NEW YORK: Jay-Z said though he boycotted the Grammys almost two decades ago, he’s better served helping the Recording Academy grow instead of abandoning it.
At Clive Davis’ annual pre-Grammy gala on Saturday — where Jay-Z earned the Grammy Salute to Industry Icons Award — he said he initially boycotted because DMX had an amazing year in music but didn’t earn any nominations at the 1999 Grammys. Jay-Z’s sophomore project, “Vol. 2... Hard Knock Life,” won best rap album that year though he didn’t attend the show, besting albums by A Tribe Called Quest, Mase, Big Punisher and Jermaine Dupri.
“I didn’t come back until... 2004 when a beautiful, young lady whom I love dearly had a solo album... the beautiful Miss Beyonce. And I realized, ‘Man, art is super subjective and everyone is doing their best, and the Academy, they’re human like we are and they’re voting on things they like and it’s subjective,’” he told the audience, which included Quincy Jones, Tina Fey, Jerry Seinfeld, Diddy and Beyonce, who Davis called “the first lady of music.”
“And if we believe in it — ‘cause we do, we can pretend that we don’t care but we really care — we care ‘cause we’ve seen the most incredible artists stand on that stage and we’re inspired to be that, so I was like, ‘I have to be here,’” he added. “That is the idea for all of us to get involved and to push this thing further no matter what happens at the Grammys, it’s going to be what it is. Bob Marley is going to be Bob Marley, whether he’s nominated for a Grammy or not. Tupac is going to be Tupac, Biggie is going to be Biggie.”
Rap has had a long history with the Grammys — whether its top performers like Eminem and Kanye West constantly losing in the major categories to rock, pop and country acts, or rap awards not making it on the televised show, though that’s changed in recent years.
Jay-Z has won 21 Grammys and has been nominated for 74. He is the top contender at Sunday’s show, competing for eight awards including album, song and record of the year.
The Brooklyn rapper was serenaded at the Sheraton New York Times Square Hotel by Alicia Keys, who performed a medley of his popular hits on piano, closing with their collaboration, “Empire State of Mind.”
“Before anything else I was a true fan of your music Jay, and still am. I will walk down the streets with my headphones on and my Tims and baggy jeans and your (music) was my soundtrack,” she said.
The black-tie event closed with a rousing tribute to Aretha Franklin by Jennifer Hudson, though the Queen of Soul didn’t attend. Hip-hip trio Migos performed their No. 1 hit, “Bad and Boujee“; Luis Fonsi “put a little spice (on) tonight” — as he said it — when he sang the monster hit “Despacito“; and Leslie Odom, Jr. and Ben Platt reprised their Tony-winning roles in “Hamilton” and “Dear Even Hansen,” winning over the crowd.
Barry Manilow kicked off the night in tribute to New York — singing Frank Sinatra’s “New York, New York” — in honor of the Grammys returning to the Big Apple after 15 years for its 60th anniversary.
But Gladys Knight might have had the best performance: She was golden when she sang “Stand by Me” and “Midnight Train to Georgia,” earning a standing ovation.
“Thanks for standing by me,” the icon said.
Guests at Davis’ white-hot party outside of the music world included New York Yankee players Giancarlo Stanton and CC Sabathia, Martha Stewart, Ivana Trump, John Oliver, NBA player Chris Bosh and Nancy Pelosi. Robert Kraft, the owner of the New England Patriots, received a Bronx cheer when Davis introduced him to the audience.
Davis famously announces his celebrity guests with a list of their accomplishments. When he called out Katie Holmes, he said she was sitting near Jamie Foxx, who she has been linked to for some time now.
“If you’re going to sit together what better night than tonight,” Davis said to laughs from the audience, which included Sting, John Legend, Alison Krauss, Pink, Cardi B, DJ Khaled and Earth, Wind & Fire.
Rising singer Khalid and rapper Logic, both nominated for multiple Grammys, closed the show with the suicide prevention anthem, “1-800-273-8255.”
“From section 8 and welfare to the Grammys — I can’t wait,” yelled Logic.
Jay-Z opens up about why he boycotted the Grammys in 1999
Jay-Z opens up about why he boycotted the Grammys in 1999
Art under the stars: Noor Riyadh returns to dazzle Kingdom’s capital
- Fleet of drones illuminates Saudi capital for Noor Riyadh
- 18 Saudi, 43 international talents present light artworks themed ‘Light Years Apart’
RIYADH: The courtyards of the King Abdulaziz Historical Center in central Riyadh came alive on Tuesday evening with the launch of the Noor Riyadh Festival, attended by creatives from around the world.
London-based artist collective United Visual Artists transformed the night sky into a living canvas with a preview of their drone show “Aether.”
Featuring 1,500 drones, the seven-minute performance explored the silent harmony of the stars and planets.
Noor Riyadh Festival, a key initiative of the Riyadh Art, is being held under the theme “Light Years Apart” and will continue until Dec. 14.
This year, the festival will feature artworks by over 60 artists across three hubs: King Abdulaziz Historical Center, Wadi Hanifa, and Jax district.
Architect Khalid Al-Hazani, director of the Riyadh Art Program, said Noor Riyadh is designed to transform the city into an open-air art exhibition.
Festival director Nouf Al-Moneef told Arab News: “What’s great about these three is the connection between art, heritage, culture, nature — and also contemporary creativity in Jax.
“The most important thing in Noor Riyadh is accessibility for people. Noor Riyadh is under the umbrella of Riyadh Art, whose mission is to transform the city into a gallery without walls. Wherever you go and whatever locations or hubs that you go to, you find these spectacular art pieces.”
The festival aims to enhance the quality of life in the Kingdom’s capital and contribute to fostering creativity and presenting art to the community, he added.
It serves as a platform for artistic and cultural exchange in line with Riyadh Art’s objective to nurture local talent and boost the cultural economy of the capital.
In addition to 18 Saudi artists, 43 international artists are representing countries including Australia, France, Germany, Hungary, Italy, Japan, Montenegro, the Netherlands, Poland, Russia, Slovenia, South Korea, Spain, Turkiye, the UK, the UAE, and the US.
Speaking about the theme, Al-Moneef said that “Light Years Apart” is inspired by the connection between the Earth and the sky, praising the curatorial team who came up with the idea.
The festival invites citizens, residents, and visitors to explore the city and to celebrate the deep connection between heritage and creativity.
Mohammed Al-Bahri, an Omani journalist, said what caught his attention the most during the opening ceremony was the stunning harmony between the lights and music, which created a unique and immersive sensory experience for the viewers.
In recent years, the Kingdom has witnessed cultural and artistic development, which has contributed to enhancing its position on the global art scene, he added.
“I expect that interest in artistic creativity will continue to grow in the future, especially with the increasing government support for arts and culture, as well as the growing awareness of the importance of art in people’s lives,” Al-Bahri said.
“Art will thus become an integral part of the social fabric. Moreover, the younger generation is more open and has a deeper appreciation for the arts, signaling a bright future for artistic creativity in the Kingdom,” he said.
Munirah Abdulrazaq, a Bahraini beautician, said: “The Noor Riyadh Festival is a remarkable celebration of light and art, transforming Riyadh into a luminous canvas that bridges the gap between tradition and modernity.
“The fusion of creativity, technology, and heritage enhances the cultural landscape and positions Saudi Arabia as a burgeoning hub for contemporary and public art. By celebrating local and global artists, the festival fosters a deep appreciation for artistic expression and cultural dialogue, highlighting the Kingdom’s dedication to nurturing creativity and inspiring future generations.”
Diriyah Art Futures opens doors with tech-savvy exhibit
- Exhibition features works by more than 30 international and regional artists exploring the history of computer art from the 1960s to the present day
- Director of Diriyah Art Futures Haytham Nawar: The art hub is transforming Saudi Arabia into a global center of exchange and discourse in these emergent fields
RIYADH: Diriyah Art Futures, a new media arts hub in the region, has opened its doors with its inaugural exhibition, “Art Must Be Artificial: Perspectives of AI in the Visual Arts,” running until Feb. 15.
Curated by Jerome Neutres, former director at the Reunion des Musees Nationaux-Grand Palais in Paris, the exhibition features works by more than 30 international and regional artists exploring the history of computer art from the 1960s to the present day.
Haytham Nawar, director of Diriyah Art Futures, told Arab News that the art hub is “transforming Saudi Arabia into a global center of exchange and discourse in these emergent fields.”
The exhibit includes pieces by Saudi artists Lulwah Al-Homoud, Muhannad Shono and Nasser Al-Shemimry, showcasing Saudi Arabia’s burgeoning contributions to new media and digital art.
International artists include Frieder Nake (Germany), Vera Molnar (Hungary/France) alongside contemporary innovators like Refik Anadol (Turkiye) and Ryoji Ikeda (Japan).
“By placing works from different geographic regions, eras and mediums alongside one another, we aim to introduce the region to the immense power of new media art, while shining a light on its remarkable depth and potential,” said Nawar.
He added that the exhibition brings “a much-needed regional perspective to the conversation, allowing the works to be experienced, understood and perceived in new ways.”
Speaking about new media art explorations in the Saudi context, the hub director added: “Interestingly, with the word ‘algorithm’ originating from the Islamic world, the exhibition invites viewers to reflect on the relevance of these themes to Saudi Arabia, a country with a very young and technologically literate population, currently experiencing a dramatic transformation.”
Alongside its opening, the hub is also launching the Emerging New Media Artists Programme, developed in collaboration with Le Fresnoy — Studio National des Arts Contemporains in France.
The initiative will last one year, equipping emerging artists with advanced equipment, mentorship and funding to create innovative multidisciplinary works.
Nawar says Diriyah Art Futures selected a group of emerging artists from diverse backgrounds, hailing from across the world and representing a broad range of mediums.
“We wanted to work with artists whose work already stands out, but would benefit from a one-year program, under the mentorship of world-class artists.”
In addition, the hub has announced the Mazra’ah Media Art Residency, which will run from February to April next year. This three-month program invites established artists and scholars to engage with its resources to create works reflecting on the relationship between nature, technology and society.
Mona Khazindar, adviser to the Ministry of Culture, said that the hub is creating “a space for diverse perspectives and creative expressions to meet, converse and flourish — breaking down barriers and demonstrating the power of art to connect humanity.”
“DAF embodies Saudi Arabia’s commitment to facilitating cultural exchange and international collaboration, while creating opportunities for shared learning, innovation and mutual understanding,” Khazinder added. “Through our embrace of these principles, we aim to not only celebrate regional heritage, but also contribute to the global conversation about the role of culture in shaping a more connected and creative future.”
Developed by the Saudi Museums Commission in partnership with Diriyah Co., Diriyah Art Futures contributes to the global new media and digital art landscape by integrating regional voices and pioneering practices in art, technology and innovation.
The launch of Diriyah Art Futures aligns with Saudi Vision 2030’s commitment to advancing innovation, driving global collaboration and positioning the country as a leader in the global creative economy.
Saudi Culture Ministry selects 20 research proposals for camel studies grant
- Grant targets researchers interested in camel-related studies, with a focus on boosting cultural research output
- Out of 405 applications from 15 countries, the ministry chose 20 research proposals that met the necessary criteria
RIYADH: Saudi Arabia’s Ministry of Culture has completed the assessment and selection process for the camel studies grant, introduced last June in collaboration with the Ministry of Environment, Water and Agriculture, as well as King Faisal University.
This grant targets researchers interested in camel-related studies, with a focus on boosting cultural research output in areas connected to cultural, social and economic aspects through scientific exploration across diverse specialized fields within the camel sector.
Out of 405 applications from 15 countries, the ministry chose 20 research proposals that met the necessary criteria, the Saudi Press Agency reported on Wednesday.
The selected researchers will receive financial and scientific assistance throughout their work, which will lead to the publication of scientific papers.
The grant is part of activities carried out under the “2024, The Year of the Camel” initiative, which coincides with the UN General Assembly declaring 2024 as the International Year of Camelids.
The grant aims to encourage the study of the camel as a cultural symbol of Saudi Arabia, preserve national cultural heritage, highlight the intangible heritage linked to camels in Saudi Arabia, strengthen national identity, and promote Saudi culture internationally.
The grant covers six key areas: Historical, cultural, social, economic, environmental, and health dimensions. The objective is to examine relevant subjects with modern concepts, theories and methodologies.
The historical dimension includes studies comparing the importance of camels across civilizations, analyzing camel-related traditions, and exploring methods to preserve this heritage.
The cultural dimension focuses on the artistic and literary representation of camels in Arabic and Saudi literature, children’s books and various artistic media, including visual arts, cinema, engravings and sculptures.
The social dimension explores the role of camels in Arab and Islamic societies, including their social impact, traditions linked to ownership, and the influence of camel events on local and global communities.
The economic dimension examines the financial contributions of camels, including the use of camel wool and leather in fashion and furniture, the sustainability of camel products, and the financial impact of camel festivals.
The environmental dimension covers research on sustainable grazing practices, carbon emissions and camels’ role in maintaining ecological balance in arid regions.
The health dimension focuses on the medical applications of camel products, technologies for measuring camel meat quality, and the preservation of camel breeds through genetic mapping.
Global Harmony event concludes with celebration of Egyptian culture in Riyadh
- Saudi Arabia and Egypt continue to strengthen their political relationship through agreements in trade, tourism, energy and culture
RIYADH: The Global Harmony initiative concludes its third edition with a week-long celebration of Egyptian music, art and tradition in Suwaidi Park as part of Riyadh Season.
Running from Nov. 24-30 and organized by the Ministry of Media, the event invites visitors to experience Egypt’s rich heritage through a range of cultural activities.
Speaking to Arab News, Egyptian Ambassador to Saudi Arabia Tarek El-Meligy highlighted the deep-rooted connection between the two nations. “The Egyptian community is the most harmonious, coexistent and understanding in a positive way within Saudi society,” he said.
“If you ask any Egyptian which country they would like to live in after Egypt, they will say Saudi Arabia.”
Sarry Shaaban, an executive and consultant at the General Entertainment Authority, said: “We are talking about millions of visitors, both residents and Saudis, entering the park. Whether I’m a resident, a Saudi or from a country hosting the event, it provides an opportunity for residents to learn about your culture, colors, explore its arts, food, crafts, and traditional industries.”
Live music and dance performances displaying Egypt’s cultural traditions, with the rhythm of drums and flutes and performers in traditional costumes, have brought the life and spirit of Cairo’s streets to Riyadh.
A separate bazaar area has been set up featuring Egyptian cuisine, traditional clothing and handcrafted items.
“An event like this carries positive messages and highlights something we strive to emphasize every day, that we are one people, united by love and affection,” said El-Meligy.
Egyptian Sameh Nabil emphasized the feel of unity: “This initiative brought us closer together as Egyptians, and with Saudis here, I feel like we are brothers. I always feel like we are not expatriates.”
And visitor Khaled Zahir said: “This event reflects the love, connection and affection between Egyptians living in the Kingdom and Saudis.”
Egyptians make up 11 percent of Saudi Arabia’s population, according to the Saudi Census, meaning such exhibitions are important in promoting mutual respect and harmony.
El-Meligy said Saudi Arabia hosted the largest Egyptian expatriate community abroad, with remittances from those in the Kingdom forming a significant part of their home nation’s income.
“In recent months, remittances from Egyptians abroad have increased substantially, thanks to the facilities between the two countries and the confidence in both the Saudi and Egyptian economies,” he added.
Saudi Arabia and Egypt continue to strengthen their political relationship through agreements in trade, tourism, energy and culture. In his October visit to Cairo, Saudi Crown Prince Mohammed bin Salman met with Egyptian President Abdel Fattah El-Sisi to discuss investment opportunities and the establishment of a supreme coordination council to deepen bilateral relations.
Trade between Saudi Arabia and Egypt saw a 35.16 percent annual increase in the first half of 2024, according to the General Authority of Statistics. The increase was driven by a 73.44 percent surge in Saudi imports from Egypt, totaling $4.18 billion.
Egypt has also shown a growing interest in investing in Saudi Arabia, with a 71 percent rise in licenses granted to Egyptian firms in the second quarter of 2024.
The festival, which began in October, highlights the lives, contributions and cultural integration of its residents. So far, it has celebrated cultures including Indian heritage and moving through Philippine, Indonesian, Pakistani, Yemeni, Sudanese, Bangladeshi, Jordanian, Lebanese and Syrian traditions.
Made with love — Saudi commission presents works by global artisans
- Northern Ireland, Japan and Mexico among countries represented in International Handicrafts Week
- Through Banan and other initiatives, the Heritage Commission raises awareness about the importance of handicrafts as part of cultural heritage
RIYADH: The second Saudi International Handicrafts Week — known as Banan — is offering a wealth of live music, interactive experiences and artisanal works from around the world in Riyadh this week.
Running until Nov. 29, the event is organized by the Saudi Heritage Commission and features artists and representatives from over 20 countries, exhibiting alongside the Kingdom’s own talent.
Katherine McDonald, director of Crafts Northern Ireland, told Arab News: “I think the craft of any country (paints) a picture about the people, the landscape, the culture … it’s an important part of the identity of a country. That's why it’s important that we can allow craft makers to flourish, to pass on skills, to train new craft makers, because they’re as important as the food, as the economy.”
The collective, exhibiting in Saudi Arabia for the first time, represents artisans in Northern Ireland whose work ranges from textiles and jewelry to ceramics and furniture. Items from 13 of them are on display at Banan.
“We try to have a range of work that's representative of what makers are doing in Northern Ireland,” McDonald said. “We have textiles made from local wool, ceramics ... there’s always something that allows an artist to express themselves and for people to find something they really like that suits their style.”
Award-winning contemporary silversmith Cara Murphy is largely inspired by the environment to create unique pieces such as bowls, clocks, and candle holders. She is the designer behind the past four Randox Grand National awards, often called the world’s greatest steeplechase.
Jakki Trainor crafts clay works that focus on the word “figment” to depict real or imaginative flora, fauna and folklore, while Joel Smyth creates eclectic pieces of jewelry inspired by European minimalist design, multifunctionality and interaction.
McDonald said: “Jewelry is always popular for gifting and for yourself. And we also have glass and some wooden articles as well. So, it’s a range of materials.
“This is what’s so interesting to see, what different countries and different artisans have done with the same materials. There’s such diversity. Everything is unique.”
In addition to the 500 artisans marketing and selling their work, the event features multiple interactive and immersive zones including the handicrafts arts village, a live craft performances pavilion, crafts exhibition and workshops pavilion, a platform for entrepreneurs and craft organizations, and a children’s activities pavilion.
Hailing from Hungary, woodworker Bela Zalai has been honing his craft for over 20 years. For his first visit to the Kingdom, he is exhibiting an array of his work including flutes, bowls, pots, jewelry and chairs.
Carving a flute at his booth, he told Arab News: “In Hungary, handicrafts is a very rich culture … it’s a very popular thing — pottery and leather work and a lot of things. In these times, everything is too modern and fast … handwork is very personal, unique and valuable.”
Zalai works as a zoologist, but since he started his handcrafting journey the day-job has taken second place: “Hand work is much more important for me than biology at the moment,” he said.
Through Banan and other initiatives, the Heritage Commission raises awareness about the importance of handicrafts as part of cultural heritage, ensuring they are preserved and passed on.
Saudi International Handicrafts Week is open to the public from 4 p.m. to 11 p.m., except on Monday and Wednesday when hours are 10 a.m. to 11 p.m.
