Specialists explore the Arabic language and its Semitic sisters in virtual seminar
Updated 15 February 2021
Arab News
DUBAI: The languages of Arabic and Hebrew have a lot more in common than you might think. They are both of Semitic origin, they share some letters of the alphabet and some Hebrew and Arabic words are the same, among other things.
Based on these similarities, The Abu Dhabi Arabic Language Centre hosted a virtual seminar that explored the similarities between the Semitic languages of Arabic, Hebrew and Syriac, and the close ties that have brought these languages together through the ages.
Titled “The Arabic Language and its Semitic Sisters: A Story of Understanding and Human Fraternity,” the virtual seminar took place on the first-ever International Day of Human Fraternity, and was presented by Dr. Ali bin Tamim, Chairman of the Abu Dhabi Arabic Language Centre and Secretary-General of the Sheikh Zayed Book Award; Dr. Jimmy Daccache, Professor of Western Semitic Languages at Yale University; Dr. Brigitte Caland, Professor of Hebrew Studies at the American University of Beirut; and Dr. Yahya Ababneh, Professor of Arabic Language and Literature at Yarmouk University.
The Abu Dhabi Arabic Language Centre hosted a virtual seminar that explored the similarities between the Semitic languages of Arabic, Hebrew and Syriac. Supplied
The purpose of the seminar was to highlight the ancient ties and similarities between Arabic and Hebrew, as well as address the vital role of the Arabic language when it comes to promoting human fraternity and bringing people together.
“There is a pressing need for the language of dialogue and understanding, and to reinforce its historical and civilizational role, which provides the necessary tools for communication and rapprochement between people,” said Dr. Ali bin Tamim in a release.
“The Middle East is rich in ancient languages, some of which have disappeared, while others are still present in our daily lives, so it was necessary to focus on the common roots of these Semitic languages to emphasize the links between peoples and cultures,” he added.
Echoing on his statement, Dr. Brigitte Caland said: “What brings together the Arabic and Hebrew languages goes beyond the similarity in many components, grammar and utterances. Also, it’s easier for the speaker of any of these two languages to learn the other language more quickly and accurately than other languages.”
The virtual seminar came just weeks after The United Nations General Assembly adopted a resolution proclaiming Feb. 4 as “International Day for Human Fraternity.” The initiative was introduced by the UAE, Bahrain, Egypt and Saudi Arabia, and as a result the international community will observe International Day for Human Fraternity annually, beginning in 2021.
The resolution was co-sponsored by 34 UN Member States.
Djokovic shows off ‘Kingdom style’ in photos at Diriyah after Six Kings Slam event
Djokovic, long-time Lacoste collaborator and ambassador, posted series of shots in heart of Saudi capital to his Instagram
Updated 19 October 2024
Arab News
DIRIYAH: Novak Djokovic, one of the greatest tennis players of all-time, took a break from the competitive action at the Six Kings Slam in the Saudi capital this weekend to capture some iconic photos in Diriyah.
Djokovic, a long-time Lacoste collaborator and ambassador, posted a series of shots with some Saudis and solo photos on his Instagram in a striking jacket from the French brand against the historic backdrop of Diriyah, with the caption “Kingdom Style.”
On Saturday, General Entertainment Authority supremo Turki Alalshikh posted a photo of himself with Djokovic and the five other players taking part in the Riyadh Season marquee tennis event — Rafael Nadal, Carlos Alcaraz, Jannik Sinner, Holger Rune and Daniil Medvedev.
A video posted to TikTok on Saturday showed Djokovic and his Six Kings Slam rivals being taught and taking part in a traditional Saudi dance in Diriyah.
World No. 1 Sinner secured a significant victory over Djokovic on Friday of the Six Kings Slam in Riyadh, triumphing 6-2, 6-7, 6-4.
As the Six Kings Slam continues, Sinner remains the man to beat as he looks to build on this momentum, while Djokovic’s future remains a question as he navigates the ever-growing physical demands of an increasingly younger field.
The Serbian faced old rival Nadal in a third-place match on Saturday, ahead of the final between Sinner and Alcaraz, and came out on top 6-2, 7-6.
Riyadh Fashion Week celebrates Saudi creativity and heritage
Updated 19 October 2024
Rahaf Jambi
DUBAI: The second day of Riyadh Fashion Week unfolded with a vibrant celebration of Saudi fashion, featuring an impressive lineup of six runway shows. Notable designers included Waad Aloqaili, Fatima Abdulqader, Khawla Alaiban, Ashwaq Al-Marshad, Atelier Hekayat and a grand finale by Yahya Albishri. Each designer brought their unique vision and cultural influence to the fore, illustrating the dynamic evolution of Saudi fashion.
One of the standout presentations came from Ashwaq Al-Marshad, who debuted her “Fahdah” collection. Drawing inspiration from the influential women in her life, Al-Marshad’s collection encapsulates a sense of nostalgia and elegance. The fabrics used — opulent lace, flowing chiffon and luxurious silks — reflect a timeless aesthetic that is both sophisticated and feminine. A particularly striking feature of her collection is a light pink hue reminiscent of her mother’s engagement dress, symbolizing grace and femininity.
Ashwaq Al-Marshad. (AN/ Huda Bashatah)
Al-Marshad also paid tribute to her grandmother, showcasing a stunning burgundy dress paired with a delicate sheer headscarf. The intricate hand-embroidery of flowers creates a captivating 3D effect, adding depth and artistry to each piece. The haute couture collection not only highlights Al-Marshad’s craftsmanship, but also celebrates the legacy of strong women, with an emotional nod to her daughter, Fahdah.
Reem Al-Suwaidi, a prominent fashion blogger, expressed her admiration for Al-Marshad’s collection, saying: “I’m in love with the designs. I’m so proud of Ashwaq; I’m actually wearing Ashwaq couture today.” She added: “The craftsmanship is exquisite. Each piece tells a story, and you can feel the emotions behind them.” Al-Suwaidi also highlighted the launch of Al-Marshad’s new heels, crafted in Milan, which complemented the exquisite pieces showcased on the runway. She praised the color palette and intricate embroidery, noting her enthusiasm for the burgundy elements: “The richness of the burgundy pieces just captivates you. Ashwaq has truly outdone herself.”
(AN/ Huda Bashatah)
Following Al-Marshad’s emotionally charged presentation, Atelier Hekayat took to the runway with its show “Hotel De Hekayat.” The designers aimed to capture the essence of love through their collection, presenting 30 unique designs representing 30 different hotel rooms. Each design tells a story, with the audience left to interpret which room holds the most significance. The interactive concept was a creative twist that engaged viewers on a deep level.
“We are always on a journey to find love, and our show reflects that,” said Alia Oraif, a designer with Atelier Hekayat. “Each piece is inspired by a different room, each with its own narrative. It’s up to the viewer to decide which story resonates the most.” The label also introduced its signature “etoile de Jeddah” print, reimagined this year in vibrant colors. “We wanted to infuse more life and energy into our designs while staying true to our roots,” the designers added. The incorporation of the popular Arabian leopard print highlighted a significant cultural element of Saudi heritage.
Atelier Hekayat. (AN/ Huda Bashatah)
As Riyadh Fashion Week continues to showcase the talent of local designers, it is clear that the event is not just about fashion; it is a celebration of culture, legacy and creativity. Each designer brings their own narrative to the runway, contributing to a rich tapestry of stories that reflects the diverse influences shaping Saudi fashion today.
The success of the second day of RFW is indicative of the growing impact of Saudi designers on both the local and international fashion scenes. With each collection, they challenge conventions, push boundaries and elevate the art of fashion, establishing a unique identity that resonates with audiences around the world.
Georgina Rodriguez turns heads at Riyadh Fashion Week
Updated 19 October 2024
Arab News
DUBAI: Saudi-based Argentine model Georgina Rodriguez made a striking appearance at the second day of Riyadh Fashion Week on Friday.
She wore a sleeveless, fitted beige midi dress featuring a ruched, textured design and a high neckline. She paired the outfit with nude pointed-toe heels. Her hair was styled in a sleek updo, with loose strands framing her face, and her makeup complemented the neutral tones of her look.
The Saudi Fashion Commission-organized event will run until Oct. 21 and is taking place across three venues — Tuwaiq Palace, Digital City, and JAX District. It features a series of runway shows, brand presentations and a designer showroom.
Burak Cakmak, CEO of the Fashion Commission, previously stated: “Riyadh Fashion Week stands at the forefront of positioning Saudi Arabia as a dynamic center for fashion and creativity. This event is a gateway for fostering homegrown talent, igniting new opportunities in fashion and retail, and driving both local and international engagement.”
Riyadh Fashion Week celebrates style and empowerment
Top labels include Adnan Akbar, Dar Al-Hanouf, Tima Abid, Honayda
Creatives explore nature, music and culture at the second Riyadh show
Updated 18 October 2024
Rahaf Jambi
RIYADH: The second Riyadh Fashion Week began here on Thursday night showcasing the creativity and talent of four distinguished Saudi Arabia labels: Adnan Akbar, Dar Al-Hanouf, Tima Abid and Honayda.
This year’s event, which ends on Oct. 21, highlights emerging trends and is a platform for cultural expression and empowerment through fashion.
(AN/ Huda Bashatah)
One of the standout presentations was by Abid, whose collection was inspired by her private garden.
The show featured a striking palette of black, white and red, reflecting her surroundings. “These pieces today were inspired by the Tima Garden.
“People might think it’s a poor garden, lacking in color, but I see it as very rich because of the care and attention I give it,” she told Arab News.
(AN/ Huda Bashatah)
Abid’s designs are characterized by strong lines and bold shapes, mirroring her admiration for confident women.
She explained her approach to incorporating floral elements into her work: “I entered the world of flowers very shyly because it’s not my usual design aesthetic. I love strong designs and wanted to create something that suits my vision while paying homage to nature.”
Looking ahead, she hinted at the possibility of green grass in her garden next year, and with it, new inspiration.
(AN/ Huda Bashatah)
Another highlight of the evening was Honayda’s show, which focused on women’s empowerment, intertwining elements of Saudi Arabia’s culture with the influence of iconic female musicians from the Arab world.
Titled “Divas in Harmony,” this collection pays tribute to legendary singers including Umm Kulthum and Fairuz, showcasing how music and fashion can create a powerful narrative.
Honayda said: “This time, I wanted to empower women through fashion by shedding light on the divas of music.”
(AN/ Huda Bashatah)
Her collection also reflects on the burgeoning Saudi Arabia music scene. “With the renaissance happening here in Saudi Arabia, with all the up-and-coming Saudi singers, it just makes my heart happy.
“We’re doing what we should do, and I’m thrilled with the success of this fashion show.”
Her designs encapsulate a blend of traditional and contemporary styles, making a bold statement about the role of women in both fashion and society.
(AN/ Huda Bashatah)
The designer featured some remarkable faces in her fashion show, including Egyptian actress Nelly Kareem, and Jasmin “Golden Barbie” Sanders, who shared her excitement about performing in Saudi Arabia for the first time.
The designer featured some remarkable faces in her fashion show, including Egyptian actress Nelly Kareem. (AN/ Huda Bashatah)
“It’s my first time here in Saudi Arabia, and it has been absolutely magical. I’ve had an incredible experience in the 24 hours I’ve been here. Honestly, I wish I could stay longer; this show was truly beautiful,” said Sanders.
“Being an empowering woman and uplifting other women by participating in this show has been a blessing. Walking alongside all these amazing women is an honor.”
Saudi artist Mohammad Alfaraj discusses the ‘poet of visuals’
The Saudi artist discusses his work that is currently on display at Art Basel Paris
Updated 18 October 2024
Jean Grogan
PARIS: Mohammad Alfaraj was born in the world’s largest desert oasis — Al-Ahsa — in the Eastern Province of Saudi Arabia. He is the son and grandson of date farmers.
The 31-year-old artist was one of the participating artists in the AlUla Artist Residency in 2021, and is now showing the results of that residency for the first time as part of the “Orbis Tertius” exhibition at the Art Basel Paris international art fair, which opened Oct. 18 in Paris’ newly restored Grand Palais.
He describes himself as “an artist and a poet — a poet of visuals.”
“I was talking with one of the other AlUla Residency artists about this, and we agreed that both of us try to encapsulate poems and poetry into objects, poems that you can hold, and touch and feel, and smell,” Alfaraj tells Arab News.
A still from Alfaraj's 'The Date Fruit of Knowledge.' (Supplied)
His route to becoming an artist wasn’t a straightforward one. He studied Applied Mechanical Engineering at King Fahad University of Petroleum and Minerals in Dhahran. “When I began my studies in 2011, there wasn’t much focus on filmmaking or photography in Saudi, and they were what interested me. But it was beautiful, because understanding how things work and how to build them is a relevant subject for a curious mind. One of my favorite courses was Mechanics of Materials. I learned that everything is alive, even inanimate objects emit a vibration, an energy. I wanted to complete my degree, but also to pursue my career as an artist,” he explains.
His agricultural background has also inspired his work.
“Growing up on a farm, it’s deeply ingrained to reuse everything we find around us,” he says. “We don’t call it ecology, we call it resources; there is no waste, no excess, nothing gets thrown away. A bird builds its nest from the things it finds lying around, bits of straw, bits of plastic. I call that ‘honestly built.’”
'The Last Words of a Tree 2,' currently on show at Art Basel Paris. (Supplied)
A bird is the central focus of one of Alfaraj’s Art Basel installations, “The Date Fruit of Knowledge.” The stop-motion film, with narration over the top, was drawn in the sand of the palm groves of AlUla.
“It’s the story of a little nightingale who’s trying to get all the knowledge of the world. He’s impatient; he wants everything immediately. Someone tells him the legend, ‘Each palm tree produces one date that holds all the knowledge of the world.’ So he finds a palm tree and eats every single date that it produces to hit that one date. He becomes obsessed, he wants to stop, but he cannot, he’s driven by that greed for knowledge,” Alfaraj says.
“Finally — finally — he finds the date! And he knows everything, what is, what was, what will be. The problem is, when he knows everything, he knows everything — the good things he cannot enjoy, and the horrific things he cannot change — so this blessing becomes a curse. So the film is about this idea of getting things slowly, with time, and really experiencing the journey of life rather than instantly reaching your destination. Of course, it’s inspired by stories from the Qur’an, religious parables, folklore and mythologies around the world, so everybody can connect with it in some way,” he adds. “The ‘nightingale’ in the film is made out of dates, and he eats so many dates he almost dies. What I want to say by this is that our destruction could be by our own hands, but our salvation could be by our own hands too.”
Untitled 4, Mohammed Alfaraj, 2023. (Supplied)
The film is presented at Art Basel against a backdrop of Alfaraj’s illustrations, and palm fronds are placed in front of the screen in the shape of a bird’s wings.
“The paper (for the illustrations) is made from waste palm, the ink is also made from palm leaves, so the whole work is made from things that are normally discarded,” Alfaraj explains. “I like finding objects, collecting them and turning them into sculpture, or finding photographs and landscapes of places I visit and making them into something new. I think that’s awesome — finding, finding and then transforming.”
Alfaraj still lives in the place he was born, which remains a constant source of inspiration. Last year, he built himself a home on a farm there.
An installation shot of 'Hand,' from the 'Fossils of Time' series, Mohammed Alfaraj. (Supplied)
“It’s just a simple rectangle with a bedroom and kitchen and a studio where I work. It has a garden with date palms, mulberry trees, fig and lemon trees. I have a couple of chickens too, now.”
When he travels abroad, he keeps his carbon footprint as low as possible, even if that means staying away from home for months at a time.
Since the beginning of this year, he has been preparing his next exhibition in Dubai in parallel to Art Basel. He says he told his curator that he wants to be known as “an anti-SS” artist.
Mohammed AlFaraj with his work 'From What Bone Will We Grow Back On the First Day of Eternity.' (Supplied)
“It’s a play on words, which I always like. It means I am anti-style and anti-scale, because style and scale do not the drive the work, they are just the façade. The driver of the work should be the heart and the soul — and modesty too, humility. If the work requires a large scale, I’m happy to do that. But there is no reason to make it an objective to itself.”
Another of his Art Basel installations — from his “Last Words of a Tree” series — is titled “From What Bone Will We Grow Back On the First Day of Eternity?”
“I’ve used a certain part of a palm tree to make a sculpture that looks like bones, or a fossil, of a creature emerging from the earth,” he says. “I try to believe that with so much sacrifice going on, something great will happen, and hopefully, human glory will emerge; the evil and prejudices eradicated. So, I hope this work serves as an acknowledgement of everything that’s happening, but also contains a certain hope.”
