Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

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‘Amongst Men’ (2014/2023) installation by Haroon Gunn-Sali. (AN Photo by Ali Khamaj)
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Updated 27 January 2023
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Saudi Arabia stages first ever Biennale for Islamic Art in Jeddah

  • Jeddah’s inaugural Islamic Arts Biennale celebrates the legacy of Islamic art in a place close to Makkah, the fountainhead and cradle of Islam

JEDDAH: Saudi Arabia witnessed a historic moment with the opening of the inaugural Islamic Arts Biennale, which presented historic and contemporary works of Islamic art from around the world.

On the evening of Jan. 22, the Western Hajj Terminal at King Abdulaziz International Airport in Jeddah was filled with crowds of people waiting in eager anticipation. This was not the usual throng of pilgrims that use the terminal each year to travel to Makkah for the annual Hajj pilgrimage, but one awaiting the beginning of another voyage — a metaphorical one into the realm of Islamic art through the first-ever Islamic Arts Biennale hosted by the Kingdom. 

The crowd gathered under the impressive canopies of the Hajj Terminal, designed by Skidmore, Owings & Merrill, which won the 1983 Aga Khan Award for Architecture.

The biennial event, which includes many newly-commissioned and never-before-seen works of art, marked a historic moment not just for Saudi Arabia and the Diriyah Biennale Foundation that staged the event, but for the legacy of Islamic art, which has witnessed hardly any large-scale international exhibitions since the 1976 World of Islam Festival in London.

Jeddah’s inaugural Islamic Arts Biennale celebrates the legacy of Islamic art in a place close to Makkah, the fountainhead and cradle of Islam, while forging a dialogue between the past, present and future through contemporary artworks by 60 established and emerging artists from Saudi Arabia and around the world, and with over 60 new commissions and 280 historical artifacts. 




“The River Remembers” (2023) by Kamruzzaman Shadhin. (AN Photo by Ali Khamaj)

The effect is illuminating, mystical and enlightening in that this biennial, like its theme “Awwal Bait” which means “First House” in Arabic, celebrates the beauty and heritage of Islamic art in the birthplace of Islam.

“The Islamic Biennale, staged in this location at the Western Hajj Terminal, has meaning and anticipation for the future,” Saad Alrashid, a leading Saudi scholar, archaeologist and one of the curators of the event, told Arab News.

“Jeddah is the gate of the Haramain and has a deep history. There is an accumulation of strata of civilization in Saudi Arabia and throughout the ages this area was the crossroads of civilization between East and West and up to the North. Staging the Islamic Biennale here presents to the world the idea of connection between all Muslims and everybody that comes and goes from Saudi Arabia geographically, historically and politically.”

In the same vein, the theme “Awwal Bait” explores how the Holy Kaaba in Makkah and the Prophet’s Mosque in Madinah aim to inspire Muslims both culturally and metaphysically to explore their sense of belonging and ponder the definition of home.

“At its core, the Biennale is about giving contemporary objects a home by giving them a lineage and giving historic objects a home by giving them a future,” Sumayya Vally, artistic director of the Biennale, told Arab News. 




“Letters in the Light, Lines we Write” (2022) by Muhannad Shono. (AN Photo by Ali Khamaj)

“Seeing the Biennale come to life through the voices and perspectives of our artists has been profound,” she added. “Each of them has boldly and sensitively taken on the opportunity of this platform to contribute to an emerging discourse on Islamic arts that we hope will continue.”

Staging the Islamic Arts Biennale was the result of a global effort. More than 18 local and international institutions, including the General Presidency for the Affairs of the Two Holy Mosques, alongside artifacts loaned by other prestigious international institutions with an interest in Islamic Arts, such as Benaki Museum in Athens, the History of Science Museum at the University of Oxford, the Louvre in Paris and the Victoria and Albert Museum in London.

The Biennale was curated by a multi-disciplinary group of specialists, including Omniya Abdel Barr, an Egyptian architect and Barakat Trust Fellow at the V&A, and Julian Raby, director emeritus of the National Museum of Asian Art at the Smithsonian Institution in Washington, DC.

 

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“It was challenging to find objects that have survived that were made in Makkah and Madinah,” said Abdel Barr to Arab News. “We searched within collections to see how we could create a conversation between historic objects while also keeping in mind the contemporary context and this was the most interesting part.”

Regionally, the Diriyah Biennale Foundation has secured loans for the exhibition from institutions such as the King Abdulaziz Library, the National Museum, King Faisal Center for Research and Islamic Studies and King Saud University — all in Riyadh — and Makkah’s Museum of Antiquities and Heritage, the General Presidency for the Affairs of the Two Holy Mosques and Umm Al-Qura University. From the wider region, works have been loaned from the Al-Sabah Collection and Dar Al-Athar Al-Islamiyyah in Kuwait, the Museum of Islamic Art, Cairo, and the Museum of Islamic Art, Doha, among others. 




 Ka'bah Door made by Shaikh Mahmoud Yousuf Badr for King Abdulaziz bin Abdulrahman Al Saud in 1947. (AN Photo by Ali Khamaj)

The viewing experience is mystical, like a pilgrimage in itself. It begins in darkness with American Lebanese artist Joseph Namy’s commission “Cosmic Breath” presenting recorded calls to prayer from countries around the world played together, working as if in unison with the installation across the room by Saudi artist Nora Alissa, titled “Epiphamania: The First Light,” which depicts various black and white shots of pilgrims around the Kaaba shot impressively from beneath her abaya. Nearby is an Islamic astrolabe that is positioned towards Makkah. The trio of works mark the first example in the carefully curated show, demonstrating the dialogue generated from historic and contemporary Islamic works of art.

The structure of the Biennale is divided into four galleries and two pavilions that house artworks regarding daily Islamic rituals and Hajj. These sections intend to evoke both personal and collective emotions about the spiritual life of Muslims around the world. 

Large-scale, newly-commissioned works are found outside around the terminal’s expansive and evocative canopies, amid rays of sunlight and views of Jeddah that periodically include airplanes taking off high into the sky. The works outside communicate with nature and the Aga Khan award-winning architecture of the terminal itself.

Outside are also the pavilions of Makkah and Madinah, which present material from the Two Holy Mosques, Masjid Al-Haram and from the Hujra Al-Sharifa in Madinah. The focus here is on the initial journey that the Prophet Mohammad and his followers took from Makkah to Madinah to escape persecution. The objects on display, once again a mixture of historic and contemporary, shed light on the sense of universal belonging that ensues from the Muslim pilgrimage and journey home afterward.

Surrounding the pavilions are works by artists including Dima Srouji, Shahpour Pouyan, Moath Alofi, Reem Al-Faisal, Alia Farid, and Leen Ajlan. 




(AN Photo by Ali Khamaj)

Of note is Bricklab’s architectural installation “Air Pilgrims Accommodation 1958” inspired by Jeddah’s historic Hajj housing, which Vally describes as a site that “gathered people from all over the world to stay in one place — a place for cultural production and trade.”

“The idea emanating from the works outside is for them to generate invitations for gathering, for discussion and exchange,” Vally told Arab News.

This is reflected in Tanzanian artist Lubna Chowdhary’s “The Endless Iftar” which is a 40-meter-long table inspired by rituals of eating and gathering from around the world during Ramadan.

Also positioned outside is “My Place is the Placeless” by Iranian London-based artist Shahpour Pouyan, presenting three large-scale differently colored architectural domes that represent the three major traces in the artist’s DNA after he took a test that revealed his origins go beyond his native Iran to include Scandinavia, Central and South Asia, and the Middle East.

“It’s about human interconnectedness in an effort to break down ethnic labels and identities,” Pouyan explained to Arab News. 




"Wave Catcher" (2023) by Basmah Felemban . (AN Photo by Ali Khamaj)

Like the other works on show, Pouyan’s work reflects not just on Islamic culture but on its universality, its ability to connect beyond the Middle East and offer a unifying force that goes beyond religion, nationality and culture.

As Alrashid states: “Islam is a communication of knowledge and culture.”

He added: “Since the 2030 Vision we sense that we are more welcoming just like the Makkans in the past welcomed visitors during Hajj.

“We are showing the whole world how they can enjoy Islamic art,” he said. “The Biennale is not just an exhibition or something from the past — it continues through culture, through integration with the multiculturalism of Muslims.”

Perhaps the most powerful theme of the exhibition is the idea of Islam and its art across the ages as a physical and metaphorical unifying element that continues to connect diverse cultures and people throughout the world. It is also a way, as Vally stressed to Arab News, “to define what it means to be Muslim from our own perspective, through our own art and culture to the rest of the world and to show how Islam has the power to unite us all, even non-Muslims, through its history, traditions and spiritual practices.”


Saudi Arabia expands humanitarian aid to Gaza with new KSrelief-ICRC agreement

Updated 01 March 2025
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Saudi Arabia expands humanitarian aid to Gaza with new KSrelief-ICRC agreement

  • Under the agreement, KSrelief will provide an additional $1.85 million in aid

RIYADH: The King Salman Humanitarian Aid and Relief Center signed a cooperation agreement with the International Committee of the Red Cross to bolster emergency response efforts for Gaza, the Saudi Press Agency reported on Saturday.

The deal was signed by KSrelief Assistant Supervisor-General for Operations and Programs Ahmed Al-Baiz and ICRC Director-General Pierre Krahenbuhl.

Under the agreement, KSrelief will provide an additional $1.85 million in aid, bringing its total support for the ICRC’s efforts in Gaza to $11.85 million.

The funding will be directed toward the delivery of essential medical supplies to health facilities, as well as improving water and sanitation services — critical sectors strained by the humanitarian crisis.

Since the outbreak of hostilities between Hamas and Israel on Oct. 7, 2023, the humanitarian situation in Gaza has deteriorated dramatically.

The conflict has resulted in tens of thousands of casualties, widespread displacement and severe shortages of food, clean water and medical supplies.

Hospitals and health centers have struggled to cope with the influx of injured civilians, with many facilities facing critical shortages of medicine, electricity and even basic equipment.

The destruction of infrastructure has also left large portions of the population without access to clean drinking water, exacerbating the risk of disease outbreaks.

Saudi Arabia, through KSrelief, has been at the forefront of aid efforts for Gaza, working alongside international partners to provide food assistance, medical supplies and emergency relief.


Princess Fahda to honor female winners of Qur’an memorization competition

Updated 01 March 2025
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Princess Fahda to honor female winners of Qur’an memorization competition

  • Princess Fahda will crown the top three winners across six categories of the competition

RIYADH: Princess Fahda bint Falah Al-Hathleen, the wife of King Salman, will preside over the awards ceremony for the female winners of the 26th edition of the Custodian of the Two Holy Mosques Award for Memorization, Recitation and Interpretation of the Holy Qur’an, the Saudi Press Agency reported.

The event, set to take place on Sunday, will see Princess Fahda crown the top three winners across six categories of the competition.

Organized by the Ministry of Islamic Affairs, Dawah and Guidance, the competition ran from Feb. 24-28 and involved 125 male and female participants.

With a prize pool of SR7 million ($1.86 million), the annual competition highlights the leadership’s dedication to promoting the teachings of the Holy Qur’an and encouraging youth to engage with its values, the SPA added.


Saudi embassy launches iftar initiative with gift to distribute dates in Bosnia

Updated 01 March 2025
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Saudi embassy launches iftar initiative with gift to distribute dates in Bosnia

  • The deputy ambassador emphasized that the gift from King Salman to the people of Bosnia and Herzegovina represents the Kingdom’s dedication to strengthening humanitarian and Islamic efforts

SARAJEVO: The Ministry of Islamic Affairs, Dawah and Guidance, represented by the religious attache of the Saudi Embassy in Bosnia and Herzegovina, recently held an official ceremony to launch two programs: the Custodian of the Two Holy Mosques’ gift to distribute dates, and the iftar initiative for those fasting during Ramadan.

The event, held at the King Fahd Cultural Center in Sarajevo and attended by Saudi Deputy Ambassador to Bosnia and Herzegovina, Ali bin Hamad Al-Dossary, announced the distribution of 20,000 tons of dates to benefit more than 40,000 individuals, Saudi Press Agency reported.

The deputy ambassador emphasized that the gift from King Salman to the people of Bosnia and Herzegovina represents the Kingdom’s dedication to strengthening humanitarian and Islamic efforts.

 

 


Lanterns and spices: Jeddah’s historic district draws Ramadan shoppers

Updated 01 March 2025
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Lanterns and spices: Jeddah’s historic district draws Ramadan shoppers

  • Throughout the Kingdom, residents are embracing traditional Ramadan customs by decorating their homes with welcoming messages and cheerful ornaments

JEDDAH: Streets and public spaces across Saudi Arabia have been adorned with festive decorations, including illuminating crescents and lanterns, symbolizing the joy and anticipation that fills the air as citizens and residents mark the arrival of the holy month of Ramadan.

Throughout the Kingdom, residents are embracing traditional Ramadan customs by decorating their homes with welcoming messages and cheerful ornaments, exchanging heartfelt greetings and organizing family gatherings.

These traditions play a vital role in strengthening bonds of kinship and fostering a strong sense of community during this sacred time.

According to the Saudi Press Agency, traditional markets and public squares in historic Jeddah have become vibrant hubs as Ramadan begins, drawing locals, residents and tourists alike to Al-Balad district for seasonal shopping.

Shoppers are flocking to the bustling streets of old Jeddah, where merchants offer everything needed for Ramadan preparations, from essential food items for traditional dishes and sweets to a variety of coffee and spices.

The shops selling Ramadan lanterns and decorative lights are particularly busy as families prepare to adorn their homes for the holy month, continuing cherished social traditions in Jeddah. Stores are also stocked with kitchenware, serving dishes and hospitality items to meet seasonal demands.

Merchants are providing a wide range of products at competitive prices, with traditional pottery items remaining especially popular among elderly shoppers who appreciate these cultural treasures.

The Ministry of Culture is also hosting Ramadan Season in cities nationwide. The initiative features cultural and community events highlighting Ramadan’s heritage and Saudi traditions.

Under the slogan “Our Nights Have Returned,” the ministry has decorated roads and public spaces with lights and installations. Key locations in Riyadh and Jeddah, including Al-Ghadeer Walkway, Olaya Street and the Jeddah Corniche, will be illuminated during the holy month.

The Jeddah Historic district will host events, including a historical houses area with restaurants and cafes offering iftar and sahoor experiences. “Balad Stalls” will provide a food destination with stalls, trucks and seating.

The ministry is celebrating Saudi Ramadan traditions through a cultural experience combining entertainment and education, reinforcing cultural awareness and social values.

In parallel, the Ministry of Commerce has stepped up its oversight in preparation for Ramadan, conducting more than 19,000 inspection visits throughout the Makkah region.

These regulatory efforts ensure that commercial establishments, particularly those selling food, consumer goods and clothing, are adhering to discount regulations and maintaining the availability of essential goods for consumers.


KSrelief signs $5.15m deal to aid Ukrainians

Updated 01 March 2025
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KSrelief signs $5.15m deal to aid Ukrainians

RIYADH: Saudi aid agency KSrelief has signed a $5.15 million cooperation agreement with the UN Population Fund to provide emergency protection for vulnerable groups in Ukraine.

The deal will benefit 49,360 people, the Saudi Press Agency reported on Saturday.

It was signed by KSrelief Assistant Supervisor General for Operations and Programs Ahmed Al-Baiz and the fund’s deputy executive director, Andrew Saberton, in Riyadh.

The agreement will deliver essential services related to gender-based violence in affected areas of Ukraine.

It focuses on supporting mobile psychosocial teams, and establishing safe spaces for women and girls with economic empowerment opportunities, dignity kits and community psychological support.

Additionally, it aims to strengthen the capabilities of community psychological support service providers.

Al-Baiz also signed a cooperation agreement with the Benevolence Coalition for Humanitarian Relief in Riyadh to promote sustainable agriculture and empower the agricultural and fishery sectors of Yemeni governorates.

The deal will enhance the resilience of farmers and fishermen, and contribute to local food production by supplying agricultural inputs such as seeds, equipment, safety tools, fishing boats, veterinary kits and greenhouses.

It also involves training on agricultural and fishery practices, and improving irrigation by pumping water from wells, and establishing drip irrigation and canal networks.