Telling the story of Saudi Arabia, one photograph at a time

Ali Al-Mubarak enjoyed capturing photographs of construction workers who were responsible for building the iconic Kingdom Tower in Riyadh. (Supplied)
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Updated 02 March 2022
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Telling the story of Saudi Arabia, one photograph at a time

  • Ali Al-Mubarak sheds light on the evolution of photography in the Kingdom and how it became an art form from a taboo

RIYADH: Ali Al-Mubarak is a 62-year-old professional photographer who has taken his childhood passion to new heights to find himself atop Saudi Arabia’s most famous skyscrapers, like the Al-Faisaliyah Center and the Kingdom Tower in Riyadh, in a career spanning more than four decades.

He told Arab News how he was hired by Al-Hilal publishing house to document the progress of the center and the tower in the late 1990s. 

“At the time, there weren’t many photographers, especially industrial, mainly portraits, event and wedding photographers,” he said. “To be an industrial photographer you have to live like the construction crew, they climb, you climb, they carry their equipment, you carry yours, they get dirty, you get dirty.




Ali Al-Mubarak, the official photographer for the Kingdom Tower, stands atop the unfinished skyscraper in 1999. (Supplied)

“And so I came every month and would see the changes take effect, up until the opening ceremony. And the heights didn’t scare me, I actually enjoyed it a lot and that’s what scared me: My confidence, any wrong step and I could fall. When I got my picture taken on the construction beam at 200 meters high, I was dancing and the laborer who took my photo was yelling ‘Sir! Please stop.’”

He was also the official photographer for the Royal Commission for Riyadh for 15 years, which was then known as the Riyadh Development Authority.

Although his work has taken him to many places around the world, and he has photographed ministers, grand projects and notable members of society, photography was considered a taboo when he started out in the profession. People thought of it as a necessity, such as when they needed passport photos, but what Al-Mubarak saw was an art form.

“I always loved architecture and I wanted to specialize in photography. Back then, everybody would look at you like you were crazy; it was unheard of to study or take up photography as a profession.”

FASTFACTS

  • Ali Al-Mubarak was the official photographer for the Royal Commission for Riyadh for 15 years, which was then known as the Riyadh Development Authority.
  • Ali Al-Mubarak told Arab News how he was hired by Al-Hilal publishing house to document the progress of the Al-Faisaliyah Center and the Kingdom Tower in the late 1990s. 

But it is nature photography that Al-Mubarak enjoys the most. Were it not for the high demand for commercial photography and the good income from it, the Saudi photographer said that he would spend the rest of his life capturing nature.

Nowadays, anyone with a smartphone can take a photo. But, he said, what separated this from the art form of photography was making the image tell a story.

“Taking an image is very easy, making an image is where the art comes in. Making images requires taking in many factors — the lighting, the composition, color harmony, balance, theme and idea. All this comes together to make a picture last forever.”

Al-Mubarak has had a fascination with film photography since he was a child, asking himself how it went from camera to image, so he joined a photography club in 1982 at the University of Petroleum and Minerals.

“I joined immediately and, from the first day, I asked them all the questions. After I got my answers, I fell in love and saved SR500 ($133 at current rates) and bought my first camera.”

But he left his engineering studies at the university, against his parents’ wishes, to pursue his dreams and found work in an Aramco photography lab while freelancing for Al-Yaum newspaper in Dammam. 

“I joined a department which had professional photographers, some were American and some were British. The Saudis there worked in printing and processing films and knew exactly what they were doing. I found myself in heaven.”

Everything about photography intrigued him, from taking the photo to processing and developing it in a lab and seeing the final result. The process, as Al-Mubarak describes it, is meticulous and requires attention to detail as any mistake could result in a poorly finished product.

“The chemicals are very important in processing a photo. The reason some photos would come out very warm or sepia-like is because companies would reuse chemicals after they’ve exhausted them. It’s why if we look at our old family albums or pictures of our parents and grandparents you tend to see those brown photos.

“Because of this, black and white photos were very common; they’re cheap and easy to make while color printing is more expensive, very difficult and highly sophisticated. There’s many aspects to it such as temperature; the wrong temperature — plus or minus a degree — could change the exposure, contrast and color.”

For colored pictures that were printed in some magazines back then, Saudi publishing houses would send their films abroad for processing and development. But this approach was costly and timely. “They would put film rolls in envelopes and send them to the UK. Even Al-Yaum, where Al-Mubarak freelanced, would only produce black and white.

Seeing the lack of colored film photography in the Kingdom, Al-Mubarak decided to make his own lab or dark room at home, purchasing chemicals and equipment that were very expensive. So he sold his car, his only mode of transport, which he had bought for $5,330.

“That may not sound like a lot but when you realize that I did this in the eighties — that price wasn’t considered cheap for a car. Soon after, the only ones printing color in the Kingdom were Aramco, Samir Studio in Dammam, and Ali Al-Mubarak at home.”

While he was at Aramco, he was able to convince the oil giant to grant him a US photography scholarship. He was dispatched to do a two-year diploma, in which he excelled. Impressed by his work ethic, Aramco extended his scholarship to do a bachelor’s degree in California. When he returned to the Kingdom, he embarked on a career path that would capture some of the country’s biggest changes.  

Al-Mubarak hopes to work on new and exciting projects like the Burj Salman in Jeddah, set to be the tallest tower in the world when completed. “It would be a dream, I would love to work on it. I hope so.”


Saudi Arabia’s FM announces landmark visit to Lebanon

Saudi Foreign Minister Prince Faisal bin Farhan speaks at the WEF in Davos on January 21, 2025. (AFP)
Updated 21 January 2025
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Saudi Arabia’s FM announces landmark visit to Lebanon

  • The one-day trip on Thursday will mark the first visit by a high-ranking Saudi official to Lebanon since 2015
  • Prince Faisal bin Farhan welcomed the potential formation of a new government but emphasized the need for real reforms

DAVOS: Prince Faisal bin Farhan said on Tuesday in Davos he would visit Lebanon later this week, the first such trip by a Saudi foreign minister in more than a decade.

He made the announcement during a panel on diplomacy at the World Economic Forum’s annual meeting in the Swiss resort town. 

The one-day trip on Thursday will mark the first visit by a high-ranking Saudi official to Lebanon since 2015, after years of strained relations due to Lebanon’s perceived alignment with Iran, its role in drug smuggling to Gulf countries, and ongoing instability.

Prince Faisal described the recent election of a president in Lebanon, following a prolonged political vacuum, as a highly positive development.

He said the Kingdom welcomed the potential formation of a government but emphasized the need for real reforms and a forward-looking approach to ensure sustainable progress.

He reiterated that the future of Lebanon rested in the hands of its people, urging them to make decisions that steer the country in a new direction.

A UN peacekeeper’s (UNIFIL) vehicle rides along a street in Marjaayoun, Southern Lebanon January 20, 2025. (AFP)

“We will need to see real action, real reform and we will need to see a commitment to a Lebanon that is looking to the future, not to the past,” said Prince Faisal.

“And based on what I hear there and what we see, I think that will inform the Kingdom’s approach, but I have to say what I’ve seen so far and the conversations that we’ve been hearing in Lebanon, all allow me to be very much optimistic.

“We’ve always said, it’s really up to the Lebanese to decide and to make the choices to take Lebanon in a different direction.”

Prince Faisal also said he is “cautiously optimistic” about Syria’s future, citing encouraging signs from the new administration in Damascus and the resilience of the Syrian people.

He emphasized the need for patience and engagement from both the regional and international communities to help rebuild the country’s broken institutions and create a better future for Syrians.

“I would certainly say I’m cautiously optimistic. I may even lean further because you have, first of all, an administration that is saying the right things in private and in public, doing a lot of the right things, but also you have a Syrian people that are incredibly capable and incredibly resourceful,” he said.

He urged collaboration to build on recent positive developments, underlining the collective responsibility to aid Syria’s recovery, especially considering the willingness of the new administration in Damascus to engage constructively with regional and global partners.

“The reality is that they have inherited a broken country with no real institutions and they are having to build all of that from scratch, and that’s not an easy thing,” he said.

“So it’s up to us, I feel in the region first but certainly the international community, to engage, to come and build on this positive development and help Syria and the Syrian people see a much better future.”

Prince Faisal highlighted the importance of lifting the heavy burden of sanctions imposed due to actions of the previous regime, noting some progress with waivers from the US and Europe.

A boy carrying stacks of bread on his head walks past a damaged school in Aleppo, Syria January 21, 2025. (Reuters)

Prince Faisal was also positive about the region as a whole, including the Kingdom.

“We are certainly in a region that is abundant with risk factors, but we are also in a region that has huge potential,” he told the panel.

“I would say that even with the very difficult year behind us, we have shown that we can be resilient as a region and we can actually look to the future, whether it’s the Kingdom, or the GCC countries, and their ability to stay on track with their economic agendas,” he added.

He stressed the importance of avoiding conflict, particularly in light of tensions between Iran and Israel, and expressed optimism regarding the new US administration under President Donald Trump.

“I don’t see the incoming US administration as contributory to the risk of war. On the contrary, I think President Trump has been quite clear that he does not favor conflict,” he said.

“I hope that the approach will also be met on the Iranian side by the addressing of the nuclear program, by being willing to engage with the incoming administration in a way that can help us stay on track with this positive momentum.”

Also on the panel was Mohammed bin Abdulrahman bin Jassim Al-Thani, prime minister and foreign minister of Qatar, who expressed hope that the ceasefire in Gaza between Israel and Hamas would bring much needed relief to the Palestinian people.

Qatar’s PM Sheikh Mohammed bin Abdulrahman bin Jassim Al-Thani speaks with WEF President and CEO Borge Brende during the annual meeting in Davos on January 21, 2025. (AFP)

“Let’s be hopeful (about the ceasefire). It’s still a long way to go with what happened throughout the last 15 months negotiating this very difficult conflict,” he said.

“It showed us that everything can be resolved through talks and through engagement, through negotiations, and we started this week with good news.

“We have seen the humanitarian aid coming in, we have seen hostages going back and we hope that this will be a fair system toward stability now.”


Saudi deputy minister meets newly appointed Bangladesh ambassador

Updated 21 January 2025
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Saudi deputy minister meets newly appointed Bangladesh ambassador

  • Al-Sati wished the ambassador success in his new role

RIYADH: Saudi Arabia’s Deputy Minister for Political Affairs Saud Al-Sati met with the newly-appointed Ambassador of Bangladesh to the Kingdom Delwar Hossain in Riyadh on Tuesday.

Al-Sati wished the ambassador success in his new role, the Foreign Ministry posted on X.

Meanwhile, Saudi Arabia’s Deputy Minister for International Multilateral Affairs Abdulrahman Al-Rassi received Ambassador of Ukraine to the Kingdom Anatolii Petrenko in Riyadh on Tuesday.

During the meeting they discussed bilateral relations and topics of common interest.

 


Unified database of official government policies on Arabic language launched

Updated 21 January 2025
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Unified database of official government policies on Arabic language launched

  • Project aims to offer valuable resource for academics, policymakers
  • Launch ceremony attended by distinguished experts from across region

RIYADH: A new unified database of official government policies on the Arabic language from 22 countries was launched on Monday.

Saudi Arabia’s King Salman International Academy for the Arabic Language, in partnership with the Arab League Educational, Cultural and Scientific Organization, launched the Language Policy System Project in Arab States at ALECSO’s headquarters in Tunis.

The system has gathered language policy data from 22 Arab states, aiming to provide a resource that enables decision-makers, researchers, scholars and experts to undertake strategic linguistic work.

The project was developed in coordination with the Saudi National Commission for Education, Culture and Science.

The launch ceremony attracted a broad range of linguistic experts, institutions and specialists in language planning.

It was also attended by representatives of Arab states in the organization and secretaries of national committees, with more than 50 attendees in total.

The collaboration between KSGAAL and ALECSO plays a key role in advancing initiatives to promote the Arabic language, safeguard its purity and underscore its profound cultural significance, according to Mahmoud Al-Mahmoud, head of the Planning and Language Policy Sector at KSGAAL.

A standout feature of the project is its compilation of more than 1,800 language policies from 22 Arab countries.

Furthermore, the project links these policies to various fields of language planning, greatly enhancing the overall value of the initiative, Al-Mahmoud added.

KSGAAL will provide access to the extensive dataset for researchers, enabling them to leverage the information in a wide range of studies focused on language planning across Arab countries, Al-Mahmoud told Arab News.

The project stems from the academy’s belief in the value of language planning, aiming to achieve its objectives through conducting and publishing studies and research, as well as issuing periodic reports on the state of the Arabic language and its indicators, Al-Mahmoud said.

“The project is distinguished by its strategic significance in influencing language decisions, internationally and regionally, as well as its leadership in terms of both scope and quality,” he added.


Saudi book club brings together readers and writers from around the globe

Updated 21 January 2025
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Saudi book club brings together readers and writers from around the globe

  • Al Jalees Book Club was founded in 2014 and has a presence in Riyadh and Jeddah
  • American poets, novelists and academics from the University of Iowa attended talk

RIYADH: Bookworms and aspiring writers alike were given space to explore their creative talent and learn from seasoned authors at Al Jalees Book Club’s “Writing Across Nations” dialogue session in Riyadh this week.

The club was founded in 2014 by Rana Hajjar, a Jeddah native who wanted to create a productive and welcoming community for local readers and writers.

“Al Jalees is my passion project, I started it because I wanted a space to fit in, a community that understands my interest,” she said.

Hajjar said that although the literary community has very much always been alive in Saudi Arabia, it was very difficult to find each other. So the main goal of the club was for her and others to feel less alone.

Elizabeth Willis, professor of poetry at the University of Iowa at Al Jalees Book Club “Writing Across Nations” dialogue session in Riyadh. (Supplied, Al Jalees Book Club)

Al Jalees has an English department, run by Hajjar in Riyadh, and an Arabic department, run by her sister Rabab, in Jeddah.

Hosted in collaboration with the US Embassy, writers from a wide range of genres and diverse backgrounds were encouraged to attend the “Writing Across Nations” discussion to listen to and engage with American poets, novelists, and academics eager to share the toolkits they have developed to hone their craft.

According to Tom Sleigh, a poet, dramatist and essayist with 11 books of poetry in his arsenal, a common mistake up-and-coming writers commit is comparing their style with that of other authors and trying to live up to those standards, when true talent and audience intrigue comes from the uniqueness one offers in one’s work.

“The idiosyncrasy with which each person approaches their relationship to language meant that there was a kind of utterly unapologetic relationship to writing differently than each other,” he said.

Echoing Sleigh’s words, Cate Dicharry, director of the Writing and Humanities Program at the University of Iowa, said that although she has always been an avid reader, writing seemed unachievable, partly because many of the writers she admired had passed on, creating an enigmatic image of the published author that seemed impossible to emulate.

Al Jalees Book Club hosts “Writing Across Nations” dialogue session in Riyadh. (Supplied, Al Jalees Book Club)

Dicharry also said that young, ambitious students are “reading really good work that is in its final form,” and getting very discouraged when their first drafts do not sound as advanced, creating a fearful cycle that dims potential rather than develops it.

Toxic comparisons aside, all panelists agreed that the key to becoming a great writer is to be a great reader.

Christpher Merril, director of the International Writing Program at the University of Iowa, said that new writers will “fall in love” with a poet and begin imitating them, and if they are lucky enough, they will bore themselves and look for another poet to be encapsulated by.

“Bit by bit you fall in love with different poems (and poets) and then you find your way to writing your own poem,” he said.

In an interview with Arab News, Hajjar said that one non-fiction book everyone should read is “Feel the Fear and Do It Anyway” by Susan Jeffers, a self-help book Hajjar uses to advocate for breast and ovarian cancer awareness and prevention.

The fiction book she recommends is “East of Eden” by John Steinbeck, a multi-generational novel that explores the struggle between good and evil through the interconnected lives of two families in California’s Salinas Valley.

Recalling his time covering the war in former Yugoslavia, in preparation for writing his book: “Only the Nails Remain: Scenes from the Balkan Wars”, Merril spoke about how writing first begins with observing, whether that means observing people’s behaviors or the settings around you.

“Part of your job as a writer is you are paying attention, you’re taking notes, and you’re trying to think: how is he doing that?”

Through writing comes understanding; even if situations seem unclear at first, write them down first and examine the chaos later, Merril said.

Al Jalees Book Club hosts “Writing Across Nations” dialogue session in Riyadh. (Supplied, Al Jalees Book Club)

Responding to a question from Arab News, Merril said: “I am not going to imagine that I am writing from a place of knowledge about myself, I am writing from a place of vast ignorance, with the hope that some lights might go off along the way.”

Elizabeth Willis, professor of poetry at the University of Iowa, emphasized that writing fiction or other literary forms and understanding yourself as a person are both lifelong practices, so do not make your craft wait for you or it will be waiting forever.

Sleigh said that the quiet that comes with writing inadvertently gives you the space and freedom to work through matters in your own life, mirroring Merril’s “through writing comes understanding external concept internally.

Al Jalees hosts large events every month and over the years they have accumulated more than 120 speakers to join their sessions in over 700 events.

Moving Al Jalees online during the COVID pandemic helped open it up to the rest of the world

“When a book club turns into a culture club, turns into a club where everybody intellectual is all around it, it is a very positive impact for you, for your children, for your family, for your friends, and then you make friends through the thousands of people that you meet,” Hajjar said.

Readers and writers of all levels and backgrounds, as well as those simply interested in the community, are welcome to join their events, she said.

“Language is not just words; it is a lifestyle.”

Al Jalees hopes to expand its Jeddah-based Arabic chapter to Riyadh in the upcoming months, as well as to expand the English chapter to biweekly events.

 


Japanese artist nails it with designs inspired by anime, K-pop

Updated 21 January 2025
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Japanese artist nails it with designs inspired by anime, K-pop

  • Nail artist Hikaru Morishita has built a loyal Saudi following
  • Aim is to recreate clients’ ‘innate personality into the design’

RIYADH: Japanese nail artist Hikaru Morishita is bringing her intricate nail designs inspired by anime and K-pop to Riyadh later this month. 

Based in the UAE, Morishita will kickstart her 2025 Gulf tour with a stop in Saudi Arabia’s capital from Jan. 23 to 25.

She is serving a new and loyal Saudi clientele who are fascinated by her eccentric creations. 

The self-taught nail artist told Arab News the story of her humble beginnings in 2019.

Morishita said she was left uninspired by the designs for nails in the industry at the time and decided to move in her own direction. 

She quickly earned recognition: “People started asking me a lot about nails, and I told myself maybe this is the thing that I should pursue.” 

Hikaru Morishita is bringing her anime-inspired nail art to Riyadh. (SUPPLIED)

She added: “Then I took my first client; she’s a girl that lived in the same apartment building that I used to live in … I spent five hours doing medium-length extensions.

“When I completed it (and) after she left my room, I had this joy that came from inside of me, and I screamed from joy … That is the kind of sensation I have never experienced, and I want to experience it over and over. It felt legitimate.” 

For three years, she balanced the life of a nail technician with a job as a secretary at a corporate firm. And in 2022 she began her first international nail tour, landing first in Riyadh. 

Today, she works as a fulltime nail artist and owns two businesses: TAMAMONO, a fine jewelry brand, and Chapa, a merchandise store for a penguin character she designed.

When Morishita begins filing and carving her transcendent nail designs, she enters a world of colorful self-expression, with the aim to instill a sense of confidence in her clients.

Hikaru Morishita is bringing her anime-inspired nail art to Riyadh. (SUPPLIED)

“What I really love about the way I do nails for my girls is not about me doing my favorite design on them, but I always try to make sure that I somehow recreate her innate personality into the design — like what she’s hiding and what is still sleeping inside of her.

“I try to make it shown on her nails, and when my girls see that, they say wow and have so much power.”

Morishita said she draws inspiration from “all the best nail techniques from each region worldwide” to create her self-coined style called “Universe No. 1 Almighty Nailz.” 

She combines techniques from Russia artists, known for their detailed cuticle work, and Kawaii (Japanese) and Gyaru (Korean) charm nail designs, inspired by cartoon characters and gaudy embellishments. 

Morishita is best known for specializing in the “encapsulation” method, a technique of painting nails that layers colors and holograms to create a “5D glassy crystal” look. Many of her designs are handcrafted in stiletto. 

Hikaru Morishita is bringing her anime-inspired nail art to Riyadh. (SUPPLIED)

She prides herself on creating durable acrylic nails that last up to two months, given the labor and hefty price tag starting at SR1,100 ($293). 

Morishita has created detailed dimensional designs inspired by popular Japanese anime including “Death Note” and “Demon Slayer,” as well as a bold nail set inspired by “Arcane,” a steampunk TV series.

Morishita has visited the Kingdom over 20 times and completed more than 115 tours to 13 countries. 

“This is why I keep traveling and keep going no matter what, because I feel like this energy is just so rare, and we just make everything happen just by doing their nails.”