“The Open Door” by Latifa Al-Zayyat is an incredible novel that follows the lives of the Sulayman family during the 1940s and 1950s in Egypt. At a time of Egypt’s political emergence as a completely sovereign nation, Al-Zayyat’s book follows the lives of ordinary Egyptian citizens who navigate through political and social changes as the Suez Crisis looms, their lives intertwined with the politics that will change their futures and shape their fates.
Al-Zayyat died in 1996, but is known as a transformative writer and a revolutionary for social and political change. “The Open Door,” which was originally published in 1960 in Arabic, is considered her magnum opus and was awarded the Naguib Mahfouz Medal for Literature in 1996. The book was later translated into English by Marilyn Booth in 2000 and a new edition was printed this year by Hoopoe Press.
The reader is first introduced to the scene of an unusual morning in Cairo in 1946. A demonstration of 40,000 has just taken place in Ismailiya Square and the streets are buzzing. Egyptians want the English gone and they are not afraid to show it. As one passerby on the street says to another, “this is a new stage of national consciousness.”
But in the home of Mohammed Effendi Sulayman, they are not talking about the demonstration. He sits in his chair reading the Qur’an and waiting for his son, Mahmoud, to return. Layla is 11-years-old at the time and is also waiting for her brother, who joined the demonstration despite his father’s disapproval, to return.
Once Mahmoud returns, wounded and bleeding, Layla runs to school to tell her friends. “The English got him. They hit him because he is a nationalist. Because he is a hero,” she tells them.
She is the envy of every girl that morning, but that soon fades, as does everything with time.
The reader follows Layla as her growth and transformation takes place alongside Egypt’s. Both are struggling for sovereignty. Despite her dreams of ridding the country of the English herself, of carrying a gun and going out to fight with the boys, her mother and father have other ideas, as does Egyptian society.
Once Layla hits puberty, her life changes. While once she was allowed to do and say anything, she is not anymore. She is told how to sit, how to speak, how to act and how to compose herself. While her brother grows into a man and is allowed his own freedom and space to make decisions, Layla loses her ability to do so completely. “She grew to the realization that to reach womanhood was to enter a prison where the confines of one’s life were clearly and decisively fixed.” Yet, despite her confines, she feels stronger than ever, her mind and body growing to embolden herself.
As Layla’s life moves forward, she dabbles in emotions such as love and encounters her first relationship. The reader follows her life at university and the way she is molded by her friends, the university’s climate, political change and her brother’s life. Through all of this, her demeanor changes. Her outlook on life teeters between optimism and misery and settles there. She resides herself to a life of unhappiness when she realizes that her life will always be controlled by someone or something other than herself. She finds out that real life “was so empty of poetry.”
Al-Zayyat’s book feels timeless, yet it is specific about the political timeframe. The way she writes about society and women is relevant today as women continue to struggle in the world.
The momentum of the book builds steadily as Egypt and Layla come to a moment in time that is theirs to grasp or give away. Soon the reader discovers that the winds of change are not fanned by nature but by the mouths of Egyptian citizens who know the control of their country is in their hands.
Al-Zayyat’s book is profound. It consistently brings into question the idea that women are taught to submit to society and then challenged to be their own person within their confines. It shows how repression can ruin lives and steal away courage and strength. It reveals that Egypt and Layla are one and the same, that abuse and influence treat any and everything the same.
Al-Zayyat dissects what it is to be a woman in the world. Her main character is every girl, across countries and cultures. She has finally exposed society’s experiment on women. However, it is not just an experiment on women, it is an experiment on imperialism and the results of resistance. Like Layla, Egypt is growing into its own, constantly changing and evolving with the people who involve themselves with it. It is influenced, strengthened and sometimes left helpless by the people who abuse it.
Immediately, there are visible parallels with the Arab Spring and with stories of its impact on Egyptians, such as in Basma Abdel Aziz’s “The Queue” and Bassem Youssef’s “Revolution for Dummies.” The scenes of political oppression and the pushback of the people are one and the same.
With the publication of “The Open Door,” Al-Zayyat was recognized as a revolutionary for social change and for women’s liberation. At the time her book was published, there were a host of women from whom she could draw inspiration, but to write about societal freedoms for women in a controlled patriarchal society and to write of female characters coming into their own by fighting social and political repression by finding their voices and joining conversations about the future of their country had not been done before.
Al-Zayyat herself lived through the crisis and, therefore, it is speculated that the book is the result of what she observed with her very own eyes. She was an activist for human rights and freedom of expression and lived during a time of great change in Egypt. She dug her feet into the sand to document the change and managed to stay standing until the end, as an Egyptian and as a woman with a voice equal to any other citizen.
Book Review: Fanning the winds of change in Egypt
Book Review: Fanning the winds of change in Egypt
What We Are Reading Today: ‘Following the Bend’ by Ellen Wohl
When we look at a river, either up close or while flying over a river valley, what are we really seeing?
“Following the Bend” takes readers on a majestic journey by water to find answers, along the way shedding light on the key concepts of modern river science, from hydrology and water chemistry to stream and wetland ecology.
In this accessible and uniquely personal book, Ellen Wohl explains how to “read” a river, blending the latest science with her own personal experiences as a geologist and naturalist who has worked on rivers for more than three decades.
UK writer Samantha Harvey wins 2024 Booker with space novel
- The prize is seen as a talent spotter of names not necessarily widely known to the general public
LONDON: British writer Samantha Harvey on Tuesday won the 2024 Booker Prize, a prestigious English-language literary award, for her novel tracking six astronauts in space for 24 hours.
Harvey’s “Orbital” follows two men and four women from Japan, Russia, the United States, Britain and Italy aboard the International Space Station and touches on mourning, desire and the climate crisis.
The 49-year-old Harvey previously made the longlist for the Booker Prize in 2009 with her debut novel “The Wilderness.”
Harvey dedicated the prize to “all the people who speak for and not against the earth and work for and not against peace.”
Chair of the judges, Edmund de Waal, said “everyone and no one is the subject” of the novel, “as six astronauts in the International Space Station circle the earth observing the passages of weather across the fragility of borders and time zones.”
“With her language of lyricism and acuity Harvey makes our world strange and new for us.”
A record five women were in the running for the £50,000 ($64,500) prize which was announced at a glitzy ceremony in London.
Previous winners include Salman Rushdie and Margaret Atwood.
The prize is seen as a talent spotter of names not necessarily widely known to the general public.
The Booker is open to works of fiction by writers of any nationality, written in English and published in the UK or Ireland between October 1, 2023 and September 30, 2024.
What We Are Reading Today: ‘Dragonflies and Damselflies of the World’ by Klass-Douwe B. Dijkstra
Airily dancing over rivers and ponds, the thousands of colorful dragonfly and damselfly species that cohabit our planet may seem of little importance.
Few life-forms, however, convey the condition of the most limiting resource on land and life’s most bountiful environment as well as they can: While the adults are exceptional aerial hunters, their nymphs are all confined to freshwater.
“Dragonflies and Damselflies of the World” showcases their beauty and diversity while shedding light on how they evolved into the vital symbols of planetary health we celebrate today.
Emirates Airline Festival of Literature announces 2025 lineup
DUBAI: The Emirates Literature Foundation has revealed the speaker lineup and programme details for the upcoming Emirates Airline Festival of Literature 2025, officially marking the countdown to the 17th edition of the event. Set to take place from Jan. 29 to Feb. 3, 2025 at the newly renovated InterContinental Dubai Festival City, the LitFest will offer attendees over 150 incomparable experiences, including fan-favourites: Desert Stanzas, LitFest After Hours, Discovery Talks, and the LitFest Families programme.
Leading the list of authors is US-Indian writer and Stanford University professor Abraham Verghese, author of “The Covenant of Water,” which rose to fame when it was chosen for Oprah Winfrey’s book club.
Other anticipated names include Emmy Award-winning journalist Hala Gorani, the best-selling author and illustrator of the wildly popular “Diary of a Wimpy Kid” series Jeff Kinney, multi-talented author and screenwriter Daniel Handler (also known as Lemony Snicket, creator of “A Series of Unfortunate Events”), Booker Prize-nominated author Chigozie Obioma, best-selling travel writer and author Dr Mohamed Mansi Qandil, scholar and researcher Abdel Illah Benarafa, Cultural Personality of the Year Waciny Laredj, poet and author Khalid Albudoor, and celebrated Palestinian chef and cookbook author Fadi Kattan.
Closer to home, Saudi author Faisal J. Abbas will talk about his new book, “Anecdotes of an Arab Anglophile,” a witty and thoughtful take on what it is like being an Arab in London.
“As we navigate a world of uncertainty and change, the Emirates LitFest serves as a vital platform for dialogue, understanding, and reflection,” said Ahlam Bolooki, CEO of Emirates Literature Foundation, Director of Emirates Airline Festival of Literature, and Managing Director of ELF Publishing.
“Global conversations around identity and culture have never been more crucial, and we are honoured to welcome literary icons from across the globe whose works speak to the heart of these issues. Through our Festival’s dynamic programme, sessions that are set to inspire future generations and events that celebrate our shared experiences, we are building a community based on empathy and understanding. Now, more than ever, we need stories that connect us to our shared humanity, and the Emirates LitFest is where those stories happen” she added.
Dubai Culture is sponsoring this year’s Emirati Strand, which celebrates the culture of the UAE and provides an opportunity for Emirati and international authors to grace the Emirates LitFest stage together. The Emirati Strand features a diverse range of experiences and a distinguished line-up of Emirati writers including poet Adel Khozam, Dr Noura Alkarbi, artist Asmaa Al-Remithi, poet Ali Al-Shaali, author and scholar Salha Ghabish, author and trainer Hamdan Bin Shfayan Alameri, author Nadia Al Najjar, filmmaker Nahla Al Fahad, and many more.
“With everything going on in the world, now more than ever, we need stories. We need human connection. We need to come together in the ‘sanctuary of dreams’ … which the festival offers,” Tamreez Inam, head of programming, told Arab News.
“The festival welcomes people who want to dream and imagine a world that celebrates our shared humanity and offers a place where people can tell their own stories, find themselves in other stories and connect at that very human level. And I think that’s why the 2025 festival is so important; it’s needed more than ever now,” she added.
Dania Droubi, the festival’s chief operating officer, revealed that the event will also host an international youth program.
“We have 150 university students from around the world coming to participate in our program, and they are going to be here in Dubai,” she said.
“They’re all students who speak Arabic and who study Arabic. They are going to be here to meet with another 150 from the UAE-based universities, and they’re here to attend and see the authors and the speakers … and just participate in these discussions, because the youth are the future.”
For information on the full programme and tickets, visit https://emirateslitfest.com.
What We Are Reading Today: ‘Leonardo da Vinci: An Untraceable Life’ by Stephen J. Campbell
Leonardo da Vinci (1452–1519) never signed a painting, and none of his supposed self-portraits can be securely ascribed to his hand.
Addressing the ethical stakes involved in studying past lives, Stephen J. Campbell shows how this invented Leonardo has invited speculation from figures ranging from art dealers and curators to scholars, scientists, and biographers, many of whom have filled in the gaps of what can be known of Leonardo’s life with claims to decode secrets, reveal mysteries of a vanished past, or discover lost masterpieces of spectacular value.