Digital collectibles company produces NFTs of all five volumes of 1400-year-old handwritten Qur’an

Matadee founder Deepali Shukla said all five volumes of the oldest handwritten Qur’an manuscript are available as NFTs. (Supplied/MetaDee)
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Updated 10 September 2022
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Digital collectibles company produces NFTs of all five volumes of 1400-year-old handwritten Qur’an

  • London-based Metadee is selling unique digital copies of the manuscript, which was written by Zayd ibn Thaabit, personal scribe of the Prophet Muhammad

LONDON: A UK-based marketplace for digital non-fungible tokens has announced plans to tokenize and sell all five volumes of the oldest handwritten Qur’an manuscript available in the public domain.

Metadee, which offers digital artworks and collectibles from around the world, said in July that it had tokenized the third, fourth and fifth volumes of a copy of the Qur’an handwritten by the personal scribe of the Prophet Muhammad, Zayd ibn Thaabit, who served as the chief recorder of Qur’anic text.

Now it has confirmed that all five volumes will be made available as NFTs — digital objects specially encoded with proof of their unique nature and ownership — for purchase “to ensure everyone in any country, especially in countries which do not trade in crypto(currency), can access the manuscript.” In addition, the physical copies of volumes one and two are going up for auction.




Metadee said that this rare Qur’an manuscript is believed to have been written in 632 A.D. and has been authenticated and certified by the University of Oxford’s Research Laboratory for Archaeology and the History of Art. (Supplied/MetaDee)

One million NFTs of each of volumes three, four and five of the manuscript have been created and are available to buy for $200 each. The bidding for volumes one and two begins at $25 million per volume, and the successful bidder for each of them will receive the physical copy plus an NFT.

Matadee founder Deepali Shukla told Arab News that the Qur’an NFTs “are limited, digitized versions of the very first manuscript, handwritten in ink by the personal scribe of the Prophet (and) owing to their immeasurable historic and cultural value, the manuscripts are being seen as a cherished treasure by the faithful and art collectors alike.”

The company said that this rare Qur’an manuscript is believed to have been written in 632 A.D. and has been authenticated and certified by the University of Oxford’s Research Laboratory for Archaeology and the History of Art, the leading global authority in dating archaeological artifacts using radiocarbon dating technology.

“In addition to owning and preserving a unique and significant artifact, any individual that owns such an NFT can pass it on to future generations using proof of ownership secured on blockchain,” Shukla said.

“Equally so, it is a great honor to bring enduring wisdom from 1,400 years (ago) and to make it even more valuable in today’s and tomorrow’s digital world.”

She explained that the original manuscripts from which the NFTs will be created are in the possession of a custodian family and kept in Geneva, Switzerland. Generations of the family have traveled through Madinah, Makkah and Syria over the years, and have guarded the volumes and kept them secure.




Matadee founder Deepali Shukla said that the Qur’an NFTs are limited, digitized versions of the very first manuscript, handwritten in ink by the personal scribe of the Prophet Muhammad. (Supplied/MetaDee)

“Thanks to tokenization, rare artifacts and holy texts can now be acquired more easily and accessed without the restrictions of time and space,” said Shukla.

“This helps enrich learning experiences, empowers communities, and makes knowledge more appealing for young people.”

Shukla, who describes herself as a collector and art enthusiast, said recently-launched MetaDee fills a significant gap in the NFT marketplace, in the sense that not everyone might feel attracted to the abstract.

“We have, therefore, innovated a marketplace for exquisite, real and rare digitalized collectibles,” she said. “What was once the exclusive domain of the rich and the ultra-wealthy is now democratized. Everyday people can now own such rare, exclusive and real tokenized artworks and collectibles.”

Shukla said that Metadee’s NFTs undergo extensive scrutiny and due diligence and each collectible is carefully studied, researched and scientifically validated as being one of a kind and valuable. Since the company began selling them, she added, it has received a great response from organizations, countries and even across religions.

“If we were to even set aside their collectible value, this undertaking is proving to be something truly empowering,” she said.

The Qur’an manuscript NFTs are unique, she added, because no other format assigns proof of ownership that can be verified and validated in perpetuity. They can be accessed anytime, anywhere around the world, are easily stored on the blockchain, and are transferable to new owners.

“Besides digital information, NFTs hold perpetual records using smart contracts that may be accessed on blockchain; therefore gifting, purchasing and selling collectibles is made easy within a safe and secure marketplace such as MetaDee.”

Shukla said that the market for digital NFT collectibles is the fastest-growing niche market, and is expected to be worth $700 billion in the coming decade, as several countries, including Saudi Arabia, have started to accept cryptocurrency and NFTs and some have even installed cryptocurrency ATMs.

“As time progresses, actual, tangible and real assets almost always endure, hence the rationale of augmented value of such tokenized assets seems to appeal to people,” she added.


Jameela Jamil lands role in new drama 

Updated 07 May 2025
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Jameela Jamil lands role in new drama 

DUBAI: Actress, body positivity activist and presenter Jameela Jamil, known for her role in “The Good Place,” is set to star in “Pyongyang Home Video,” a new drama based on true events. 

She will star alongside “Squid Game” actor Won Ji-an. 

Won Ji-an will star in the movie. (Getty Images) 

The film follows North Korean sisters Nari (Ji-an) and Hana, who grow up secretly watching banned Hollywood movies. When their father’s black market VHS operation is exposed by a neighbor, the sisters are forced to flee the country. As they navigate their dangerous escape, they use scenes from their favorite films to deal with the mental toll the journey takes on them. Years later, Nari meets American talk show host Serena (Jamil), who vows to reunite the sisters on live television — only for the broadcast to take an unforeseen and revealing turn.

Hailing from Imagine Entertainment and South Korea’s Desert Bloom Pictures, the film will be directed by award-winning Korean filmmaker Yoon Sung-hyun, famous for his movie “Bleak Night.”

The screenplay comes from Liz Kerin, an American screenwriter, novelist and acclaimed playwright best known for the vampire series “Night’s Edge.”

Jamil shared the news on Instagram, writing: “She’s doing a proper movie!!!!”

The actress has a few productions in the works. 

Jamil is set to star in “Hysterical,” a feminist dramedy created by Olivia Lee and loosely based on real-life events involving controversial internet personality Andrew Tate. 

Jamil stars alongside Naomie Harris and Romesh Ranganathan.

Jamil has also lent her voice to the Pixar animated film, “Elio,” which is set for release on June 20. Jamil will be voicing the character of Ambassador Questa.

“Elio” follows an 11-year-old boy named Elio, who accidentally becomes the ambassador for Earth after being transported across the galaxy.

The movie also features the voices of Yonas Kibreab as Elio, Remy Edgerly as his alien best friend Glordon, Academy Award winner Zoe Saldana as Elio’s Aunt Olga, Brad Garrett as Lord Grigon, and Shirley Henderson as OOOOO.

Directed by Madeline Sharafian, Domee Shi and Adrian Molina, the film is produced by Mary Alice Drumm.


Review: Exhilarating South Korean anime ‘Solo Leveling’ packs a punch

Updated 07 May 2025
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Review: Exhilarating South Korean anime ‘Solo Leveling’ packs a punch

RIYADH: One of South Korea’s hottest anime series, “Solo Leveling” takes viewers on an electrifying adventure, blending themes of fantasy and action in a mystical world.

In its second season, main character Sung Jinwoo struggles to find his purpose as a low level hunter in a world with powerful warriors who travel through portals to fight magical beasts. One day, after a strenuous battle which wiped out his peers, Jinwoo was left in a dungeon.

In a plot twist, Jinwoo is spared and “reawakened” by the “System” with a new life, immersing him in a video game-like world where he becomes an iconic fighter.

Once a hunter awakens, their ranks are set and they have no possibility for leveling up, leaving them to hone their skills through training.

As Jinwoo’s strength increases and he gains fighting skills, his battles with monsters become more intense, intricate, and fast paced. The battle scenes have gained tremendous popularity and rightfully so — Jinwoo partakes in provoking conversations with his enemies, enraging them and defeating them with ease.

The battle scenes are epic and portrayed through colorful animations shown at every angle. Anime fans describe Jinwoo to be “aura farming,” a trending term describing the act of an individual intentionally doing something “cool” and always winning seamlessly. 

Anime series often start with a slow burn, but “Solo Leveling” starts off strong, packing a punch with its gripping fantasy storyline from the first episode.

 The only downside is that the fast-paced nature of the show introduces new characters and scenes without a buildup, potentially causing confusion for some viewers.

 Based on an anime series by author Chu-Gong, the on-screen adaptation is worth watching if you are looking for your next binge-worthy anime.

 


Review: The final season of ‘You’ is a damp squib

Updated 07 May 2025
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Review: The final season of ‘You’ is a damp squib

LONDON: Back when it debuted in 2018, “You” was a wonderfully trashy, pulpy thriller that invited audiences to snigger at the sheer silliness of its lead character’s likability. After all, Joe Goldberg (Penn Badgley) might have been a charming, literature-loving bookstore manager – but he was also, we learned during that excellent first season, a serial killer with a tendency to stalk and emotionally manipulate his latest fixation before finally revealing his psychopathic tendencies.

Having a charismatic serial killer at the heart of a show is nothing new – just look at the irrepressible “Dexter” – but “You” set itself apart by not taking itself too seriously, acknowledging the ridiculousness of its central conceit and reveling in the silliness of making us ‘root’ for its really bad good guy. The last series, for example, saw Joe move to London and wind up getting blamed for the murder of a cadre of vacuous socialites, only to discover that he was, in fact, guilty of the crimes after having had a psychotic break – that’s the level of silliness we’re dealing with here. And, for the most part, it works. “You” remains a rip-roaring good time – albeit one with a problematic heartthrob as its protagonist.

A still from the series that is available on Netflix. (Supplied)

The fifth and final season sees Joe return to New York with new wife Kate, cleared of any previous crimes thanks to her influence and power – trying to be on his best behavior, but using his unique skillset to ‘protect’ his family from perceived threats when he can’t keep his murderous tendencies to himself. That setup makes the first half of the final season a decent enough watch – there’s plenty of commentary on high society and its hypocrisy, of the immunity granted to those with money and status, however awful they might be.

But “You” too quickly sets Joe back on a path we’ve seen him tread in the past – his head turned by new muse Bronte (Madeline Brewer), killing anyone who threatens his perception of their romantic connection. With the show now deviating from the Caroline Kepnes books that inspired the earlier seasons, there’s a rush to a finale that feels reductive – given how much we’ve invested in Joe’s character arc, the violent conclusion feels overblown and overly dramatic. Whether or not Joe gets what he deserves is open to debate – but we’ve been robbed of the finale we’ve earned for sticking with him.


Lahore’s ‘Roses of Humanity’ art installation honors Gaza children killed in Israeli strikes

Updated 06 May 2025
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Lahore’s ‘Roses of Humanity’ art installation honors Gaza children killed in Israeli strikes

  • Israel’s 18-month war on Gaza has killed more than 52,000 people, many of them women and children
  • The installation features thousands of fabric roses, each representing a child whose life was cut short

ISLAMABAD: The Alhamra Arts Council in Pakistan’s eastern city of Lahore has opened an immersive art installation for visitors to honor the memory of children killed in Israeli strikes on Gaza, highlighting the devastating human toll of the war.
Israel’s 18-month offensive against Hamas has killed more than 52,000 people, many of them women and children, and displaced more than 90 percent of Gaza’s population, Palestinian officials say. The Israeli military has also blockaded aid to the Gaza Strip since March.
In remembrance of the innocent lives lost in Gaza, the Lahore-based Labour & Love social enterprise, in collaboration with The Fundraisers BBS, has set up the installation at the Ustad Allah Bux Gallery, encouraging reflection on the situation in Gaza,
The installation features thousands of hand stitched fabric roses, each one representing a child whose life was cut short, transformed into a symbolic garden of remembrance, enveloped in evocative soundscapes, gentle fragrance and thoughtful lighting design.
“A total of 15,000 fabric roses represents the number of children reported killed in Gaza by the UN Office of the High Commissioner for Human Rights as of June 2024 a number that, heartbreakingly, has since grown,” said Nuria Iqbal, who curated the installation.

This handout photo, released by Roses of Humanity on May 4, 2025, shows an art installation features thousands of fabric roses, to honor children killed in Israeli strikes on Gaza, at the Al-Hamra Arts Council in Lahore on May 2, 2025. (Photo courtesy: Handout/Lotus)

“Together, these roses form a radiant tribute to humanity, reminding us that dignity flourishes when we are seen, heard and held in compassion.”
The installation will be on display at the gallery from May 18.
Iqbal shared that each of the roses was crafted from discarded fabric, once cast aside and now reborn in beauty, symbolizing the forgotten lives of the children of Gaza.

This handout photo, released by Roses of Humanity on May 4, 2025, shows an art installation features thousands of fabric roses, to honor children killed in Israeli strikes on Gaza, at the Al-Hamra Arts Council in Lahore on May 2, 2025. (Photo courtesy: Handout/Lotus)

“The varied colors and textures of the fabric reflect the rich diversity of creation and the strength of unity amidst difference,” she added.
The development comes at a time when Hamas has dismissed as pointless ceasefire talks with Israel, accusing it of waging a “hunger war” on Gaza where famine looms, as the Israeli military prepares for a broader assault.

This handout photo, released by Roses of Humanity on May 4, 2025, shows an art installation features thousands of fabric roses, to honor children killed in Israeli strikes on Gaza, at the Al-Hamra Arts Council in Lahore on May 2, 2025. (Photo courtesy: Handout/Lotus)

The comments from Hamas political bureau member Basem Naim on Tuesday followed Israel’s approval of a military plan involving the long-term “conquest of the Gaza Strip,” according to an Israeli official.
The former Gaza health minister said the world must pressure Israeli Prime Minister Benjamin Netanyahu’s government to end the “crimes of hunger, thirst, and killings.”


AlUla institution to select Saudi artist for residency in Paris

Updated 06 May 2025
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AlUla institution to select Saudi artist for residency in Paris

  • Initiative aims to bring France’s creative expertise to Saudi Arabia
  • Artist will also join Villa Hegra in AlUla for a residency organized by the institution’s cultural program

RIYADH: A cultural institution in AlUla plans to select a Saudi artist to host a residency in Paris in an effort to promote French artisanal traditions in the Kingdom.

The artist will be chosen by Basmah Felemban and Gael Charbau, artistic directors of AlUla’s Villa Hegra.

A collaboration with the Mobilier National, a French governmental body that produces and preserves artisanal furniture, the initiative aims to bring France’s creative expertise to Saudi Arabia.

The artist will also join Villa Hegra in AlUla for a residency organized by the institution’s cultural program.

Villa Hegra is a planned initiative that hosts a variety of artist residencies, creative spaces for cultural initiatives, an exhibition hall, a cinema and performance art studio.

The partnership between Villa Hegra and the Mobilier National will also involve displaying a selection of design pieces from the French organization’s collections at AlUla.

Herve Lemoine, the president of Manufactures Nationales, said: “This partnership continues the Mobilier National’s rich tradition of collaboration with cultural villas, bringing French artisanal excellence to creative spaces around the world.”

Feriel Fodil, the CEO of Villa Hegra, said: “This long-term collaboration also strengthens Villa Hegra’s primary mission: To promote artistic cooperation between Saudi Arabia and France, while celebrating their respective artisanal heritages.”

Villa Hegra was officially announced in an intergovernmental agreement signed on Dec. 4, 2021, by Saudi Arabia’s Minister of Culture Prince Badr bin Abdullah, and Jean-Yves Le Drian, then-French minister for foreign affairs.

One of Villa Hegra’s goals is to foster cultural dialogue between Saudi Arabia and France.

Fodil previously told Arab News’ French edition: “It is a state-to-state initiative that represents the willingness of two parties to collaborate at the cultural level.”