Nothing has shaped popular culture more than social media. Social media has changed the way we communicate. It has generated the selfie phenomenon and has also become a means of projecting a version of the person we wish to be, rather than who we really are, out to the world. A growing number of individuals compete against each other on social platforms for followers, likes, retweets and favorites.
People crave recognition and dream of being popular. Narcissism seems to be on the rise. Have smartphones and social media spawned a self-obsessed generation? Donna Freitas does not believe so. Based on a large-scale survey and interviews with students in 13 college campuses in the US, she found that young people are mainly concerned with being happy but are under constant pressure to look perfect online. In other words, they are expected to give the impression that they are always happy, successful and full of energy.
“The happiness effect: How social media is driving a generation to appear perfect at any cost” sheds light on the consequences of the communications revolution that confronts us. The author shares many stories that are “the heart and soul of this book,” according to the author herself. One of the first stories we read is about a woman named Emma. Emma complains that people take pictures, do things and go places for the reaction that they are going to get on Instagram or Facebook. She admits that it is tiring being one way in public and acting differently in private, however, she believes “everyone is like that.”
Although the press has frequently slammed millennials for supposedly being narcissistic, the author believes that the world of social media is a far less scary place than the press would have us believe. “The young adults with whom I spoke are as smart and thoughtful as ever. They are doing their best to navigate a dimension or culture so new and different and so pervasive that it sets their generation apart,” Freitas wrote.
Freitas noticed that in all the campuses surveyed — despite their geographic, ethnic and socio-economic differences — 73 percent of students are preoccupied with appearing happy. “Adolescents learn early how important it is to everyone around them that they polish their online profiles to promote their accomplishments, popularity and general well-being. They practice this nearly constantly in their online lives and this has a tremendous effect on them emotionally, in their relationships and in their behavior on social media. For better or worse, students are becoming masters of appearing happy, at significant cost,” Freitas wrote.
College students are very much aware that they have to create an image and entertain a vast audience. However, people using social media soon find out that they cannot please everyone — they have different audiences. “Because of social media, we are becoming master manipulators, constant performers, and no one is better at these endeavors than young adults because they are learning earlier and earlier that these skills are central to success, either social or professional,” Freitas wrote.
Selfies, in particular, play a key role in defining one’s online image. Some students believe that the “photo culture” we see online is also used for professional purposes, however. If you consider your name to be a brand, a selfie or photograph becomes a powerful means by which you can promote yourself. An account becomes a marketing tool and a growing number of users are aware of the advantages of “professionaliz(ing)” online accounts. The image one curates on social media can eventually be used to create one’s own business online. Freitas underlines the extra burden women have to bear, saying: “Young women… not only must live up to expectations around professionalism and image building, but also must look good doing it.”
Selfies are often meant to express the fun we are having but the pressure to look happy at all costs reveals an alarming discrepancy between how we truly feel and how we want to be perceived online. A sense of longing for anonymity explains the phenomenal success of Snapchat. Anything posted on Snapchat — photos, selfies, videos or comments — disappear. On Snapchat, people can do all the things they cannot do on Facebook — they can be silly, stupid and let off steam.
Anonymity can be problematic, however. It allows people to take things too far and it can lead to online bullying. “The near-universal mantra that you must appear happy on social media starts to make more sense when you recognize how vulnerability turns you into a target. The appearance of constant happiness is a defense mechanism, a way to protect yourself from the risks that come with putting yourself out there for the scrutiny of others,” Freitas wrote.
Alice, a first-year student, said that “people want to see others as happy and people are easily bothered by someone who confesses that they aren’t happy or aren’t what everyone wants them to be. If more people stepped out of their boxes, found their true selves, and posted that self online, they would get a lot more hate and they would be a lot more vulnerable, but ultimately maybe more people would start being honest.”
Having interviewed 200 students and conducted a survey of several hundred more, Freitas realized two things. First, that smartphones and social media have taken over young people’s lives and second, that young people feel they are not equipped to handle this dramatic change.
Where young people are concerned, communication is the key. Parents and educators have to be open, approachable and understanding. It is the best way to encourage children and young adults to share the problems they are experiencing so a suitable solution can be found. As social media platforms gain popularity, it is becoming difficult not to join. However, the long-term effects of social media use are still unknown.
Book Review: If you are happy and you know it, post that selfie
Book Review: If you are happy and you know it, post that selfie
What We Are Reading Today: Henry V by Dan Jones
In 1413, when Henry V ascended to the English throne, his kingdom was hopelessly torn apart by political faction but in less than ten years, he turns it all around. By common consensus in his day, and for hundreds of years afterward, Henry was the greatest medieval king that ever lived.
A historical titan, Henry V transcends the Middle Ages which produced him, and his life story has much to teach us today.
What We Are Reading Today: ‘Following the Bend’ by Ellen Wohl
When we look at a river, either up close or while flying over a river valley, what are we really seeing?
“Following the Bend” takes readers on a majestic journey by water to find answers, along the way shedding light on the key concepts of modern river science, from hydrology and water chemistry to stream and wetland ecology.
In this accessible and uniquely personal book, Ellen Wohl explains how to “read” a river, blending the latest science with her own personal experiences as a geologist and naturalist who has worked on rivers for more than three decades.
UK writer Samantha Harvey wins 2024 Booker with space novel
- The prize is seen as a talent spotter of names not necessarily widely known to the general public
LONDON: British writer Samantha Harvey on Tuesday won the 2024 Booker Prize, a prestigious English-language literary award, for her novel tracking six astronauts in space for 24 hours.
Harvey’s “Orbital” follows two men and four women from Japan, Russia, the United States, Britain and Italy aboard the International Space Station and touches on mourning, desire and the climate crisis.
The 49-year-old Harvey previously made the longlist for the Booker Prize in 2009 with her debut novel “The Wilderness.”
Harvey dedicated the prize to “all the people who speak for and not against the earth and work for and not against peace.”
Chair of the judges, Edmund de Waal, said “everyone and no one is the subject” of the novel, “as six astronauts in the International Space Station circle the earth observing the passages of weather across the fragility of borders and time zones.”
“With her language of lyricism and acuity Harvey makes our world strange and new for us.”
A record five women were in the running for the £50,000 ($64,500) prize which was announced at a glitzy ceremony in London.
Previous winners include Salman Rushdie and Margaret Atwood.
The prize is seen as a talent spotter of names not necessarily widely known to the general public.
The Booker is open to works of fiction by writers of any nationality, written in English and published in the UK or Ireland between October 1, 2023 and September 30, 2024.
What We Are Reading Today: ‘Dragonflies and Damselflies of the World’ by Klass-Douwe B. Dijkstra
Airily dancing over rivers and ponds, the thousands of colorful dragonfly and damselfly species that cohabit our planet may seem of little importance.
Few life-forms, however, convey the condition of the most limiting resource on land and life’s most bountiful environment as well as they can: While the adults are exceptional aerial hunters, their nymphs are all confined to freshwater.
“Dragonflies and Damselflies of the World” showcases their beauty and diversity while shedding light on how they evolved into the vital symbols of planetary health we celebrate today.
Emirates Airline Festival of Literature announces 2025 lineup
DUBAI: The Emirates Literature Foundation has revealed the speaker lineup and programme details for the upcoming Emirates Airline Festival of Literature 2025, officially marking the countdown to the 17th edition of the event. Set to take place from Jan. 29 to Feb. 3, 2025 at the newly renovated InterContinental Dubai Festival City, the LitFest will offer attendees over 150 incomparable experiences, including fan-favourites: Desert Stanzas, LitFest After Hours, Discovery Talks, and the LitFest Families programme.
Leading the list of authors is US-Indian writer and Stanford University professor Abraham Verghese, author of “The Covenant of Water,” which rose to fame when it was chosen for Oprah Winfrey’s book club.
Other anticipated names include Emmy Award-winning journalist Hala Gorani, the best-selling author and illustrator of the wildly popular “Diary of a Wimpy Kid” series Jeff Kinney, multi-talented author and screenwriter Daniel Handler (also known as Lemony Snicket, creator of “A Series of Unfortunate Events”), Booker Prize-nominated author Chigozie Obioma, best-selling travel writer and author Dr Mohamed Mansi Qandil, scholar and researcher Abdel Illah Benarafa, Cultural Personality of the Year Waciny Laredj, poet and author Khalid Albudoor, and celebrated Palestinian chef and cookbook author Fadi Kattan.
Closer to home, Saudi author Faisal J. Abbas will talk about his new book, “Anecdotes of an Arab Anglophile,” a witty and thoughtful take on what it is like being an Arab in London.
“As we navigate a world of uncertainty and change, the Emirates LitFest serves as a vital platform for dialogue, understanding, and reflection,” said Ahlam Bolooki, CEO of Emirates Literature Foundation, Director of Emirates Airline Festival of Literature, and Managing Director of ELF Publishing.
“Global conversations around identity and culture have never been more crucial, and we are honoured to welcome literary icons from across the globe whose works speak to the heart of these issues. Through our Festival’s dynamic programme, sessions that are set to inspire future generations and events that celebrate our shared experiences, we are building a community based on empathy and understanding. Now, more than ever, we need stories that connect us to our shared humanity, and the Emirates LitFest is where those stories happen” she added.
Dubai Culture is sponsoring this year’s Emirati Strand, which celebrates the culture of the UAE and provides an opportunity for Emirati and international authors to grace the Emirates LitFest stage together. The Emirati Strand features a diverse range of experiences and a distinguished line-up of Emirati writers including poet Adel Khozam, Dr Noura Alkarbi, artist Asmaa Al-Remithi, poet Ali Al-Shaali, author and scholar Salha Ghabish, author and trainer Hamdan Bin Shfayan Alameri, author Nadia Al Najjar, filmmaker Nahla Al Fahad, and many more.
“With everything going on in the world, now more than ever, we need stories. We need human connection. We need to come together in the ‘sanctuary of dreams’ … which the festival offers,” Tamreez Inam, head of programming, told Arab News.
“The festival welcomes people who want to dream and imagine a world that celebrates our shared humanity and offers a place where people can tell their own stories, find themselves in other stories and connect at that very human level. And I think that’s why the 2025 festival is so important; it’s needed more than ever now,” she added.
Dania Droubi, the festival’s chief operating officer, revealed that the event will also host an international youth program.
“We have 150 university students from around the world coming to participate in our program, and they are going to be here in Dubai,” she said.
“They’re all students who speak Arabic and who study Arabic. They are going to be here to meet with another 150 from the UAE-based universities, and they’re here to attend and see the authors and the speakers … and just participate in these discussions, because the youth are the future.”
For information on the full programme and tickets, visit https://emirateslitfest.com.