Why the marble flooring of Saudi Arabia’s Two Holy Mosques remains cool even in summer

The marble floor of the Grand Mosque in Makkah serves a practical purpose, helping regulate temperatures. (AFP file)
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Updated 14 April 2023
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Why the marble flooring of Saudi Arabia’s Two Holy Mosques remains cool even in summer

  • Stone from particular island in Greece scientifically proven to have natural, self-cooling properties
  • The Saudi leadership has imported Thassos marble for use in the Two Holy Mosques since 1978

MAKKAH: For centuries, the Two Holy Mosques at Makkah and Madinah have welcomed pilgrims from across the world. To the pleasant surprise of visitors, the glistening white marble floor that surrounds the Kaaba in Makkah remains cool beneath their feet, even during the hottest days.

While some have claimed that hidden cold-water pipes under the floor are responsible for its coolness, the real reason lies in the mosque’s unique choice of building material.

Marble from Thassos, an eastern Greek island near Kavala in the Aegean Sea, has one of the rarest characteristics ever found in the stone. Due to its pure white appearance and high reflection of light, Thassos marble — sometimes called “snow white” marble — has one of the lowest heat absorbances of any marble.




Marble quarry on Thasos island, northern Greece. (Dr Peter Tzeferis via Wikimedia Commons)

The stone has been quarried from the island since ancient times, and is still used all over Greece today. It has formed the walls, floors, and statues of some of history’s greatest sites, including the ancient Macedonian tomb at Amphipolis (the largest ever discovered in Greece) and Hagia Sophia in Istanbul.

The stone’s unique properties see its frequent use in luxury villas and interior decoration, though it does not come cheap. Individual tiles can range between $250 and $400 per square meter, according to Indian marble supplier RMS Marble.




Marble mined at a quarry in Thassos, Greece, is one of its most impressive features of the floor of the Grand Mosque in Makkah. (Shutterstock)

For decades, Saudi Arabia has imported the unique dolomitic marble for exclusive use at the Two Holy Mosques to provide relief and avoid unsafe surface temperatures, as mosque visitors are required to enter barefoot.

Undersecretary-general for technical, operational, and maintenance affairs at the General Presidency for the Affairs of the Two Holy Mosques, Eng. Fares Al-Saedi, told Arab News that Thassos marble is characterized by its extreme coldness, despite intense heat that may reach 50-55 C in the summer months.




Pilgrims use umbrellas to protect themselves from the extreme hear during summer, but on the marble floor they need no protection. (AFP file)

Al-Saedi added that the Kingdom’s leadership decided to import the self-cooling stone for the construction of wide yards and open spaces where millions of pilgrims pass annually.

Al-Saedi explained that the General Presidency supervises marble maintenance work across the area by treating, restoring, and then polishing the marble or replacing old and unusable tiles.

“Maintenance is carried out 24/7 by over 40 engineers and technicians … each marble slab is five centimeters thick, and what makes it stand out is its ability to absorb moisture through its delicate pores during the night and release that moisture during the day, making it cooler under high temperatures,” he said.

According to a study published in the international journal Construction and Building Materials in 2021, the thermophysical features of the stone both reflect and dissipate solar insolation heat.




Crates of high quality marbles from Thassos ready for shipping. (Courtesy of Thassosmarbles)

The study found that Thassos marble has an uncommonly high level of high solar reflectance and a high rate of thermal conductivity relative to limestone, another stone commonly used in Islamic architecture.

Collectively, these properties have proven to be capable of sustaining cool surface temperatures even during hot summer periods, and provide an overall reduction in night-time convective shedding of thermal energy into the overlying atmosphere.

At the same time, the marble adds to the mosques’ artistic ambiance, which provides an exceptionally memorable experience.

Another study carried out by a joint Saudi-Egyptian team and published in the Arabian Journal of Geosciences in 2018 referred to the marble as “heat-dissipating smart marble,” attributing its high whiteness purity to the stone’s dolomite-rich crystal formation.




White marble blocks ready for slicing. (Courtesy of Thassosmarbles)

Writer and heritage researcher Abdullah Al-Batati told Arab News that the unroofed and paved stone floor of the mataf (the place where pilgrims circumambulate the Kaaba) was slightly curved and filled with pebbles and stones smaller than the size of a bean before the pavement.

“Omar Ibn Al-Khattab was the first to stone the Mosque’s floor after the expansion of the mataf in 119 AH (737-738 AD); during the reign of Al-Walid bin Abdul-Malik, the mataf was covered in marble. In 145 AH (762-763 AD), the old floor was covered in marble in the era of Abu Jaafar Al-Mansour, and was tiled with marble in the era of Abbasid Caliphate in 284 AH (896-897 AD),” said Al-Batati.

“In 1003 AH (1594-1595 AD), flint stones were replaced with alabaster stones, while white bright marble covered the mataf’s floor in 1006 AH (1597-1598 AD) during the reign of Sultan Mohammad Khan. In 1344 AH (1925-1926 AD).”

He noted that during the reign of King Saud, the old marble tiles were removed from the old mataf, and the new mataf was leveled and paved. The two were separated by a dividing line of black marble which was brought in from several quarries across Saudi Arabia.




The undated view of the Holy Kaaba at the Makkah Grand Mosque crowded with pilgrims. (AN file)

Dr. Salma Hawsawi, professor of ancient history at King Saud University, told Arab News that King Abdulaziz carried out expansions at the Grand Mosque and the Prophet’s Mosque, which lasted until King Khalid’s reign in the 1970s and 1980s. The latter issued an order to expand the Grand Mosque in its current form and tile its floor with heat-resistant marble imported from Greece in 1978.

King Khalid ordered the tiling of Makkah’s Holy Mosque using heat-resistant white marble to level the site and remove pebble stones so that the mataf could comfortably accommodate the increasing number of worshippers and pilgrims.

“The second expansion of the Grand Mosque occurred between 1985 and 1986 during King Fahd’s reign, who also ordered the tiling of the courtyard around the Kaaba and the squares surrounding the Grand Mosque using cold white marble in a circular and lined manner, making it suitable for prayers,” Hawsawi told Arab News.

In continuation of past expansion projects, King Salman continued developing the services of the two Holy Mosques, as he ordered the completion of the third expansion, in addition to developing many projects, according to Hawsawi.

Hawsawi stated that the marble is imported from Thassos in the form of large blocks of stone, which are then processed and manufactured in the Kingdom’s factories by the Binladen Group, a leading contracting company supervising the construction and development of Makkah’s mosques.

“Engineers and technicians carry out regular inspection visits and maintenance works with high proficiency, and marble tiles that are no longer in good condition and have lost their coolness characteristics are replaced with new ones. The type of marble is natural, and neither the Kingdom nor Greece inserts any additives, nor does it have any impurities.

“This type of marble is rare and expensive; a single marble piece is five centimeters thick, 120 centimeters long and 60 centimeters wide. It absorbs moisture and cold at night through its pores to preserve them during the day. Thus, the surfaces of the Grand Mosque remain moderately cool all year long and for everyone to enjoy,” Hawsawi said.

 


Young Saudi rug makers weave kaleidoscope of dreams

Updated 29 December 2024
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Young Saudi rug makers weave kaleidoscope of dreams

  • Bassam Al-Khalifi, Saud Al-Rasheed master the art of tufting rugs

RIYADH: In the wake of the pandemic Bassam Al-Khalifi and Saud Al-Rasheed transformed their isolation into creativity, leading to the birth of Ghazlah Studio — a hub for unique, hand-tufted rugs.

The Saudi men’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion.

Al-Khalifi’s journey began when he sought to decorate his room. Frustrated by the lack of appealing rugs in the market, he decided to create his own.

Saudi duo Bassam Al-Khalifi and Saud Al-Rasheed’s story is not just about artistry but a testament to how challenging times can inspire innovation and passion. (Supplied)

“I wanted something different, so I ordered the equipment and dedicated a year to learning how to tuft,” he told Arab News. What started as a personal project quickly evolved into a larger vision.

Initially, neither Al-Khalifi, an artist and designer, nor Al-Rasheed, an avid art collector, had any experience in weaving. They faced a steep learning curve but were undeterred.

“We took six months to learn how to conceive designs, source materials, and weave the rugs,” Al-Khalifi explained.  

HIGHLIGHTS

• The journey of Ghazlah Studio began when Bassam Al-Khalifi, frustrated by the lack of appealing rugs in the market, decided to create his own.

• Their debut collection titled ‘Color as a Scene’ evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic.

They experimented with various techniques, ultimately settling on a “cut and loop” method using 100 percent acrylic yarn. This approach stands in contrast to traditional Arabian carpet-making methods which often utilize wool and time-honored designs.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Their learning process was filled with challenges, but their determination pushed them forward.

Al-Khalifi pored over tutorials, consulted with experts, and practiced tirelessly. Al-Rasheed, with his keen eye for aesthetics, contributed by curating color palettes and design concepts.  

What started as a hobby soon blossomed into a commercial venture. With their rugs gaining traction, Al-Khalifi and Al-Rasheed launched Ghazlah, featuring a debut collection titled “Color as a Scene.”

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

The collection evokes a range of emotions, reflecting the complex sentiments many experienced during the pandemic. “I wanted to splash all these emotions on the piece itself,” Al-Khalifi said. The vibrant tapestries of feelings capture the essence of joy, nostalgia, and hope.

The vibrance of their work makes a statement piece in any room. Each piece is unique, with some featuring Saudi themes that enhance their significance and appeal. The artists also draw inspiration from their heritage, incorporating traditional motifs and modern designs, creating a fusion that resonates with a broad audience.

In Ghazlah’s Riyadh workshop, the atmosphere is filled with creativity and energy. The walls are lined with neatly organized shelves filled with spools of yarn in every imaginable color. There are some of Al-Khalifi’s paintings and rugs still in progress, showcasing their journey.

The duo’s success can also be attributed to their innovative marketing strategies. (Supplied)

Al-Rasheed gestured around the space, saying: “This place is full of rugs that we made but decided not to sell. Why? Because we love them. I’m trying to push Al-Khalifi to sell them, but he won’t.”

Ghazlah Studio has made a notable impact in Riyadh, showcasing creations in three galleries. Their work has garnered attention not just locally but also from international platforms, leading to collaborations with major brands such as Vogue and Sephora.

These partnerships have elevated their profile and allowed them to reach a wider audience with which they can share their artistry and craftsmanship.

The duo’s success can also be attributed to their innovative marketing strategies. They leverage social media to share their creative process, engage with customers, and build a community around their brand.

By showcasing behind-the-scenes footage, they invite their audience into their world, allowing them to witness the transformation of raw materials into stunning art pieces.

As they continue to grow, Al-Khalifi and Al-Rasheed are committed to exploring new design possibilities, as well as looking into creating home decor items. They plan to expand their collections, experimenting with different textures, materials, and techniques.

From a simple idea born during quarantine to a noteworthy business, Ghazlah Studio continues to make waves in the art scene, proving that even in isolation, inspiration can thrive.

As they weave their stories into every rug, Al-Khalifi and Al-Rasheed invite us all to find beauty and meaning in our own creative pursuits.

 


Hail governor inaugurates Middle East’s largest salmon production center

Updated 28 December 2024
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Hail governor inaugurates Middle East’s largest salmon production center

  • The 10,000-square-meter facility features the latest marine technology

HAIL: Prince Abdulaziz bin Saad bin Abdulaziz, the governor of Hail, inaugurated the Excellence Center for Salmon Production on Saturday, the largest facility of its kind in the Middle East.

A collaboration between the Ministry of Environment, Water, and Agriculture and King Abdulaziz University, the center aims to produce 100,000 tons of salmon annually, bolstering Saudi Arabia’s food security and aquaculture sector, the Saudi Press Agency reported.

The 10,000-square-meter facility features the latest marine technology, including recirculating aquaculture systems and aquaponics units, which integrate fish and vegetable production.

It is designed to reduce the Kingdom’s reliance on salmon imports, currently at 23,000 tons per year.

Prince Abdulaziz hailed the project as a cornerstone of Vision 2030, promoting sustainable development and economic diversification, while attending officials highlighted its potential to enhance innovation, create jobs, and serve as a model for sustainable aquaculture in the region, SPA added.


Islamic minister highlights Saudi Arabia’s role in promoting peace

The group, comprising 250 European pilgrims, participated in various cultural and entertainment activities. (SPA)
Updated 28 December 2024
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Islamic minister highlights Saudi Arabia’s role in promoting peace

  • European guests praise Saudi Arabia’s hospitality, cultural outreach efforts

JEDDAH: Saudi Arabia’s Ministry of Islamic Affairs hosted a cultural event for the second group of Guests of the Custodian of the Two Holy Mosques’ Program for Umrah and Visit, featuring various cultural and entertainment activities.

The group comprised 250 pilgrims from 14 European countries, the Saudi Press Agency reported.

Sheikh Abdullatif Al-Asheikh, Minister of Islamic Affairs

They expressed their gratitude to the leadership and the ministry for hosting them, allowing them to perform Umrah rituals and visit historic sites in Madinah and Makkah.

Minister of Islamic Affairs Sheikh Abdullatif Al-Asheikh said Saudi Arabia, under the leadership of King Salman and Crown Prince Mohammed bin Salman, was committed to being a beacon of goodness and moderation.

HIGHLIGHT

The minister also highlighted the Kingdom’s commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

During a reception for the guests, he said the Kingdom would continue to serve Islam and Muslims, and promote tolerance, coexistence and understanding worldwide.

Al-Asheikh, who is also the general supervisor of the program, met the guests, conveyed the greetings of the Saudi leadership and along with members of the program’s working committees reviewed the services provided and received a briefing on their work.

Under its leadership, the Kingdom strove to offer top-tier services to the visitors of the Two Holy Mosques from around the world, he said.

The guests commended the Kingdom on its efforts to promote Islam’s message of tolerance and foster appreciation for its historical and spiritual legacy. They also praised the new projects and expansions at the holy mosques and sites, which align with Saudi Vision 2030.

Al-Khamar Al-Baqari, head of imams in the Netherlands, expressed his gratitude to Saudi Arabia, its government and its people for their hospitality.

Sheikh Ali Al-Zughaibi, the program’s executive director, said that since its launch in 2014 it had provided the opportunity for 4,500 men and women from around the world to perform Umrah and visit the Prophet’s Mosque.

Al-Asheikh also highlighted the Kingdom’s unwavering commitment to providing humanitarian aid to those in need around the world, in line with Islam’s core values of promoting compassion and support.

 


Art, animals take center stage at Riyadh camel festival

Saudi craftsman Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. (SPA)
Updated 28 December 2024
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Art, animals take center stage at Riyadh camel festival

  • The combination of arts and animals makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom

RIYADH: The works of a renowned local sculptor are among the creative highlights of this year’s King Abdulaziz Camel Festival, which celebrates not only ships of the desert but arts and crafts from around the Kingdom.

Abdulrahman Al-Zahem is best known for his depictions of camels and traditional tools. Each of his pieces serves as a symbol of the Kingdom’s heritage and connection to the land, the Saudi Press Agency reported.

FASTFACT

The combination of arts and animals makes the King Abdulaziz Camel Festival an appealing option for visitors and supports the economic and cultural growth of the Kingdom.

As well as creating his own works, Al-Zahem spends much of his time helping to nurture the next generation of artists, including his own daughter.

Besides providing a global hub for all things camel, the festival in Al-Sayahid, northeast of Riyadh, is an important platform for the arts, offering an opportunity for artists to showcase their work to a global audience.

The combination of arts and animals also makes the event an appealing option for visitors and supports the economic and cultural growth of the Kingdom. 

The festival ends on Tuesday.

 


Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people. (SPA)
Updated 28 December 2024
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Riyadh’s Souq Al-Awaleen celebrates Saudi traditions

  • Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts

RIYADH: Souq Al-Awaleen, a part of Riyadh Season, offers a “captivating journey through Saudi traditions,” according to a recent Saudi Press Agency report.

The souq, entry to which is free, “blends traditional elements with modern touches, creating a vibrant cultural hub,” the SPA continued.

Souq Al-Awaleen features handicrafts, folk art, and live performances reflecting the Kingdom’s cultural heritage and providing a platform for local artisans to showcase their work and revive traditional crafts. Visitors can also participate in workshops focused on Sadu weaving and pottery.

Sufrat Al-Deira, meanwhile, offers “a taste of authentic Saudi cuisine,” the SPA reported, adding that the “atmosphere evokes a bygone era, with activities like cooking demonstrations and cultural performances enriching the experience.”

Riyadh Season runs until March 2025, and has already been attended by more than 12 million people, according to the SPA.