As I began reading this book, I remembered what Pico Iyer, a wonderful travel writer, said about Jerusalem: “I would never call Jerusalem beautiful, or comfortable or consoling. But there’s something about it that you can’t turn away from.” I wonder if Paola Caridi felt the same way. Did she also find in Jerusalem something that she would never forget?
Born in Italy, Caridi is a journalist who specializes in the Middle East and North Africa. After a two-year stay in Cairo, from 2001-2003, she left for Jerusalem where she lived for ten years. In 2013, Caridi’s portrait of Jerusalem was released in Italian and was this year published in English, under the title “Jerusalem without God: Portrait of a Cruel City.” The English translation was published by The American University in Cairo Press.
Caridi found the ten years she spent in Jerusalem to be the most demanding of her life. When she bade farewell to Jerusalem, she wrote that she felt no nostalgia or regret. She felt nothing until, months later, she heard the Muslim call to prayer in Sicily.
“Those words… roused in me the sweet taste of nostalgia, the soothing sense of nostalgia. Suddenly, I discovered with a resonant flash that I did not regret the streets of Jerusalem, the sacred stones, the dazzling white of its historical architecture and the artificiality of its present architecture… I missed the rhythms of the day,” Caridi wrote.
“The call to prayer has been so precious to me that, even now when I am no longer in Jerusalem, it takes me back to real time, time that is more consistent with a nature we have violated over the years and centuries,” she wrote.
This book, however, is not a complacent and lyrical description of Jerusalem. The author takes a hard look at the city. Nothing escapes her blunt judgment.
The visit to Jerusalem starts in the old quarter of Musrara in the company of 80-year-old Michel. His father, an accountant who worked for the British Mandate of Palestine, moved his family to the first mixed district, which was created outside the walls of the Old City.
As the mandate came to an end, the British thought it was necessary to divide the street in half to separate the adversaries. However, the situation reached a point of no return with the horrendous massacre at Deir Yassin on April 9, 1948. This mass slaughter triggered the Palestinian flight from Jerusalem’s city center and the surrounding villages.
Michel and his family, like almost all of Musrara’s inhabitants, left their homes. They were replaced, between 1948-1964, with immigrant Jews who predominantly came from Europe.
Nowadays, more than 2000 people live in 610 lodgings, which more often than not consist of one single room. The public authorities allowed Musrara to fall into disrepair because the long-term plan was to drive the inhabitants to sell their old Arab houses. However, the inhabitants refused to leave and wanted to have a say in the renovation plans, which involved the challenge of restoring the traditional Arab houses. Musrara is now home to Orthodox Jewish families and a small community of international diplomats and journalists.
“Arab Musrara, like many parts of Palestinian Jerusalem, is today a remnant of what it used to be… It is like a fossil buried in stone, following that same historical path of the two parts of Musrara: The Israeli part, fully within the social changes of the country, and the Palestinian part, frayed and… without a new identity that could take the place of its ancient heritage. Arab Jerusalem is more and more split into tiny islands, compounds, enclaves and districts that have lost the connection to city life. The reasons, of course, lie in the conflict,” the author wrote.
Despite all these divisions and ill feelings, there are places, like Mega or Malcha Mall, which the author describes as “reconciled common space” were everybody meets. Israelis and Palestinians shop here because you pay less for more — they are united in their hunt for a bargain.
“The problem, if anything, is how to translate a common belonging into political and institutional terms,” Caridi wrote. For a growing number of Israeli and Palestinian intellectuals, “the remedy is as simple as it is revolutionary: Jerusalem should be one and shared. That is, it should remain united and should be shared — one city for two communities.
“The idea of a city undivided and shared by its inhabitants springs exactly from the utter awareness of what takes place in the city. Daily life is, in fact, the primary indication that Jerusalem cannot be divided,” the author noted.
Speaking her mind with an open heart, Caridi gives the reader an in-depth look at a complex city and its daily dramas.
Book Review: Life in Jerusalem
Book Review: Life in Jerusalem
What We Are Reading Today: ‘The Essence of Software’
- “The Essence of Software” introduces a theory of software design that gives new answers to old questions
Author: DANIEL JACKSON
As our dependence on technology increases, the design of software matters more than ever before. Why then is so much software flawed? Why hasn’t there been a systematic and scalable way to create software that is easy to use, robust, and secure? Examining these issues in depth, “The Essence of Software” introduces a theory of software design that gives new answers to old questions.
Daniel Jackson explains that a software system should be viewed as a collection of interacting concepts, breaking the functionality into manageable parts and providing a new framework for thinking about design.
What We Are Reading Today: ‘Flows in Networks’
Authors: Lester Randolf Ford Jr. & D. R. Fulkerson
In this classic book, first published in 1962, L. R. Ford, Jr., and D. R. Fulkerson set the foundation for the study of network flow problems. The models and algorithms introduced in “Flows in Networks” are used widely today in the fields of transportation systems, manufacturing, inventory planning, image processing, and internet traffic.
The techniques presented by Ford and Fulkerson spurred the development of powerful computational tools for solving and analyzing network flow models, and also furthered the understanding of linear programming.
What We Are Reading Today: ‘Planetary Climates’ by Andrew Ingersoll
This concise, sophisticated introduction to planetary climates explains the global physical and chemical processes that determine climate on any planet or major planetary satellite— from Mercury to Neptune and even large moons such as Saturn’s Titan.
Although the climates of other worlds are extremely diverse, the chemical and physical processes that shape their dynamics are the same.
As this book makes clear, the better we can understand how various planetary climates formed and evolved, the better we can understand Earth’s climate history and future.
What We Are Reading Today: ‘Dragonflies of North America’
- “Dragonflies of North America” is the ultimate guide to these extraordinary insects
Author: ED LAM
Dragonflies are large and beautiful insects, diverse in color and pattern. This premier field guide provides all the information you need to identify every male and female dragonfly found in North America, whether in the field, in the hand, or under the microscope.
The extensive illustrations are the heart of the book. Close-up color portraits of each species, often several times life size, show the best possible specimens for close examination.
“Dragonflies of North America” is the ultimate guide to these extraordinary insects.
What We Are Reading Today: The Wind-Up Bird Chronicle
- Murakami’s prose, understated yet richly evocative, guides readers through a narrative that oscillates between the real and the surreal
Japanese novelist Haruki Murakami’s “The Wind-Up Bird Chronicle” is an intricate, mesmerizing novel that weaves together the ordinary and the surreal, creating a tapestry of existential questions, hidden truths and unexpected journeys.
First published in 1994, the novel is often regarded as one of Murakami’s masterpieces, encapsulating his signature blend of magical realism, psychological depth, and cultural introspection.
At its heart is Toru Okada, an unassuming and somewhat disaffected man whose mundane life takes a sudden and dramatic turn when his wife, Kumiko, disappears. What begins as a straightforward search evolves into a labyrinthine journey, leading Toru to confront not only the mystery of Kumiko’s absence but also the darker forces of history, memory, and his own psyche.
Along the way, he encounters an eclectic cast of characters, each with their own enigmatic role to play in the unfolding story.
Murakami’s prose, understated yet richly evocative, guides readers through a narrative that oscillates between the real and the surreal. The novel’s structure mirrors this duality, as Toru navigates his increasingly strange reality while descending into dreamlike underworlds, mysterious wells, and symbolic landscapes.
These moments are imbued with Murakami’s distinctive sense of unease, where the boundaries of the tangible and intangible blur, leaving the reader questioning the nature of reality itself.
One of the novel’s great strengths is its ability to juxtapose the deeply personal with the historically and culturally significant.
While Toru’s story is intimate and introspective, it is interwoven with threads of Japanese history, particularly the atrocities of the Second World War. These historical narratives, told through the recollections of various characters, deepen the novel’s scope, turning it into a meditation on the lingering wounds of the past and their impact on the present.
“The Wind-Up Bird Chronicle” also delves into themes of connection and alienation, power and vulnerability, and the search for meaning in a world that often feels inexplicable. Toru’s journey is not just a physical quest but a spiritual and emotional odyssey, forcing him to confront the unseen forces that shape his life and the lives of those around him.
Murakami’s use of symbolism and recurring motifs — cats, wells, and the titular wind-up bird — adds layers of mystery and interpretive richness to the novel. These elements, coupled with the novel’s nonlinear structure and surreal interludes, create a reading experience that is both immersive and disorienting, drawing readers into a world that is as unsettling as it is beautiful.
For longtime fans of Murakami, “The Wind-Up Bird Chronicle” is quintessential, showcasing the author’s ability to blend the banal with the extraordinary. For new readers, it offers an expansive introduction to his universe, though its complexity may require patience and reflection.
Ultimately, “The Wind-Up Bird Chronicle” is a profound exploration of the human condition — its mysteries, its contradictions, and its quiet beauty. It is a novel that refuses to offer easy answers, instead inviting readers to embrace its ambiguities and immerse themselves in its layered, dreamlike world. Murakami has crafted a story that is as haunting as it is enlightening, leaving an indelible mark on those who dare to journey into its depths.