US actress Zoe Saldana on her new Marvel movie, smashing stereotypes, and her Arab heritage 

Zoe Saldana stars in “Guardians of the Galaxy Vol 3.” (Supplied)
Short Url
Updated 09 May 2023
Follow

US actress Zoe Saldana on her new Marvel movie, smashing stereotypes, and her Arab heritage 

DUBAI: It’s always the people who feel they fit in nowhere that ultimately fit in everywhere. American actress Zoe Saldana was once rejected from role after role precisely because she didn’t fit the archaic image of what a ‘true’ movie star looked like. Now, aged 44, she has starred in the top three highest grossing films of all time — “Avengers: Endgame,” “Avatar,” and “Avatar: The Way of Water” — making her undeniably a global icon. She got there by never forgetting the lesson her mother taught her: The diversity within you is what makes you rich.  

“My mother raised us always telling us: ‘Yes, you are who you want to be — but you’re also global citizens,” Saldana, whose mother is part Lebanese, tells Arab News. “She did that with the purpose of always nourishing our curiosity for culture, because that’s where we consider ourselves to be affluent.” 




Zoe Saldana as Gamora. (Supplied)

Knowing she had so much heritage within her excited the young Saldana, who grew up in a cramped two-bedroom, one-bathroom apartment in Queens, New York with her parents and two sisters. She had so much culture within her, and she and her siblings were all taught to learn not only about their own backgrounds, but those of everyone they met. 

“We may not be scholars or academics, but I come from a family that sits down with people. They’re very interested in knowing who this person is and where they come from, and breaking bread with that person. That’s what it’s like to be Arab. That’s what it’s like to be Latina. I don't see life any other way,” Saldana continues. 

For years, however, exploring the globe outside of books and movies was just a dream for Saldana, who is currently following up the gargantuan “Avatar: The Way of Water” by returning to the role of Gamora in “Guardians of the Galaxy Vol 3,” released May 4 across the Middle East. As a kid, she was mostly sheltered, forced to escape into the fantasy worlds created by the same people whose films she now anchors. 

“Nine months out of the year, the streets of New York were either super-dangerous or very cold. We had books, we had “The Terminator,” we had “Aliens,” we had “Dune” and “Blade Runner.” I had Sigourney Weaver, Linda Hamilton and Whoopi Goldberg as my heroes. I transported myself to all these places, and I became all these people,” says Saldana.  




Zoe Saldana (center) and Pom Klementieff on set. (Supplied)

As a teen, Saldana discovered that the same impulses that kept her entertained as a child translated easily into the skill of performance, with her standout turns in youth theater groups in New York catching the eye of a top talent agency and stamping an instant ticket to stardom. Or so they thought.  

In many rooms, sadly, her talent wasn’t enough to overcome the deeply ingrained bigotry and racism of the film industry. Her multicultural makeup, which she knew to be her strength, was perceived by the business as a weakness. For years, she didn’t quite know how to process it. 

“Every time I was excited to get a script, and I would say, ‘Oh my gosh, I got this audition for this amazing thing!’ And this filmmaker and the casting director would want to meet me. I would then learn everything; I would spend all this anxiety and panic trying to do a good job. And I would get there, and I would nail the audition,” says Saldana. “Then I would get that heartbreaking phone call saying ‘You were the best person that he saw. But he's going to go traditional.’ As if I fit outside of something that is considered normal.” 




Zoe Saldana as Gamora and Chris Pratt as Peter Quinn. (Supplied)

While Saldana was a clear standout in her early projects, including 2000’s “Center Stage,” 2002’s “Crossroads,” and 2003’s “Pirates of the Caribbean: Curse of the Black Pearl,” she was unable to become a traditional leading woman, suffocated by the structural barriers that she knew would close in on her if she let them.  

“I had a choice, five years into my acting journey: I could allow what I was being told to sink in, and spend the rest of my days trying to understand what they meant, or I could say, ‘I’m going to go where I’m wanted,’” says Saldana.  

It seems like fate that the same people who created the kind of multicultural science-fiction worlds that she once imagined herself in would be the ones to see a place for her in the worlds they would create next.    

“What’s magical about this whole thing is that I naturally gravitated towards these individuals that had shared experience with me in a different way. I believe that James Gunn, JJ Abrams and James Cameron had to have shared the feeling that they didn’t belong, that they fit outside the mold of what was traditional, so they made their own normal. And there was space for me there,” says Saldana.  

“I’ve always loved outer space, and I love science fiction. I’m happy playing in that world. Long story short, if I can’t play different variations of myself here on earth, then give me a purple person next. I’ve never played purple — let’s see what that brings me!” 

Creative spaces, of course, don’t last forever. While Saldana is currently still in the midst of filming the next three “Avatar” films with James Cameron, her time in the Marvel Cinematic Universe, it seems, is coming to an end. “Guardians of the Galaxy Vol. 3” is set to be the final film in the franchise, with writer-director James Gunn set to leave Marvel behind after taking the top job over at DC. Nevertheless, Saldana’s character of Gamora is set for a fitting send-off, as she’s morphed from the scorned daughter of the mad king Thanos into a tough-as-nails bounty hunter at the edge of the universe.  

Saldana, a mother of three herself now, has been thinking about the lessons that her mother imparted to her. “You can be anything,” she told her, again and again. It’s the lesson that helped her become who she is today, and maybe through the work she’s done, she can pass the same lesson along to her own children. 

“Every time we’re doing press tours, I’ve asked to have a poster signed by all the cast, so that one day — when my kids find me cool again — they can have it and know what we created together,” says Saldana.  

Hopefully her kids understand what that poster signifies — that their mother, once turned away for being different, has helped create a new normal that they and millions of other kids like them will one day benefit from, showing the world that the diversity within them is their greatest strength.  


Jameela Jamil lands role in new drama 

Updated 9 sec ago
Follow

Jameela Jamil lands role in new drama 

DUBAI: Actress, body positivity activist and presenter Jameela Jamil, known for her role in “The Good Place,” is set to star in “Pyongyang Home Video,” a new drama based on true events. 

She will star alongside “Squid Game” actor Won Ji-an. 

Won Ji-an will star in the movie. (Getty Images) 

The film follows North Korean sisters Nari (Ji-an) and Hana, who grow up secretly watching banned Hollywood movies. When their father’s black market VHS operation is exposed by a neighbor, the sisters are forced to flee the country. As they navigate their dangerous escape, they use scenes from their favorite films to deal with the mental toll the journey takes on them. Years later, Nari meets American talk show host Serena (Jamil), who vows to reunite the sisters on live television — only for the broadcast to take an unforeseen and revealing turn.

Hailing from Imagine Entertainment and South Korea’s Desert Bloom Pictures, the film will be directed by award-winning Korean filmmaker Yoon Sung-hyun, famous for his movie “Bleak Night.”

The screenplay comes from Liz Kerin, an American screenwriter, novelist and acclaimed playwright best known for the vampire series “Night’s Edge.”

Jamil shared the news on Instagram, writing: “She’s doing a proper movie!!!!”

The actress has a few productions in the works. 

Jamil is set to star in “Hysterical,” a feminist dramedy created by Olivia Lee and loosely based on real-life events involving controversial internet personality Andrew Tate. 

Jamil stars alongside Naomie Harris and Romesh Ranganathan.

Jamil has also lent her voice to the Pixar animated film, “Elio,” which is set for release on June 20. Jamil will be voicing the character of Ambassador Questa.

“Elio” follows an 11-year-old boy named Elio, who accidentally becomes the ambassador for Earth after being transported across the galaxy.

The movie also features the voices of Yonas Kibreab as Elio, Remy Edgerly as his alien best friend Glordon, Academy Award winner Zoe Saldana as Elio’s Aunt Olga, Brad Garrett as Lord Grigon, and Shirley Henderson as OOOOO.

Directed by Madeline Sharafian, Domee Shi and Adrian Molina, the film is produced by Mary Alice Drumm.


Review: Exhilarating South Korean anime ‘Solo Leveling’ packs a punch

Updated 59 min 31 sec ago
Follow

Review: Exhilarating South Korean anime ‘Solo Leveling’ packs a punch

RIYADH: One of South Korea’s hottest anime series, “Solo Leveling” takes viewers on an electrifying adventure, blending themes of fantasy and action in a mystical world.

In its second season, main character Sung Jinwoo struggles to find his purpose as a low level hunter in a world with powerful warriors who travel through portals to fight magical beasts. One day, after a strenuous battle which wiped out his peers, Jinwoo was left in a dungeon.

In a plot twist, Jinwoo is spared and “reawakened” by the “System” with a new life, immersing him in a video game-like world where he becomes an iconic fighter.

Once a hunter awakens, their ranks are set and they have no possibility for leveling up, leaving them to hone their skills through training.

As Jinwoo’s strength increases and he gains fighting skills, his battles with monsters become more intense, intricate, and fast paced. The battle scenes have gained tremendous popularity and rightfully so — Jinwoo partakes in provoking conversations with his enemies, enraging them and defeating them with ease.

The battle scenes are epic and portrayed through colorful animations shown at every angle. Anime fans describe Jinwoo to be “aura farming,” a trending term describing the act of an individual intentionally doing something “cool” and always winning seamlessly. 

Anime series often start with a slow burn, but “Solo Leveling” starts off strong, packing a punch with its gripping fantasy storyline from the first episode.

 The only downside is that the fast-paced nature of the show introduces new characters and scenes without a buildup, potentially causing confusion for some viewers.

 Based on an anime series by author Chu-Gong, the on-screen adaptation is worth watching if you are looking for your next binge-worthy anime.

 


Review: The final season of ‘You’ is a damp squib

Updated 07 May 2025
Follow

Review: The final season of ‘You’ is a damp squib

LONDON: Back when it debuted in 2018, “You” was a wonderfully trashy, pulpy thriller that invited audiences to snigger at the sheer silliness of its lead character’s likability. After all, Joe Goldberg (Penn Badgley) might have been a charming, literature-loving bookstore manager – but he was also, we learned during that excellent first season, a serial killer with a tendency to stalk and emotionally manipulate his latest fixation before finally revealing his psychopathic tendencies.

Having a charismatic serial killer at the heart of a show is nothing new – just look at the irrepressible “Dexter” – but “You” set itself apart by not taking itself too seriously, acknowledging the ridiculousness of its central conceit and reveling in the silliness of making us ‘root’ for its really bad good guy. The last series, for example, saw Joe move to London and wind up getting blamed for the murder of a cadre of vacuous socialites, only to discover that he was, in fact, guilty of the crimes after having had a psychotic break – that’s the level of silliness we’re dealing with here. And, for the most part, it works. “You” remains a rip-roaring good time – albeit one with a problematic heartthrob as its protagonist.

A still from the series that is available on Netflix. (Supplied)

The fifth and final season sees Joe return to New York with new wife Kate, cleared of any previous crimes thanks to her influence and power – trying to be on his best behavior, but using his unique skillset to ‘protect’ his family from perceived threats when he can’t keep his murderous tendencies to himself. That setup makes the first half of the final season a decent enough watch – there’s plenty of commentary on high society and its hypocrisy, of the immunity granted to those with money and status, however awful they might be.

But “You” too quickly sets Joe back on a path we’ve seen him tread in the past – his head turned by new muse Bronte (Madeline Brewer), killing anyone who threatens his perception of their romantic connection. With the show now deviating from the Caroline Kepnes books that inspired the earlier seasons, there’s a rush to a finale that feels reductive – given how much we’ve invested in Joe’s character arc, the violent conclusion feels overblown and overly dramatic. Whether or not Joe gets what he deserves is open to debate – but we’ve been robbed of the finale we’ve earned for sticking with him.


Lahore’s ‘Roses of Humanity’ art installation honors Gaza children killed in Israeli strikes

Updated 06 May 2025
Follow

Lahore’s ‘Roses of Humanity’ art installation honors Gaza children killed in Israeli strikes

  • Israel’s 18-month war on Gaza has killed more than 52,000 people, many of them women and children
  • The installation features thousands of fabric roses, each representing a child whose life was cut short

ISLAMABAD: The Alhamra Arts Council in Pakistan’s eastern city of Lahore has opened an immersive art installation for visitors to honor the memory of children killed in Israeli strikes on Gaza, highlighting the devastating human toll of the war.
Israel’s 18-month offensive against Hamas has killed more than 52,000 people, many of them women and children, and displaced more than 90 percent of Gaza’s population, Palestinian officials say. The Israeli military has also blockaded aid to the Gaza Strip since March.
In remembrance of the innocent lives lost in Gaza, the Lahore-based Labour & Love social enterprise, in collaboration with The Fundraisers BBS, has set up the installation at the Ustad Allah Bux Gallery, encouraging reflection on the situation in Gaza,
The installation features thousands of hand stitched fabric roses, each one representing a child whose life was cut short, transformed into a symbolic garden of remembrance, enveloped in evocative soundscapes, gentle fragrance and thoughtful lighting design.
“A total of 15,000 fabric roses represents the number of children reported killed in Gaza by the UN Office of the High Commissioner for Human Rights as of June 2024 a number that, heartbreakingly, has since grown,” said Nuria Iqbal, who curated the installation.

This handout photo, released by Roses of Humanity on May 4, 2025, shows an art installation features thousands of fabric roses, to honor children killed in Israeli strikes on Gaza, at the Al-Hamra Arts Council in Lahore on May 2, 2025. (Photo courtesy: Handout/Lotus)

“Together, these roses form a radiant tribute to humanity, reminding us that dignity flourishes when we are seen, heard and held in compassion.”
The installation will be on display at the gallery from May 18.
Iqbal shared that each of the roses was crafted from discarded fabric, once cast aside and now reborn in beauty, symbolizing the forgotten lives of the children of Gaza.

This handout photo, released by Roses of Humanity on May 4, 2025, shows an art installation features thousands of fabric roses, to honor children killed in Israeli strikes on Gaza, at the Al-Hamra Arts Council in Lahore on May 2, 2025. (Photo courtesy: Handout/Lotus)

“The varied colors and textures of the fabric reflect the rich diversity of creation and the strength of unity amidst difference,” she added.
The development comes at a time when Hamas has dismissed as pointless ceasefire talks with Israel, accusing it of waging a “hunger war” on Gaza where famine looms, as the Israeli military prepares for a broader assault.

This handout photo, released by Roses of Humanity on May 4, 2025, shows an art installation features thousands of fabric roses, to honor children killed in Israeli strikes on Gaza, at the Al-Hamra Arts Council in Lahore on May 2, 2025. (Photo courtesy: Handout/Lotus)

The comments from Hamas political bureau member Basem Naim on Tuesday followed Israel’s approval of a military plan involving the long-term “conquest of the Gaza Strip,” according to an Israeli official.
The former Gaza health minister said the world must pressure Israeli Prime Minister Benjamin Netanyahu’s government to end the “crimes of hunger, thirst, and killings.”


AlUla institution to select Saudi artist for residency in Paris

Updated 06 May 2025
Follow

AlUla institution to select Saudi artist for residency in Paris

  • Initiative aims to bring France’s creative expertise to Saudi Arabia
  • Artist will also join Villa Hegra in AlUla for a residency organized by the institution’s cultural program

RIYADH: A cultural institution in AlUla plans to select a Saudi artist to host a residency in Paris in an effort to promote French artisanal traditions in the Kingdom.

The artist will be chosen by Basmah Felemban and Gael Charbau, artistic directors of AlUla’s Villa Hegra.

A collaboration with the Mobilier National, a French governmental body that produces and preserves artisanal furniture, the initiative aims to bring France’s creative expertise to Saudi Arabia.

The artist will also join Villa Hegra in AlUla for a residency organized by the institution’s cultural program.

Villa Hegra is a planned initiative that hosts a variety of artist residencies, creative spaces for cultural initiatives, an exhibition hall, a cinema and performance art studio.

The partnership between Villa Hegra and the Mobilier National will also involve displaying a selection of design pieces from the French organization’s collections at AlUla.

Herve Lemoine, the president of Manufactures Nationales, said: “This partnership continues the Mobilier National’s rich tradition of collaboration with cultural villas, bringing French artisanal excellence to creative spaces around the world.”

Feriel Fodil, the CEO of Villa Hegra, said: “This long-term collaboration also strengthens Villa Hegra’s primary mission: To promote artistic cooperation between Saudi Arabia and France, while celebrating their respective artisanal heritages.”

Villa Hegra was officially announced in an intergovernmental agreement signed on Dec. 4, 2021, by Saudi Arabia’s Minister of Culture Prince Badr bin Abdullah, and Jean-Yves Le Drian, then-French minister for foreign affairs.

One of Villa Hegra’s goals is to foster cultural dialogue between Saudi Arabia and France.

Fodil previously told Arab News’ French edition: “It is a state-to-state initiative that represents the willingness of two parties to collaborate at the cultural level.”