have also helped spark a travel boom to the region.
“A lot of southerners, which we call ‘little potatoes’, came over here for travel and made our Harbin very trendy,” Emily Liu, a local tour guide, told AFP.
The online fame has been good for the travel business, said 30-year-old Jiang Zhonglong, energetically gesticulating in front of his tripod just meters away from Liu.
He started working for a Harbin-based travel agency three years ago, during the Covid-19 pandemic, and said business was now much better.
“So many little friends, southern potatoes, tourists have all come here,” he said.
One night this month, the city’s commercial district of Central Street saw a steady stream of people walking on the cobblestone path under bright yellow lights.
Ling, a 38-year-old from the coastal eastern province of Zhejiang, was there with his wife to “daka,” a phrase that means “punching in” but now describes visiting popular spots to share photos on social media.
“We often scroll through (video sharing platform) Douyin and such. We often see videos promoting Harbin,” said Ling, who asked to be identified only by his surname.
Ling told AFP he’d believed negative stereotypes about Dongbei in the past.
“But we came here and found that things are pretty decent,” he said.
“I’ve been yearning for a different cultural experience compared to where I come from — the weather and style are completely different.”
Nearby, a steady stream of people ducked inside a shop selling goods from Russia — just a stone’s throw away.
Foot traffic to the shopping street has tripled since 2022, said store manager Zhangzhang, who has worked in the area for more than 10 years and asked to be identified by her nickname.
“My hometown has suddenly become popular,” she said, adding she was “extremely proud.”
She said the store last year started selling more hats and scarves for travelers who “didn’t pack enough layers” — including those printed with the region’s classic red florals.
“I think that this can help lift the economy of our Dongbei.”
