With the advent of the Internet and social media, reputations have become vulnerable, fragile and elusive, but are also an indispensable and ubiquitous tool to determine how others see us and also to guide us in our choice of doctors, websites or brands.
Gloria Origgi, an Italian philosopher based in Paris, is a senior researcher at the Institute Jean Nicod at the National Center for Scientific Research. Her previous books include one on trust and another on the future of writing. In her latest publication, “Reputation,” Origgi tries to explain why reputation is so important personally and socially, how it gets distorted and how it influences what others say about us.
To start with it was a conference on reputation organized in Rome in 2007 which aroused Origgi’s interest in the subject. Then, four years later, in 2011, she gave a seminar at the School for Advanced Studies in the Social Sciences in Paris on the subject of reputation. During her stay at the Italian Academy for Advanced Studies at Columbia University in New York in 2013, Origgi wrote the first part of this book, which was originally published in French in 2015.
Although reputation is a subject that affects everyone, little has been written about it. However, the need for such a book is not the only reason why it was so rapidly translated in English and published. Origgi has written a compelling, original and thought-provoking book that sheds light on the complex process behind the formation of a reputation.
Origgi writes: “The book raises two fundamental philosophical questions about reputation. First, can reputation be considered a rational motivation for action? What drives us to defend, improve or repair our reputation? And second, can reputation be considered a rational justification in the acquisition of information?”
One of the reasons this book is so readable is due to the eclectic approach chosen by the author. Origgi’s multi-disciplinary method spans practically all the social sciences, including sociology, economics, anthropology, cognitive science and linguistics. She has also used a profusion of examples drawn from literature and real life.
To understand who we are and how we see ourselves being seen we need to know that all of us have two egos and two selves. One is our subjectivity, a central philosophical concept, which is related to consciousness, personhood, reality and truth. The other ego, or self, is our reputation. This social self exerts control to a surprising extent. It does not really belong to us, but it is the part of us that lives in others. It triggers strong feelings, such as shame, embarrassment, self-esteem, guilt and pride, which are deeply ingrained in our emotional experience.
According to the book, more than a third of the homicides committed in the US have minor causes and most crimes without serious motives are committed due to honor, pride and reputation. So why do we attach so much importance to the image that others have of us, a representation that exists only in their minds?
“This book,” writes Origgi, “explores the hidden logic of our double ego. Reputation itself is strikingly enigmatic. How a good name is gained or lost is often inexplicable. Why some reputations are considered good and others bad can be equally obscure.”
All famous people are conscious of their image and they are ready to pay image consultants exorbitant salaries to manipulate other people’s ideas. We all enjoy the feeling that we experience when we think that we have been appreciated for what we are truly worth. However, the relation between the image that we project of our self and our true self is highly complex.
“Reputation is a cloud of opinions that circulates according to its own laws, operating independently of the individual beliefs and intentions of those who hold and communicate the opinions in question,” explains Origgi.
Surprisingly little has been written on the communicative nature of reputation. And yet, there is a basic difference between a mere opinion and what we believe we should think of someone after we have heard the opinion of experts we respect. Most of our opinions are influenced by the opinions voiced by writers and thinkers that we respect. We often believe what we read in newspapers or magazines without checking whether that opinion is based on true facts because we trust the writer or it happens to be the only information available at the time.
The author gives an interesting example of a debate between Mitt Romney and Barak Obama during the 2012 US presidential campaign. She had not followed the debate but embraced her friends’ opinions who claimed that Obama had performed poorly. When she finally decided to watch the televised debate, she realized how unjust she had been. Obama was nowhere near as bad as she had described him. He was, on the contrary, “more skillful and precise than Romney.”
Origgi adds: “The question this raises is why it is so easy to internalize and echo the viewpoint of others, unthinkingly, even when important issues are at stake.”
Origgi also examines how the Internet and social media contribute to the creation of formal and informal reputations. Social life is the informational trace of who we are. All our interactions generate bits of socially shared information that accumulate gradually to define how we are seen…others will observe our actions as pieces of information that tell them something about us,” she writes.
Nowadays, we can build our social image through social media, personal webpages and Facebook profiles. All this social information about us follows us everywhere. The web empowers us with the possibility to control our identity. On the other hand, our image and our identity can be manipulated, even hijacked. “Our dynamically shape-shifting reputation” contributes to the development of human personality. “Without consciousness of the interdependence between me and my image in the eyes of others, between my actions and my reputation, I cannot understand either who I am or why I act,” concludes Origgi.
Thanks to the web, we play an active and participative role in the development of our human personality and the shaping of our reputation. It is an important takeaway in what has proven to be an eye-opening book.
Book Review: Understanding why reputations are so important
Book Review: Understanding why reputations are so important
Book Review: ‘Rifqa’ by Mohammed El-Kurd
Mohammed El-Kurd’s “Rifqa” is a searing and lyrical exploration of identity, resistance and the enduring impact of colonization. Named after El-Kurd’s late grandmother, the poetry collection captures the Palestinian experience with an intensity that is both personal and profoundly universal.
Through vivid language and raw emotion, El-Kurd weaves together memories, history and the lived realities of occupation, crafting a work that is as much a tribute to resilience as it is a call to action.
Through poems that shift between tender recollections of family and sharp critiques of displacement and violence, El-Kurd creates a narrative that refuses to separate the personal from the political. This duality gives the work a profound resonance, as it reminds readers of the humanity at the core of resistance.
El-Kurd’s grandmother, Rifqa, emerges as a symbol of steadfastness in the face of oppression, her life embodying the spirit of defiance that runs through the collection.
His language is evocative and unrelenting, often blurring the lines between poetry and protest. His verses are charged with anger, grief and a fierce love for his homeland, making every word feel urgent and necessary.
Yet, amid the rage and sorrow, there are moments of quiet beauty — glimpses of family life, the olive trees of Jerusalem and the enduring cultural traditions that tether the poet to his roots. These moments serve as a poignant reminder of what is at stake, grounding the collection in the everyday lives and stories of Palestinians.
What sets “Rifqa” apart is its refusal to sanitize or soften its message. El-Kurd speaks truth to power with unapologetic clarity, confronting readers with the stark realities of occupation and the complicity of global systems in perpetuating injustice.
Yet, his voice is not only one of condemnation, but also of hope and resilience. The poems are a testament to the enduring spirit of a people who continue to fight for their land, their identity and their right to exist.
“Rifqa” is a powerful and deeply affecting work that demands to be read as a testament to the resilience of a people and the enduring strength of a grandmother’s legacy.
It is a book that stays with you long after the final page, urging you to listen, to feel and to act. Mohammed El-Kurd has crafted a work that is both a lament and a rallying cry, a reminder that poetry has the power to witness, to resist and to endure.
What We Are Reading Today: A Guide to the Anolis Lizards (Anoles) of Mainland Central and South America
Author: Steven Poe
Anoles are highly visible and aesthetically pleasing lizards that are abundant throughout Central and South America.
The subjects of countless evolutionary and ecological studies that have advanced our understanding of basic principles in biology, these colorful reptiles are notoriously difficult to identify, and species names are often confusing and inconsistent.
“A Guide to the Anolis Lizards (Anoles) of Mainland Central and South America” is the first book to enable the identification of all known species of anole in the region while establishing baseline knowledge for further research.
REVIEW: ‘Dead Rising Deluxe Remaster’ offers reanimated chaos in 4K
LONDON; The “Dead Rising Deluxe Remaster” has arrived, breathing new life into Capcom’s iconic open-world zombie classic.
Almost 20 years after the original’s release, this version strikes a fine balance between a remake and a remaster, modernizing visuals, controls and gameplay while retaining its chaotic charm. With 4K resolution, smoother frame rates and gameplay improvements, “Dead Rising’s” latest iteration has, in a sense, grown up with its audience — although “grown up” might not be the best description for a game where a cactus can be a weapon.
The remaster brings you back to Willamette, Colorado, where you play as the cocky, wise-cracking photojournalist Frank West. His mission? Survive a 72-hour real-time, in-game clock ticking down inside a mall overrun by zombies, with missions to complete, bosses to fight, and absurd items to wield.
The day-night cycle brings shifting challenges and horror-movie ambiance that change the feel of each hour. You’ll often find yourself toggling between planning missions and impulsively grabbing whatever is in sight to fend off the undead. The remaster’s refined graphics and 60fps frame rate make both these approaches more fluid, whether you’re grappling with zombies or sneaking a killer snapshot.
And yes, Frank’s camera skills still matter. In addition to navigating an endless crowd of brain-hungry zombies, the game rewards you for snapping high-quality photos, encouraging you to capture the grotesque and hilarious. This adds an amusing layer of strategy and humor to the game, which doesn’t take itself too seriously. The absurd world of Dead Rising still allows you to dress Frank up in a range of ridiculous costumes, turning him from a somber zombie slayer into a comical hero fighting against the cathedral of consumerism — the mall itself.
As you progress, Frank’s skills evolve, allowing you to transform him into a near-indestructible wrestler, body-slamming zombies and crowd-surfing his way to safety. Missions often involve rescuing NPCs and escorting them to safety, and a roster of larger-than-life “Psychopath” bosses keeps the action intense. Beneath the mindless zombie slaying lies a satirical critique of American consumerism that resonates more with time; the remaster’s updated look adds to the commentary, making the mall’s neon lights and cluttered shelves all the more biting.
Of course, not all issues have been exorcised in this remaster. Some glitches linger, like the odd lift button bug that can render what should be a deadly encounter into an easy escape. Plus, it’s a shame that Capcom didn’t implement a co-op mode — a feature that could have elevated the chaotic fun to new heights.
Ultimately, “Dead Rising Deluxe Remaster” is as humorous as it is brutal, blending laughs with thrilling tension. The game continues to draw players into Frank West’s absurdly dangerous world, now rendered in beautifully gruesome detail. It’s a fantastic journey back to a familiar, zombie-filled playground — ideal for longtime fans and newcomers alike who are ready to face the horde.
What We Are Reading Today: ‘Algorithms for the People’ by Josh Simons
Artificial intelligence and machine learning are reshaping our world. Police forces use them to decide where to send police officers, judges to decide whom to release on bail, welfare agencies to decide which children are at risk of abuse, and Facebook and Google to rank content and distribute ads.
In these spheres, and many others, powerful prediction tools are changing how decisions are made, narrowing opportunities for the exercise of judgment, empathy, and creativity.
In “Algorithms for the People,” Josh Simons flips the narrative about how we govern these technologies.
What We Are Reading Today: ‘The Physical Nature of Information’
Author: Gregory Falkovich
Applications of information theory span a broad range of disciplines today.
It teaches the tools universally used by physicists working on quantum computers and black holes, engineers designing self-driving cars, traders perfecting market strategies, chemists playing with molecules, biologists studying cells and living beings, linguists analyzing languages, and neuroscientists figuring out how the brain works.
No matter what area of science you specialize in, “The Physical Nature of Information” unlocks the power of information theory to test the limits imposed by uncertainty.