BRUSSELS: It’s the premier martial arts group in Europe for right-wing extremists. German authorities have twice banned their signature tournament. But Kampf der Nibelungen, or Battle of the Nibelungs, still thrives on Facebook, where organizers maintain multiple pages, as well as on Instagram and YouTube, which they use to spread their ideology, draw in recruits and make money through ticket sales and branded merchandise.
The Battle of the Nibelungs — a reference to a classic heroic epic much loved by the Nazis — is one of dozens of far-right groups that continue to leverage mainstream social media for profit, despite Facebook’s and other platforms’ repeated pledges to purge themselves of extremism.
All told, there are at least 54 Facebook profiles belonging to 39 entities that the German government and civil society groups have flagged as extremist, according to research shared with The Associated Press by the Counter Extremism Project, a non-profit policy and advocacy group formed to combat extremism. The groups have nearly 268,000 subscribers and friends on Facebook alone.
CEP also found 39 related Instagram profiles, 16 Twitter profiles and 34 YouTube channels, which have gotten over 9.5 million views. Nearly 60 percent of the profiles were explicitly aimed at making money, displaying prominent links to online shops or photos promoting merchandise.
Click on the big blue “view shop” button on the Erik & Sons Facebook page and you can buy a T-shirt that says, “My favorite color is white,” for 20 euros ($23). Deutsches Warenhaus offers “Refugees not welcome” stickers for just 2.50 euros ($3) and Aryan Brotherhood tube scarves with skull faces for 5.88 euros ($7). The Facebook feed of OPOS Records promotes new music and merchandise, including “True Aggression,” “Pride & Dignity,” and “One Family” T-shirts. The brand, which stands for “One People One Struggle,” also links to its online shop from Twitter and Instagram.
The people and organizations in CEP’s dataset are a who’s who of Germany’s far-right music and combat sports scenes. “They are the ones who build the infrastructure where people meet, make money, enjoy music and recruit,” said Alexander Ritzmann, the lead researcher on the project. “It’s most likely not the guys I’ve highlighted who will commit violent crimes. They’re too smart. They build the narratives and foster the activities of this milieu where violence then appears.”
CEP said it focused on groups that want to overthrow liberal democratic institutions and norms such as freedom of the press, protection of minorities and universal human dignity, and believe that the white race is under siege and needs to be preserved, with violence if necessary. None has been banned, but almost all have been described in German intelligence reports as extremist, CEP said.
On Facebook the groups seem harmless. They avoid blatant violations of platform rules, such as using hate speech or posting swastikas, which is generally illegal in Germany.
By carefully toeing the line of propriety, these key architects of Germany’s far-right use the power of mainstream social media to promote festivals, fashion brands, music labels and mixed martial arts tournaments that can generate millions in sales and connect like-minded thinkers from around the world.
But simply cutting off such groups could have unintended, damaging consequences.
“We don’t want to head down a path where we are telling sites they should remove people based on who they are but not what they do on the site,” said David Greene, civil liberties director at the Electronic Frontier Foundation in San Francisco.
Giving platforms wide latitude to sanction organizations deemed undesirable could give repressive governments leverage to eliminate their critics. “That can have really serious human rights concerns,” he said. “The history of content moderation has shown us that it’s almost always to the disadvantage of marginalized and powerless people.”
German authorities banned the Battle of the Nibelungs event in 2019, on the grounds that it was not actually about sports, but instead was grooming fighters with combat skills for political struggle.
In 2020, as the coronavirus raged, organizers planned to stream the event online — using Instagram, among other places, to promote the webcast. A few weeks before the planned event, however, over a hundred black-clad police in balaclavas broke up a gathering at a motorcycle club in Magdeburg, where fights were being filmed for the broadcast, and hauled off the boxing ring, according to local media reports.
The Battle of the Nibelungs is a “central point of contact” for right-wing extremists, according to German government intelligence reports. The organization has been explicit about its political goals — namely to fight against the “rotting” liberal democratic order — and has drawn adherents from across Europe as well as the United States.
Members of a California white supremacist street fighting club called the Rise Above Movement, and its founder, Robert Rundo, have attended the Nibelungs tournament. In 2018 at least four Rise Above members were arrested on rioting charges for taking their combat training to the streets at the Unite the Right rally in Charlottesville, Virginia. A number of Battle of Nibelungs alums have landed in prison, including for manslaughter, assault and attacks on migrants.
National Socialism Today, which describes itself as a “magazine by nationalists for nationalists” has praised Battle of the Nibelungs and other groups for fostering a will to fight and motivating “activists to improve their readiness for combat.”
But there are no references to professionalized, anti-government violence on the group’s social media feeds. Instead, it’s positioned as a health-conscious lifestyle brand, which sells branded tea mugs and shoulder bags.
“Exploring nature. Enjoying home!” gushes one Facebook post above a photo of a musclebound guy on a mountaintop wearing Resistend-branded sportswear, one of the Nibelung tournament’s sponsors. All the men in the photos are pumped and white, and they are portrayed enjoying wholesome activities such as long runs and alpine treks.
Elsewhere on Facebook, Thorsten Heise – who has been convicted of incitement to hatred and called “one of the most prominent German neo-Nazis” by the Office for the Protection of the Constitution in the German state of Thuringia — also maintains multiple pages.
Frank Kraemer, who the German government has described as a “right-wing extremist musician,” uses his Facebook page to direct people to his blog and his Sonnenkreuz online store, which sells white nationalist and coronavirus conspiracy books as well as sports nutrition products and “vaccine rebel” T-shirts for girls.
Battle of the Nibelungs declined to comment. Resistend, Heise and Kraemer didn’t respond to requests for comment.
Facebook told AP it employs 350 people whose primary job is to counter terrorism and organized hate, and that it is investigating the pages and accounts flagged in this reporting.
“We ban organizations and individuals that proclaim a violent mission, or are engaged in violence,” said a company spokesperson, who added that Facebook had banned more than 250 white supremacist organizations, including groups and individuals in Germany. The spokesperson said the company had removed over 6 million pieces of content tied to organized hate globally between April and June and is working to move even faster.
Google said it has no interest in giving visibility to hateful content on YouTube and was looking into the accounts identified in this reporting. The company said it worked with dozens of experts to update its policies on supremacist content in 2019, resulting in a five-fold spike in the number of channels and videos removed.
Twitter says it’s committed to ensuring that public conversation is “safe and healthy” on its platform and that it doesn’t tolerate violent extremist groups. “Threatening or promoting violent extremism is against our rules,” a spokesperson told AP, but did not comment on the specific accounts flagged in this reporting.
Robert Claus, who wrote a book on the extreme right martial arts scene, said that the sports brands in CEP’s data set are “all rooted in the militant far-right neo-Nazi scene in Germany and Europe.” One of the founders of the Battle of the Nibelungs, for example, is part of the violent Hammerskin network and another early supporter, the Russian neo-Nazi Denis Kapustin, also known as Denis Nikitin, has been barred from entering the European Union for ten years, he said.
Banning such groups from Facebook and other major platforms would potentially limit their access to new audiences, but it could also drive them deeper underground, making it more difficult to monitor their activities, he said.
“It’s dangerous because they can recruit people,” he said. “Prohibiting those accounts would interrupt their contact with their audience, but the key figures and their ideology won’t be gone.”
Thorsten Hindrichs, an expert in Germany’s far-right music scene who teaches at the Johannes Gutenberg University of Mainz, said there’s a danger that the apparently harmless appearance of Germany’s right-wing music heavyweights on Facebook and Twitter, which they mostly use to promote their brands, could help normalize the image of extremists.
Extreme right concerts in Germany were drawing around 2 million euros ($2.3 million) a year in revenue before the coronavirus pandemic, he estimated, not counting sales of CDs and branded merchandise. He said kicking extremist music groups off Facebook is unlikely to hit sales too hard, as there are other platforms they can turn to, like Telegram and Gab, to reach their followers. “Right-wing extremists aren’t stupid. They will always find ways to promote their stuff,” he said.
None of these groups’ activity on mainstream platforms is obviously illegal, though it may violate Facebook guidelines that bar “dangerous individuals and organizations” that advocate or engage in violence online or offline. Facebook says it doesn’t allow praise or support of Nazism, white supremacy, white nationalism or white separatism and bars people and groups that adhere to such “hate ideologies.”
Last week, Facebook removed almost 150 accounts and pages linked to the German anti-lockdown Querdenken movement, under a new “social harm” policy, which targets groups that spread misinformation or incite violence but didn’t fit into the platform’s existing categories of bad actors.
But how these evolving rules will be applied remains murky and contested.
“If you do something wrong on the platform, it’s easier for a platform to justify an account suspension than to just throw someone out because of their ideology. That would be more difficult with respect to human rights,” said Daniel Holznagel, a Berlin judge who used to work for the German federal government on hate speech issues and also contributed to CEP’s report. “It’s a foundation of our Western society and human rights that our legal regimes do not sanction an idea, an ideology, a thought.”
In the meantime, there’s news from the folks at the Battle of the Nibelungs. “Starting today you can also dress your smallest ones with us,” reads a June post on their Facebook feed. The new line of kids wear includes a shell-pink T-shirt for girls, priced at 13.90 euros ($16). A child pictured wearing the boy version, in black, already has boxing gloves on.
Neo-Nazis are still on Facebook. And they’re making money
https://arab.news/yagnq
Neo-Nazis are still on Facebook. And they’re making money

- By carefully toeing the line of propriety, these key architects of Germany’s far-right use the power of mainstream social media to promote festivals, fashion brands, music labels and mixed martial arts tournaments that can generate millions in sales
- Dozens of far-right groups that continue to leverage mainstream social media for profit, despite Facebook’s and other platforms’ repeated pledges to purge themselves of extremism
Tech-fueled misinformation distorts Iran-Israel fighting

- It is no surprise that as generative-AI tools continue to improve in photo-realism, they are being misused to spread misinformation
WASHINGTON: AI deepfakes, video game footage passed off as real combat, and chatbot-generated falsehoods — such tech-enabled misinformation is distorting the Israel-Iran conflict, fueling a war of narratives across social media.
The information warfare unfolding alongside ground combat — sparked by Israel’s strikes on Iran’s nuclear facilities and military leadership — underscores a digital crisis in the age of rapidly advancing AI tools that have blurred the lines between truth and fabrication.
The surge in wartime misinformation has exposed an urgent need for stronger detection tools, experts say, as major tech platforms have largely weakened safeguards by scaling back content moderation and reducing reliance on human fact-checkers.
After Iran struck Israel with barrages of missiles last week, AI-generated videos falsely claimed to show damage inflicted on Tel Aviv and Ben Gurion Airport.
The videos were widely shared across Facebook, Instagram and X.
Using a reverse image search, AFP’s fact-checkers found that the clips were originally posted by a TikTok account that produces AI-generated content.
There has been a “surge in generative AI misinformation, specifically related to the Iran-Israel conflict,” Ken Jon Miyachi, founder of the Austin-based firm BitMindAI, told AFP.
“These tools are being leveraged to manipulate public perception, often amplifying divisive or misleading narratives with unprecedented scale and sophistication.”
GetReal Security, a US company focused on detecting manipulated media including AI deepfakes, also identified a wave of fabricated videos related to the Israel-Iran conflict.
The company linked the visually compelling videos — depicting apocalyptic scenes of war-damaged Israeli aircraft and buildings as well as Iranian missiles mounted on a trailer — to Google’s Veo 3 AI generator, known for hyper-realistic visuals.
The Veo watermark is visible at the bottom of an online video posted by the news outlet Tehran Times, which claims to show “the moment an Iranian missile” struck Tel Aviv.
“It is no surprise that as generative-AI tools continue to improve in photo-realism, they are being misused to spread misinformation and sow confusion,” said Hany Farid, the co-founder of GetReal Security and a professor at the University of California, Berkeley.
Farid offered one tip to spot such deepfakes: the Veo 3 videos were normally eight seconds in length or a combination of clips of a similar duration.
“This eight-second limit obviously doesn’t prove a video is fake, but should be a good reason to give you pause and fact-check before you re-share,” he said.
The falsehoods are not confined to social media.
Disinformation watchdog NewsGuard has identified 51 websites that have advanced more than a dozen false claims — ranging from AI-generated photos purporting to show mass destruction in Tel Aviv to fabricated reports of Iran capturing Israeli pilots.
Sources spreading these false narratives include Iranian military-linked Telegram channels and state media sources affiliated with the Islamic Republic of Iran Broadcasting (IRIB), sanctioned by the US Treasury Department, NewsGuard said.
“We’re seeing a flood of false claims and ordinary Iranians appear to be the core targeted audience,” McKenzie Sadeghi, a researcher with NewsGuard, told AFP.
Sadeghi described Iranian citizens as “trapped in a sealed information environment,” where state media outlets dominate in a chaotic attempt to “control the narrative.”
Iran itself claimed to be a victim of tech manipulation, with local media reporting that Israel briefly hacked a state television broadcast, airing footage of women’s protests and urging people to take to the streets.
Adding to the information chaos were online clips lifted from war-themed video games.
AFP’s fact-checkers identified one such clip posted on X, which falsely claimed to show an Israeli jet being shot down by Iran. The footage bore striking similarities to the military simulation game Arma 3.
Israel’s military has rejected Iranian media reports claiming its fighter jets were downed over Iran as “fake news.”
Chatbots such as xAI’s Grok, which online users are increasingly turning to for instant fact-checking, falsely identified some of the manipulated visuals as real, researchers said.
“This highlights a broader crisis in today’s online information landscape: the erosion of trust in digital content,” BitMindAI’s Miyachi said.
“There is an urgent need for better detection tools, media literacy, and platform accountability to safeguard the integrity of public discourse.”
BBC shelves Gaza documentary over impartiality concerns, sparking online outrage

- The film, titled “Gaza: Doctors Under Attack” had been under editorial consideration by the broadcaster for several months.
LONDON: The BBC has decided not to air a highly anticipated documentary about medics in Gaza, citing concerns over maintaining its standards of impartiality amid the ongoing Israel-Gaza conflict.
The film, titled “Gaza: Doctors Under Attack” (also known as “Gaza: Medics Under Fire”), was produced by independent company Basement Films and had been under editorial consideration by the broadcaster for several months.
In a statement issued on June 20, the BBC said it had concluded that broadcasting the documentary “risked creating a perception of partiality that would not meet the BBC’s editorial standards.” The rights have since been returned to the filmmakers, allowing them to seek distribution elsewhere.
The decision comes in the wake of growing scrutiny over how the BBC is covering the Israel-Gaza war. Earlier this year, the broadcaster faced backlash after airing “Gaza: How to Survive a War Zone,” a short film narrated by a 13-year-old boy later revealed to be the son of a Hamas official. The segment triggered nearly 500 complaints, prompting an internal review and raising questions about vetting, translation accuracy, and the use of sources in conflict zones.
BBC insiders report that portions of “Gaza: Doctors Under Attack” had been considered for integration into existing news programming. However, concerns reportedly emerged during internal reviews that even limited broadcast could undermine the BBC’s reputation for neutrality, particularly given the politically charged context of the ongoing war.
Filmmaker Ben de Pear and journalist Ramita Navai, who worked on the documentary, have expressed disappointment at the decision. They argue that the film provided a necessary and unfiltered look at the conditions medical workers face in Gaza. “This is a documentary about doctors — about the reality of trying to save lives under bombardment,” said Navai. “To shelve this is to silence those voices.”
Critics of the BBC’s decision have been vocal on social media and online forums, accusing the broadcaster of yielding to political pressure and censoring Palestinian perspectives. One commenter wrote, “Sorry, supporters of the Israeli government would get very offended if we demonstrated the consequences … so we shelved it.” Others, however, defended the move, citing the importance of neutrality in public service broadcasting.
A BBC spokesperson said the decision was made independently of political influence and reflected long-standing editorial guidelines. “We are committed to reporting the Israel-Gaza conflict with accuracy and fairness. In this case, we concluded the content, in its current form, could compromise audience trust.”
With the rights now returned, Basement Films is expected to seek other avenues for release. Whether the documentary will reach the public via another broadcaster or platform remains to be seen.
Iran’s Internet blackout leaves public in dark, creates uneven picture of war with Israel

- Civilians are left unaware of when and where Israel will strike next, despite Israeli forces issuing warnings
- Activists see it as a form of psychological warfare
DUBAI: As the war between Israel and Iran hits the one-week mark, Iranians have spent nearly half of the conflict in a near-communication blackout, unable to connect not only with the outside world but also with their neighbors and loved ones across the country.
Civilians are left unaware of when and where Israel will strike next, despite Israeli forces issuing warnings through their Persian-language online channels. When the missiles land, disconnected phone and web services mean not knowing for hours or days if their family or friends are among the victims. That’s left many scrambling on various social media apps to see what’s happening — again, only a glimpse of life able to reach the Internet in a nation of over 80 million people.
Activists see it as a form of psychological warfare for a nation all-too familiar with state information controls and targeted Internet shutdowns during protests and unrest.
“The Iranian regime controls the information sphere really, really tightly,” Marwa Fatafta, the Berlin-based policy and advocacy director for digital rights group Access Now, said in an interview with The Associated Press. “We know why the Iranian regime shuts down. It wants to control information. So their goal is quite clear.”
War with Israel tightens information space
But this time, it’s happening during a deadly conflict that erupted on June 13 with Israeli airstrikes targeting nuclear and military sites, top generals and nuclear scientists. At least 657 people, including 263 civilians, have been killed in Iran and more than 2,000 wounded, according to a Washington-based group called Human Rights Activists.
Iran has retaliated by firing 450 missiles and 1,000 drones at Israel, according to Israeli military estimates. Most have been shot down by Israel’s multitiered air defenses, but at least 24 people in Israel have been killed and hundreds others wounded. Guidance from Israeli authorities, as well as round-the-clock news broadcasts, flows freely and consistently to Israeli citizens, creating in the last seven days an uneven picture of the death and destruction brought by the war.
The Iranian government contended Friday that it was Israel who was “waging a war on truth and human conscience.” In a post on X, a social media platform blocked for many of its citizens, Iran’s Foreign Ministry asserted Israel banned foreign media from covering missile strikes.
The statement added that Iran would organize “global press tours to expose Israel’s war crimes” in the country. Iran is one of the world’s top jailer of journalists, according to the Committee to Protect Journalists, and in the best of times, reporters face strict restrictions.
Internet-access advocacy group NetBlocks.org reported on Friday that Iran had been disconnected from the global Internet for 36 hours, with its live metrics showing that national connectivity remained at only a few percentage points of normal levels. The group said a handful of users have been able to maintain connectivity through virtual private networks.
Few avenues exist to get information
Those lucky few have become lifelines for Iranians left in the dark. In recent days, those who have gained access to mobile Internet for a limited time describe using that fleeting opportunity to make calls on behalf of others, checking in on elderly parents and grandparents, and locating those who have fled Tehran.
The only access to information Iranians do have is limited to websites in the Islamic Republic. Meanwhile, Iran’s state-run television and radio stations offer irregular updates on what’s happening inside the country, instead focusing their time on the damage wrought by their strikes on Israel.
The lack of information going in or out of Iran is stunning, considering that the advancement of technology in recent decades has only brought far-flung conflicts in Ukraine, the Gaza Strip and elsewhere directly to a person’s phone anywhere in the world.
That direct line has been seen by experts as a powerful tool to shift public opinion about any ongoing conflict and potentially force the international community to take a side. It has also turned into real action from world leaders under public and online pressure to act or use their power to bring an end to the fighting.
But Mehdi Yahyanejad, a key figure in promoting Internet freedom in Iran, said that the Islamic Republic is seeking to “purport an image” of strength, one that depicts only the narrative that Israel is being destroyed by sophisticated Iranian weapons that include ballistic missiles with multiple warheads.
“I think most likely they’re just afraid of the Internet getting used to cause mass unrest in the next phase of whatever is happening,” Yahayanejad said. “I mean, some of it could be, of course, planned by the Israelis through their agents on the ground, and some of this could be just a spontaneous unrest by the population once they figure out that the Iranian government is badly weakened.
BBC threatens legal action against AI startup Perplexity over content scraping

- Perplexity has faced accusations from media organizations, including Forbes and Wired, for plagiarizing their content
LONDON: The BBC has threatened legal action against Perplexity, accusing the AI startup of training its “default AI model” using BBC content, the Financial Times reported on Friday, making the British broadcaster the latest news organisation to accuse the AI firm of content scraping.
The BBC may seek an injunction unless Perplexity stops scraping its content, deletes existing copies used to train its AI systems, and submits “a proposal for financial compensation” for the alleged misuse of its intellectual property, FT said, citing a letter sent to Perplexity CEO Aravind Srinivas.
The broadcaster confirmed the FT report on Friday.
Perplexity has faced accusations from media organizations, including Forbes and Wired, for plagiarizing their content but has since launched a revenue-sharing program to address publisher concerns.
Last October, the New York Times sent it a “cease and desist” notice, demanding the firm stop using the newspaper’s content for generative AI purposes.
Since the introduction of ChatGPT, publishers have raised alarms about chatbots that comb the internet to find information and create paragraph summaries for users.
The BBC said that parts of its content had been reproduced verbatim by Perplexity and that links to the BBC website have appeared in search results, according to the FT report.
Perplexity called the BBC’s claims “manipulative and opportunistic” in a statement to Reuters, adding that the broadcaster had “a fundamental misunderstanding of technology, the internet and intellectual property law.”
Perplexity provides information by searching the internet, similar to ChatGPT and Google’s Gemini, and is backed by Amazon.com (AMZN.O) founder Jeff Bezos, AI giant Nvidia (NVDA.O), and Japan’s SoftBank Group (9984.T).
The startup is in advanced talks to raise $500 million in a funding round that would value it at $14 billion, the Wall Street Journal reported last month.
Streaming platform Deezer starts flagging AI-generated music

- French streaming service Deezer is now alerting users when they come across music identified as completely generated by artificial intelligence, the company told AFP on Friday
PARIS: French streaming service Deezer is now alerting users when they come across music identified as completely generated by artificial intelligence, the company told AFP on Friday in what it called a global first.
The announcement by chief executive Alexis Lanternier follows repeated statements from the platform that a torrent of AI-generated tracks is being uploaded daily — a challenge Deezer shares with other streaming services including Swedish heavyweight Spotify.
Deezer said in January that it was receiving uploads of 10,000 AI tracks a day, doubling to over 20,000 in an April statement — or around 18 percent of all music added to the platform.
The company “wants to make sure that royalties supposed to go to artists aren’t being taken away” by tracks generated from a brief text prompt typed into a music generator like Suno or Udio, Lanternier said.
AI tracks are not being removed from Deezer’s library, but instead are demonetised to avoid unfairly reducing human musicians’ royalties.
Albums containing tracks suspected of being created in this way are now flagged with a notice reading “content generated by AI,” a move Deezer says is a global first for a streaming service.
Lanternier said Deezer’s home-grown detection tool was able to spot markers of AI provenance with 98 percent accuracy.
“An audio signal is an extremely complex bundle of information. When AI algorithms generate a new song, there are little sounds that only they make which give them away... that we’re able to spot,” he said.
“It’s not audible to the human ear, but it’s visible in the audio signal.”
With 9.7 million subscribers worldwide, most of them in France, Deezer is a relative minnow compared to Spotify, which has 268 million.
The Swedish firm in January signed a deal supposed to better remunerate artists and other rights holders with the world’s biggest label, Universal Music Group.
But Spotify has not taken the same path as Deezer of demonetising AI content.
It has pointed to the lack of a clear definition for completely AI-generated audio, as well as any legal framework setting it apart from human-created works.