Dress to impress: The Saudi designer on a mission to make fashion sustainable

Saudi fashion designer Raneem Shaban’s bold and daring designs are designed to be unique, challenging for the masses, and attention grabbing. (Supplied)
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Updated 28 November 2022
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Dress to impress: The Saudi designer on a mission to make fashion sustainable

  • Raneem Shaban, 27, aims to encourage change in the Kingdom’s fashion industry through creations that transform used clothing into something new
  • ‘I was worried people wouldn’t accept the idea of wearing something created mainly from used fabric or material but the mentality has changed,’ she said.

JEDDAH: A recent trend in global fashion has been an attempt to make the industry more environmentally friendly and sustainable. As a result, some designers have been inspired to create ready-to-wear clothing from recycled materials.

One of them is Saudi fashion designer Raneem Shaban from Jeddah. The 27-year-old launched her own custom-clothing label R*3 in 2021 with the aim of reducing “fashion waste” in the Kingdom’s fashion industry through upcycled and reconstructed creations that transform used or vintage clothing into something new.

“At first, I was worried that people wouldn’t accept the idea of wearing something that has been created mainly from used fabric or material but the mentality has changed and people are more adaptable,” she said.

Shaban, who graduated from Dar Al-Hekma University in Jeddah with a bachelor’s degree in fashion design, said she developed a fascination with creating clothes in early childhood.

“From a very young age, I had a passion to design clothes from the used materials that I found in my basement and one of my biggest joys was going through my mother’s wardrobe, which influenced me immensely toward a classic sense of style,” she said.

Shaban’s bold and daring designs are designed to be unique, challenging for the masses, and attention grabbing.

“As a designer, I believe it’s very essential to get out of your comfort zone and make a statement, for which I worked hard to reach out to people and make them understand the fashion-forward trend,” she said.

I was worried people wouldn’t accept the idea of wearing something created mainly from used fabric or material but the mentality has changed.

Raneem Shaban, Saudi fashion designer

Shaban has been involved in a number of projects, including collaborations on runway styling projects and editorial fashion shoots with Harpers Bazaar Arabia and Vogue Fashion Experience by Rubaiyat, and styling Nasibah Hafiz’s spring/summer 2022 collection, powered by La Macarena, among others.

She also participated in Fashion Star Arabia, a fashion-design competitive reality series broadcast on Dubai One. She recently showcased her collection at the Light Exhibition in Riyadh alongside other young, fashion designers.

“A fashion designer has the possibility to influence people and the way they dress; it’s a big responsibility to take the role seriously and be driven,” Shaban said.

“My work journey has been very rewarding. I have had the opportunity to meet distinguished fashion personalities and clients that acknowledged and appreciated my ready-to-wear collection. It feels great when people relate to my collection on a deeper and personal level.”

As part of her design process, Shaban creates fashion “mood boards” from images in old magazines that help to inspire her to create interesting new looks and styling options.

“I didn’t aim to adopt a sustainable approach because it’s ‘on-trend,’” she said. “Instead, I always had a passion for creating styles using recycled fabric or materials and converting it into a brand new, wearable outfit.”

In her role as a sustainable fashion designer, Shaban said she strives to always be mindful of the resources her label consumes and wastes, while at the same time ensuring her designs meet the demands of the marketplace. Feedback from her customers also helps her understand the needs of the market on a range of issues, including the materials and textures of fabric people prefer.

Shaban said she continually learns new things and tries to further explore sustainable materials and fashion trends. She plans to launch a line of accessories alongside her custom-made clothing in the near future.

“It’s important for me to be consistent in designing new collections from used fabrics, while making sure it matches the current fashion trends,” she explained. “The market in Saudi Arabia has changed dramatically and people are more open to bold and narrative style.

“It’s a lot to manage but when you aim to build a unique concept fashion style and receive encouragement for the work. It really makes you feel alive.

“The response to my custom-made designs has always been positive. It pumps the energy and pushes me to work hard and ignore the demands and challenges.”

Shaban said she finds it interesting that people who wear her brand are so aware of the benefits of eco-friendly fashion, and so she considers it her responsibility to help initiate a shift toward a more sustainable industry in the region.

“Under Saudi Vision 2030, I aim to bring more awareness and longevity toward sustainable fashion in the Saudi Arabia marketplace,” she added.

Asked what advice she could offer to aspiring young designers, she said she would encourage them to take time to figure out what it is that they really love and are good at, follow their passion, take risks and enjoy the challenges along the way.

 


Saudi authorities seize drugs, arrest two suspects in Riyadh

Updated 25 December 2024
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Saudi authorities seize drugs, arrest two suspects in Riyadh

  • Authorities sezied 35 kg of hashish and 32,338 controlled medical tablets

RIYADH: Saudi Arabia’s drug control authority seized quantities of narcotics and arrested two suspects for drug promotion in Riyadh on Tuesday.

The General Directorate of Narcotics Control reported the seizure of 35 kg of hashish, 32,338 controlled medical tablets, as well as amphetamine and methamphetamine drugs.

It said that it had arrested two suspects in the case — a Syrian resident and a national — in Riyadh’s region, and referred them to prosecution, the Saudi Press Agency reported.

Saudi security authorities are urging people to report any activities related to drug smuggling or promotion by calling 911 in the Makkah, Riyadh and Eastern Province regions, and 999 in the rest of the Kingdom.

Alternatively, information can be emailed to [email protected]. All reports are treated in confidence.


KSrelief concludes urology surgery project in Yemen

Updated 24 December 2024
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KSrelief concludes urology surgery project in Yemen

  • Project included nine volunteers from different medical specialties
  • KSrelief medical team successfully performed 109 specialized urology surgeries

RIYADH: King Salman Humanitarian Aid and Relief Center has completed a medical project for urology surgeries in Yemen’s Aden governorate.

The project included nine volunteers from different medical specialties and was carried out from Dec. 15-22 in collaboration with the Saudi Program for the Development and Reconstruction of Yemen.

The KSrelief medical team examined 53 cases and successfully performed 109 specialized surgeries, the Saudi Press Agency reported.

KSrelief’s project is one of Saudi Arabia’s medical initiatives to assist the Yemeni people and ease their suffering amid the humanitarian crisis.


Saudi interior minister rewards winners of King Abdulaziz Falconry Festival

Updated 24 December 2024
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Saudi interior minister rewards winners of King Abdulaziz Falconry Festival

  • Prince Abdulaziz awarded the prestigious King’s Sword to falconers Barghash Mohammed Al-Mansouri and Faisal Al-Qahtani
  • He honored the winners of the festival’s elite rounds with King Abdulaziz Cup

RIYADH: Prince Abdulaziz bin Saud bin Naif, Saudi minister of interior and chairman of the Saudi Falcons Club, honored on Tuesday the winners of the 2024 King Abdulaziz Falconry Festival.

Prince Abdulaziz awarded the prestigious King’s Sword to falconers Barghash Mohammed Al-Mansouri and Faisal Al-Qahtani, the Saudi Press Agency reported.

He also honored the winners of the festival’s elite rounds, who received the King Abdulaziz Cup. The champions included Al-Mansouri, Amin Abdullah Al-Mallah, Mohammed Hafez Al-Marri, Fahd Mohammed Al-Mansouri, Mohammed Ibrahim Al-Buainain, and Hamid Mohammed Al-Mansouri, the SPA added.

Additional awards were given to winners in the Mazayen falcon beauty pageant, covering both amateur and professional rounds, the SPA reported.

Prince Abdulaziz also honored the sponsors of the 2024 Saudi Falcons Club events at the end of the ceremony.

King Abdulaziz Falconry Festival was held from Dec. 3-19 at the club’s headquarters in Malham, north of Riyadh.

The event drew 1,032 falconers from nine countries, including 160 international participants, and showcased 3,322 falcons from countries such as Saudi Arabia, Kuwait, the UAE and Italy.

The festival featured 138 rounds in Al-Malwah, highlighting falcon speed and talent, along with Mazayen competitions. It awarded more than SR 36 million ($9.6 million) in prizes, marking a record-breaking year for the festival.


Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

Updated 24 December 2024
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Festival in Riyadh finds Common Ground between Iraqi and Saudi cultures

  • We are ‘all one culture, one society and one message,’ says Iraqi official

RIYADH: From heritage to long-standing traditions, the deep connections between Iraq and Saudi Arabia span thousands of years to the pre-Islamic era.

The second Common Ground festival, an initiative by Saudi Arabia’s Ministry of Culture, is an immersion in the bonds of the two nations through art, cuisine and performance.

Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia. (AN photo)

Alataf Ebrahim, the head of the festival department at the Iraqi Ministry of Culture, Tourism and Antiquities, told Arab News: “Baghdad and all the Iraqi governorates are passionate about embracing Saudi culture. While the event is called Common Ground, with pride, we say that we are all one culture, one society and one message.

“This is a big and very important event, and the project is bold for planning and drawing joint cultural events now, and in the future. As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well as in 2025.”

HIGHLIGHT

Common Ground festival features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq. 

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. The renowned hub for intellectual life hosts various bookstores, clothing stores, live painting and oud performances, and panel discussions around various cultural crossovers.  

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. (AN photo)

In the heart of the bookshop district is one of Baghdad’s oldest coffee shops, Shabandar cafe, which opened its doors over a century ago and has since become a landmark in the city. The establishment has born witness to the twists and tragedies of Iraq’s tumultuous history.

“Shabandar cafe is an open corner for poets and intellectuals, and visitors as well, as they read about the latest cultural news through physical newspapers that are always on each table. This area is where the most prominent cultural activities in the capital (take place),” Ebrahim explained.

Visitors can indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage. (AN photo)

Al-Mutanabbi’s poems are also honored through 10, 3-meter-high scrolls. The works are written in a font that has the characteristics of the 4th century in the style of Ibn Al-Bawwab, the famous calligrapher who was born about a year after Al-Mutanabbi’s death.

“We’re presenting a mini cultural week that encompasses many experiences, not just books and literature, but also extends to musical performances; and an absorption between the two cultures and deepening that relationship,” he added.  

As the Ministry of Culture, this venture has been initiated for two years and we plan on having Saudi cultural nights in Baghdad as well in 2025.

Alataf Ebrahim, Iraqi Ministry of Culture, Tourism and Antiquities official

Visitors can also indulge in local delicacies from both countries while enjoying the live folk music and dance performances that take place twice daily on the main stage.

One of the main festival attractions is Al-Mutanabbi Street, which is recreated based on the historical road in Baghdad along with its iconic main gate. (AN photo)

The festival’s concert series featured an iconic performance by Iraqi singer Kadim Alsahir on the opening day, and a joint oud performance by Saudi singer and songwriter Abadi Al-Johar and Iraqi artist Naseer Shamma on Dec. 21.

The last show of the series will be on Dec. 25, featuring Aseel Hameem and Nawaf Al-Jabarti.

Over 100 artworks are on display at the “Beneath the Gaze of the Palms” exhibition, which examines questions of identity and heritage in Iraq and Saudi Arabia. The showcase includes Islamic, Mesopotamian and contemporary art.

At the entrance of the exhibition is a large structure known as the Mudhif, which is a traditional reed house, particularly in the Al-Ahwar region of southern Iraq. It is a type of communal guesthouse or gathering space that plays a central role in the social and hospitality traditions of the region.

A large part of the exhibition highlights Darb Zubaida, one of the historical pilgrimage routes from the city of Kufa to Makkah that not only facilitated the movement of people, goods, and ideas but also played a crucial role in the cultural and religious life of the Islamic world.

“This road became a place for exchanging ideas with our communities in the Kingdom. Saudi poetry and handicrafts were transferred to Iraq while Iraqi literary and cultural heritage was transferred to Saudi Arabia.

“This is an important aspect of the exhibition, alongside the many artworks that spotlight the traditional, modern, and contemporary art and the traditional tales that are embodied by the contributions of the participating artists.”

The festival also features an exhibition dedicated to the history of traditional clothing, musical instruments, songs, and significant cultural figures of Saudi Arabia and Iraq.

The festival, which runs until Dec. 31, is being held at Mega Studio in Riyadh’s Boulevard City.

 


Creative youth collective hosts art auction in Jeddah with jazz, community spirit

Updated 24 December 2024
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Creative youth collective hosts art auction in Jeddah with jazz, community spirit

  • One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision

JEDDAH: Nama, a new collective dedicated to empowering young creatives, hosted its first event in Jeddah this week at the bustling Huna Alhabib.

The two-day Jazz Night and Silent Art Auction was a display of the power of collaboration and a cultural celebration.

Nama’s debut featured more than 30 pieces by artists from Saudi Arabia, Egypt, the UAE, Kuwait, Bahrain, Spain, Canada, and beyond. These works were donated specifically for the auction to bridge artistic communities across borders.

The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region. (AN photo)

Jana Abdulaziz, Nama’s founder and director, told Arab News: “For the longest time, Nama was nothing more than an online group of about a dozen high schoolers that joined solely off the identity statement I wrote. No logo, no solid plans, just an idea.

“I remember a couple months in with next to no progress almost giving up the idea of having an event or Nama becoming anything. I reached out to potential sponsors and hundreds of local and international artists from my personal accounts as a last-ditch effort, expecting nothing ... and to my surprise, people did.”

With the participation of 15-plus local brands and businesses as vendors, the event was much more than an art exhibition. Visitors enjoyed an immersive experience complete with live jazz and blues performances, as well as an artist sketching portraits of guests.

The event seems to have resonated with artists and attendees alike. Yousef Zaini, a local artist and artwork donor, said: “As an artist, my work is intended to invoke emotions, raise questions, and offer perspectives. I borrow heavily from my readings in philosophy.

“I’m honored to work with Nama and showcase my works and share the philosophies they embody. The event organized by Nama was a great mix and I am eager to collaborate with them in the future. Much better is to come.”

French-Tunisian artist E. L. Seed donated one of his lithographs to Nama, describing it as a valuable opportunity. He said that participating in Nama was a chance to support the event and inspire young artists, emphasizing that no event is too big or small when it comes to reaching art enthusiasts, especially in Jeddah.

The idea for Nama came to Abdulaziz in late 2023. Despite initial setbacks, her determination and passion brought the project to life. The seamless blend of jazz music and visual art has created an atmosphere that elevated creativity and engagement, bringing people together to celebrate the cultural richness of the region.

Jwan Abdulhafeez, Nama’s head of media, said: “We wanted our launch event to be more than just an auction, we envisioned a true celebration of art, culture, and fun. The evening featured a carefully curated silent art auction that showcased emerging talent while creating an atmosphere of sophistication with live jazz performances.

“Through the silent art auction, we were able to connect talented artists with art enthusiasts, creating meaningful relationships within our community.”

The auction was a celebration of global perspectives and artistic diversity, featuring works from renowned artists while providing a platform for young creatives to share their stories and build connections in the art world.

One of Nama’s key collaborators, Mohammad Aboalola, founder and writer at Mena Youth Magazine, expressed his admiration for the collective’s approach: “Nama and Menayouth struck a chord in terms of their values and vision. When Nama approached Menayouth for us to help with managing media and activities, their approach to things proved that they have ultimate care for who they work with. They came up to us offering to deal with the event as if it was our own.”