Inside OSN Streaming’s digital transformation

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A year after OSN rebranded its streaming platform WAVO to OSN Streaming, it has unveiled a brand new digital-first platform. (Screenshot)
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Chief technology officer at OSN Peter Riz. (Supplied)
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A year after OSN rebranded its streaming platform WAVO to OSN Streaming, it has unveiled a brand new digital-first platform. (Screenshot)
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Updated 25 July 2021
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Inside OSN Streaming’s digital transformation

  • How OSN delivered a digital-first product in six months

DUBAI: A year after OSN rebranded its streaming platform WAVO to OSN Streaming, it has unveiled a brand new digital-first platform, putting technology and content at its core.
In October 2020, OSN Streaming changed its look and feel, but the technology remained the same. It was around the same time that the company decided to digitally overhaul the platform, delivering an entirely new user experience. 
“My early estimation was that we need to have 12-18 months,” Peter Riz, chief technology officer at OSN, told Arab News.
However, six months was a “very aggressive timeline” for a development such as this, he added. Riz and his team had to devise a hybrid approach using six different modules to achieve this vision. The next step was to find a way to bring together the modules in a seamless manner, because running them separately was not sustainable or cost-effective.
The two key areas of the rebrand were multiple user profiles — including dedicated children’s profiles — and content presentation focusing on enhanced search and discovery.
Content presentation and discovery were critical to the user experience, said Riz. The first layer was presenting content to each user based on the general interests of that audience segment determined by factors such as age and location. 
The second and more challenging layer was navigating personal user preferences. For example, Western expats generally watch movies and shows from the West, but also like watching certain Arabic dramas, explained Riz. The platform was also designed to learn from user behavior and tailor recommendations over time.
Riz said: “We wanted to show users the content we believe is relevant, so the question became: How do we do this quickly, and how do we give all this control to the editorial and marketing team?”


The answer came in the form of a custom technological component called the Customer Experience Builder (CXB). “The CXB is a new type of innovation from a technical point of view,” added Riz, because it enables the company to add new features and updates to various touchpoints — such as the mobile app, web browser, and TV apps — through one common system.
Digital disruption has been driven, in part, by a rapid change in user behavior, making it more important than ever before for companies to be able to adapt and improve their digital services quickly.
“OSN was not only able to deliver this new platform very quickly using the CXB, but we can continuously improve the experience,” said Riz. From building the CXB from scratch to writing new code, the new platform is a technological innovation for OSN.
“We changed the entire environment,” said Riz. “There is no legacy code in the new environment so every line of code that the engineers created to deliver the service is new.”
Since the launch of the new platform, OSN has been making tweaks through the CXB suite every two weeks. “Most of the logic, or ‘magic’ as we sometimes call it, happens on the backend,” he added.
Although these changes are almost imperceptible to users, they have a profound impact on how people discover and watch content on the platform, said Riz, resulting in OSN doubling content consumption on the platform.
Streaming companies reached their peak during the coronavirus disease pandemic, as more people spent time indoors and cinemas shut down. The surge in new users has forced these platforms to innovate in order to sustain their growth.
So, what is next for these companies?
“The real differentiator is still the content and how we present this content,” said Riz. “We are continuously working to find new content sources and secure current partnerships.”
Streaming platforms, including OSN, are also looking for new kinds of partnerships that will see them diversifying into gaming and audio. OSN, for instance, partnered with multi-player video game “PlayerUnknown’s Battlegrounds” (PUBG) to provide PUBG Mobile players an exclusive opportunity to access the OSN Streaming app.
On the technology side, OSN continues to measure multiple factors such as streaming quality, load time, lags, or delays, to constantly improve the user experience. When there is a new update on any operating system, the company immediately runs tests to see if it affects the performance of the OSN Streaming platform. It is also working on adding alternative payment methods, in addition to credit cards, to the platform.
But, behind it all, “you need to continue that invisible, seamless and perfect technology,” said Riz.
It is all about “continuous improvement and continuous innovation to bring the content to the audience, increase the partnerships and support the entire digital economy to grow and unlock all the potential in the region,” he concluded.


Saudi, UN bodies sign deal on media training

Updated 26 November 2024
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Saudi, UN bodies sign deal on media training

  • Saudi Media Forum Chairman Mohammed Al-Harthi said that the partnership is the forum’s first strategic initiative and will positively impact Saudi media

RIYADH: The Saudi Media Forum has signed a cooperation agreement with the UN Institute for Training and Research to promote sustainable development and empower individuals as well as media organizations.

It aims to advance media and training efforts in alignment with Saudi Vision 2030 and global sustainable development trends, according to the Saudi Press Agency.

The agreement focuses on creating lasting impact through innovative training programs that combine academic knowledge with practical applications.

These programs will empower journalists and organizations, enhance professional awareness in both public and private sectors, and promote media literacy and innovative education.

The partnership will also support media organizations in achieving sustainable development goals through professional training, remote learning and educational resources.

Saudi Media Forum Chairman Mohammed Al-Harthi said that the partnership is the forum’s first strategic initiative and will positively impact Saudi media.

He added that Saudi Arabia, a nation of continuous renewal, must stay ahead of transformations to advance its development.

The forum continues to forge strategic partnerships with local and international entities to elevate Saudi media’s global standing while providing media professionals and organizations with the tools to create world-class content, the SPA reported.

 


Israeli soldiers desecrate church in southern Lebanon in latest religious site incident

Updated 26 November 2024
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Israeli soldiers desecrate church in southern Lebanon in latest religious site incident

  • IDF soldiers are filmed performing a mock wedding inside an Orthodox church
  • Online users question continued support by Western Christians despite rise in attacks toward non-Jewish religious sites

LONDON: Israeli soldiers have come under fire after a video surfaced showing them desecrating a Christian church in southern Lebanon, marking the latest attack on a religious site amid rumors of an imminent truce in Lebanon.

The incident reportedly took place in Deir Mimas, near the border with Israel, and involved soldiers from the Israeli Defense Forces Golani Special Operations Unit.

The video, which began circulating widely online on Monday, depicts the soldiers performing a mock wedding ceremony inside the Orthodox church, sparking outrage across social media platforms.

The footage shows a male soldier, pretending to be a bride, wearing a hood and participating in a staged ritual led by another soldier using a disconnected microphone. The mock priest asked for the bride and groom’s names as the group laughed.

The scene escalates into chaos as another soldier interrupts, kneels before the “bride,” and simulates a dramatic objection, followed by soldiers piling on top of each other.

The timing of the video remains unclear, but its release has drawn condemnation online.

Karim Emile Bitar, professor of international relations at Saint Joseph University in Beirut, called it a blatant act of disrespect, posting on X: “Another video of Israeli soldiers desecrating a Church in South Lebanon and mocking the holy sacraments. Deafening silence of US and European politicians who spent the past 20 years masquerading as defenders of Eastern Christians, only to pander to Western Islamophobes.”

Other users voiced their anger, accusing Western Christians of ignoring Israeli acts of disrespect toward non-Jewish religious sites.

“It is incomprehensible that US Christians continue to blindly defend Israelis who desecrate the Church,” voiced another user.

This incident follows a string of troubling actions targeting cultural and religious landmarks by Israeli forces.

Earlier this month, the same IDF brigade allegedly vandalized two memorials in Hula, south Lebanon, using graffiti that read, “A good Shiite is a dead Shiite.”

In August, footage emerged showing IDF soldiers burning copies of the Qur’an in a Gaza mosque, drawing widespread condemnation and prompting an internal Israeli Military Police investigation.


UK police forces quietly withdraw from X platform amid content concerns

Updated 26 November 2024
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UK police forces quietly withdraw from X platform amid content concerns

  • Several UK police forces cut X usage to a minimum after misinformation on the platform fueled UK’s summer riots
  • X has been a primary communication tool for the British government, public services, institutions and millions of people for over a decade

LONDON: Several British police forces have largely withdrawn from Elon Musk’s X social media platform as concerns over its role in promoting violence and extreme content persist, a Reuters survey of forces’ social media output showed.
X, formerly Twitter, was used to spread misinformation that sparked riots across Britain this summer, and has reinstated British-based accounts that had been banned for extremist content.
Musk’s comment in August that civil war in Britain was “inevitable” drew rebukes from Downing Street and police leaders.
Critics argue that Musk’s approach fosters hate speech, though Musk has said he is defending free speech and has described Britain as a “police state.”
Reuters reported in October that North Wales Police had ceased posting on X. Others are moving in that direction, according to Tuesday’s survey.
Reuters visually monitored posts on X from 44 territorial police and British Transport Police over the three months to Nov. 13 and focused on ones that had noticeably fewer posts, comparing their output to a year previously.
Reuters then contacted those eight forces.
West Midlands Police, one of Britain’s biggest police forces which serves the second city of Birmingham, reduced its X posts by around 95 percent in annual terms in that period.
Lancashire Police in the north of England, cut its usage of X by around three-quarters compared with a year ago.
“We understand that, as the digital landscape changes, so too does our audiences’ channels of choice,” the force said.
And Derbyshire Police, which serves around a million people in central England, made its last original post on Aug. 12 and has responded only to queries since. It said it was reviewing its social media presence.

X-COMMUNICATION
Other forces said X remained useful for updates on things like road closures, but platforms like Facebook and Instagram were better for reaching communities.
X did not respond to a request for comment.
X has been a primary communication tool for the British government, public services, institutions and millions of people for over a decade.
It had just over 10 million British app users in October, compared with 4.5 million for Threads and 433,000 for Blue Sky, according to data from digital intelligence platform Similarweb.
But usage is dropping, with X’s British app users down 19 percent on a year ago, Similarweb data showed.
The government still posts to X but does not use it for paid communications. It does, however, advertise on Meta’s Instagram and Facebook, a government source said last month.
Several well-known organizations, including the Guardian and non-profit Center for Countering Digital Hate, have quit X due to concerns over its content.
Cary Cooper, professor of organizational psychology and health at Alliance Manchester Business School, said many institutions were wary of Musk’s power over the platform, as well as his “very substantial views.”
Asked why more police forces had not quit, Cooper told Reuters: “Institutions, just like individuals, get addicted. They invested in it over a period of time.”
North Wales Police is the only force to officially quit X completely.
“As X was no longer an effective communication medium, this change hasn’t affected our abilities to reach our communities,” it said. (Reporting by Andy Bruce Editing by Christina Fincher)


Saudi Media Forum opens registration for annual media awards

Updated 26 November 2024
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Saudi Media Forum opens registration for annual media awards

  • Process open to media professionals, organizations until Dec. 10

RIYADH: The Saudi Media Forum has launched the registration process for its prestigious annual media awards, an event which aims to inspire creativity and recognize excellence across the media sector.

The awards are held in conjunction with the forum’s activities and the Future of Media Exhibition, which is to be held in Riyadh from Feb. 19-21 next year.

Mohammed Fahad Al-Harthi, the president of the Saudi Media Forum, stressed the awards’ growing importance in highlighting the role of the media in shaping societal values and fostering innovation, and added the event sought to recognize exceptional efforts in the fields of media and communication.

Last year’s edition saw more than 3,000 submissions locally and regionally, and the SMF said it expected participation to double this year amid growing interest in the sector.

The awards span a wide range of categories, including journalism, television programs, podcasts, academic research, and public relations campaigns. Individual achievements will also be recognized through accolades such as Media Personality of the Year, Best Digital Content, and the Columnist Award.

Al-Harthi also highlighted the introduction of the Tolerance Award, an international track focused on coexistence and dialogue and developed in partnership with the King Abdullah bin Abdulaziz International Centre for Interreligious and Intercultural Dialogue.

Registration is open to media professionals and organizations until Dec. 10, with submissions being accepted through the forum’s official platform.

Detailed criteria and submission guidelines can be accessed on the forum’s website at saudimf.sa/ar/awards.


Media watchdogs condemn ‘concerning’ Haaretz boycott by Israeli government

Updated 26 November 2024
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Media watchdogs condemn ‘concerning’ Haaretz boycott by Israeli government

  • Committee to Protect Journalists says tactic is ‘disturbing evidence’ of efforts to prevent coverage of Gaza war
  • Haaretz publisher Amos Schocken critical of Israeli policies, prompting government call for restrictions on left-leaning paper

LONDON: Media watchdogs have strongly criticized the Israeli government’s decision to boycott Haaretz, one of the country’s oldest and most critical newspapers, calling it a troubling blow to media freedom and pluralism.

“We are extremely concerned over Israel’s authoritarian drift that undermines media pluralism and the public’s right to know,” said IFJ General Secretary Anthony Bellanger, who called on “the government to review its decision and stop damaging press freedom in the country by boycotting a newspaper.”

Jodie Ginsberg, CEO of the Committee to Protect Journalists, labeled the boycott “deplorable” and accused Israel of intensifying its restrictions on critical media. “Israel’s increasing deployment of restrictions on critical media is further disturbing evidence of its efforts to prevent coverage of its actions in Gaza,” she said.

The Israeli government unanimously approved a proposal on Nov. 24 by Communications Minister Shlomo Karhi to halt all government advertising in and communication with Haaretz.

The decision effectively boycotts the left-leaning outlet, citing comments by publisher Amos Schocken, who had earlier called for sanctions against Israel and referred to Palestinian resistance groups as “freedom fighters.”

Schocken, who has led the paper for over three decades, later clarified that he did not include groups like Hamas in his reference to freedom fighters, emphasizing his support for nonviolent resistance.

Despite this, Haaretz faced significant backlash, publishing an editorial distancing itself from his remarks.

Karhi defended the government’s move, saying Israel “cannot fund a newspaper whose publisher calls for sanctions against the state and supports its enemies during wartime.”

He has previously accused Haaretz of propagating “anti-Israel propaganda” and called for financial penalties against the paper.

The boycott comes amid wider concerns over media freedom in Israel.

Critics point to the introduction of laws like the so-called “Al Jazeera law,” which allows temporary bans on foreign media deemed a national security risk, and ongoing attempts to privatize the public broadcaster Kan.

“Communications Minister Shlomo Karhi, who follows the hardline stances of the Likud party, is leveraging the ongoing war — the longest in the country’s history — to silence voices that criticise the far-right coalition in power,” said Paris-based media watchdog Reporter Without Borders.

The Paris-based watchdog added that such measures will have “lasting, detrimental effects on Israel’s media landscape.”

In response, Haaretz described the government’s actions as an attempt to “silence a critical, independent newspaper,” vowing to continue its reporting despite the restrictions.