Ithra: Saudi Arabia’s creative hub turns 5

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Ithra, the jewel of the Eastern Province, is a multidimensional space for creative and cultural activities crafted to provide an enriching experience to local communities and visitors. (Supplied)
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Ithra, the jewel of the Eastern Province, is a multidimensional space for creative and cultural activities crafted to provide an enriching experience to local communities and visitors. (Supplied)
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Updated 19 August 2023
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Ithra: Saudi Arabia’s creative hub turns 5

  • King Abdulaziz Center for World Culture remains ‘committed to unlocking talent through cross-cultural experiences,’ says program manager

DHAHRAN: With the motto “Inspiring Hearts. Enriching Minds,” the King Abdulaziz Center for World Culture, Ithra, in the last five years has transformed itself into a cultural hub worthy of its name.

For its fifth anniversary, the center said it has hosted more than 3.5 million visitors and 20,000 original programs and activities since opening. To date, Ithra has offered 48 performances, won 26 national and international awards, hosted 20 museum exhibits, engaged 1.8 followers on social media platforms and produced 23 films. Its 9,000 volunteers have donated 664,000 hours.

But it is just getting started.




Ithra, the jewel of the Eastern Province, is a multidimensional space for creative and cultural activities crafted to provide
an enriching experience to local communities and visitors. (Supplied)

Ithra, a Saudi Aramco initiative, was inaugurated by King Salman five years ago, and, that same year, appeared on TIME’s list of the World’s 100 Greatest Places of 2018. The magazine said Ithra’s “striking forms rise 295 feet from the desert, but this is no mirage.”

When Well No. 7, later named “Prosperity Well,” struck black liquid gold in 1938, six years after the nation unified as a Kingdom, the whole region changed, along with the world. Soon after, the well in which oil was originally discovered in Dhahran dried up, but in a move to keep momentum going, Aramco symbolically built an oil exhibit on that same land. The oil exhibit, which offered students and interested adults of the 90s an opportunity to immerse themselves in an interactive exhibition that demonstrated the journey of oil through the ages, served as the main attraction in Dhahran for decades.

HIGHLIGHTS

• The King Abdulaziz Center for World Culture appeared on TIME’s list of the World’s 100 Greatest Places of 2018.

• Ithra, a Saudi Aramco initiative, was inaugurated by King Salman five years ago.

More recently, that exhibit pivoted to more modern sensibilities, diversifying from oil and expanding its purpose to become the Energy Exhibit.

Ithra was built around that space. Essentially, when you walk through Ithra, you are following the footsteps of those who transformed the “new Saudi Arabia.” It is a layered land with symbolic meaning all around.




Ithra, the jewel of the Eastern Province, is a multidimensional space for creative and cultural activities crafted to provide
an enriching experience to local communities and visitors. (Supplied)

The now iconic cluster of Ithra buildings glisten at night, with dancing lights projecting onto the environment. Its reflective surface mirrors the sun during the day, enhancing and animating the local landscape.

Ithra has also become the unofficial visual representation of Dhahran and the jewel of the Eastern Province.

As with many of Aramco’s initiatives, Ithra was built to be as an extension of the natural resources that the land stands on. The building, more importantly, was created to generate another kind of energy — the one powered by imagination and innovation.




Noura Al-Zamil, Ithra’s program manager

Norwegian architectural firm Snohetta was selected to design Ithra via an Aramco-led competition. Previously, Snohetta had designed the Bibliotheca Alexandrina, the iconic library in Alexandria, Egypt. Ithra was originally envisioned to be an interactive library, which it still is at its heart, but the facility has grown to encompass all of that and more.

In addition to its four-story library, the Ithra complex also has an 18-story tower with restaurants and workshop spaces, a three-story idea lab, the Energy Exhibit, five gallery museums spaces, a 315-seat cinema, a 900-seat performing arts theater, a 1,500 square meter Great Hall, a Children’s Museum, a mosque and an outdoor Lush Garden. The building is LEED-certified and continues to collect accolades for commitment to sustainability.

According to Snohetta’s official website, the complex’s “high-tech pebble composition” reflects “the idea of cultural interdependency; the arch-like formation reminds us that culture is not composed of singular, independent efforts but interconnected forces and ideas that work together to create a strong unity.”




The center includes a four-story library, Children’s Museum, 900-seat performing arts theater, workshop spaces and more. (Supplied)

Noura Al-Zamil, Ithra’s program manager, grew up in Dhahran and frequented the oil exhibit as a child.

She never thought she would join the mother company since, back then, it was dependent on oil and gas — areas in which she lacked interest. But in 2011, when Ithra approached her to work as an educator at the Children’s Museum, the first museum in the Kingdom dedicated to children under the age of 12, she was intrigued.

At the time, Al-Zamil was completing her degree in early childhood and elementary education at the Royal University for Women in neighboring Bahrain. She decided to take the leap and enter the new Aramco initiative since it aligned with her interests and expertise.




The center includes a four-story library, Children’s Museum, 900-seat performing arts theater, workshop spaces and more. (Supplied)

Soon after, she was asked to fill the role of museum program developer, which she gladly accepted. By then, she had expanded her breadth of knowledge and expertise and earned a master’s degree in museum education from Tufts University in the US.

Even before Ithra had a physical building, Al-Zamil worked tirelessly to help realize the vision of helping young local children to learn — in a fun way. Today, she loves coming into work and seeing the building, and all that it represents.

Ithra is Saudi Aramco’s most ambitious CSR initiative and its largest cultural contribution to the Kingdom. Our efforts to contribute toSaudiArabia’s success start in the community where we’re located.

Noura Al-Zamil, Ithra’s program manager

Speaking about the symbolic design of Ithra, she told Arab News: “The building is an architectural jewel that is in the heart of the Eastern Province, that represents not only the land that it comes from, which is Well No. 7 and the role of Aramco to the society and to the community around it, but also the future of where we want to go.”

Today, 12 years into her Ithra journey, Al-Zamil has seen the site develop and form in real time. She has also seen how Ithra has transformed and activated her hometown, and her beloved community, by engaging local youths.




The center includes a four-story library, Children’s Museum, 900-seat performing arts theater, workshop spaces and more. (Supplied)

“Ithra has always had the vision to contribute to our community and the wider Saudi creative industry. Since opening to the public five years ago, that vision hasn’t changed,” said Al-Zamil.

The addition of the phrase “world culture” in Ithra’s full name came a bit later, and aimed to shift the space into a world-class hub that exports Saudi culture abroad — and generates it from within.

“The Kingdom has an abundant pool of talent that is eager to develop and share its creativity with the world, which is why we created programs like Creative Solutions, focused on digital content creation in immersive technologies, and the Ithra Art Prize, which supports contemporary artists to create career-making work,” she added.




A 14th century mosque lamp from Cairo, showcased at Ithra’s Art of Orientation exhibition. (Supplied)

Ithra also prides itself on being “the largest content creation institution in the Kingdom,” specifically in Arabic. With in-house talent, Ithra is constantly experimenting and creating. In addition to its contributions to the Kingdom’s budding film industry, Ithra has hosted the Saudi Film Festival for the last decade — well before cinemas officially opened in the Kingdom in 2018. For its latest industry highlight, Ithra’s feature film “Hajjan” will premiere at the Toronto International Film Festival next month.

“Ithra has always been committed to unlocking talent through cross-cultural experiences and this focus remains unchanged. We started the year by achieving the great milestone of welcoming 3 million guests to our iconic building, and the next five years will build on this solid foundation,” Al-Zamil said.

Dhahran and its community, and Aramco the mother company, have both helped shape Ithra. The communities of the city are at the heart of Ithra’s mission and values.




The center includes a four-story library, Children’s Museum, 900-seat performing arts theater, workshop spaces and more. (Supplied)

Al-Zamil said: “These two elements are integral to Ithra and its raison d’etre — they inform our purpose. Ithra is Saudi Aramco’s most ambitious CSR initiative and its largest cultural contribution to the Kingdom. Our efforts to contribute to Saudi Arabia’s success start in the community where we’re located.”

Ithra hopes to continue its upcoming programs, not only for the next five days, weeks or months, but also for the next five years and beyond. The Ithra website offers a wide variety of programs being showcased daily, with most activities being bilingual.

There were constant challenges, obstacles and many hurdles along the way. Whenever Ithra made any mistakes, officials tried to correct them and move ahead. Like any meaningful initiative, Al-Zamil and the Ithra team hope to continue to find innovative ways to learn from the past, appreciate the present and look toward the future.

Entry to Ithra is always free, although many individual activities require tickets.

“We look forward to many more years of welcoming you to the beating heart of the Kingdom’s cultural and creative ecosystem — the place where imagination is powered, ideas are born, knowledge shared and culture celebrated,” Al-Zamil said.

 

 


New study documents reptile species in King Abdulaziz Royal Reserve 

Updated 14 January 2025
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New study documents reptile species in King Abdulaziz Royal Reserve 

  • Researchers identified 31 species — 25 lizards and six snakes — following 1,551 field observations within the reserve

RIYADH: A groundbreaking scientific study has unveiled the first detailed list of reptile species in the King Abdulaziz Royal Reserve in Saudi Arabia, the Saudi Press Agency reported on Tuesday.

Conducted by the reserve’s development authority, the study was published in the Amphibian & Reptiles Conservation journal.

Researchers identified 31 species — 25 lizards and six snakes — following 1,551 field observations within the reserve. Three species were also newly documented, raising the reserve’s known total to 34.

The research highlighted two endangered species, the Egyptian monitor lizard (Uromastyx aegyptia) and the Wolfgangboehmei gecko (Tropicolotes wolfgangboehmei), which both face threats from climate change and human activity, according to the study.

Spanning from November 2022 to October 2023, the study employed tools such as genetic barcoding and highlighted the reserve’s ecological diversity.

Aligned with the Kingdom’s Vision 2030 program and the Saudi Green Initiative, the study is part of efforts to protect endangered species and sustain wildlife in Saudi Arabia. Researchers recommended enhanced monitoring and adaptive conservation strategies to mitigate environmental challenges.


Saudi aid center provides prosthetic services in Yemen

Updated 15 January 2025
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Saudi aid center provides prosthetic services in Yemen

  • Sixty-five percent of the beneficiaries were male and 35 percent were female, while 54 percent were displaced individuals and 46 percent were local residents

RIYADH: Hundreds of Yemenis who lost limbs in the country’s civil war were given services through a Saudi-backed medical center in Aden Governorate, the Saudi Press Agency reported on Tuesday.

With the support of the King Salman Humanitarian Aid and Relief Center, the Prosthetics and Rehabilitation Center provided 452 people with various services, including fitting, and rehabbing prosthetic limbs.

Sixty-five percent of the beneficiaries were male and 35 percent were female, while 54 percent were displaced individuals and 46 percent were local residents, the report said.

A key objective of the project is to improve the capabilities of the health sector and alleviate the suffering of Yemenis through the Kingdom’s humanitarian arm, KSrelief.

 


Gulf Print and Pack expo debuts in Saudi Arabia

Updated 14 January 2025
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Gulf Print and Pack expo debuts in Saudi Arabia

  • Event aligns with Kingdom’s goal of replacing imports with domestic production

RIYADH: Gulf Print and Pack 2025 debuted in Saudi Arabia on Tuesday, highlighting the latest technologies, innovations and sustainable solutions from over 150 exhibitors.

The event is poised to play a pivotal role in advancing the region’s printing and packaging industries while aligning with Saudi Vision 2030 goals.

The focus on digital technologies as a key theme for the event, emphasizing their transformative potential for the industry. (AN photo by Ghadi Joudah)

Event director Barry Killengrey told Arab News that hosting GPP in Saudi Arabia was a long-standing aspiration for the organizers. He said its expansion was made possible by a partnership with Informa Tahaluf, a company with a local presence.

“The GPP event in Dubai runs every two years, so this was a timely fashion where we could effectively have one event each year,” he said. “So 2025 was a focus on Saudi Arabia, especially as it aligns with the country’s goal to replace imports with domestic production.”

Gulf Print and Pack’s debut event in Riyadh is poised to play a pivotal role in advancing the region’s printing and packaging industries while aligning with Saudi vision 2030 goals. (AN photo by Ghadi Joudah)

The event seeks to encourage collaboration and innovation within the commercial printing and packaging sectors, particularly in developing markets like Saudi Arabia. Killengrey said it created vast opportunities across the printing and packaging spectrum.

“In such markets, industries are more fluid compared to the highly specialized and consolidated markets in developed regions,” he explained, adding that commercial printers might move into packaging, and packaging converters might also have a commercial print business.

This isn’t just about showcasing technology. It’s about creating opportunities, driving growth and shaping the future of an industry that is vital to the region’s economic development.

Barry Killengrey, Gulf Print and Pack 2025 event director

“These industries are highly entrepreneurial and tend to seize faster-growing opportunities,” he said.

Barry Killengrey, Gulf Print and Pack 2025 event director

Killengrey also highlighted the crossover between packaging machinery and printing operations.

“For instance, co-packers often print their own packaging materials, and brand owners or specifiers seek events where they can explore a wide range of machinery applications and market opportunities,” he told Arab News.

Gulf Print and Pack’s debut event in Riyadh is poised to play a pivotal role in advancing the region’s printing and packaging industries while aligning with Saudi vision 2030 goals. (AN photo by Ghadi Joudah)

The next generation was also creating a much better appetite for longevity in printing and sustainability. Whether it was direct mail, menus or advertising, a focus on sustainable products was key, he added, acknowledging the challenges faced by global brands — particularly in the food and beverage industries — to adopt sustainable practices.

Killengrey said the expo addressed these by emphasizing innovation, design, shorter production runs and the use of diverse, environmentally friendly materials.

He added rapid advancements in digital printing and packaging technologies were expected to grow significantly over the next five to 10 years.

The event also features innovations in digital embellishment, automation and pre-and post-press workflows, offering attendees insights into the latest capabilities in flexible packaging, plate-making, cutting machines, folding machines, and corrugation technologies.

Digital technology is a key theme for the event, emphasizing their transformative potential for the industry.

“This isn’t just about showcasing technology,” Killengrey said. “It’s about creating opportunities, driving growth and shaping the future of an industry that is vital to the region’s economic development.”

 


Cultural convergence: Saudi artist, US jazz legend unite in an evening of musical exchange

Updated 14 January 2025
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Cultural convergence: Saudi artist, US jazz legend unite in an evening of musical exchange

RIYADH: In an evening of musical and cultural exchange, Saudi artist Ahmed Mater hosted an American delegation of musicians featuring jazz legend Herbie Hancock, Manhattan Transfer singer Janis Siegel, and local Saudi artists in his studio in JAX on Monday.

“One of the most important aspects of this visit was the arts. The arts intersect and converge … art such as jazz, contemporary art, visual art, there is a dialogue between them,” Mater told Arab News.

He also underlined the importance of “dialogue between art that is local, Saudi, and historical, and art that is western, American, (such as) jazz.”

Saudi artists and American musicians from the Herbie Hancock Institute of Jazz Performance at UC Los Angeles visited Ahmed Mater's studio for a private tour. (AN photo by Jafar Saleh)

Mater himself specializes in a range of art forms including photography, video, sound, installations, video art, filmmaking and drawing.

His studio in JAX is filled with historical books, vintage film reels, and equipment, along with art supplies that he offers to artists for learning and creating. His mission is to use the studio as a foundation to support and nurture artistic talent.

Mater welcomed local Saudi artists and American musicians from the Herbie Hancock Institute of Jazz Performance at the University of California, Los Angeles to his studio for a private tour and discussion.

Davida MacDonald, cultural attache at the US Embassy, attended the gathering and outlined her experience touring the studio with the delegation of musicians.

“Dr. Ahmed Mater is a legend … I always love coming here. It is just a place of creative ferment, there are filmmakers and artists and musicians,” she said. “We are so excited the US Embassy has partnered with the Saudi Music Commission and the Ministry of Culture to bring these jazz legends to the Kingdom for the first time.”

Hancock’s visit to the Kingdom is part of a celebration of Saudi-US cultural ties, sponsored by the Arts Envoy Program from the US Bureau of Educational and Cultural Affairs, the Saudi Music Commission, the Ministry of Culture, Music Hub, and the King Fahd Cultural Center.

“The genuine interest and affection with which this group of stellar musicians has been received by Saudi musicians, as well as the public at large, is just a testament to the energy, dynamism and creativity of the Saudi music scene,” she said.

The cultural attache underlined the importance of the visit, which she described as a “two-way exchange” with “American jazz musicians sharing their craft with Saudi musicians and learning from Saudi musicians.”

MacDonald said the tour was meant to be a five-minute affair but instead lasted an hour, with detailed discussions of art and music.

Mater said that Hancock had “a unique and memorable reaction” to the studio and that “the spirit of his visit was friendly and familiar, rather than formal,” leading to a longer and more comprehensive tour.

“For example, he (Hancock) was curious and asked me about Saudi artists and the music they make, such as Mohammed Abdu, whose pictures were presented in the studio.”

Mater highlighted that his colleague and fellow artist in the studio, Abdullah Al-Qarni, a qunun player and maker, was present and played alongside Hancock in a spur-of-the-moment performance.

“The studio team was present and Al-Qarni played the qunun and explained the eastern and western maqams. They worked on comparing how the sounds resonated,” he said.

Afterward, Al-Qarni and Mater presented Hancok with a qunun to take with him back to the US.

“It was a beautiful night for everyone,” Mater said. “Art, like jazz, fine art, and visual art … there is a dialogue between them, this is the beauty of today.”

 


KSA welcomes record 18.5m pilgrims in 2024

Updated 14 January 2025
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KSA welcomes record 18.5m pilgrims in 2024

  • Makkah Taxi launches to enhance pilgrim mobility
  • Fleet is expected to grow to about 1,800 vehicles by the end of 2025

JEDDAH: Saudi Arabia’s Minister of Hajj and Umrah Tawfiq Al-Rabiah announced that more than 18.5 million pilgrims visited Makkah and Madinah in 2024. This includes 16,924,689 Umrah performers and 1,611,310 Hajj pilgrims.

The minister revealed the record-breaking figures at the fourth Hajj and Umrah Services Conference and Exhibition in Jeddah, which runs until Jan. 16.

The event, themed “The Road to the Nusuk,” is hosted by the Ministry of Hajj and Umrah and the Pilgrim Experience Program, featuring more than 300 local and international organizations displaying innovations to improve the pilgrim experience.

The event included the launch of Makkah Taxi, a new transport service developed by the Royal Commission for Makkah City and Holy Sites, the Saudi Press Agency reported.

Makkah Taxi began operations on Jan. 13, being introduced in phases for a smooth transition. The service operates around the clock with 47 locations around Makkah, including key stations and areas near the Grand Mosque.

Minister of Transport and Logistic Services Saleh Al-Jasser presented the operating license to the winning company.

The fleet is expected to grow to about 1,800 vehicles by the end of 2025, enhancing transport services for Makkah’s growing demand, SPA reported.

Passengers can pay with cash or credit cards, with fares regulated by the Public Transport Authority.

The fleet features advanced surveillance systems, smart sensors, emergency buttons, and a dedicated customer service center for added security and convenience.

Saleh Al-Rasheed, CEO of the commission, said that the vehicles are environmentally friendly and highly reliable, operating on hybrid and electric systems.

This reinforces Makkah’s position as a smart, sustainable city that blends technological advances with improved experiences for pilgrims, Umrah performers, and residents, he said.

Meanwhile, the Ministry of Interior is displaying security systems powered by artificial intelligence, equipment, and digital solutions for crowd management at holy sites.

The ministry’s pavilion highlights the “No Hajj Without a Permit” campaign, aimed at raising awareness of Hajj regulations, ensuring pilgrims obtain official permits, and supporting security and organizational efforts to provide a safe experience.

The Makkah region principality’s pavilion promotes awareness and regulatory compliance, while the Madinah region principality focuses on services for pilgrims and Umrah performers.

The four-day event features 47 discussion sessions, 50 workshops, and more than 130 speakers addressing sustainability, eco-friendly technologies, AI in crowd management, and opportunities for startups in the Hajj sector.

In collaboration with the Ministry of Hajj and Umrah, Umm Al-Qura University is organizing the “Humanizing the Holy Sites” hackathon, inviting students, entrepreneurs and specialists to develop sustainable solutions that enhance the pilgrim experience and reduce environmental impact.