NASA counts down to launch of first spacecraft to ‘touch Sun’

This handout illustration obtained July 6, 2018 courtesy of NASA shows an artist’s conception of NASA’s Parker Solar Probe, the spacecraft that will fly through the Sun’s corona to trace how energy and heat move through the star’s atmosphere. (AFP)
Updated 13 August 2018
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NASA counts down to launch of first spacecraft to ‘touch Sun’

TAAMPA: NASA counted down Friday to the launch of a $1.5 billion spacecraft that aims to plunge into the Sun’s sizzling atmosphere and become humanity’s first mission to explore a star.
The car-sized Parker Solar Probe is scheduled to blast off on a Delta IV Heavy rocket from Cape Canaveral, Florida early Saturday.
The 65-minute launch window opens at 3:33 am (0733 GMT), and the weather forecast is 70 percent favorable for takeoff, NASA said.
The probe’s main goal is to unveil the secrets of the corona, the unusual atmosphere around Sun.
Not only is the corona about 300 times hotter than the Sun’s surface, it also hurls powerful plasma and energetic particles that can unleash geomagnetic space storms and disrupt Earth’s power grid.
“The Parker Solar Probe will help us do a much better job of predicting when a disturbance in the solar wind could hit Earth,” said Justin Kasper, one of the project scientists and a professor at the University of Michigan.

The probe is protected by an ultra-powerful heat shield that is just 4.5 inches thick (11.43 centimeters).
The shield should enable the spacecraft to survive its close shave with the center of our solar system, coming within 3.83 million miles (6.16 million kilometers) of the Sun’s surface.
The heat shield is built to withstand radiation equivalent up to about 500 times the Sun’s radiation here on Earth.
Even in a region where temperatures can reach more than a million degrees Fahrenheit, the sunlight is expected to heat the shield to just around 2,500 degrees Fahrenheit (1,371 degrees Celsius).
Scorching, yes? But if all works as planned, the inside of the spacecraft should stay a cooler 85 F (29 C).
The goal for the Parker Solar Probe is to make 24 passes through the corona during its seven-year mission.
“The sun is full of mysteries,” said Nicky Fox, project scientist at the Johns Hopkins University Applied Physics Lab.
“We are ready. We have the perfect payload. We know the questions we want to answer.”

The tools on board will measure the expanding corona and continually flowing atmosphere known as the solar wind, which solar physicist Eugene Parker first described back in 1958.
Parker, now 91, recalled that at first, some people did not believe in his theory.
But then, the launch of NASA’s Mariner 2 spacecraft in 1962 — becoming the first robotic spacecraft to make a successful planetary encounter — proved them wrong.
“It was just a matter of sitting out the deniers for four years until the Venus Mariner 2 spacecraft showed that, by golly, there was a solar wind,” Parker said earlier this week.
He added that he is “impressed” by the Parker Solar Probe, calling it “a very complex machine.”
Scientists have wanted to build a spacecraft like this for more than 60 years, but only in recent years did the heat shield technology advance enough to be capable of protecting sensitive instruments, according to Fox.
Tools on board will measure high energy particles associated with flares and coronal mass ejections, as well as the changing magnetic field around the Sun.
“We will also be listening for plasma waves that we know flow around when particles move,” Fox added.
“And last but not least, we have a white light imager that is taking images of the atmosphere right in front of the Sun.”
When it nears the Sun, the probe will travel rapidly enough to go from New York to Tokyo in one minute — some 430,000 miles (700,000 kilometers) per hour, making it the fastest human-made object.


Jameela Jamil lands role in new drama 

Updated 07 May 2025
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Jameela Jamil lands role in new drama 

DUBAI: Actress, body positivity activist and presenter Jameela Jamil, known for her role in “The Good Place,” is set to star in “Pyongyang Home Video,” a new drama based on true events. 

She will star alongside “Squid Game” actor Won Ji-an. 

Won Ji-an will star in the movie. (Getty Images) 

The film follows North Korean sisters Nari (Ji-an) and Hana, who grow up secretly watching banned Hollywood movies. When their father’s black market VHS operation is exposed by a neighbor, the sisters are forced to flee the country. As they navigate their dangerous escape, they use scenes from their favorite films to deal with the mental toll the journey takes on them. Years later, Nari meets American talk show host Serena (Jamil), who vows to reunite the sisters on live television — only for the broadcast to take an unforeseen and revealing turn.

Hailing from Imagine Entertainment and South Korea’s Desert Bloom Pictures, the film will be directed by award-winning Korean filmmaker Yoon Sung-hyun, famous for his movie “Bleak Night.”

The screenplay comes from Liz Kerin, an American screenwriter, novelist and acclaimed playwright best known for the vampire series “Night’s Edge.”

Jamil shared the news on Instagram, writing: “She’s doing a proper movie!!!!”

The actress has a few productions in the works. 

Jamil is set to star in “Hysterical,” a feminist dramedy created by Olivia Lee and loosely based on real-life events involving controversial internet personality Andrew Tate. 

Jamil stars alongside Naomie Harris and Romesh Ranganathan.

Jamil has also lent her voice to the Pixar animated film, “Elio,” which is set for release on June 20. Jamil will be voicing the character of Ambassador Questa.

“Elio” follows an 11-year-old boy named Elio, who accidentally becomes the ambassador for Earth after being transported across the galaxy.

The movie also features the voices of Yonas Kibreab as Elio, Remy Edgerly as his alien best friend Glordon, Academy Award winner Zoe Saldana as Elio’s Aunt Olga, Brad Garrett as Lord Grigon, and Shirley Henderson as OOOOO.

Directed by Madeline Sharafian, Domee Shi and Adrian Molina, the film is produced by Mary Alice Drumm.


Review: Exhilarating South Korean anime ‘Solo Leveling’ packs a punch

Updated 07 May 2025
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Review: Exhilarating South Korean anime ‘Solo Leveling’ packs a punch

RIYADH: One of South Korea’s hottest anime series, “Solo Leveling” takes viewers on an electrifying adventure, blending themes of fantasy and action in a mystical world.

In its second season, main character Sung Jinwoo struggles to find his purpose as a low level hunter in a world with powerful warriors who travel through portals to fight magical beasts. One day, after a strenuous battle which wiped out his peers, Jinwoo was left in a dungeon.

In a plot twist, Jinwoo is spared and “reawakened” by the “System” with a new life, immersing him in a video game-like world where he becomes an iconic fighter.

Once a hunter awakens, their ranks are set and they have no possibility for leveling up, leaving them to hone their skills through training.

As Jinwoo’s strength increases and he gains fighting skills, his battles with monsters become more intense, intricate, and fast paced. The battle scenes have gained tremendous popularity and rightfully so — Jinwoo partakes in provoking conversations with his enemies, enraging them and defeating them with ease.

The battle scenes are epic and portrayed through colorful animations shown at every angle. Anime fans describe Jinwoo to be “aura farming,” a trending term describing the act of an individual intentionally doing something “cool” and always winning seamlessly. 

Anime series often start with a slow burn, but “Solo Leveling” starts off strong, packing a punch with its gripping fantasy storyline from the first episode.

 The only downside is that the fast-paced nature of the show introduces new characters and scenes without a buildup, potentially causing confusion for some viewers.

 Based on an anime series by author Chu-Gong, the on-screen adaptation is worth watching if you are looking for your next binge-worthy anime.

 


Review: The final season of ‘You’ is a damp squib

Updated 07 May 2025
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Review: The final season of ‘You’ is a damp squib

LONDON: Back when it debuted in 2018, “You” was a wonderfully trashy, pulpy thriller that invited audiences to snigger at the sheer silliness of its lead character’s likability. After all, Joe Goldberg (Penn Badgley) might have been a charming, literature-loving bookstore manager – but he was also, we learned during that excellent first season, a serial killer with a tendency to stalk and emotionally manipulate his latest fixation before finally revealing his psychopathic tendencies.

Having a charismatic serial killer at the heart of a show is nothing new – just look at the irrepressible “Dexter” – but “You” set itself apart by not taking itself too seriously, acknowledging the ridiculousness of its central conceit and reveling in the silliness of making us ‘root’ for its really bad good guy. The last series, for example, saw Joe move to London and wind up getting blamed for the murder of a cadre of vacuous socialites, only to discover that he was, in fact, guilty of the crimes after having had a psychotic break – that’s the level of silliness we’re dealing with here. And, for the most part, it works. “You” remains a rip-roaring good time – albeit one with a problematic heartthrob as its protagonist.

A still from the series that is available on Netflix. (Supplied)

The fifth and final season sees Joe return to New York with new wife Kate, cleared of any previous crimes thanks to her influence and power – trying to be on his best behavior, but using his unique skillset to ‘protect’ his family from perceived threats when he can’t keep his murderous tendencies to himself. That setup makes the first half of the final season a decent enough watch – there’s plenty of commentary on high society and its hypocrisy, of the immunity granted to those with money and status, however awful they might be.

But “You” too quickly sets Joe back on a path we’ve seen him tread in the past – his head turned by new muse Bronte (Madeline Brewer), killing anyone who threatens his perception of their romantic connection. With the show now deviating from the Caroline Kepnes books that inspired the earlier seasons, there’s a rush to a finale that feels reductive – given how much we’ve invested in Joe’s character arc, the violent conclusion feels overblown and overly dramatic. Whether or not Joe gets what he deserves is open to debate – but we’ve been robbed of the finale we’ve earned for sticking with him.


Lahore’s ‘Roses of Humanity’ art installation honors Gaza children killed in Israeli strikes

Updated 06 May 2025
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Lahore’s ‘Roses of Humanity’ art installation honors Gaza children killed in Israeli strikes

  • Israel’s 18-month war on Gaza has killed more than 52,000 people, many of them women and children
  • The installation features thousands of fabric roses, each representing a child whose life was cut short

ISLAMABAD: The Alhamra Arts Council in Pakistan’s eastern city of Lahore has opened an immersive art installation for visitors to honor the memory of children killed in Israeli strikes on Gaza, highlighting the devastating human toll of the war.
Israel’s 18-month offensive against Hamas has killed more than 52,000 people, many of them women and children, and displaced more than 90 percent of Gaza’s population, Palestinian officials say. The Israeli military has also blockaded aid to the Gaza Strip since March.
In remembrance of the innocent lives lost in Gaza, the Lahore-based Labour & Love social enterprise, in collaboration with The Fundraisers BBS, has set up the installation at the Ustad Allah Bux Gallery, encouraging reflection on the situation in Gaza,
The installation features thousands of hand stitched fabric roses, each one representing a child whose life was cut short, transformed into a symbolic garden of remembrance, enveloped in evocative soundscapes, gentle fragrance and thoughtful lighting design.
“A total of 15,000 fabric roses represents the number of children reported killed in Gaza by the UN Office of the High Commissioner for Human Rights as of June 2024 a number that, heartbreakingly, has since grown,” said Nuria Iqbal, who curated the installation.

This handout photo, released by Roses of Humanity on May 4, 2025, shows an art installation features thousands of fabric roses, to honor children killed in Israeli strikes on Gaza, at the Al-Hamra Arts Council in Lahore on May 2, 2025. (Photo courtesy: Handout/Lotus)

“Together, these roses form a radiant tribute to humanity, reminding us that dignity flourishes when we are seen, heard and held in compassion.”
The installation will be on display at the gallery from May 18.
Iqbal shared that each of the roses was crafted from discarded fabric, once cast aside and now reborn in beauty, symbolizing the forgotten lives of the children of Gaza.

This handout photo, released by Roses of Humanity on May 4, 2025, shows an art installation features thousands of fabric roses, to honor children killed in Israeli strikes on Gaza, at the Al-Hamra Arts Council in Lahore on May 2, 2025. (Photo courtesy: Handout/Lotus)

“The varied colors and textures of the fabric reflect the rich diversity of creation and the strength of unity amidst difference,” she added.
The development comes at a time when Hamas has dismissed as pointless ceasefire talks with Israel, accusing it of waging a “hunger war” on Gaza where famine looms, as the Israeli military prepares for a broader assault.

This handout photo, released by Roses of Humanity on May 4, 2025, shows an art installation features thousands of fabric roses, to honor children killed in Israeli strikes on Gaza, at the Al-Hamra Arts Council in Lahore on May 2, 2025. (Photo courtesy: Handout/Lotus)

The comments from Hamas political bureau member Basem Naim on Tuesday followed Israel’s approval of a military plan involving the long-term “conquest of the Gaza Strip,” according to an Israeli official.
The former Gaza health minister said the world must pressure Israeli Prime Minister Benjamin Netanyahu’s government to end the “crimes of hunger, thirst, and killings.”


AlUla institution to select Saudi artist for residency in Paris

Updated 06 May 2025
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AlUla institution to select Saudi artist for residency in Paris

  • Initiative aims to bring France’s creative expertise to Saudi Arabia
  • Artist will also join Villa Hegra in AlUla for a residency organized by the institution’s cultural program

RIYADH: A cultural institution in AlUla plans to select a Saudi artist to host a residency in Paris in an effort to promote French artisanal traditions in the Kingdom.

The artist will be chosen by Basmah Felemban and Gael Charbau, artistic directors of AlUla’s Villa Hegra.

A collaboration with the Mobilier National, a French governmental body that produces and preserves artisanal furniture, the initiative aims to bring France’s creative expertise to Saudi Arabia.

The artist will also join Villa Hegra in AlUla for a residency organized by the institution’s cultural program.

Villa Hegra is a planned initiative that hosts a variety of artist residencies, creative spaces for cultural initiatives, an exhibition hall, a cinema and performance art studio.

The partnership between Villa Hegra and the Mobilier National will also involve displaying a selection of design pieces from the French organization’s collections at AlUla.

Herve Lemoine, the president of Manufactures Nationales, said: “This partnership continues the Mobilier National’s rich tradition of collaboration with cultural villas, bringing French artisanal excellence to creative spaces around the world.”

Feriel Fodil, the CEO of Villa Hegra, said: “This long-term collaboration also strengthens Villa Hegra’s primary mission: To promote artistic cooperation between Saudi Arabia and France, while celebrating their respective artisanal heritages.”

Villa Hegra was officially announced in an intergovernmental agreement signed on Dec. 4, 2021, by Saudi Arabia’s Minister of Culture Prince Badr bin Abdullah, and Jean-Yves Le Drian, then-French minister for foreign affairs.

One of Villa Hegra’s goals is to foster cultural dialogue between Saudi Arabia and France.

Fodil previously told Arab News’ French edition: “It is a state-to-state initiative that represents the willingness of two parties to collaborate at the cultural level.”