Arabs making headway in Hollywood but not just as actors

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Updated 13 October 2023
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Arabs making headway in Hollywood but not just as actors

  • Directing, casting, producing, writing are key positions being taken up
  • Mico Saad and Hamzah Saman say change needed to alter how Hollywood portrays Arabs, people of different cultures

CHICAGO: More Arabs are entering the moviemaking industry, not just as actors but also as entrepreneurs, and are increasingly involved in writing, producing, casting and directing.

This is according to Egyptian-American Mico Saad, an actor and filmmaker and member of the Golden Globes Jury, and Lebanese-American Hamzah Saman, the president of his own casting company.

They told Arab News changes were necessary to push open the doors of Hollywood filmmaking which plays a major role in defining how the world sees people of different cultures.

Saad immigrated to England from Alexandria, Egypt, where he discovered a robust filmmaking industry. And then in 2018 he immigrated to America which he calls “the entertainment capital of the world,” where he carved out a career as an actor and producer  of several TV shows.

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“Back in the day, all the people wanted was to just be actors ... Nowadays, it has changed drastically because people want to do these blockbuster films. They want to write. They want to direct. They want to create,” said Saad during an interview on The Ray Hanania Radio Show sponsored by Arab News.

“There (are) more creators now than actors, which is kind of like, strange because back in the day everyone wanted to be an actor. It’s like how many producers do you know? A few. How many actors do you know? A lot. So, it’s kind of changed now thanks also to the streaming platforms which allows more people — and the film festival — allows more people to create their own stuff and talk about the stuff that really matters to them. Storytelling in the industry that we are in, it is fantastic that we have more filmmakers in the Middle East than ever. We have more filmmakers than actors. Back in the day everyone wanted to be an actor.”

Saad added: “There are many Arabs in so many ways, not just as actors. There is producers, directors, set designers, animation. We are everywhere. Arabs are everywhere in the industry but not in the way that they would want. Not the way they desire.”

Saad said the move by Arabs into filmmaking has resulted in a more effective means of countering anti-Arab stereotypes that have dominated the vast majority of Hollywood movies that have Middle East themes and Arab characters.

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“The new villain is not the Arabs. The new villain now is the virus. The virus is going to take over hopefully from the Arab kind of thing in the future. And it is going to mean getting in movies,” Saad said.

The more the public and audiences see Arabs in different roles, the more it will undermine endemic stereotyping, he said.

“There always has to be a villain whether it is Arab or non-Arabs. There always has to be a villain. And unluckily for Arabs, they were the villains for the past 20 years or more and this is because of what happened on the international stage. Which is kind of like generalized (for) everybody to be put in this category. If you are an Arab or you look like an Arab. If you are an actor and you come in here, you don’t want to be stereotyped for any political reason.”

He added: “The goal is always (for) us to entertain. But now I want to kind of do something where I get the hand of everyone next to me and we go up together. That would be the ultimate goal to make something that deletes the stereotype. ‘Hey, this is Mico, he is from Egypt. And he is fine, he is like us.’”

Saad has worked with Ricky Gervais, Anthony Hopkins, and other notable actors, and produced several short films. He was recognized with a Best Actor Award and Best Short Film Award by the Action on Film International Film Festival for “Al-Masry Life,” which he wrote, directed, and starred in alongside prominent Hollywood Egyptian-American actor Sayed Badreya. The film was described as “a gem” by the Oscar-winning filmmaker Peter Farrelly.

Saad said that the pursuit of an acting and production career was motivated by his life in Egypt which he called “the Hollywood for Arabs.”

 

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“I was born in Alexandria, Egypt, luckily. I didn’t choose to, I was just lucky. Being born in Egypt has such an impact on you artistically, because in Egypt we have been doing movies for over 100 years. Egypt is the Hollywood of the Arabs, pretty much. We have a lot of people there who create, make music, make movies,” Saad said.

“And it’s been like there ever since. Growing up seeing all of this has kind of equipped me with a taste, equipped me with wanting to be part of the entertainment industry at such a young age and I started at a young age, as young as at 5 years old. I started with a few things like dancing for the National Team of Egypt Troupe which is very famous in the Arab world and started acting at a young age. And, it kind of (saw) love, kind of growing in me day by day. I am very lucky to experience such a thing.”

Filmmaking has expanded from Egypt into many Arab countries over the past century including Palestine, Syria, Lebanon, Tunisia, Morocco and Saudi Arabia, Saad noted.

 

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“This is what we need. We need more creators. Instead of sitting here and criticizing Hollywood and criticizing people for not: ‘Oh why are you not representing me right?’ Because he doesn’t know. Why don’t I do, make something, that represents me right. And then if it is good, and if it is kind of in the entertaining way, they will take it. Everybody will take it. It’s kind of, I urge everybody instead of complaining about not being represented right, do your own thing ... We need more creators,” Saad said.

Meanwhile Saman, who began acting in 2006, shifted to casting and launched a company Arab American Casting. He is a member of the prestigious Casting Society of America.

Born in Beirut, Saman was young when he lost his father during one of the wars in Lebanon. He was raised by a grandmother who loved to watch soap operas and movies, which influenced him to pursue acting. 

Saman said he eventually recognized that there were not enough Arab actors in Hollywood and he shifted his focus to casting. He initially worked in the LA Casting Unit on the documentary “He Named Me Malala” (2015) with the Oscar-winning director Davis Guggenheim. He also helped with casting for the film “Argo” (2012).

Saman has been working to change the perception of Arab and Middle Eastern artists in Hollywood through his work, including casting Malek Rahbani in a leading role in the 2022 film “Jacir” alongside Lorraine Bracco and Darius Tutwiler. The film tells the story of a poor Syrian refugee who pursues the American dream on the streets of Memphis.

As a casting director, Saman has worked on more than 40 feature, and short films, commercials, and television shows. His website is ArabActors.com.

Saad and Saman made the comments during appearances on The Ray Hanania Radio Show broadcast Wednesday, Oct. 11, 2023, on the US Arab Radio Network sponsored by Arab News newspaper.

You can listen to the radio show’s podcast by visiting ArabNews.com/rayradioshow.


Houthi drone strike kills Yemeni-Dutch journalist, injures brother, says media watchdog

Updated 29 April 2025
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Houthi drone strike kills Yemeni-Dutch journalist, injures brother, says media watchdog

  • Musab Al-Hattami killed, brother Suhaib wounded working on documentary project in Marib

LONDON: A Yemeni-Dutch journalist has been killed and his brother injured in a drone strike carried out by Iran-backed Houthi forces near the central Yemeni city of Marib, according to the Committee to Protect Journalists.

Musab Al-Hattami, a journalist and filmmaker, was killed on Saturday while filming a documentary in his family’s hometown. His brother, photographer Suhaib Al-Hattami, sustained serious injuries in the same attack, the US-based media watchdog said on Monday while condemning the strike.

Sara Qudah, regional director of the CPJ, said: “The killing of Musab Al-Hattami is yet another stark reminder to the international community that the warring parties in Yemen are violating international law by killing civilians. Such indiscriminate violence exposes all journalists, who are brave enough to document the war in Yemen, to extreme risk.

“We call on the international community to investigate the attack and hold those responsible to account.”

The Al-Hattami brothers had recently returned to Yemen from the Netherlands to report on the ongoing civil war and were working on a documentary project about their parents’ hometown when the strike occurred.

According to Dutch media outlet RTL, Houthi forces targeted the area with grenades and drones while the brothers were filming. Musab Al-Hattami and three government soldiers were killed, while Suhaib was seriously wounded.

Musab Al-Hattami, who had moved to the Netherlands after studying film in Jordan, held Dutch citizenship. The Dutch Ministry of Foreign Affairs confirmed his death and said he was buried in Marib on Monday.

He is the 20th journalist to be killed in Yemen since 2015, when a Saudi-led coalition launched military operations against Houthi rebels who had seized the capital, Sanaa.

Al-Qaeda in the Arabian Peninsula announced in December 2024 it had executed 11 individuals, including Yemeni journalist Mohamed Al-Maqri, who had been abducted in 2015 and accused of spying. At least 18 journalists were killed in Yemen between 2015 and 2020.


15 media workers killed in Gaza 2025: Palestinian Journalists Syndicate

Updated 29 April 2025
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15 media workers killed in Gaza 2025: Palestinian Journalists Syndicate

  • Syndicate’s latest report documents rise in Israeli arrests, threats, harassment of journalists

LONDON: At least 15 media workers have been killed in Gaza since the start of 2025, according to a new report released by the Palestinian Journalists Syndicate.

The report, published over the weekend by the syndicate’s freedoms committee, which monitors Israeli violations against journalists, highlighted the continued direct targeting of media workers.

Seven journalists were killed in January and eight in March, the report stated.

In addition, family members of 17 journalists were killed, while 12 reporters’ homes were destroyed by rocket and shell attacks, with 11 injured in the assaults.

The report noted that violence against media crews extended beyond fatal attacks. It documented the arrest of 15 journalists, either at their homes or while on assignment. Some were released within hours or days, while others remain in detention.

The syndicate also recorded 49 death threats issued against journalists, many of whom were warned to evacuate the areas they were covering.

Legal harassment intensified as well, with the report citing over 10 cases in which journalists — mostly from the West Bank-based Al-Quds newspaper — were summoned for interrogation and banned from reporting near Al-Aqsa Mosque and Jerusalem’s Old City.

In the occupied West Bank, approximately 117 journalists faced physical assaults, repression, or reporting bans, particularly in Jenin and Jerusalem. The committee also documented 16 cases of work equipment being confiscated or destroyed.

The violence against journalists comes amid a renewed Israeli military campaign in Gaza following the collapse of a ceasefire deal with Hamas. Israeli forces have intensified their offensive, cutting off vital supplies to Gaza’s 2.3 million residents, leaving the enclave on the brink of famine.

Israel’s actions are now the subject of hearings at the International Court of Justice in The Hague, where Tel Aviv faces accusations of violating international law by restricting humanitarian aid to Gaza.

The humanitarian toll has been devastating.

According to Gaza’s health ministry, more than 61,700 people have been killed in Gaza since Israel launched its offensive on Oct. 7, 2023. More than 14,000 others are missing and presumed dead, with civilians making up the vast majority of casualties.

Washington-based press watchdog, the Committee to Protect Journalists, has also raised alarm over the scale of media worker deaths, reporting that at least 176 journalists — almost all Palestinian — have been killed since Israel launched its assault on the Occupied Territories.


Al Majalla sets new benchmark for regional visual journalism with 13 wins at design awards

Updated 28 April 2025
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Al Majalla sets new benchmark for regional visual journalism with 13 wins at design awards

  • Arab News’ sister publication received 13 international honors at the Society of News Design’s 46th Best of News Design Creative Competition, including a prestigious Bronze Medal

RIYADH: Al Majalla has earned 13 international honors at the Society of News Design’s (SND) 46th Best of News Design Creative Competition, including a prestigious Bronze Medal. 

The awards, judged by a global panel of 42 visual journalists, recognize the most outstanding journalism and design work published worldwide in 2024. Nearly 5,000 entries were submitted to the 46th annual creative competition, with Al Majalla’s work honored alongside leading international titles such as The New York Times, Bloomberg, Reuters, and National Geographic. 

Among the honors, Al Majalla received a Bronze Medal — a distinction awarded to visual storytelling that goes “beyond excellence,” demonstrating an elevated level of aesthetic execution, creativity, or degree of difficulty. The recognition was granted for a body of work focused on the special topic of conflict in the Middle East. 

“This achievement reflects our commitment to credible, in-depth journalism, and to presenting it in a way that resonates with global audiences,” said Al Majalla Editor-in-Chief Ibrahim Hamidi. “This is just one step in our broader transformation journey — one that aims to center thoughtful reporting, bold editorial choices, and design-led storytelling at the core of our work.” 

In addition to the Bronze Medal, Al Majalla received 12 Awards of Excellence across categories including page design, illustration, animation, and special topics such as elections and drug-related issues in the Arab world. These awards are reserved for work that pushes the boundaries of traditional media through daring, innovative storytelling. 

“This is a recognition of the collaborative energy and bold thinking our team has brought to the table,” said Creative Director Sara Loane. “We’re reimagining how Arab journalism can look and feel — modern, intentional, and visually impactful.” 

This is a standout moment that reflects not only creative excellence but also the momentum behind Al Majalla’s editorial evolution. It underscores Al Majalla’s place in SRMG’s wider digital evolution, where innovation and substance go hand in hand to redefine how journalism engages and endures. 


Tortoise Media to relaunch Observer this weekend

Updated 26 April 2025
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Tortoise Media to relaunch Observer this weekend

  • World’s oldest Sunday paper to become company’s flagship brand
  • Observer will not be ‘another daily newspaper just on the seventh day of the week,’ says Tortoise founder James Harding

LONDON: Tortoise Media is set to publish its first edition of The Observer this weekend, following the formal completion of its acquisition of the 234-year-old Sunday newspaper from Guardian Media Group.

A dedicated Observer website will launch on Friday, with the first in-house print edition under Tortoise’s ownership hitting newsstands on Sunday. The relaunch also marks a return to print for Tortoise founder James Harding, who has formerly been editor of The Times, director of BBC News, and a journalist at the Financial Times.

“The world’s oldest Sunday paper is also going to be the newest. You’ll see the paper will change, but change gradually,” Harding told the Financial Times.

The Observer will become Tortoise Media’s flagship brand, while the Tortoise name will be retained as a sub-brand for long-form investigations and other digital content.

The historic Sunday paper, renowned for its investigative reporting, international coverage, and analysis, has long played a prominent role in covering major global events, including the Middle East. It took a bold editorial stance during the Suez Crisis, when then-editor David Astor criticized the British-French-Israeli invasion of Egypt. It also distinguished itself with coverage of the Israeli-Palestinian conflict, the Iraq War — including early exposure of faulty intelligence on weapons of mass destruction — and British complicity in torture during the War on Terror.

The new Observer website will focus on “making sense of the headlines” rather than competing with rolling news outlets like the BBC or The Guardian, Tortoise’s digital editor Basia Cummings said in a recent interview.

“But news, culture and style are the main pillars of our newsroom,” Cummings added, noting that the publication would maintain its “investigative, internationalist” editorial identity, alongside staples such as the Observer New Review, Observer Magazine, and Observer Food Monthly.

The digital offering will include a daily email newsletter and, later this year, a slate of new podcasts. Events and festivals — part of Tortoise’s existing engagement model — are also planned.

The new website is an “initial version.” A full relaunch, including a mobile app and paywall, is expected in the coming months. Until then, content will be free to access as part of a first-party data strategy.

The relaunch comes as Tortoise looks to strengthen its position in the British and international media landscape. According to the Financial Times, British insurance tycoon Sir Clive Cowdery — founder of the Resolution Foundation and publisher of Prospect magazine — has agreed to join the Tortoise board and invest in the venture.

Although Tortoise has incurred financial losses of around £3 million, the company has pledged to invest £25 million into The Observer. Concerns about the financial stability of the loss-making startup have been raised by journalists at both titles, but new funds are expected from backers including South African businessman and Labour Party donor Gary Lubner, and Standard Investments, part of the US-based Standard Industries group.

As part of the deal, the Guardian Media Group’s owner, The Scott Trust, has taken a 9 percent stake in Tortoise, following a £5 million commitment.

“I don’t think that it makes sense for The Observer to be another daily newspaper, just on the seventh day of the week,” Harding said. “We’re not in the business of being a breaking news service; we want to understand what’s driving the news.”


Israeli Foreign Ministry backtracks on message of condolence over Pope Francis’ death

Updated 25 April 2025
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Israeli Foreign Ministry backtracks on message of condolence over Pope Francis’ death

  • Ministry ordered removal of post hours after it was published, citing ‘error’
  • Move appears to be tied to outspoken criticism of Israel’s actions in Gaza, West Bank

LONDON: Israel’s Foreign Ministry has backtracked on a message of condolence shared on social media following the death of Pope Francis, deleting the post just hours after it was published.

The message, which appeared on the official X accounts of several Israeli embassies around the world, read: “Rest in peace, Pope Francis. May his memory be a blessing.” It was accompanied by an image of the pontiff at the Western Wall in Jerusalem, the holiest site for Jewish people.

The Foreign Ministry later ordered the post to be taken down and instructed ambassadors not to sign books of condolence at Vatican missions worldwide, according to Israeli media reports.

The reversal reportedly sparked frustration among diplomats, especially in predominantly Catholic countries, and prompted internal criticism of the ministry’s leadership.

Raphael Schutz, Israel’s former ambassador to the Vatican, said: “I think the decision is a mistake. We shouldn’t keep score like this after someone’s death.”

Schutz and other diplomats argued that retracting condolences risked damaging Israel’s image among the world’s 1.3 billion Catholics.

While the Foreign Ministry said the original post was published “in error,” the decision to remove it appears tied to Pope Francis’ recent criticism of Israel’s actions in Gaza and the West Bank.

The pope, who died on Monday aged 88 after suffering a stroke and heart failure, had emerged as one of the most outspoken critics of Israel’s military campaign in Gaza.

In his final Easter message he had repeated his call for an immediate ceasefire in Gaza and described the humanitarian situation there as “dramatic and deplorable.”

The Latin Patriarch of Jerusalem Cardinal Pierbattista Pizzaballa said that the late pope “was very close to the community of Gaza, the parish of Gaza.”

Pope Francis said of Israel’s actions in Gaza in November 2023: “This is not war; this is terrorism.” His remark drew sharp criticism from Israeli officials and media, including an editorial in The Jerusalem Post accusing him of offering “unconditional support for Hamas.”

Aside from a message of condolence from President Isaac Herzog, who expressed the hope that the pope’s memory would “inspire acts of kindness and hope for humanity,” Israeli leaders have remained largely silent. Prime Minister Benjamin Netanyahu and Foreign Minister Gideon Sa’ar did not issue any public statement or social media posts.

The decision not to engage was met with criticism from Israeli commentators and members of the public, who argued that it did not reflect the views of most Israelis.

Political and religious leaders from across the world have expressed their condolences. Saudi Arabia’s King Salman and Crown Prince Mohammed bin Salman sent official messages mourning the death of the head of the Vatican City State.

Pope Francis, who led the Catholic Church for 12 years, will be laid to rest in Rome on Saturday. Leaders from across the world, including the Arab region, are expected to attend. It remains unclear whether Israel will send an official delegation.