NEW YORK: Salman Rushdie has a memoir coming out about the horrifying attack that left him blind in his right eye and with a damaged left hand.
“Knife: Meditations After an Attempted Murder” will be published April 16.
“This was a necessary book for me to write: a way to take charge of what happened, and to answer violence with art,” Rushdie said in a statement released Wednesday by Penguin Random House.
Last August, Rushdie was stabbed repeatedly in the neck and abdomen by a man who rushed the stage as the author was about to give a lecture in western New York. The attacker, Hadi Matar, has pleaded not guilty to charges of assault and attempted murder.
For some time after Iran’s Grand Ayatollah Ruhollah Khomeini issued a 1989 fatwa calling for Rushdie’s death over alleged blasphemy in his novel “The Satanic Verses,” the writer lived in isolation and with round-the-clock security. But for years since, he had moved about with few restrictions, until the stabbing at the Chautauqua Institution.
The 256-page “Knife” will be published in the US by Random House, the Penguin Random House imprint that earlier this year released his novel “Victory City,” completed before the attack. His other works include the Booker Prize-winning “Midnight’s Children,” “Shame” and “The Moor’s Last Sigh.” Rushdie is also a prominent advocate for free expression and a former president of PEN America.
“’Knife’ is a searing book, and a reminder of the power of words to make sense of the unthinkable,” Penguin Random House CEO Nihar Malaviya said in a statement. “We are honored to publish it, and amazed at Salman’s determination to tell his story, and to return to the work he loves.”
Rushdie, 76, did speak with The New Yorker about his ordeal, telling interviewer David Remnick for a February issue that he had worked hard to avoid “recrimination and bitterness” and was determined to “look forward and not backwards.”
He had also said that he was struggling to write fiction, as he did in the years immediately following the fatwa, and that he might instead write a memoir. Rushdie wrote at length, and in the third person, about the fatwa in his 2012 memoir “Joseph Anton.”
“This doesn’t feel third-person-ish to me,” Rushdie said of the 2022 attack in the magazine interview. “I think when somebody sticks a knife into you, that’s a first-person story. That’s an ‘I’ story.”
Salman Rushdie was stabbed on stage last year. He’s releasing a memoir about the attack
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Salman Rushdie was stabbed on stage last year. He’s releasing a memoir about the attack
- “Knife: Meditations After an Attempted Murder” will be published April 16
- The attacker, Hadi Matar, has pleaded not guilty to charges of assault and attempted murder
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Yet Twiss’s life was defined by two events that threatened to undermine the order that he had so stoutly defended: a notorious social scandal and the creation of the Congo Free State.
In “King Leopold’s Ghostwriter,” Andrew Fitzmaurice tells the incredible story of a man who, driven by personal events that transformed him from a reactionary to a reformer, rewrote and liberalized international law—yet did so in service of the most brutal regime of the colonial era.
In an elaborate deception, Twiss and Pharaïlde van Lynseele, a Belgian prostitute, sought to reinvent her as a woman of suitably noble birth to be his wife. Their subterfuge collapsed when another former client publicly denounced van Lynseele.
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Published in 2022, the book coincides with global energy crises triggered by the COVID-19 pandemic and the Russian invasion of Ukraine.
Al-Muhanna relies on data from OPEC, the International Energy Agency and interviews to provide an anecdotal biography of key figures who shaped oil politics, targeting a broad audience including policymakers, researchers and industry professionals.
The book is divided into 11 chapters, beginning with the influential role of Saudi Oil Minister Ahmed Zaki Yamani, whose overconfidence and perceived indispensability are critically examined.
Subsequent chapters highlight other pivotal figures, such as Hisham Nazer, Yamani’s successor, and delve into events such as the 1991 Gulf War.
The narrative also covers Luis Giusti, of Venezuela’s PDVSA, whose disregard for OPEC quotas sparked tensions, and discusses OPEC’s struggles with production cuts and falling oil prices in the late 1990s, which led to economic crises in oil-exporting nations such as Saudi Arabia and Venezuela.
Al-Muhanna explores the political ramifications of oil price fluctuations, noting how high prices influenced US presidential elections and shaped diplomatic interactions, such as George W. Bush’s visit to Riyadh.
The book also examines the rise of Russia under Vladimir Putin, the privatization of Saudi Aramco as part of Vision 2030, and the roles of contemporary leaders such as Saudi crown prince Mohammed bin Salman and former US President Joe Biden in shaping global energy policy.
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Between the 19th century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States.
Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures.
“Africa’s Buildings” traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings.
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It features new science that can measure what is happening in a bird’s brain over the course of a night or when it has flown to another hemisphere, as well as still-valuable observations by legendary naturalists such as John James Audubon, Alfred Russel Wallace, and Theodore Roosevelt. Much of what they saw and what ornithologists are studying today can be observed and enjoyed by any birder.
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“On the Art and Craft of Doing Science” shares the creative process of an innovative and accomplished scientist, taking readers behind the scenes of some of his most pioneering investigations and explaining why the practice of science, far from being an orderly exercise in pure logic, is a form of creative expression like any other art.
Kenneth Catania begins by discussing how ideas set the stage for scientific breakthroughs and goes on to describe ways to approach experimental design.
