Calligraphic classics go under the hammer at Sotheby’s

Sotheby’s ‘Arts of the Islamic World & India’ sale was held March 31. (Supplied)
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Updated 03 April 2021
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Calligraphic classics go under the hammer at Sotheby’s

  • Highlights from Sotheby’s ‘Arts of the Islamic World & India’ sale, held March 31

Illuminated Qur’an copied by Ahmad Al-Rumi, dated 1447 CE

This manuscript, Sotheby’s said, “represents an outstanding calligraphic feat by one of the foremost practitioners in the history of the Islamic Arts of the Book, Ahmad Al-Rumi. He is known as a master of the six pens and was held in great esteem at the Timurid Court. … A small number of works by the scribe are known, including only one other Qur’an, rendering the manuscript to hand both extremely important and rare.” In this manuscript, Al-Rumi displayed his mastery of the art, using four different scripts — “a strong and angular Muhaqqaq interspersed with a fine and balanced Naskh for the main text, an elegant Thuluth for the surah headings, with the addition of Tawqi on the final page” — with extraordinary skill. “The colophon page is extraordinary, as not only do we see the text in four scripts, but also the use of the musalsal method, in which a pen isn’t lifted from the page, resulting in a seamless ‘chain’ of calligraphy,” Sotheby’s added in the catalogue notes. Sold for £378,000.

Illuminated Qur’an made for the chief justice of Jerusalem and Nablus, dated 1514 CE 

This remarkable complete copy of the Qur’an was scribed by master calligrapher Abu Al-Fadi Muhammad Ibn Abd Al-Wahhab Al-Shafi Al-Sunbati Al-Araj — a royal scribe to a Mamluk sultan and a student of Yasin Al-Jalali — and is dated 1514 CE. The piece was commissioned by a former chief justice of Jerusalem and Nablus, Jalal Al-Din Abu Al-Waffa Mohammad Ibn Junis Al-Hanafi, and was later owned by Hajj Uthman Kanoo Isma’il, who was mayor of Yanbu Al-Bahr, in Hijaz. The verses are written in the Naskh script, with surah headings in larger gold Thuluth script outlined in black. “The generous use of gold and silver in the illumination and text illustrates the wealth and prestige of the patron of this Qur’an,” the catalogue notes said. It also sold for £378,000 at the auction.

A compendium of works relating to the Hajj, from the 18th century

This manuscript contains two works — the first is an essay on Makkah, the Hajj, and the measurements of the Great Mosque; the second is a copy of the “Futuh Al-Haramayn,” a famous guidebook to the cities of Makkah and Madinah, originally written in the early 16th century, which included instructions for pilgrims on the rituals of the Hajj and the religious sites they could visit. This book, written in Nasta’liq script with important words written in red ink, also contains 19 illustrations of Makkah and Madinah. Sold for £50,400 at auction.

10th-century Qur’an leaf in gold Kufic script (12-18k sterling)

A real rarity — this folio containing five lines to the page of gold-colored script is part of one of just a handful of Qur’ans in which gold Kufic script was used. It would, the auction house explained, “have been a lengthy and expensive process, indicating a commission at the highest level of patronage.” It is believed to have originated from the Near East, and sold for £37,800 at auction.

Bifolium from the ‘Five Surahs,’ circa 1370

Pages taken from a manuscript of selected Qur’anic chapters (1, 5, 18, 34, and 35) that all begin with the phrase ‘Al-hamdulillah.’ The pages have been traced back to a manuscript that gives the name of the scribe as Abdul Qayyum Ibn Muhammad Ibn Karamshah-I Tabrizi. Sotheby’s cited calligraphy expert David James as describing Tabrizi’s work here in the Muhaqqaq script as, “Faultless perfection … equaled only by Suhrawardi in the Qur’an produced in Baghdad in the early years of the 14th century.” Sold for £37,800.

Illuminated Mamluk Qur’an from Egypt or Syria in the 14th century

“This lavishly illuminated section comes from what must have been an impressive Qur’an in several volumes,” said Sotheby’s of this manuscript — in which the verses are written in Muhaqqaq script and separated by gold florets, while the titles are written in white Kufiq script on blue backgrounds with gold embellishments. The 42 leaves of the manuscript are bound in leather. “Its decoration and illumination recall both Ilkhanid court production (and) early Mamluk manuscripts, rendering it testament to these cross influences at the beginning of the 14th century,” the catalogue notes continue. Sold for £50,400.

Mid-14th-century Qur’an leaf attributed to Arghun Al-Kamili

Pages from a Qur’an that is believed to have been scribed by Al-Kamili, one of the most prolific calligraphers working in Baghdad in the middle of the 14th century CE — a time when the Iraqi capital was the center of the calligraphic arts. Al-Kamili was one of the six famous pupils of Yaqut Al-Mustasimi — the secretary of the last Abbasid caliph, and was, Sotheby’s said, “renowned to a point that illuminators of his manuscripts signed their work in a wish to stress their association with him.” This leaf is written in Rayhani script and its verses are separated by blue and gold rosettes. It was expected to fetch around $20-25,000 at auction.

Illuminated Qur’an copied by Abdullah Al-Qadir Al-Husayni in the 16th century

“This magnificent and well-preserved Qur’an has all the hallmarks of the most refined manuscripts of the Safavid period,” the catalogue notes said. Copies of the Qur’an were traded between the Ottoman and Safavid empires despite the animosity between them, and Qur’ans such as this were often offered as gifts to the Ottoman court by Safavid envoys. This particular manuscript is written in Naskh script and contains some fine examples of full-page illumination.


Immersive installation takes center stage at Quoz Arts Fest with ENESS’s ‘Forest Dancer’

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Immersive installation takes center stage at Quoz Arts Fest with ENESS’s ‘Forest Dancer’

DUBAI: As part of this year’s Quoz Arts Fest in Dubai, ENESS, the Australian-based creative studio, will debut an immersive light and sound installation titled “Forest Dancer and the Path to Pure Creation” at Concrete in Alserkal Avenue on Jan. 25-26. 

ENESS founder Nimrod Wies said that the installation symbolized “freedom and joy through creativity.”

“The artwork promotes the idea that embracing your creative gifts positively impacts those around you and inspires you to find your place in humanity through art,” he said. “We hope that visitors experience joy and playfulness in our exhibition and take away from it the inspiration to fill their lives with creativity and expression.”

The installation features inflatables packed with computers controlling sound, lightplay and motion-tracking LED eyes. “The biggest challenge is that we arrive from the other side of the world and we work all hours to create a completely immersive artwork that takes over any space that it occupies,” Wies said.

“The most rewarding part of my journey has been to exhibit all over the world and see different people respond to the artworks. I love seeing the appreciation audiences feel and experience, and hearing their joyful feedback.”

Speaking about the festival’s appeal, Wies said: “Working with Quoz Arts Fest suits the ENESS vision because we love to be involved in local cultures and bring our work to thriving areas with all-ages audiences who are open to new ideas. We think that the Alserkal neighborhood is the coolest place in Dubai.”

Wies said that public art created opportunities for alternate behavior and emotion. “Public spaces are generally relatively codified with clear designations for what sort of behavior is undertaken where. However, the introduction of public art can reconfigure a space visually, emotionally and behaviorally.”

Looking ahead, Wies said: “We have works coming up all around the world. We are looking forward to our next experience in Saudi Arabia.”


‘Between Sacred Cities’: Pakistan’s Imran Qureshi unveils largest installation at Islamic Arts Biennale

Updated 25 January 2025
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‘Between Sacred Cities’: Pakistan’s Imran Qureshi unveils largest installation at Islamic Arts Biennale

  • Installation reimagines historic route that stretched from Kufa in Iraq to holy city of Makkah
  • Qureshi, a Pakistani visual artist, has featured artworks in local and international exhibitions

ISLAMABAD: Pakistani artist Imran Qureshi on Saturday unveiled “Between Sacred Cities,” the largest installation at the Islamic Arts Biennale 2025 in Jeddah, his art reimagining a historic route that once stretched from Kufa in Iraq to the holy city of Makkah. 

The Islamic Arts Biennale 2025 provides a platform for new discourse about Islamic arts, featuring contemporary and newly commissioned artworks with historical objects from Islamic cultures. It offers artists a platform to explore themes of spirituality, identity, and the intersection of past and present. This year’s biennale will run from Jan. 25-May 25. 

According to Lotus, a public relations agency, the installation is situated between the iconic Makkah and Madina pavilions at the Western Hajj Terminal. 

“The installation reimagines a historic route that once stretched from Kufa, Iraq, to Makkah,” Lotus said. 

“Designed to aid pilgrims on their Hajj journey, this route served as a network of resting stations and water sources, inspiring Qureshi’s interpretation of an oasis as a sanctuary of rest, reflection, and unity.”

The statement said that the concept of an oasis in the installation is transformed into an interactive and contemplative garden-like structure, central to which is an octagonal design. 

“Drawing on the spiritual essence of the journey between Makkah and Madina, the installation incorporates the holy water of Zamzam and lush greenery reminiscent of Madina’s tranquillity,” it added. 

Qureshi has used vibrant woven strips to symbolize flowing water while the surrounding greenery evokes a sense of life, Lotus said. 

The installation has been commissioned by the Diriyah Biennale Foundation and curated by acclaimed artist Muhannad Shono. 

“Between Sacred Cities will be on display from January 25, 2025, to May 25, 2025, offering visitors an unparalleled opportunity to explore the universal themes of travel, spirituality, and interconnectedness,” Lotus said. 

Qureshi is a visual artist from Pakistan’s southern Sindh province. With a career spanning twenty-nine years, encompassing local and international exhibitions, he has emerged as a prominent Pakistani artist.

In 2013, he created a large-scale, site-specific work for The Metropolitan Museum of Art’s Roof Garden Commission in New York. The same year he was awarded the Deutsche Bank’s Artist of the Year and exhibited solo for the first time in Europe at the Deutsche Bank Kunsthalle in Berlin. 

Qureshi’s work has since been shown in numerous solo exhibitions, including the Barbican Center, London (2016), Kunsten Museum of Modern Art, Aalborg, Denmark (2016), along with executing site-specific projects at the Washington National Cathedral, Washington, D.C. (2018) and Al Ain, Abu Dhabi, United Arab Emirates (2018), to name a few. 

In 2021 he was awarded the Sitara-e-Imtiaz (Star of Excellence) by Pakistan’s government.


Oscar-winning composer Hans Zimmer wows fans in Riyadh  

Updated 25 January 2025
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Oscar-winning composer Hans Zimmer wows fans in Riyadh  

RIYADH: Renowned composer Hans Zimmer performed on Friday at the Mohammed Abdo Arena in Saudi Arabia as part of the Riyadh Season events. 

The Oscar-winning composer performed a selection of compositions from films such as “Dune,” “Wonder Woman,” “Pirates of the Caribbean,” “Interstellar,” “The Lion King” and “No Time to Die.” 

The concert concluded with enthusiastic applause, marking a memorable highlight of the Riyadh Season. (Supplied)

The music was accompanied by interactive visual projections and stage effects that complemented the performance and highlighted its theme. 

The concert, which sold out immediately on ticket release, concluded with enthusiastic applause, marking a memorable highlight of the Riyadh Season.

Zimmer expressed his gratitude to the Riyadh Season audience in a recorded message at the end of the concert, thanking them for their enthusiasm and energy.

Turki Alalshikh, chairman of the General Entertainment Authority, revealed this week that the composer is working on a new interpretation of Saudi Arabia’s national anthem. 

The post continued that the German composer was also offered the chance to create the soundtrack for the upcoming Saudi Arabia film, “The Battle of Yarmouk.”

Zimmer attended the Kingdom’s Joy Awards on Jan. 18, which honors the achievements of artists in the Arab world.


Gwen Stefani to perform in the UAE in February

Updated 25 January 2025
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Gwen Stefani to perform in the UAE in February

DUBAI: US pop star Gwen Stefani is set to perform in Abu Dhabi on Feb. 21 as part of the city’s Saadiyat Nights, marking her first-ever performance in the UAE capital.

The triple Grammy Award winner will take the stage just 24 hours before legendary US singer Lionel Richie closes the event on Feb. 22.

The three-month open-air music series will also feature performances by Egyptian composer Omar Khairat on Feb. 1, British musician Sting on Feb. 3, Lebanese music icon Magida El-Roumi on Feb. 10 and US pop star Christina Aguilera on Feb. 15.

Artists who have already performed include Grammy-winning Michael Buble, Russian band Leningrad, US R&B group Boyz II Men, British singer Robbie Williams and Iranian singer Ebi.

Stefani has achieved global recognition as a songwriter, performer, and frontwoman of the US rock band No Doubt, and as a multi-platinum solo artist. Over the course of her career, she has received numerous awards, including four MTV Video Music Awards, two Billboard Awards, an American Music Award and a Brit Award.

Stefani has sold over 60 million records worldwide, combining her success with No Doubt and her solo career. Her 2004 debut solo album, “Love. Angel. Music. Baby.,” achieved multi-platinum status and included chart-topping hits like “Hollaback Girl,” which became the first digital download to sell over 1 million copies in the US.

Stefani is no stranger to Emirati culture. In 2019, she performed in Dubai at the Dubai World Cup. During her visit, the singer immersed herself in Emirati culture, embracing the quintessential tourist experience by taking a desert safari, dining in a desert tent, watching a falcon show, riding a camel, covering her face and hair with a headscarf, shopping at the perfume souk, and visiting the iconic Burj Khalifa, the world’s tallest building.

Saadiyat Nights is part of the Abu Dhabi Calendar’s year-round schedule of events, which includes music, sports, comedy, family-friendly shows, cultural festivals and art exhibitions.

Held on Saadiyat Island, the concert series is set against the backdrop of the Saadiyat Cultural District, pristine beaches, and luxurious resorts.

The inaugural edition of Saadiyat Nights, which ran from January to March 2024, featured a lineup of artists, including American stars Mariah Carey, John Legend, and Alicia Keys, Iranian singer Googoosh, and Italian tenor Andrea Bocelli.


Princess Iman of Jordan is expecting her first child 

Updated 24 January 2025
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Princess Iman of Jordan is expecting her first child 

DUBAI: Jordan’s Princess Iman bint Abdullah II and her husband, Jameel Alexander Thermiotis, are expecting their first child.

Queen Rania, the princess’s mother, shared the news on Instagram with a photo of the couple at sunset by the beach, highlighting the mother-to-be’s baby bump. “Two is a couple, three is a blessing,” the Queen captioned the image.

This will be the second grandchild for Queen Rania and King Abdullah II. Their first grandchild, born in August, is the daughter of Crown Prince Hussein bin Abdullah and Princess Rajwa Al-Hussein. She was named Iman in honor of her aunt.