DUBAI: “The Day of the Jackal” — a 10-episode series written by Ronan Bennett available to stream in the Middle East on OSN+ — is a contemporary reimagining of Frederick Forsyth’s 1971 novel and the famed 1973 film, directed by Fred Zinnemann. 

UK film star Eddie Redmayne plays the titular Jackal, an extremely thorough and detail-oriented British assassin, often taking on intricate disguises and speaking several languages to get the job done.

“One of the thrills of this experience for me was that the Jackal kind of is an actor. And particularly in Ronan’s version of him now, he’s quite obsessive, and he loves the process.

“And so, the fact that he’s an artist, and he preps the prosthetics himself and he mimics the languages … The whole experience was a sort of actor’s playground, really. And I loved that element of it,” Redmayne told Arab News.

“What I found intriguing about the part was, normally, when I’m playing a part, I kind of reach out to the character, and there were many moments in this in which I was going, ‘OK, so if this guy’s an actor, and he’s quite a proficient actor, how would I navigate my way through this situation? If I had these formidable assassin skills, if I had to lie horrifically to my wife, if I had to manipulate things.’

“So, what’s odd is, of all the characters I played, much more so I found it was about trying to bring that character to me, rather than reaching out to him, which was helped by the fact that it’s the first character I played in 25 years in which he wears contemporary clothes. I’ve been stuck in tweeds and stiff collars. So, that was fun,” he said.

Starring alongside Redmayne is Lashana Lynch, who plays Bianca, an intelligence officer with firearms expertise and a similarly obsessive approach to her work. 

The thrilling series follows a tense cat-and-mouse chase across Europe, with Bianca hot on the heels of the Jackal, who is leaving a trail of bodies in his wake as he evades authorities.

The show traces an uncanny parallel between the two characters. They both have family lives, they are both exacting and skillful at their jobs, but chaos follows wherever they go, often with deadly consequences.

“For me as an actor, it was exciting to see a man and a woman in those positions. I’m very used to the films that I have come across over the years, seeing two men in those positions, and everyone being very excited that one’s going to oscillate between being good and evil,” Lynch said.

“Having a woman being potentially evil is really exciting because it breaks the parameters in a way that kind of re-educates the industry to continue to stay open minded with female characters, and that’s kind of what I’m all about. And to have a team like this that celebrated that and did it within the genre of espionage is special and very new for the kind of TV that I’m used to watching,” Lynch said.

LONDON: The success of “Squid Game” in 2021 made a second season an inevitability, rather than a mere possibility proffered by a hopeful epilogue scene. But because this smash-hit show came out of South Korea, there was also an optimistic air to its steadily approaching release — could this addictively bleak dystopian thriller sidestep a lot of the Hollywood pitfalls and deliver a second season that was at least the equal of the first? 

Although it’s a sidestep of its own, the answer is… we’re not sure yet. And that’s because, although it’s billed as season two, these seven new episodes were shot back-to-back with season three (coming in 2025 and confirmed to be the last). So what you’re essentially getting here is the setup for the big finale still to come. That perhaps explains why, though the first season dropped viewers into the murderous titular competition pretty quickly, the actual ‘game’ of the second season of “Squid Game” doesn’t start until midway through the third episode. Before that, we’re reintroduced to main protagonist Seong Gi-hun (Lee Jung-Jae, still far and away the best thing about the show). Having won the first season’s brutal series of children’s games (for which the losers’ penalty is death), Gi-hun is spending his reward money trying to bring down the organizers of the competition, teaming up with season one detective Hwang Jun-ho (Wi Ha-joon) in an attempt to topple the shady cartel that is pressganging cash-strapped Koreans into murdering each other for money. When his plan to catch the game’s Front Man fails, he instead joins the latest intake, intent on helping the contestants escape with their lives. 

It’s an odd choice to spend so long building up to the competition — and even dallying on whether it can be proved it even exists — when that’s what viewers are here for. Once the games get going, “Squid Game” is as breathless and shocking as ever, and with a new cast of characters, there are fresh backstories to mine and some pretty pointed social commentary on greed, capitalism and social care (Korean commentators have suggested that the subtitles miss a few of the nuances of the script, which may be why some of the satire seems a little on the nose). Perhaps acknowledging what audiences will remember, there’s also a few decent twists that deserve to remain a surprise.  

But while season two of “Squid Game” is still great television, there’s no small amount of bloat here — and a sense of treading water for the final round still to come.