King Abdul Aziz Palace: A perfect blend of history and architecture

The King Abdul Aziz Palace in Al-Muwayh in Makkah province. (SPA)
Updated 17 March 2019
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King Abdul Aziz Palace: A perfect blend of history and architecture

  • The palace has six observation towers, two of which rise above the northern and southern gates while the remaining four are in the corners of the citadel to secure and defend the palace
  • The complex comprises the royal palace, which is a rectangular building located on the western side of the citadel

RIYADH: The King Abdul Aziz Palace in Al-Muwayh in Makkah province was built in 1357 AH of stone in an ancient Islamic architectural style amid the ruins of mud houses. It was the residence of the founder of Saudi Arabia, King Abdul Aziz. He used to rest in it during his trips between Riyadh and Makkah and on his way to Hajj, Umrah or summer vacation.
Whenever King Abdul Aziz arrived in Al-Muwayh, he was received by its governor, judge and the governorate’s officials. In addition to meeting them and urging them to look into the citizens’ issues, the king would also meet the locals, discuss their concerns and explore their needs.
King Abdul Aziz Foundation for Research and Archives (Darah) said the palace occupied an area of 14,850 square meters and played a significant role in turning the arid desert into a modern city with decent living standards.
Al-Muwayh, a name derived from “Ma’a”, meaning water in Arabic, is 180 kilometers east of Taif. King Abdul Aziz rested here several times in his quest to unite the Kingdom of Saudi Arabia.
Fouad Shaker, author of “Rihlat Al-Rabi’e” (The Journey of Spring), published by Darah, wrote about King Abdul Aziz’s trip from Makkah to Riyadh in 1365 AH: “From Makkah to Riyadh, we had reached Al-Muwayh, a small village made big by its luxurious architecture, one of the privileges of this glorious Saudi era. The government of King Abdul Aziz had built in that remote and unknown area a luxurious royal place for the king to rest during his travels between Makkah and Riyadh.”
Darah explained that the palace was designed in different forms for fortification and defense, creating a structure with outstanding architectural specifications, surrounded on all sides by walls built of black stone 4.5 meters high and 90 centimeters thick. The complex comprises the royal palace, which is a rectangular building located on the western side of the citadel. It has two entrances, the first of which is the main entrance from the south. It contains several building blocks with 19 benches to the left after entering through the main north gate, the official “Al-Mokhtasar” assembly hall, a dining room, a bedroom and a toilet.
The complex also includes a guest palace, which is a rectangular building adjacent to the royal palace to the east and comprises a range of rooms overlooking the open courtyard with a 3.4-meter-wide main entrance from the north.
In addition, the palace has several towers, two coffee-making rooms, toilets, lodgings for guests, guards and servants, a gas station outside the southern side of the citadel, lodging for the gas station’s workers, and the residential palace, which is a rectangular building in the center of the citadel on the southern side.
The residential palace has six rooms, four of which are bedrooms and one is a living room, in addition to a kitchen, a storage room and a toilet. It also includes lodging for workers, while the towers and attached buildings accommodate the palace’s staff and their families. Sometimes, they were used to accommodate non-official guests. Sheep sheds and warehouses for feed and firewood are located in the eastern part of the residential palace’s courtyard.
Moreover, the King Abdul Aziz Palace compound contains the administrative palace, which is a rectangular building with two entrances, one from the south and the other from the east, in addition to two other entrances, the first of which leads to the mosque while the second leads to the residential palace.
A medium-size mosque is located to the west of the administrative palace and adjacent to the judge’s residence. It has an open-air rectangular courtyard that stretches over 22 meters from west to east and 19.90 meters from north to south.
The judge’s office is located north of the mosque in the palace compound. It is a rectangular building with six rooms, a small hall and a courtyard.
The palace has six observation towers, two of which rise above the northern and southern gates while the remaining four are in the corners of the citadel to secure and defend the palace.
The average length of the north, west and southeastern elevations is 155 meters, while the average length of the south, west and northeastern elevations is 120 meters. The palace’s main gate is in the center of the northwestern elevation, and another gate was set up in the southeastern elevation to serve as an entrance to the emirate.
According to Darah, the airport in which the king’s first airplane landed is northeast of the King Abdul Aziz Palace and the ancient city of Al-Muwayh. The airport comprises a four-room reception hall, a sandpit, and a mosque named King Abdul Aziz Mosque amid the mud houses. The mosque has maintained its original structure but was damaged, making it unfit for holding prayers after Al-Muwayh was transferred to the new location known as the New Al-Muwayh on the Riyadh-Taif highway.


Saudi crown prince receives written message from Senegal president

Saudi Arabia’s Deputy Foreign Minister Waleed Al-Khuraiji meets with the Senegalese ambassador to the Kingdom. (SPA)
Updated 17 April 2025
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Saudi crown prince receives written message from Senegal president

  • Message related to relations between Kingdom and Senegal, and was received by Deputy Foreign Minister Waleed Al-Khuraiji

RIYADH: Saudi Arabia’s Crown Prince Mohammed bin Salman received a written message from the President of Senegal Bassirou Diomaye Faye, Saudi Press Agency reported on Thursday.

The message related to relations between the Kingdom and Senegal, and was received by Deputy Foreign Minister Waleed Al-Khuraiji during a meeting with the Senegalese ambassador to the Kingdom Biram Mbagnick Diagne.

The two officials reviewed relations between their countries and ways to enhance them in various fields. Topics of common interest were also discussed.


Diriyah awards $1.4bn contract for Royal Opera House construction

Updated 17 April 2025
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Diriyah awards $1.4bn contract for Royal Opera House construction

  • Three companies have been awarded the contract to develop the opera house: El-Seif Engineering Contracting, Midmac Contracting Company W.L.L., and the China State Construction Engineering Corp.
  • Agreement signed by Diriyah’s Group CEO Jerry Inzerillo in the presence of Khaled Al-Hazani, executive VP of the lifestyle sector at the Royal Commission for Riyadh City, and company representatives

RIYADH: The Diriyah Co. has announced the awarding of a SR5.1 billion ($1.4 billion) contract for the construction of the Royal Diriyah Opera House — one of the most prominent cultural assets of the firm’s development plan under Vision 2030.

Three companies have been awarded the contract to develop the opera house: El-Seif Engineering Contracting, Midmac Contracting Company W.L.L., and the China State Construction Engineering Corp.

This new contract is a major addition to the series of announcements made at the beginning of the second quarter of 2025. It is a part of Diriyah’s ongoing efforts to develop the historic area on the outskirts of Riyadh.

The agreement was signed on Wednesday by Diriyah’s Group CEO Jerry Inzerillo in the presence of Khaled Al-Hazani, executive vice president of the lifestyle sector at the Royal Commission for Riyadh City, and representatives of the three companies.

The opera house is set to become a primary center for the performing arts and an iconic architectural landmark that will redefine the Kingdom’s cultural landscape. It will feature a 2,000-seat main hall, making it the largest in the Kingdom.

The hall will serve as the centerpiece of this cultural complex, which will be managed by the RCRC. It will include a theater, studio, rooftop amphitheater, and several multipurpose halls, bringing the total seating capacity to 3,100.

The opera house was designed by the renowned Norwegian architectural firm Snohetta, and features a contemporary Najdi aesthetic, using natural materials sourced from palm trees, and stone.

The design prioritizes sustainability, incorporating water conservation, natural lighting, strategic building orientation, and thermal comfort measures.

Inzerillo said: “The Royal Diriyah Opera House will be a defining asset in Diriyah, which reinforces Diriyah’s growing global role in shaping Saudi Arabia’s artistic and cultural future, in line with the Saudi Vision 2030 goals.”

He added: “This contract is an important step in our journey toward building a diverse range of assets across the Diriyah development area.

“This architectural gem plays a vital role in bringing people together in one of the world’s greatest gathering destinations, to experience unforgettable performances.”

Al-Hazani said that “this agreement marks a major milestone in building this world-class operatic venue.”

He said he was looking “forward to welcoming the world’s leading operatic and artistic talent in the future, and empowering the Kingdom’s outstanding local talents.”


Saudi Cultural Development Fund announces Expo 2025 participation

Updated 17 April 2025
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Saudi Cultural Development Fund announces Expo 2025 participation

  • CDF’s participation aims to foster cultural partnerships and global investments, reflecting the Kingdom’s continuous commitment to encouraging innovation
  • CDF plans to organize various activities that showcase Saudi Arabia’s cultural landscape, focusing on entrepreneurship as a way to drive economic growth

OSAKA: Saudi Arabia’s Cultural Development Fund announced on Thursday that it will participate in Expo 2025 Osaka, highlighting the Kingdom’s rich cultural identity shaped by Vision 2030.

The CDF’s participation aims to foster cultural partnerships and global investments, reflecting the Kingdom’s continuous commitment to encouraging innovation.

It plans to organize various activities that showcase Saudi Arabia’s cultural landscape, focusing on entrepreneurship as a way to drive economic growth.

Additionally, the CDF will take part in panel discussions and networking sessions to offer insights on the Kingdom’s culture and host dedicated workshops to educate guests about the Saudi cultural sector’s economic potential. 

“Our participation in Expo 2025 Osaka reflects our commitment to supporting and shaping a vibrant, sustainable cultural sector — one that fuels economic growth and attracts top-tier investment, both locally and globally. We are proud to feature the stories of CDF beneficiaries, who will share their creative journeys with Expo visitors as inspiring examples of Saudi cultural innovation,” said CDF CEO Majed Al-Hugail.

“We continue to reinforce the Kingdom’s position as a leading force in the global cultural scene, ensuring our efforts are fully aligned with the broader cultural ecosystem. Looking ahead, we remain committed to the journey toward becoming a center of financial excellence in the cultural sector and a key contributor to the ambitions of Saudi Vision 2030,” he added. 

Expo 2025 Osaka will run until Oct. 13.


Saudi defense minister arrives in Tehran for an official visit

Iranian Major-General Mohammed Bagheri receives Saudi Arabia’s Defense Minister Prince Khalid bin Salman.
Updated 17 April 2025
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Saudi defense minister arrives in Tehran for an official visit

  • Prince Khalid will hold several meetings to discuss bilateral relations

DUBAI: Saudi Minister of Defense, Prince Khalid bin Salman, arrived on Thursday in the Iranian capital, Tehran, on an official visit, the Saudi Press Agency reported. 

During the visit, Prince Khalid will hold several meetings to discuss bilateral relations and issues of mutual interest between the two countries.

The visit follows renewed diplomatic engagement between the two countries. On Monday, Saudi Foreign Minister Prince Faisal bin Farhan held a phone call with his Iranian counterpart Abbas Araghchi, during which they discussed regional developments and efforts to address them.

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Launch of Cinamaa platform marks push for film studies in Saudi Arabia

Updated 17 April 2025
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Launch of Cinamaa platform marks push for film studies in Saudi Arabia

  • Saudi Film Commission and National Film Archive launch platform to educate and support budding filmmakers
  • Experts describe the importance of developing film studies in Saudi Arabia

RIYADH: The Saudi Film Commission has introduced a new initiative, Cinamaa, to promote film studies and support people entering the industry.

A launch event was held on Wednesday at the Cultural Palace in Riyadh, hosted by the commission and National Film Archive.

The Cinamaa website, a platform intended to help educate aspiring filmmakers, critics, and film enthusiasts, allowing them to share their work, gives users access to articles, research studies, discussions, workshops, and short films on various topics related to film.

Following a panel discussion in which she spoke on the importance of film studies in academia, Salma Tarek, professor of literature at the University of Cairo’s French language department, told Arab News: “We need to distinguish between academic studies, meaning university-level education, and studies at film institutes, which aim to train technicians and filmmakers.”

The latter is very important and widely available, she said, but cinema studies at the school and university levels are still lacking.

“Abroad, for example, children in elementary school have reading and literacy programs that include a section on how to ‘read’ a film. They learn what a shot is, what camera movement means, because these have become part of the basic language of how we interpret the world around us,” Tarek said.

“Cinema is no longer just an art form; it is a form of discourse. We are constantly exposed to it, and it’s very important that we learn how to decode its messages.”

Tarek said that these are messages that are constantly being sent to viewers, who must receive them in an open and thoughtful way.

“The university is the institution best suited to play this role.”

When asked what can be done to push this agenda forward, the professor said that first, there must be conviction in the value of cinema studies, a task she said is “not simple.”

The entry point, however, is in interdisciplinary studies.

“For example, literature departments can offer courses on the relationship between performance art and cinema. In history departments, there can be a course on cinema and history. Gradually, these borders will open up, and we will start to develop a cinematic culture within academic institutions.”

These institutions will then have the capabilities and foundation to establish dedicated departments for cinema studies, which Tarek said is the “ultimate goal.”

The panel also discussed the need for more original Arabic content in addition to translations of foreign films.

Tareq Al-Khawaji, film critic and cultural adviser at the King Abdulaziz Center for World Culture, said that young Saudis interested in screenplay writing have a great opportunity to develop scripts that can contribute to bolstering the cinematic scene in the Kingdom.

The launch of Cinamaa was followed by the signing of two memoranda of understanding between the Saudi Film Commission and its partners, the Saudi Broadcasting Authority and the International Federation of Film Critics.

The commission’s CEO Abdullah Al-Qahtani took the stage with Mohammed Fahad Al-Harthi, SBA CEO and former editor in chief of Arab News, and Fipresci CEO Ahmad Shawky.

The establishment of the Cinema Critics Association was also announced, the first independent professional entity dedicated to film criticism in Saudi.

At the end of the night, the doors opened to welcome guests into an exhibition on film history in the Arab world.