IRGC spins conspiracies as Iran battles deadly virus

Iran on Sunday imposed a two-week closure on major shopping malls and centers across the country to curb the new coronavirus disease. (AP)
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Updated 24 March 2020
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IRGC spins conspiracies as Iran battles deadly virus

  • Tehran spreading misinformation as experts doubt official number of cases

LONDON: Since the identification of coronavirus (COVID-19) in late 2019, Iran has become one of the center stages of the ferocious pandemic.

But where some countries have sought to inform others to help curb the spread, Tehran has sought to obfuscate with a campaign of misinformation.

Iran’s official death toll, as of March 21, stands at 1,556, with almost 21,000 confirmed cases.

But independent estimates dispute this. On Feb. 23, a paper by academics at the University of Toronto, which studied the number of cases discovered in other countries caused by people traveling from Iran, put the likely number of Iranian cases at 18,300.

That was a month ago, with the projected pattern of growth estimated at around a third every day.

That predicted growth is supported by other estimates. In an article in The Atlantic on March 9, the number of Iranian politicians reporting symptoms of the virus (including a number who had died from it) was put at just under 8 percent of all Iranian MPs.

This was mirrored by an official government website survey, which asked people to report symptoms unofficially (without having had an official diagnosis), which came in at 9 percent of the 2 million people who responded.

It has not just been estimates that statisticians have had to go on. Following reports of an outbreak in the country’s prisons, Tehran released on furlough 85,000 criminals and political prisoners, including British dual national Nazanin Zaghari-Ratcliffe, with another 10,000 set to be released.

Meanwhile, hospitals in Golestan province, an area of the country accounting for just 2.2 percent of the population, reported in early March that they were operating at well over capacity on account of patients bearing all the symptoms of COVID-19.

If replicated nationwide, the various studies and reports suggest that between 1 million and 2 million Iranians could have the virus.

Satellite images showing the digging of mass graves outside the city of Qom — where the Iranian outbreak was first traced to — do little to dispel that view.

But it is not just the figures themselves that Iran has been unwilling — or unable — to be honest about.

It has also played fast and loose with the cause of the outbreak, and has cracked down hard on those trying to tell the truth.

The Iranian epidemic began amid the buildup to controversial elections in which thousands of moderate candidates were barred from standing.

The elections were an important test for Tehran, off the back of a turbulent few months fueled by the return of sanctions imposed by US President Donald Trump, civil unrest against the regime, the assassination of Maj. Gen. Qassem Soleimani in an American drone strike in January, and the shooting down of a Ukrainian passenger jet over Iran’s capital days later.

Fearing a low turnout from an already skeptical public, the regime suggested that the danger of COVID-19 had been overplayed by the US in an attempt to suppress turnout.

“The ruling system wanted to make sure they could go ahead with their election plans last month to show the world that the system is working fine and has people’s support,” Saeed Aganji, an Iranian journalist, told the Committee to Protect Journalists (CPJ).

That recklessness in itself is suspected of playing a part in spreading the virus. But the idea that the hand of the US could be sensed in the outbreak was not limited to the election.

The Islamic Revolutionary Guard Corps (IRGC) — which suffered the physical loss of Soleimani, and a severe loss of face in the aftermath of the shooting down of the Ukrainian jet and its role in the violent repression of dissent in the weeks before and after the incident — has leapt upon the idea of using COVID-19 as a propaganda tool.

“The IRGC jumped on Iran’s coronavirus crisis to resuscitate its appeal and extreme Islamist ideology — even if this means playing with people’s lives and spreading the virus further,” Kasra Aarabi, an analyst at the Tony Blair Institute for Global Change, told Arab News.

“This has ranged from conspiracy theories calling COVID-19 an American and Zionist ‘biological ethnic weapon’ designed to target DNA, to adapting wartime propaganda from the Iran-Iraq war showing IRGC fighters side-by-side with medical professionals in an attempt to co-opt public sympathy for doctors and nurses,” he said.

“It has even gone as far as glorifying death by the pandemic, by creating ‘martyrs’ out of those who’ve been killed by it in an attempt to mask the regime’s incompetence through an ideological, religious narrative,” he added.

“There’s evidence that the IRGC’s propaganda is being shared across different mediums, from social media platforms to state TV, posters and flyers. These are familiar IRGC methods, but it’s clear that they see some value in using them around coronavirus right now with two objectives: Depicting themselves as the nation’s heroes, and demonizing their ideological enemies, the US and Israel.”

To facilitate this narrative and avoid scrutiny, the regime has taken a hard line on press freedom.

As well as blocking news outlets from reporting anything beyond state statistics, it has also, according to the CPJ, arrested and threatened journalists, confiscated their equipment, forced them to delete and amend articles, and removed their access to social media.

One journalist told the CPJ: “I was told not to portray the situation negatively in my writings, and instead show support for the government’s efforts, otherwise, I will face consequences.”

Aarabi said: “The Iranian people are well versed in these tactics, which means these propaganda efforts will ultimately fail. The regime’s handling of coronavirus, which includes denial, conspiracy theories and cover-ups, has only added fuel to the fire of Iranian grievances.”

He added: “After more than 40 years, the regime’s anti-US, anti-Israel rhetoric has lost traction with the Iranian people, who by and large blame the regime for domestic ills.

“The IRGC’s cynical use of COVID-19 is likely to have little effect in swaying Iranian popular opinion. While it’s seeking to depict itself as the savior of the nation during this crisis, the majority of Iranians will see straight through this. The IRGC is trained to kill, not to save lives — and the Iranian people, the main victims of its violence, are well aware of this.”


Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Updated 17 November 2024
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Netflix says 50 million households worldwide tuned in for Paul-Tyson match

Netflix said on Saturday that 60 million households worldwide had tuned in for the highly anticipated boxing match between Jake Paul and Mike Tyson, and the event peaked at 65 million streams, according to a statement.
The bout between the 27-year-old social media influencer-turned-prize fighter Paul and the 58-year-old former heavyweight champion Tyson, which Paul won, was streamed live on Netflix.
Nearly 50 million households tuned in for the co-main event between Ireland’s lightweight champion Katie Taylor and Puerto Rico’s featherweight champion Amanda Serrano, according to Netflix.
“The bout is likely to be the most watched professional women’s sporting event in US history,” Netflix said in its statement.
There were some hiccups during the live-stream of the match, with over 90,000 users reporting problems on Netflix at its peak, according to outage tracking website Downdetector.
However, the streaming platform was back up on Saturday after the outage that lasted roughly 6 hours in the United States.


Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

Updated 16 November 2024
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Renowned Lebanese journalist quits MTV over death threats by alleged Hezbollah supporters

  • ‘I decided to leave MTV because of the intimidations that reached the point of death threats,’ says Dr. Eman Shweikh on X
  • Samir Kassir Eyes Center reports that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement, accusations of treason

DUBAI: A renowned Lebanese journalist has taken to social media platform X to announce her departure from MTV following alleged death threats believed to have been made by supporters of Hezbollah.
Not mentioning the Iran-backed group by name, Dr. Eman Shweikh, a TV presenter at MTV, journalist and university professor, wrote: “I decided to leave MTV because of the intimidations that reached the point of death threats and the harassment that I am exposed to, which reached the point of following me home and chasing me on the road, in addition to harassing my family.”
The Samir Kassir Eyes Center reported that since Nov. 12 Shweikh had been subjected to a campaign of threats, incitement and accusations of treason due to her political opinions that she publishes on X, and because of her work for MTV.
The purported threats and harassment prompted her to leave her job at the channel.
The TV presenter added in her tweet: “The (Lebanese) state is absent, and laws are inexistent, and I do not want to expose my life and the lives of my family to danger. I want to live in safety and peace. Thank you to the Chairman of the Board of Directors of MTV Michel Murr.”
Shweikh’s tweet received thousands of likes and hundreds of retweets and comments.
Replying to her tweet, advocate Tarek Chindeb said: “The threat to kill journalist Eman Shweikh makes us believe at every moment that we cannot build a state in Lebanon in the presence of illegal weapons and militias outside accountability.”
Expressing solidarity, Chindeb hoped that the Lebanese security and judicial authorities would do their duty to protect her, and arrest the culprits.
Political analyst Magdi Khalil also replied to Shweikh’s tweet, saying: “Ideological militias do not know participation, but rather overpowering. They do not know dialogue, but rather the threat of violence.”
MTV journalist Nawal Berry and cameraman Dany Tanios were attacked in July while attempting to cover the aftermath of an Israeli airstrike on Beirut’s southern suburb, a Hezbollah stronghold.
It was not the first time Berry and her team had been assaulted by Hezbollah loyalists. During the early days of the Oct. 17 revolution in 2019, she and her team faced a violent attack and had their camera smashed.
Supporters of Hezbollah have a history of assaulting and threatening journalists. Targets have included Layal Alekhtiar, who received death threats in 2021 and faced legal action last year for interviewing an Israeli spokesperson; Dima Sadek; Ali Al-Amin; and others.
At the time of publishing, Shweikh could not be reached for comment.


What is Bluesky, the fast-growing social platform welcoming fleeing X users?

Updated 16 November 2024
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What is Bluesky, the fast-growing social platform welcoming fleeing X users?

  • Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online

SAN FRANCISCO: Disgruntled X users are again flocking to Bluesky, a newer social media platform that grew out of the former Twitter before billionaire Elon Musk took it over in 2022. While it remains small compared to established online spaces such as X, it has emerged as an alternative for those looking for a different mood, lighter and friendlier and less influenced by Musk.
What is Bluesky?
Championed by former Twitter CEO Jack Dorsey, Bluesky was an invitation-only space until it opened to the public in February. That invite-only period gave the site time to build out moderation tools and other features. The platform resembles Musk’s X, with a “discover” feed and a chronological feed for accounts that users follow. Users can send direct messages and pin posts, as well as find “starter packs” that provide a curated list of people and custom feeds to follow.
Why is Bluesky growing?
Bluesky said in mid-November that its total users surged to 15 million, up from roughly 13 million at the end of October, as some X users look for an alternative platform to post their thoughts and talk to others online. The post-election uptick in users isn’t the first time Bluesky has benefited from people leaving X. The platform gained 2.6 million users in the week after X was banned in Brazil in August — 85 percent of them from Brazil, the company said. About 500,000 new users signed up in one day in October, when X signaled that blocked accounts would be able to see a user’s public posts.
Across the platform, new users — among them journalists, left-leaning politicians and celebrities — have posted memes and shared that they were looking forward to using a space free from advertisements and hate speech. Some said it reminded them of the early days of Twitter more than a decade ago.
Despite Bluesky’s growth, X posted after the election that it had “dominated the global conversation on the US election” and had set new records.
Beyond social networking
Bluesky, though, has bigger ambitions than to supplant X. Beyond the platform itself, it is building a technical foundation — what it calls “a protocol for public conversation” — that could make social networks work across different platforms — also known as interoperability — like email, blogs or phone numbers.
Currently, you can’t cross between social platforms to leave a comment on someone’s account. Twitter users must stay on Twitter and TikTok users must stay on TikTok if they want to interact with accounts on those services. Big Tech companies have largely built moats around their online properties, which helps serve their advertising-focused business models.
Bluesky is trying to reimagine all of this and working toward interoperability.

 


Media group IMI and UAE Media Council sign deal to recruit and train local talent

Updated 14 November 2024
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Media group IMI and UAE Media Council sign deal to recruit and train local talent

  • Collaboration is part of the Media Apprenticeship Program launched last year by the Media Council and the Emirati Talent Competitiveness Council
  • It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies

DUBAI: IMI, a media group in the UAE formerly known as International Media Investments, has signed a cooperation agreement with the UAE Media Council to train and recruit local talent and develop media infrastructure in the country.

The initiative is part of the Media Apprenticeship Program, an initiative launched in May 2023 by the UAE Media Council and the Emirati Talent Competitiveness Council. It targets existing Emirati media professionals, as well as graduates and final-year students in media-related studies, with the aim of developing the next generation of talent in the nation’s media sector.

The agreement was signed at IMI’s new headquarters in Abu Dhabi by Mohammed Saeed Al-Shehhi, secretary-general of the UAE Media Council, and Rani Raad, CEO of the recently rebranded IMI Group, which owns several news outlets including Sky News Arabia, The National newspaper, Al-Ain News and CNN Business Arabic.

“We are proud to be the first global media group in the UAE to partner with the UAE Media Council on this initiative,” said Raad.

IMI Group, he added, can offer “aspiring Emirati talent unique opportunities to learn about the best media assets and standards” through its network of companies and the IMI Media Academy.

Launched in September, the IMI Media Academy employs the latest learning methodologies and offers an advanced curriculum focusing on the media industry, journalism and content creation.

Al-Shehhi highlighted the need to forge stronger partnerships with private media companies, and for cohesive country-wide efforts to develop the sector.

He said the partnership with IMI demonstrates the Media Council’s “commitment to empowering the media sector to attain global leadership by investing in the development of national skills and talents and equipping them with the latest media tools and technologies.”

It also aligns with the council’s desire “to nurture a new generation of talents capable of spearheading the sector and achieving significant accomplishments in the future,” he added.


Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

Updated 15 November 2024
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Spotify introduces ‘Fresh Finds Saudi: Class 2k24’ residency program for emerging talent

  • Initiative covers songwriting and music production, music marketing, music rights and industry knowledge, and touring and performing
  • The Kingdom is an ‘incredibly exciting market’ for Spotify, says platform’s regional managing director

DUBAI: Spotify this month introduced Fresh Finds Saudi: Class 2k24, the first iteration of a program dedicated to the promotion and development of the emerging music scene in the Kingdom.

“We’re incredibly thrilled to launch Fresh Finds Saudi: Class 2k24 and are eager to see the impact it will have on the career growth of the selected artists,” Akshat Harbola, managing director of Spotify in the Middle East and North Africa region, told Arab News.

The program, which ran from Nov. 6 to 11, represented “a long-term investment in nurturing up-and-coming talent, starting with a residency format this year,” he added.

It brought together four local talents who feature on Spotify’s Fresh Finds Arabia playlist, a showcase of the best new music by independent artists and labels from the region: BrownMusic, known for merging Arabic and English lyrics with contemporary experimental electronic beats; hip-hop artist Grzzlee; Kali-B, a singer, songwriter and producer; and Seera, an all-female Arabic psychedelic rock band.

They were chosen by Spotify’s local editorial team as “standout talent” that had “already made an impression on our Fresh Finds Arabia playlist,” Harbola said.

Spotify seeks to showcase different musical genres through the program, he added, and so “we took special care to prioritize a diverse range of styles that highlight the new generation of creators” from Saudi Arabia. The selected artists “have proven they can connect with listeners and are ready to elevate their careers.”

The residency program provided them with support, mentorship and a host of resources aimed at accelerating their growth as artists and expanding their presence in the Saudi music industry, Spotify said.

The program’s curriculum focused on four topics: songwriting and music production; music marketing; music rights and industry knowledge; and touring and performing.

Experts such as lyricist, writer and creative director Menna El-Kiey, and musicians and producers Ntitled, El Waili, Soufiane Az and Ismail Nosrat, offered guidance to the participants on songwriting, beat-making, mixing and mastering.

Amin Kabbani, vice president of Arabic talent at entertainment company Live Nation Middle East, provided insights into planning and executing a successful tour, managing logistics and engaging with fans.

Sony Publishing MENA led the session on music rights and industry knowledge, during which the participants learned about intellectual property, and how to protect their work and navigate the business side of their art.

Spotify also worked with the artists to record new tracks at creative hub Merwas in Riyadh, and the results will be released by the end of the year. Nada Al-Tuwaijri, the CEO of Merwas, said the studio is “committed to nurturing talent and providing artists with the tools and environment they need to unlock their creative potential.”

She added: “The Fresh Finds Saudi: Class 2k24 initiative aligns perfectly with our vision of supporting emerging talent in the Kingdom, the region and beyond.”

Harbola said that the Kingdom is “an incredibly exciting market” for Spotify and although he was “unable to share specific listenership rankings, the level of engagement in Saudi Arabia is truly remarkable.”

The company is seeing a “strong surge” in the popularity of pop music, especially Egyptian pop, and Khaleeji music, “which remains central to Saudi listeners,” he added.

The platform’s focus on the Kingdom has grown in recent months through initiatives such as “Tarab,” a campaign that celebrated Khaleeji music and spotlighted Saudi-based RADAR Arabia artist Sultan Al-Murshed in New York’s Times Square.

Harbola said that the burgeoning local music scene and audience engagement on Spotify is driving the company’s efforts to introduce initiatives such as Fresh Finds Saudi: Class 2k24 and commit to them on a long-term basis

“While we don’t have set dates for future iterations (of the residency), our focus remains on curating unique experiences tailored to artists’ needs in different markets, whether through this initiative or other Spotify Music Programs across MENA,” he added.