Ka-Boom! Middle East Film and Comic Con takes Dubai by storm

The chance to get creative and dress up as comic characters lures many fans. (Photo courtesy: MEFCC)
Updated 07 April 2017
Follow

Ka-Boom! Middle East Film and Comic Con takes Dubai by storm

DUBAI: The Middle East Film and Comic Con (MEFCC) has landed in Dubai and is taking the city by storm, with event organizers expecting more than 70,000 visitors at the three-day pop culture extravaganza.

The event, set to run until April 8, is an explosion of color and celebrates everything from comic book characters to manga, animation and sci-fi entertainment.

Now in its sixth year, the 2017 edition promises to be bigger and better than ever, with a special Star Trek 50 Year Exhibit featuring art by the original Spock actor Leonard Nimoy, as well as creative tributes to “Star Trek” from 50 artists based in 10 countries around the world.

The event promises to keep fans of all ages busy with a dizzying line-up of activities, including a Battle Park where visitors can test their combat skills in a “Call of Duty” style obstacle course, a WWE ramp on which wrestling wannabees can practice their toughest walk, and a Retro Gaming area full of blasts from the gaming past.

“There’s a vibrant local — expat and indigenous — appetite for pop culture content, hobbyist activity and a culture that’s eager to produce and consume entertainment,” Yasser Alireza, who is taking part in the event as an exhibitor, told Arab News.

He is the co-creator and artist behind “Wayl,” one of the region’s only adult-targeted comic book thriller series based in the Middle East.

“Our strap line is ‘Woe unto the Wicked.’ It’s a completely home-grown project by two residents of the UAE — one Arab Canadian and the other Saudi — with full-time jobs in other fields.

“Last year, we successfully launched our first issue. This year, we’ll launch our second issue, hoping to attract consumers, distributors, publishers and other key influencers. We’ve also been invited to talk at a panel about how to start your own comic book project from scratch, and we’re producing a limited and exclusive MEFCC variant of our comic for the convention.”

The comic book creator is not the only one looking to entertain crowds at this year’s event. Dubai-based DJ Hype is taking to the Syfy Mainstage as one of the official entertainment acts.

True to his name, he is keeping the crowd hyped with a signature mix of tunes on Wasta Radio, his own online station.

“We plan on bringing a brighter, more animated experience to the event by bringing everyone’s inner geek out, one song at a time, in our live mix,” he told Arab News.

Why is a DJ taking part in the region’s largest comic-focused event? “I'm an old-school geek, plain and simple. I’ve collected Pokémon cards, was part of the first Super Mario Club in Dubai… collected DC Comics, stayed after every Marvel movie to see the teasers after the end credits… I’m at Comic Con because it’s my tribe,” he said.

Famous faces and cosplay

Fans of Marvel’s blockbuster movies are in for another surprise at this year’s event, as celebrity guest Anthony Mackie is set to make an appearance.

Well-known from Oscar-winning films “The Hurt Locker” and “Million Dollar Baby,” Mackie starred as The Falcon in the third instalment of the “Captain America” franchise “Captain America: Civil War,” reprising his role from “Captain America: The Winter Soldier” and “Avengers: Age of Ultron.”

Kevin Sebastien, a visitor at the event, told Arab News: “I’m particularly looking forward to seeing Anthony Mackie. I’d definitely like to have a word with him.

“As a person who isn’t ashamed to call himself a geek, I’m glad Comic Con allows people to express that… Events like this bring people together, from as young as 5 to older fans.”

The biggest draw, said Sebastien, is the chance to get creative and dress up as comic characters in what is known as cosplay, a hybrid of the words costume and play.

“I’m cosplaying as a character called Rorschach from DC Comic’s ‘The Watchmen’,” he said.
His favorite part about coming out in costume is “having kids know who you are and wanting to take pictures with you. They want to take selfies and photographs. Giving that experience to a kid is heart-warming.”

Fellow cosplayer Katarina is no stranger to the limelight at Comic Con. “This will be my fourth year cosplaying at the MEFCC,” she told Arab News.

“I’ll be going as Laura (X-23) from the movie ‘Logan,’ as well as a female version of The Punisher from the Marvel/Netflix series ‘Daredevil.’ For me, cosplaying is thrilling because you don’t just make your costume so you look like the character you love, you get to embody their personality and essentially perform.”

Katarina believes the event is important as it unites fans from all over the world. “The rise of the Internet in the last couple of decades has led to widespread interest in global pop culture, and it’s not uncommon to find people regularly interested in an anime from Japan, a comic book from the US or music from Korea,” she said.

What better place for fans to unite over their love of all that is action-packed and fantastical than the larger-than-life melting pot of Dubai?

 


Balad Beast to return to Jeddah with international lineup

Updated 25 December 2024
Follow

Balad Beast to return to Jeddah with international lineup

JEDDAH: Music festival Balad Beast is set to return to Jeddah’s Al-Balad between Jan. 30 – 31 with an international lineup of performers.

The UNESCO World Heritage-listed district will play host to the likes of Grammy-winning 21 Savage, Atlanta rap star Gunna, JID, and 2020 Mercury Album of The Year winner Michael Kiwanuka on day one. Regional artists such as Disco Misr from Egypt and Saudi Arabia-based talents DISH DASH, Gazi, Saoud and Varoo will also perform on Jan. 30.

Day two will feature hip-hop icon Wiz Khalifah, producer Metro Boomin, musical duo Hats & Klaps, and Ghostly Kisses with her ethereal pop sound from Canada. All-female Saudi rock band Seera will hit the stage on Jan. 31.

The festival will also feature immersive art installations — yet-to-be-named contemporary artists and designers will reimagine Al-Balad’s historic architecture with projections, large-scale sculptures, and interactive artworks.

“We are coming back to Balad with really exciting experiences. Fresh music with new and returning acts, and as always, otherworldly immersive experiences inspired by our past, present and future,” said Ahmed Alammary, MDLBEAST’s Chief Creative Officer.

Balad Beast is part of Saudi music entertainment company MDLBEAST's lineup of annual events, including SOUNDSTORM in Riyadh and XP Music Futures in the Saudi capital.

According to MDLBEAST, the historical buildings in the area — some of which are 400 years old — will be protected from potential degradation due to sound testing and strategically placed stages “to minimize any impact on the buildings.”

The houses are made of stones, mined from Arabia Lake, separated by wooden planks to alleviate the heat of the area’s climate. One of its infamous sights that garners attention from tourists is Nassif House. 

In 2024, the festival played host to a similarly high-profile list of performers, including Ty Dolla $ign, Wu-Tang Clan, Major Lazer Soundsystem, Russ, and DJ Snake.


Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

Updated 25 December 2024
Follow

Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

  • We are ‘all one culture, one society and one message,’ says Iraqi official

RIYADH: From heritage to long-standing traditions, the deep connections between Iraq and Saudi Arabia span thousands of years to the pre-Islamic era.

The second Common Ground festival, an initiative by Saudi Arabia’s Ministry of Culture, is an immersion in the bonds of the two nations through art, cuisine and performance.

Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia. (AN photo)

Alataf Ebrahim, the head of the festival department at the Iraqi Ministry of Culture, Tourism and Antiquities, told Arab News: “Baghdad and all the Iraqi governorates are passionate about embracing Saudi culture. While the event is called Common Ground, with pride, we say that we are all one culture, one society and one message.

“This is a big and very important event, and the project is bold for planning and drawing joint cultural events now, and in the future. As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well as in 2025.”

HIGHLIGHT

Common Ground festival features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq. 

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. The renowned hub for intellectual life hosts various bookstores, clothing stores, live painting and oud performances, and panel discussions around various cultural crossovers.  

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. (AN photo)

In the heart of the bookshop district is one of Baghdad’s oldest coffee shops, Shabandar cafe, which opened its doors over a century ago and has since become a landmark in the city. The establishment has born witness to the twists and tragedies of Iraq’s tumultuous history.

“Shabandar cafe is an open corner for poets and intellectuals, and visitors as well, as they read about the latest cultural news through physical newspapers that are always on each table. This area is where the most prominent cultural activities in the capital (take place),” Ebrahim explained.

Visitors can indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage. (AN photo)

Al-Mutanabbi’s poems are also honored through 10, 3-meter-high scrolls. The works are written in a font that has the characteristics of the 4th century in the style of Ibn Al-Bawwab, the famous calligrapher who was born about a year after Al-Mutanabbi’s death.

“We’re presenting a mini cultural week that encompasses many experiences, not just books and literature, but also extends to musical performances; and an absorption between the two cultures and deepening that relationship,” he added.  

As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well in 2025.

Alataf Ebrahim, Iraqi Ministry of Culture, Tourism and Antiquities official

Visitors can also indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage.

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. (AN photo)

The festival’s concert series featured an iconic performance by Iraqi singer Kadim Alsahir on the opening day, and a joint oud performance by Saudi singer and songwriter Abadi Al-Johar and Iraqi artist Naseer Shamma on Dec. 21.

The last show of the series will be on Dec. 25, featuring Aseel Hameem and Nawaf Al-Jabarti.

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. The showcase includes Islamic, Mesopotamian and contemporary art.

At the entrance of the exhibition is a large structure known as the Mudhif, which is a traditional reed house, particularly in the Al-Ahwar region of southern Iraq. It is a type of communal guesthouse or gathering space that plays a central role in the social and hospitality traditions of the region.

A large part of the exhibition highlights Darb Zubaida, one of the historical pilgrimage routes from the city of Kufa to Makkah that not only facilitated the movement of people, goods, and ideas but also played a crucial role in the cultural and religious life of the Islamic world.

“This road became a place for exchanging ideas with our communities in the Kingdom. Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia.

“This is an important aspect of the exhibition, alongside the many artworks that spotlight the traditional, modern, and contemporary art and the traditional tales that are embodied by the contributions of the participating artists.”

The festival also features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq.

The festival, which runs until Dec. 31, is being held at Mega Studio in Riyadh’s Boulevard City.


Creative youth collective hosts art auction in Jeddah with jazz, community spirit

Updated 24 December 2024
Follow

Creative youth collective hosts art auction in Jeddah with jazz, community spirit

  • One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision

JEDDAH: Nama, a new collective dedicated to empowering young creatives, hosted its first event in Jeddah this week at the bustling Huna Alhabib.

The two-day Jazz Night and Silent Art Auction was a display of the power of collaboration and a cultural celebration.

Nama’s debut featured more than 30 pieces by artists from Saudi Arabia, Egypt, the UAE, Kuwait, Bahrain, Spain, Canada, and beyond. These works were donated specifically for the auction to bridge artistic communities across borders.

The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region. (AN photo)

Jana Abdulaziz, Nama’s founder and director, told Arab News: “For the longest time, Nama was nothing more than an online group of about a dozen high schoolers that joined solely off the identity statement I wrote. No logo, no solid plans, just an idea.

“I remember a couple months in with next to no progress almost giving up the idea of having an event or Nama becoming anything. I reached out to potential sponsors and hundreds of local and international artists from my personal accounts as a last-ditch effort, expecting nothing ... and to my surprise, people did.”

With the participation of 15-plus local brands and businesses as vendors, the event was much more than an art exhibition. Visitors enjoyed an immersive experience complete with live jazz and blues performances, as well as an artist sketching portraits of guests.

The event seems to have resonated with artists and attendees alike. Yousef Zaini, a local artist and artwork donor, said: “As an artist, my work is intended to invoke emotions, raise questions, and offer perspectives. I borrow heavily from my readings in philosophy.

“I’m honored to work with Nama and showcase my works and share the philosophies they embody. The event organized by Nama was a great mix and I am eager to collaborate with them in the future. Much better is to come.”

French-Tunisian artist E. L. Seed donated one of his lithographs to Nama, describing it as a valuable opportunity. He said that participating in Nama was a chance to support the event and inspire young artists, emphasizing that no event is too big or small when it comes to reaching art enthusiasts, especially in Jeddah.

The idea for Nama came to Abdulaziz in late 2023. Despite initial setbacks, her determination and passion brought the project to life. The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region.

Jwan Abdulhafeez, Nama’s head of media, said: “We wanted our launch event to be more than just an auction, we envisioned a true celebration of art, culture, and fun. The evening featured a carefully curated silent art auction that showcased emerging talent while creating an atmosphere of sophistication with live jazz performances.

“Through the silent art auction, we were able to connect talented artists with art enthusiasts, creating meaningful relationships within our community.”

The auction was a celebration of global perspectives and artistic diversity, featuring works from renowned artists while providing a platform for young creatives to share their stories and build connections in the art world.

One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision. When Nama approached Menayouth for us to help with managing media and activities, their approach to things proved that they have ultimate care for who they work with. They came up to us offering to deal with the event as if it was our own.”

 


Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’

Updated 24 December 2024
Follow

Elyanna draws the curtain on ‘Woledto’ tour, looks forward to ‘next chapter of 2025’

DUBAI: Chilean Palestinian singer Elyanna concluded her “Woledto” (“I Am Born”) tour with a heartfelt message on Instagram, just weeks after winning Best Arab Indie Artist and Best New Artist at the inaugural Billboard Arabia Music Awards in Riyadh in December.

Elyanna launched her “Woledto” album in April and kicked off the tour in October, performing across North America and Europe. She graced stages in 30 cities, including Barcelona, Paris, London, Brussels, Berlin, Stockholm, Montreal, Toronto, Washington, Houston, and more.

“Feeling emotional and grateful of what this album and the tour has given me and given my fans,” she wrote. “It was a gathering of community to spread light and preach across each city and theater.”

She also hinted at upcoming projects, stating: “The sunrise and the rebirth of the ‘Woledto’ project is just (the) start for the next chapter of 2025. Arabic is the music of the soul and the sun. Grateful for all the talented people that believed in this project and helped with the vision to come to life this tour (sic).”

Elyanna’s debut album featured nine songs: “Woledto,” “Ganeni,” “Calling U,” “Al Sham,” “Mama Eh,” “Kon Nafsak,” “Lel Ya Lel,” “Yabn El Eh” and “Sad in Pali.”

Before releasing the album, she wrote to her Instagram followers: “This album is the embodiment of pride to be an Arab woman, to be from Nazareth, to be from the Middle East.

“This is the closest I’ve been to where I come from,” she added. “The only feature on my album is my grandfather.”

The Los Angeles-based singer’s music is a mix of Arabic and Western beats, which she attributes to her multicultural upbringing.

Elyanna has been normalizing Arabic lyrics in the Western world throughout her career, taking inspiration from artists including Lana Del Ray and Beyonce, as well as Middle Eastern legend Fayrouz.

She recently lit up New York’s Times Square when she was featured on a Spotify Arabia billboard, highlighting the streaming platform’s “Equal Arabia” playlist.

Elyanna is set to perform live with British hitmakers Coldplay when the band heads to Abu Dhabi for four shows in the UAE capital in January 2025.


Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program

Updated 23 December 2024
Follow

Artist William Brooks seeks fresh inspiration in Saudi Arabia’s Diriyah Art Futures program

  • Hub picks 12 artists for inaugural scheme 

DUBAI: Saudi creative hub Diriyah Art Futures has handpicked 12 artists for its inaugural Emerging New Media Artists Program this winter, with Welsh talent William Brooks making the cut.

Set to run for one year, the newly launched program offers access to professional equipment and facilities, a production budget, learning experiences with international guest professors specializing in new media art, and mentorships.

Brooks spoke to Arab News about his artistic process and what he hopes to gain from the opportunity.

Cellular Impressions, 2020, Digital Image Series. (Supplied)

“The prospect of working in a place that is culturally and geographically far removed from my homeland offers a unique experience,” he explained.

“I anticipate that the historical significance of Diriyah, combined with the vibrant contemporary discourse on art, technology, and culture in the region, will inform new directions in my work and deepen my engagement with the concepts I explore.”

To work with a global cohort of artists, researchers and mentors is something Brooks is particularly looking forward to, and he added: “I believe a crucial aspect of being an artist is being inquisitive. This opportunity affords me the means to draw from a diverse and far-reaching wealth of knowledge.”

When it comes to his work, the multi-disciplinary artist has most recently been experimenting with the medium of installation in a bid to merge historical processes with new technologies. His most recent work, for example, “(conflates) the use of traditional etching processes on metal with digital imaging of the often overlooked but pervasive presence of digital communication.”

Macro Impressions, 2023, Photographic Series. (Supplied)

Brooks’ interest in digital signals and their vital role in daily modern life aims to explore and highlight how “these connections shape our interactions and identities in ways we often overlook.”

He added: “By making these digital elements visible, I aim to spark reflection on the implications of living in a world increasingly mediated by technology.”

Despite the seemingly futuristic nature of his work, the artist is keen to look back at history to inform his process.

He said: “When approaching a project, I start by immersing myself in archival materials, historical documents, or artifacts, aiming to uncover the ways in which older technologies or media forms were once used, understood, and experienced.

“This historical research is an attempt to see how these past media forms can recontextualize and critique present-day technological advancements.”

Brooks recognizes that it is no mean feat to translate such abstract concepts into physical artworks and pointed to his 2022 work “Radio Tapestry” as a piece he is particularly proud of.

He said: “This work involved translating data from wireless networks and digital devices into a visual and sonic installation of etched plates, allowing the audience to experience the otherwise invisible electromagnetic signals that we rely upon and surround us every day.

“The challenge lay in not only making the technology function smoothly, but also in creating an installation that communicated the conceptual depth of the work — highlighting how these intangible signals shape our environment.”