Marriam Mossalli’s ‘Under The Abaya’ — changing the perception of Saudi Arabian women

Mossalli — founder of fashion website ShoesandDrama.com, as well as luxury consultancy firm Niche Arabia — recently added ‘author’ to her resumé. (Photo supplied)
Updated 07 July 2018
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Marriam Mossalli’s ‘Under The Abaya’ — changing the perception of Saudi Arabian women

DUBAI: When it comes to Saudi Arabian women and their fashion sense, there’s one preconception that particularly grates on Marriam Mossalli.
“That we eat, pray, sleep and bathe in our black abayas!” she says with a laugh. “They actually come off — and underneath, you will find the latest trends in fashion just like any other highly fashion-conscious society.”
That’s one of the main reasons the Jeddah-based entrepreneur, journalist and fashion consultant decided to use her platforms to change perceptions of women in her homeland, and to support local industry in the Kingdom.
Mossalli — founder of fashion website ShoesandDrama.com, as well as luxury consultancy firm Niche Arabia — recently added ‘author’ to her resumé with the release of her book “Under the Abaya: Street Style from Saudi Arabia.”
Released earlier this year, the publication explores “the Saudi female’s unique versatility” through a series of curated photographs — images as compelling as they are eccentric.
“Having worked in the fashion industry for over a decade, I always wanted to do something to highlight the diverse and insanely up-to-trend fashion scene in Saudi Arabia; but I also knew I wanted to do something for female empowerment even more,” Mossalli says. “So, when (Jeddah-based) Misk Art Institute invited me to participate in the first Art Books Fair (which took place in February), I felt it was as good a time as any to try to break the stereotypes of Saudi females often portrayed in Western media.”
It all started when the 32-year-old posted to her tens of thousands of Instagram followers about the project, inviting women to submit pictures representing their style.
“We had over 1,000 submissions within a week from a single social media post. The response has been truly overwhelming,” she says. “I shot my own images myself but the rest of the book was all submitted by doctors, yoga instructors, photographers, and fashionistas. We are currently open for submissions for the second edition.”
While the first publication was released in the Kingdom, the second is going global — it will launch on the sidelines of the Contemporary Muslim Fashion exhibition at the de Young Museum in San Francisco in September. A smart move, given the current political climate.
“I want to show the world that Saudi women are more than these muted, black figures you see on Fox News walking five feet behind her ‘mahram,’” Mossalli says. “We have opinions and ideas, and are making changes accordingly.”
The book, she adds, complements the online platform undertheabayaksa.com.
“(The website) is inspired by ‘Humans of New York,’ where people submit their own pictures and tell us who they are, what they do… their story. Our hope is to create positive connotations around Saudi women and Saudi Arabia.”
Proceeds from the book, which is produced by Niche Arabia, will be used toward scholarships for aspiring fashion design students.
Asked whether she has faced any criticism for the project, the fashionista says it has been the “complete opposite.”
“A few years ago, I had mentioned possibly doing a street-style book, and many women said they would participate but with cropped-out faces.” Now, however, it’s a different story, with 99% of those featured having no issue with showing their faces.
“In fact, many wanted to put their Instagram handles next to their names,” Mossalli explains. “It was honestly shocking for me to see the shift in societal taboos that has happened within a mere two years.”
It’s apparent that promoting Saudi, no matter the venture, is important to Mossalli.
“Since I moved back to Saudi after graduating from George Washington University, I have always been a champion of Saudi talent,” she says. “All my endeavors seem to be quite nationalistic.
“I entered adulthood in a post-911 world, where the media’s portrayal of Saudi Arabia was very one-dimensional. I believe I’ve been trying to counteract those depictions ever since my first job as a novice journalist.”
Recently, Mossalli and her Niche Arabia team were at the Cannes Film Festival: “We saw Saudi haute couture brand Ashi Studio dressing many celebrities on the red carpet. Niche Arabia was responsible for dressing Alessandra Ambrosio in Saudi fine jewelry brand — Nadine Jewellery — as well as styling Razan Alazzouni,” she says. “Alessandra said she got so many compliments from her Chopard-clad celebrity friends, and that she was so in love with the SAR 1 million multi-colored stone set she wished she could keep it. I told her, ‘Don’t we all?’ and carefully slipped it back into its case.”
Protecting million-riyal items aside, Mossalli now wants to focus on a few passion projects, including a graphic novel based in NEOM, the “transnational” city slated for construction in Tabuk, Saudi Arabia, with a Saudi female protagonist; launching another philanthropic venture with L’Azurde jewelry; and creating female-license-plate gold bracelets, the funds from which will go toward putting underprivileged women through driving school.
“I’ve also teamed up with Saudi designer Eman Joharjy and Emirati designer Fatma Al-Mulla to create active-wear abayas to reflect the busy lifestyles of Saudi women,” she adds.
So, she’s certainly keeping busy. And one thing is for certain: Saudi women will always be at the heart of whatever she does.
“We’ve always been ambitious achievers,” she says. “The only difference now is that we have our government and society championing us to go out there and be seen for who we are and what we do.
“What I hope to see is a future where Saudi women doing things isn’t labeled ‘a first,’ but rather that our participation is normalized. It will no longer be news, but the norm,” she continues. “Then we can stop being the first, and start being the best.”


Review: ‘I Am Georgina,’ Season 3 — reality TV, Saudi style

Updated 18 September 2024
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Review: ‘I Am Georgina,’ Season 3 — reality TV, Saudi style

DUBAI: Netflix’s “Soy Georgina” (“I Am Georgina”) is back, and this time it explores Argentine model Georgina Rodriguez’s life after her move to Saudi Arabia with partner Cristiano Ronaldo in 2023.

The reality show dominated the Netflix Top 10 in 46 countries after the release of season two. One episode was set entirely in Dubai and showed the Burj Khalifa lit up for Rodriguez’s 28th birthday.

The model-meets-Middle Eastern-luxury formula seems to be one the producers were keen to continue, with fans taken on a whirlwind tour of the Kingdom in season three as Rodriguez and her family explore life in the country.

However, the high-end hotels and stunning seascapes are interspersed with moments of real introspection and fragility, which takes this program from stereotypical reality TV territory to something altogether more inviting and — dare I say it? — heartwarming.

We follow Rodriguez as she embarks on a number of firsts. These include the opening of her first beach house, Villa Perla, to starring in an international campaign for a famous clothing brand and making her debut at Paris Fashion Week by walking for Swiss fashion label Vetements.

One of the most touching aspects of the show is Rodriguez’s relationship with her children — the couple have five, the eldest of whom was born to another mother. The opening scenes of the season show Rodriguez’s worrying about, and praising, her kids and it offers a new side to the woman we are more used to seeing on fashion billboards.

Similarly, the — albeit sparse — scenes of a football legend pottering around with his young family offers insight into Ronaldo as a father, for which the series is all the better.

There are, thankfully, no engineered high-drama interactions and although it does sometimes feel like a carefully staged advertorial, there are candid caught-on-camera moments where the star seems tense and nervous at public events.

She is also not one to shy away from talking about her humble roots and being honest about the sometimes taxing reality of her life in the spotlight and what it takes to be a poster girl for all things glamor.


From London to Milan, Nora Attal dominates fashion week  

Updated 18 September 2024
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From London to Milan, Nora Attal dominates fashion week  

DUBAI: British Moroccan model Nora Attal made a mark at London Fashion Week, walking in high-profile shows such as Burberry, Simone Rocha and Nensi Dojaka — all within a span of just two days.

At the Burberry show, she showcased a casual ensemble featuring light beige knee-length shorts paired with a striped, collared button-down shirt that was slightly tucked in at the front. Over this, she sported a muted olive green blazer with rolled-up sleeves. Her outfit was complemented by a large, quilted shoulder bag and matching beige and cream-colored loafers, the latter of which were adorned with small studs.

Attal showcased a casual ensemble featuring light beige knee-length shorts paired with a striped, collared button-down shirt. (Getty Images)

British designer Daniel Lee has been steering Burberry’s creative direction for the past two years with innovative flair. For women, he reimagined the classic trench coat into various forms including a cropped jacket, a halter cape or a parka with shoulders covered in silk organza faux feather trims, layered over delicate dresses or skirts, blending elegance with a sportier, even military style.

For men, the influence of sportswear fashion was even stronger, with lightweight materials and functional cuts, giving rise to outfits of flowing pants and tartan zip-up jackets, paired with sneakers or loafers.

The model stepped out on the Nensi Dojaka runway in a form-fitting, short black dress. (Getty Images)

The collection also gave a nod to the resurgence of y2k fashion, with low-rise trousers, cargos and capris that end below the knee.

The show was attended by Arab figures including Saudi producer Moahmmed Al-Turki, Australia-born model Shanina Shaik — who is of Saudi, Pakistani and Lithuanian descent — and Dubai-based influencer Ola Farahat. 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by SIMONE ROCHA (@simonerocha_)

For the Simone Rocha show, Attal donned an ensemble that featured a long-sleeved, sheer top with a fitted bodice. Beneath this, a satiny black dress was visible, designed with a cinched waist. The dress extended into a flowing skirt that daringly split high on the thigh. 

Meanwhile, the model stepped out on the Nensi Dojaka runway in a form-fitting, short black dress. The design included an asymmetrical neckline, with one shoulder adorned with delicate, ruffled white fabric. 

After wrapping up her appearances at London Fashion Week, the model headed to Milan to partake in its fashion week that started on Tuesday. She kicked off her runway engagements by walking for Alberta Ferretti, wearing a black strapless, figure-hugging mini dress embellished with beadwork and lace detailing.


Riyadh International Book Fair promises celebration of literature

Updated 18 September 2024
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Riyadh International Book Fair promises celebration of literature

  • Fair will host writers, thinkers, and intellectuals from Saudi Arabia and beyond, making it a pivotal literary platform in the region
  • Mohammed Hasan Alwan: The fair offers visitors a unique intellectual and cultural experience, incorporating the latest technologies and digital solutions

JEDDAH: Saudi Arabia’s Literature, Publishing and Translation Commission is gearing up for the 2024 Riyadh International Book Fair, which is set to take place from Sept. 26 to Oct. 5 at King Saud University in Riyadh.

With about 2,000 local, Arab and international publishing houses and agencies from more than 30 countries adorning 800 booths, this year’s fair promises to be a celebration of literature, knowledge, and creativity.

The fair will host writers, thinkers, and intellectuals from Saudi Arabia and beyond, making it a pivotal literary platform in the region.

Qatar will be the guest of honor at the fair. The rich cultural and intellectual legacy of the country will be on display through a dedicated pavilion featuring rare manuscripts and publications from Qatar’s Ministry of Culture.

Leading literary and artistic luminaries, alongside key organizations from Qatar’s cultural landscape, will feature at the event.

Mohammed Hasan Alwan, the CEO of the commission, said that the fair illustrated the unwavering support for cultural endeavors in Saudi Arabia.

Alwan said: “The fair offers visitors a unique intellectual and cultural experience, incorporating the latest technologies and digital solutions. Attendees can discover thousands of new releases across various fields and enjoy a wide range of activities and events within the diverse cultural program, featuring prominent cultural figures from Saudi Arabia and beyond.

“This makes the 2024 edition a truly inspiring cultural journey, building on the successes of previous editions.”

This year’s fair boasts a dedicated business zone, with participation from literary agencies managing authors’ works and contracts, and with printing presses offering services to publishers. Additionally, there will be government and financial institution booths related to the publishing business sector.

The zone will host special sessions and workshops on topics such as entrepreneurship, licensing and copyright.

The fair will also feature a children’s area brimming with literary, cultural, and entertainment activities aimed at igniting the spark of curiosity in the young generation.

By championing local authors, providing a platform for self-published works, and offering a diverse range of cultural activities, the fair reflects the Kingdom’s efforts to nurture creativity and promote literary innovation.

The fair’s diverse cultural and intellectual activities are to be hosted in partnership with the Cultural Channel.

The program includes dialogue sessions, workshops, poetry evenings, and concerts and artistic performances designed to enrich the cultural sector, foster knowledge and promote reading as a way of life, while contributing to the sustainability of the cultural and intellectual renaissance underway in Saudi society.


Dubai gallery to host Andy Warhol exhibition ‘The Glam Factory’

Updated 18 September 2024
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Dubai gallery to host Andy Warhol exhibition ‘The Glam Factory’

DUBAI: Artworks by late pop art icon Andy Warhol will be displayed in the UAE as part of “The Glam Factory” exhibition at the Foundry gallery in Dubai.

Curated by Nada Ghandour, “The Glam Factory” highlights Warhol, a prominent American artist in the 1960s known for his pop art style. “Campbell’s Soup Cans,” “Marilyn Monroe” and “Banana” are among his most famous pieces.

In an interview with Arab News, Heritage Curator Nada Ghandour described the exhibition as a “new reading of Andy Warhol’s work through the lens of our digital era and here in Dubai.”

Warhol moved to New York City in 1949 to pursue his American Dream and become rich and famous, said Ghandour.

“People today come to Dubai to also live out this dream. The American dream is more about opportunity and prosperity, and we know that many people today are moving to Dubai because it is a destination for stability and growth,” she explained.

Inspired by Warhol’s workshop “The Silver Factory,” Ghandour named the exhibition “The Glam Factory,” paying homage to his artistic process.

To draw a portrait, she explained, Warhol would take about 150 photos. He would then choose small parts from each photo and mix them together.

“He was capable of doing the job of a plastic surgeon; this was the glamorous and beautiful aspect of it,” she said.

Ghandour described Warhol as an artistic and technological visionary.

“Warhol was ahead of his time and was describing the artificial intelligence that we know now,” she said.

If he were alive now, she added, “he would speak to AI to create something in collaboration with a computer.”

The collection features over 100 of Warhol’s original pieces including screen prints, photos and magazine illustrations.

Located at the Foundry art space in Downtown Dubai, “The Glam Factory” exhibition is set to run from Sept. 20 to Oct. 31 of this year.


Mona Zaki-starring ‘Flight 404’ chosen as Egypt’s Oscars submission

Updated 17 September 2024
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Mona Zaki-starring ‘Flight 404’ chosen as Egypt’s Oscars submission

DUBAI: Egyptian actress Mona Zaki and the Egyptian Film Syndicate announced this week that the film “Flight 404” will be Egypt’s official submission for the Best International Feature Film category at the 2025 Academy Awards.

This means that the film will be considered for the shortlist. If the movie gets shortlisted, it could then get nominated for an Academy Award.

The movie tells the story of Ghada, who, just days before her Hajj pilgrimage, is confronted with an emergency that requires a large sum of money. Forced to seek help, she must turn to individuals from a troubled past she had promised to leave behind.

Besides Zaki, the film, directed by filmmaker Hani Khalifa and scripted by Mohamed Ragaa, stars actors Mohamed Farag, Mohamed Mamdouh, Shereen Reda, Khaled El-Sawy, Mohamed Alaa, Hassan Al-Adl, Sama Ibrahim, Shadi Alfons, Rana Raies, Gihan El-Shamashergy and Arfa Abdel Rassoul.

The Oscar’s 97th edition is set to take place on March 3, 2025, at the Dolby Theatre in Los Angeles. 

Key dates for the 2025 submissions and voting were announced earlier this year. The deadline for general entries and Best Picture submissions is Thursday, Nov. 14. Preliminary voting for shortlists in ten categories will occur between Dec. 9-13, with the results to be revealed on Dec. 17. The nominations voting period will run from Jan. 8-12, and the official nominations will be announced on Friday, Jan. 17—a shift from the usual earlier-in-the-week schedule.

Last year, Egypt selected Mohamed Farag-starring “Voy Voy Voy!” as its entry for the Oscars’ Best International Feature Film award, while Yemen selected director Amr Gamal’s “The Burdened” and Tunisia competed with Kaouther Ben Hania’s “Four Daughters.” Morocco selected Asmae El-Moudir’s documentary “The Mother of All Lies.” 

Jordan submitted Amjad Al-Rasheed’s movie “Inshallah a Boy” and Palestine submitted Lina Soualem’s documentary “Bye Bye Tiberias.” 

None of the films won at the 2024 Oscars, though “Four Daughters” was nominated for Best Documentary Feature, a category ultimately won by “20 Days in Mariupol.” This marked a historic moment for director Kaouther Ben Hania, as she became the first Arab woman to receive a second Oscar nomination.