Saudi Arabia's AlUla, a living museum in the heart of the desert

The AlUla valley is a landscape of striking contrasts. (AN photo)
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Updated 28 December 2021
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Saudi Arabia's AlUla, a living museum in the heart of the desert

  • The once lost ancient capital is now a popular tourist site
  • Development project will help ‘share our cultural legacy with the world’: Crown prince

ALULA: Once known as a lost city of the dead, AlUla is today a living museum that is home to ancient civilizations, historical sites and archaeological wonders dating back 200,000 years.

Located northwest of Saudi Arabia and covering an area of more than 22,000 sq. km, it is known for its sandstone mountains and fertile oases harboring plentiful resources. Due to its location as an ancient crossroads on the Arabian Peninsula, it was an ideal resting place for caravan traders who would travel great distances in the region.

The AlUla valley is a landscape of striking contrasts, featuring strange rock formations carved by man and nature, petroglyphs and engravings, and a lush oasis that has thrived since ancient times.




The AlUla valley is a landscape of striking contrasts. (AN photo)

AlUla was the capital of the kingdoms of the Arab Dadan and Lihyan civilizations, which prospered in the desert oasis from 600-300 B.C. by controlling the incense trade routes that passed through the valley.

Engravings of hunters holding spears on horses and camels can be seen on AlUla’s mountains, which held religious significance to the Dadanites and Lihyanites who, according to local tour guide Abdulkarim Al-Hajri, worshipped whatever benefited them.

“In the past, Arabs only worshipped the divine trinity: The star, the sun and the moon,” he said. “For the Arabs, the camel had a communal significance, so did the bull, which represented fertility, and the lion, which represented strength and resilience.

“Man started with symbols, then drawing, then writing, all of which can be found on these mountains,” Al-Hajri said. “Some people say these are the different Arabic languages and that is wrong; in fact, they are different Arabic writings — Arabic is the mother language, one language that evolved through time.

“The current Arabic style of writing is derived directly from the Nabataean writing,” he added.




The AlUla valley is a landscape of striking contrasts. (AN photo)

Visitors to the area can inspect the markings, and Lihyani and Thamudi inscriptions with the help of the local guides, who told Arab News that many of AlUla’s treasures have yet to be discovered.

The Nabatean kingdom followed, whose people lived and thrived in the city of Hegra for over 200 years until it was conquered by the Roman Empire in A.D. 106. The Nabataeans were one of several nomadic Bedouin tribes that roamed the Arabian Desert. They most likely originated from west of the Arabian Peninsula, in Hejaz, due to similarities in the spoken Semitic languages and deities worshipped in both areas.

Hegra, a 52,000-square-meter ancient city, was the kingdom’s principal southern city and today features more than 100 well-preserved tombs, with the biggest being Qasr Al-Farid or “The Lonely Castle.” It is one of the most recognized and frequented sites in AlUla. Hegra is also the Kingdom’s first UNESCO World Heritage Site.




The AlUla valley is a landscape of striking contrasts. (AN photo)

The Nabateans were skilled at harnessing natural water resources, so much so that travelers sought their help when passing by the arid lands.

At Hegra, they tapped into underground reserves of water and devised systems of channels for directing and storing it. The name Nabataean has been linked to the Arabic word “Nabatu,” meaning water that springs from the well.

The tombs at Hegra were built to hold the remains of families or groups, whose status was reflected in the size or decoration of their final resting places. Higher up the mountains were simpler pit graves where people of lower social status were buried.

One deity worshipped by the Nabateans was Dushara, an eagle that guarded the entrance to several tombs in Hegra. The bird is now headless, with one theory suggesting the Romans decapitated it as a way of claiming the land and ensuring the Nabateans’ god perished with them.




The French orientalist Charles Auguste Huber, who came to AlUla when he was commissioned by his country to explore the Arabian Peninsula between 1878 and 1884. (Supplied)

Across the Hegra tombs between two jagged sandstone mountains sits Al-Diwan (the court). Carved into the hillside to shield it from the wind, it is a grand square chamber containing three stone benches that served as a meeting room for the Nabataean rulers, who would convene to discuss the affairs of the city and its people. It is one of the few examples of non-funerary architecture in the city.

Following the framework of Saudi Vision 2030, the Journey Through Time Masterplan was launched in April, which Crown Prince Mohammed bin Salman, who is chairman of the Royal Commission for AlUla, described as “a leap forward to sustainably and responsibly develop AlUla, and share our cultural legacy with the world.”

The Sharaan Nature Reserve, one of the strategic projects carried out by the commission, extends over an area of 1,500 sq. km, with varied terrain, mountains and valleys covered with wild flowers and desert areas, embracing a variety of wild animals.




Charles Auguste Huber drawing of the southern facade of Rawdat Al-Naga, found in the Sharaan reserve circa 1878-1884. (Supplied)

The French orientalist Charles Auguste Huber drew the southern facade of Rawdat Al-Naga, in the Sharaan reserve, between 1878 and 1884 when he was commissioned by France to explore the Arabian Peninsula.

When passing through the Rakab Mountains, he said: “We passed through mountains, and were they in Europe would have become overcrowded with tourists.”




When passing through the Rakab Mountains, Huber said: “We passed, fated, through mountains, and were they in Europe would have become overcrowded with tourists.” (Supplied)

One of AlUla’s most prominent landmarks is the Tantora sundial, which can be found in the old town. The Winter at Tantora festival started last week to coincide with the traditional planting season in AlUla, known as Al-Marba’aniya.

The six-week festival is named after the sundial because of the essential role it played in people’s lives and the annual event is a key date on the calendar. It is also part of the three-month AlUla Moments, which is back for its third edition and allows visitors to experience a range of activities and engage in cultural exploration.

Tickets can be booked via the official website, Experiencealula.com.


Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

Updated 7 sec ago
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Saudi Interior Ministry confirms ban on transferring or publishing security surveillance camera recordings

  • Anyone who violates the rule will be punished with a fine of SR20,000 ($5,327), interior ministry says

RIYADH: Saudi Arabia’s Interior Ministry confirmed that the provisions of the “Use of Security Surveillance Cameras” law prohibit the transfer or publication of security surveillance camera recordings.

Security surveillance camera recordings can only be transferred or published with the approval of the ministry or the Presidency of State Security, based on a judicial order, or at the request of an investigating authority.

The ministry explained that anyone who violates this rule will be punished with a fine of SR20,000 ($5,327). This includes anyone who transfers or publishes recordings in violation of the law or damages or vandalizes security surveillance camera systems or recordings.


Saudi artist breaks from signature style with ‘W’ard’ exhibition

Updated 06 January 2025
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Saudi artist breaks from signature style with ‘W’ard’ exhibition

  • Dammam collection running until Jan. 10 features sculpture, video and imagery

DHAHRAN: Visitors are immersing themselves in a vibrant celebration of art as Hussain Alismail unveils his compelling solo exhibition, “W’ard,” at the SASCA Art Gallery in Dammam, Saudi Arabia.

Launched on Dec. 30 last year and running until Jan. 10, the exhibition is a captivating journey through the artist’s evolving vision.

‘Wa’rd’ series by Hussain Alismail showcases a rich blend of experimentation with different materials, colors and artistic techniques. (Supplied)

In the “W’ard” series, Alismail breaks free from his signature style, which often features bold continuous-line drawings in striking shades of black and red.

Instead, the collection showcases a rich blend of experimentation with different materials, colors and artistic techniques.

HIGHLIGHTS

• Primarily focused on drawing and painting, Hussain Alismail’s artworks delve into the intricate complexities of Saudi social dynamics.

• His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Visitors can expect to encounter an array of fascinating works, from collages that fuse imagery, mixed media pieces with texture, three-dimensional sculptures, to dynamic video installations that spark imagination.

Hussain Alismail creates a new piece while visitors watch at his W’ard exhibition in Dammam. (Supplied)

At the heart of Alismail’s work lies the symbol of the rose, a timeless emblem of unity that surpasses differences, inviting connection among visitors.

He said: “For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.”

This cultural reference runs throughout the exhibition, highlighting the themes in Alismail’s artwork.

For this exhibition, I selected flowers to represent the unity among Saudis from different regions, reflecting the shared appreciation for Talal Maddah’s songs that gained popularity in the late 1950s and resonated with both youth and older generations.

Hussain Alismail, Saudi artist

Through his collection, Alismail creates an artistic experience that celebrates unity in the diversity of humanity.

“I see my artwork as a reflection of who I am, but once it’s out in the world, it belongs to everyone to interpret and connect with however they choose,” he told Arab News.

Alismail is not only a gifted artist, but also a committed scholar, having recently relocated to Melbourne, Australia, to pursue a master’s degree in design innovation and technology at RMIT.

His time in academia, which he describes as research-focused, has significantly influenced his art. “I’ve found these skills super useful for my art in this exhibition and they’ll definitely play a bigger role in my upcoming projects.”

Alismail holds a bachelor’s degree in fine arts in drawing and painting from OCAD University in Toronto, Canada, as well as a bachelor’s degree in creative arts in visual effects and entertainment design from Flinders University in Adelaide, Australia.

His academic background enriches his creative practice, fueling his artistic exploration.

Primarily focused on drawing and painting, Alismail delves into the intricate complexities of Saudi social dynamics.

His works are a way to spark everyday conversations, encouraging viewers to think about the small details of human relationships and expressions.

Beyond canvas and paper, Alismail’s artistic skills include photography, videography and digital graphics, allowing him to create stories that invite exploration.

“Medium serves as a platform for discovery. I constantly challenge myself to go deeper into techniques and artistic presentations,” he said.

For the exhibition, Alismail embraced a variety of innovative mediums. “I played around with 3D design, 3D printing, AI generative imagery and various other hands-on mediums,” he said.

Additionally, he aims to create a vibrant experience, expressing his desire that viewers feel “joyful and leave with a smile on their face.”

Inspired by cultural stories around him, Alismail combines personal and community tales in his art, enhancing the diverse narratives he shares.

With an eye toward revitalizing cultural connections, his work fosters an enriched understanding of our shared human experiences.

“What my audience has seen from me before is different from what I’m creating now, and I know it’ll have even more depth down the line.”

 


Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

Updated 06 January 2025
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Two substations opened by Diriyah Company and Saudi Electricity Company in Riyadh

  • The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works

RIYADH: Two major electrical substations were launched at the Diriyah megaproject in Riyadh on Monday.

The substations will be operated by the Saudi Electricity Company and will speed up the development of projects in the historical area of Diriyah as well as nearby Wadi Safar.

“Today is very special to us,” Jerry Inzerillo, group CEO of Diriyah Company, told Arab News, before underlining the importance of developing infrastructure to be able to complete projects in time for Riyadh Expo 2030.

Jerry Inzerillo, Group CEO of Diriyah Company, and the CEO of Saudi Electricity Company, Khalid Alghamdi during the launch of the two substations. (Supplied)

Inzerillo further elaborated on how the project requires sustainable development because it will be serving a large number of people.

The housing project “will cater to 100,000 people who will live, work, recreate, and pray with us every day,” the CEO said. “So, you need all-new, smart-city technology that the Kingdom is leading on.”

The larger substation will support the first phase of Diriyah’s development and will be implemented through Saudi Services for Electro Mechanic Works.

HIGHLIGHT

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

The second substation, developed by the Saudi Electricity Company through Maetel contracting company, will be one of the main power sources for Wadi Safar.

This will result in a combination of the area’s natural beauty with modern infrastructure, including hospitality assets and sports facilities such as the Royal Diriyah Equestrian and Polo Club, and Wadi Safar golf course.

Also at the event, the acting CEO of SEC, Khalid Al-Ghamdi, expressed his excitement for this significant event and milestone.

“The completion of the bulk substation and the primary substation marks a new era for Diriyah, one that combines advanced infrastructure with our shared vision of creating a sustainable, world-class city,” Al-Ghamdi said.

“We are honored to work with Diriyah Company to bring power solutions that are both reliable and in harmony with Diriyah’s architectural heritage,” he added.

Diriyah is one of Saudi Arabia’s main megaprojects, supported by the Public Investment Fund. The project will eventually have homes for 100,000 people and is aiming to host millions of visits per year by 2030.

The Diriyah project alone contributes $18.6 billion directly to Saudi Arabia’s GDP and will create 178,000 job opportunities, according to the Diriyah Company.

The two substations were designed in line with Diriyah’s traditional Najdi architectural style to preserve the area’s cultural identity.

While the city is a major part of Saudi Arabia’s Vision 2030, it also has historical importance because Diryiah is the birthplace of the Kingdom of Saudi Arabia.

 


Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

Updated 06 January 2025
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Saudi aid agency KSrelief sends humanitarian aid to Syria by road and air

  • 60 agency trucks deliver food, shelter materials and medical supplies to meet needs of the Syrian people
  • Six planes carrying aid from the Kingdom arrive at Damascus International Airport

RIYADH: Sixty trucks carrying relief supplies from Saudi Arabia crossed the Nasib Border Crossing into Syria on Monday, as part of a humanitarian effort organized by Saudi aid agency KSrelief.

The trucks contained essential supplies including food, shelter materials and medical supplies, the Saudi Press Agency reported.

Also on Monday, six planes planes carrying aid from the Kingdom arrived at Damascus International Airport.

Jordanian authorities said 600 trucks filled with aid have entered Syria through the Jordanian-Syrian Free Zone since the collapse of President Bashar Assad’s regime on Dec. 8. The director general of the zone, Irfan Khasawneh, told the Jordan News Agency that the flow of goods has remained consistent since then.

The shipments are addressing the needs of the Syrian people for essential items such as food supplies, energy equipment and spare parts for machinery, he added.

Trade is flowing smoothly, with transactions completed promptly and without delays, Khasawneh said, and staff at the zone are ready to handle larger volumes of trucks and goods in the days ahead.


Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

Updated 06 January 2025
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Anti-extremism group Etidal helps Telegram remove 160m items of extremist content in 3 years

  • Riyadh-based organization says the collaboration has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts
  • Platform thanks Etidal, says partnership has been instrumental in efforts to identify and remove harmful content

RIYADH: The Global Center for Combating Extremist Ideology, also known as Etidal, said on Monday that more than 31 million items of extremist content were removed from messaging service Telegram during the final quarter of 2024.

This brought the total number of such items removed from the platform since the start of their partnership in 2021 to more than 160 million, it added.

Etidal, which is based in Riyadh, said international cooperation is important in efforts to address extremist ideologies and counter the global threat posed by terrorist organizations, and that the collaboration with Telegram has had a significant effect in curbing the spread of extremist propaganda and recruitment efforts.

The platform said it has intensified its efforts to combat extremism since 2022 and expressed its appreciation for the partnership with Etidal, saying it has proved to be instrumental in efforts to identify and remove harmful content.

“There is no place for incitement to violence or terrorist propaganda on Telegram,” it added.

Etidal said it uses advanced technologies to help monitor and analyze extremist content, and detect the deceptive propaganda and tactics used by terrorist organizations in an attempt to evade content removal. It added that its efforts form part of Saudi Arabia’s broader strategy to help safeguard societies through an integrated approach, including targeted media campaigns to raise awareness of the dangers of extremism.

In addition to its partnership with Telegram, Etidal has established strategic collaborations with other international organizations. In 2021, for example, it signed a memorandum of understanding with the UN Counter-Terrorism Center.