‘The climate crisis is the most important story for this generation,’ says CNN Academy director on second news simulation

A total of 110 aspiring journalists from 30 different nationalities participated in the simulation. (Supplied)
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Updated 20 December 2023
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‘The climate crisis is the most important story for this generation,’ says CNN Academy director on second news simulation

  • 110 aspiring journalists participated in the program
  • Simulation was set in a fictional country undergoing a climate disaster

DUBAI: CNN held its second reporting simulation as part of its academy training program last week.

A total of 110 aspiring journalists from 30 different nationalities participated in the simulation.

Of the participants this year, 14 marked the inaugural cohort of the new CNN Academy Global South Climate Storytelling program, funded by The Rockefeller Foundation. They were intentionally chosen to take part from the regions most impacted by climate change, which includes countries such as Colombia, Indonesia, Kenya and Vietnam.

Other participants included students from global CNN Academy initiatives, such as Hong Kong Chui Hai College, University College Dublin, Universidad Loyola Sevilla, University of Nottingham Malaysia, and CNN Academy Abu Dhabi.

This year’s news simulation focused on climate reporting.

“The climate crisis is the most important story for this generation,” said Alireza Haji Hosseini, director of the CNN Academy and deputy bureau chief of CNN Abu Dhabi.

“As we’ve seen, 2023 was the hottest year on record, (so) we wanted to focus this year’s news simulation on climate storytelling,” he told Arab News.

Held in a fictional country undergoing a climate disaster, the simulation required participants to gather news in the field, use a custom-built social media tool and attend mock press conferences and interviews.

Each team was tasked with writing, producing, reporting, filming and editing a news package using the facilities at twofour54’s Yas Creative Hub in Abu Dhabi.

“Covering the climate crisis is both vitally important and multifaceted so it provided a strong challenge for the participants,” Haji Hosseini said.

Each group was assigned a mentor to guide them through the week, thereby creating “a safe-to-fail environment,” so they could make mistakes that “they would not be afforded in real life,” he said.

The simulation was designed and planned by CNN, in collaboration with Prof. Rex Brynen of McGill University, Montreal, Canada, and Jim Wallman, director of game design company, Stone Paper Scissors. 

“We worked with them last year for CNN Academy’s first newsroom simulation, which was a great success, so it was a no-brainer to work together for this event,” Haji Hosseini said.

“We created a fast-paced environment, with volumes of information and sources to uncover, including red-herrings, conspiracy theories and even simultaneously occurring news events to replicate many challenges that journalists face every day,” he said.

The simulation was designed to test the skills students had learned in the CNN Academy, such as interview techniques, storytelling, ethics and verification.

They had to play multiple roles as reporters, photojournalists, writers, editors and producers, which tested their technical skills in capturing and editing audio and video, as well as soft skills such as strategic thinking, collaboration and diplomacy, Haji Hosseini said.

Participants also visited the COP28 conference in Dubai and attended talks at the UN Climate Change Conference.

Alongside the simulation, CNN held masterclasses on the power of pictures and storytelling during times of conflict, along with workshops on the importance of data management and archiving, and the complexity of gender reporting.

Glen Mulcahy, an expert in mobile journalism, hosted one session that focused on the use of smartphones in journalism, which covered topics such as lighting, using a tripod, and how to shoot b-roll and cutaways to film and edit packages professionally.

While the first simulation had a clear story line to be investigated, this year’s simulation featured more than 200 potential story angles, Haji Hosseini said.

He added: “As this year’s simulation was centered on the climate crisis there were many avenues to explore across technical and social aspects. There were more than 200 possible story angles spanning ecosystems and biodiversity to sustainability, activism and how climate change disproportionately impacts women.”

Therefore, “one of the main challenges this year was for participants to establish the angle they wanted to focus on and not be distracted by other potential stories or events,” he said.

“The experience was extraordinary and immersive because the simulation week not only pushed me beyond my usual circle but also led me to see the world through the eyes of a real journalist,” one participant, Reem Al-Mansoori, from CNN Academy Abu Dhabi, told Arab News.

For another participant, Sarah Al-Kaabi, the experience helped to hone her technical skills, such as shooting and editing videos and understanding scriptwriting. “It was a really helpful exercise for me when thinking about building the narrative for a visual presentation,” she said.

At the end of the week, a winning team was chosen for creating the best package, which included Lhekkah Sivaraja from University of Nottingham Malaysia, Esha Mitra from The Rockefeller Foundation Cohort, Daniela Torres Basila from Universidad Loyola Sevilla and Alia Al-Zaabi and Abdulrahman Al-Marzooqi from CNN Academy Abu Dhabi.

Haji Hosseini said that CNN “provided feedback on the work submitted and shared all the work on the CNN Academy hub, so everyone could view what was produced and understand why some packages were stronger than others.” 

CNN also conducted “listening sessions so that we as trainers got insight from the participants about what they enjoyed, what they found most challenging so we can adapt and adjust accordingly,” he said.


Trump says confident of TikTok deal before deadline

Updated 31 March 2025
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Trump says confident of TikTok deal before deadline

  • Chinese owner ByteDance to sell the popular short video app by April 5 or see it banned in the US
  • US in talks with four groups interested in acquiring the platform, Trump said

WASHINGTON: President Donald Trump said Sunday he was confident of reaching a deal on TikTok ahead of the April 5 deadline for its Chinese owner ByteDance to sell the popular short video app or see it banned in the United States.
“We have a lot of potential buyers. There’s tremendous interest in TikTok,” Trump told reporters onboard Air Force One.
“We have a lot of people that want to buy TikTok. We’re dealing with China also on it, because they may have something to do with it,” he said, adding “I’d like to see TikTok remain alive.”
China on Thursday had rebuffed a suggestion from Trump that he might offer to reduce tariffs to get Beijing’s approval for the sale of TikTok to a non-Chinese firm.
Trump said this month the United States was in talks with four groups interested in acquiring the platform, which has 170 million American users.
A US law has ordered TikTok to divest from ByteDance or be banned in the United States, enacted over concerns that Beijing could exploit the app to spy on Americans or covertly influence US public opinion.
The law took effect on January 19, a day before Trump’s inauguration, but he quickly announced a delay that has allowed it to continue to operate.
That delay is set to expire on April 5.
“There’ll be a deal with TikTok, I’m pretty certain,” Trump said when asked if he would extend the deadline if there was no deal.
Trump attempted to ban TikTok in the United States because of national security concerns during his first stint in the White House but has warmed up to it.
“Selfishly speaking, I won the young vote by 36 points. Republicans generally don’t do very well with the young crowd, and I think a lot of it could have been TikTok,” he said.


Turkiye confirms Swedish journalist arrested amid protests

Updated 30 March 2025
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Turkiye confirms Swedish journalist arrested amid protests

  • The jailing of Medin came just hours after the authorities released the last of 11 journalists arrested in dawn raids on Monday for covering the protests

Istanbul: A Swedish journalist who was detained on his arrival in Turkiye to cover protests over the jailing of Istanbul’s mayor has been arrested on terror-related charges and for “insulting the president,” the Turkish presidency said Sunday.
Joakim Medin, who works for the Dagens ETC newspaper, “has been arrested on charges of ‘membership in an armed terrorist organization’ and ‘insulting the president’,” the presidency said.
Medin was detained on Thursday when his plane landed in Turkiye, and sent to prison the next day.
In a bulletin published by its “Disinformation Combat Center,” the presidency said Medin was “known for anti-Turkiye news and his closeness to the terrorist organization PKK,” the banned Kurdish militant group.
“This arrest decision has no connection whatsoever to journalistic activities,” it added.
The jailing of Medin came just hours after the authorities released the last of 11 journalists arrested in dawn raids on Monday for covering the protests, among them AFP photographer Yasin Akgul.
Turkish authorities have also deported BBC journalist Mark Lowen, who had been covering the protests, after holding him for 17 hours on Wednesday, saying he posed “a threat to public order,” the broadcaster said.
Turkiye’s communications directorate said Lowen had been deported “due to a lack of accreditation.”
Turkish prosecutors had already opened an investigation into Medin in 2023 over a demonstration he joined in Stockholm in which a puppet of President Recep Tayyip Erdogan was hung from its feet, according to the presidency’s statement Sunday.
It said the Swedish journalist was among 15 suspects believed to have carried out, organized or publicized the demonstration.
The protest infuriated Turkish authorities, who alleged it was orchestrated by PKK members and summoned Sweden’s ambassador to Ankara.


Academy apologizes after stars say it ‘failed to defend’ Palestinian filmmaker

Updated 29 March 2025
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Academy apologizes after stars say it ‘failed to defend’ Palestinian filmmaker

  • Hamdan Ballal was assaulted this week by settlers and detained at gunpoint by soldiers in the Israeli-occupied West Bank
  • “No Other Land” chronicles the forced displacement of Palestinians by Israeli troops and settlers in Masafer Yatta in the West Bank

LOS ANGELES: The Academy of Motion Picture Arts and Sciences apologized Friday for failing to defend an Oscar-winning Palestinian filmmaker who said he was attacked by Israeli settlers.
The group, which hosts and awards the Oscars each year, wrote to members after movie stars including Joaquin Phoenix, Penelope Cruz and Richard Gere had slammed its initially muted response to the incident.
The Academy “condemns violence of this kind anywhere in the world” and its leaders “abhor the suppression of free speech under any circumstances,” said the letter, seen by AFP.
Hamdan Ballal co-directed “No Other Land,” which won best documentary at this year’s Academy Awards.
This week, he said he had been assaulted by settlers and detained at gunpoint by soldiers in the Israeli-occupied West Bank.
Unlike multiple other prominent filmmaker groups, the US-based Academy initially did not issue a statement.
On Wednesday, it sent a letter to members that condemned “harming or suppressing artists for their work or their viewpoints,” without naming Ballal.
By Friday morning, more than 600 Academy members had signed their own statement in response.
“It is indefensible for an organization to recognize a film with an award in the first week of March, and then fail to defend its filmmakers just a few weeks later,” the members said.
“We stand in condemnation of the brutal assault and unlawful detention of Oscar-winning Palestinian filmmaker Hamdan Ballal by settlers and Israeli forces in the West Bank,” they wrote.
The Academy leadership’s response “fell far short of the sentiments this moment calls for,” said the members.
The Los Angeles-based group’s board convened an extraordinary meeting Friday to confront the deepening crisis, according to trade outlet Deadline.
Later Friday, it issued an apology to Ballal “and all artists who felt unsupported by our previous statement.”
“We regret that we failed to directly acknowledge Mr. Ballal and the film by name,” it wrote.
“No Other Land” chronicles the forced displacement of Palestinians by Israeli troops and settlers in Masafer Yatta — an area Israel declared a restricted military zone in the 1980s.
Despite winning the coveted Oscar, the film has struggled to find a major US distributor.
Following Monday’s incident, Ballal told AFP the “brutality” of the attack “made me feel it was because I won the Oscar.”
During his detention at an Israeli military center, Ballal said he noticed soldiers mentioning his name alongside the word “Oscar” during shift changes.
He was released Tuesday, after being detained the previous day for allegedly “hurling rocks.”
Yuval Abraham, who also co-directed and appears in the documentary, has spoken out against the Academy’s response.
“After our criticism, the academy’s leaders sent out this email to members explaining their silence on Hamdan’s assault: they need to respect ‘unique viewpoints’,” he wrote on X, sharing a screenshot of the Academy’s letter.
 


Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO

Updated 28 March 2025
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Warner Bros. Discovery investment in OSN Streaming signals broader industry shift, says CEO

  • Middle East ‘no longer a peripheral market’ — Joe Kawkabani

DUBAI: Warner Bros. Discovery this week announced a minority investment in OSN Streaming in a move that “reinforces its commitment to the region’s rapidly growing streaming landscape.”

The deal is reportedly valued at $57 million for a third of OSN Streaming. It will take place in phases and is subject to customary conditions, including regulatory approvals.

Joe Kawkabani, OSN’s group CEO, said the deal “signals a broader shift in the industry” as global players recognize “that substantial growth in the Middle East and North Africa region requires more than just exporting content.”

He told Arab News: “It’s about investing in local platforms, collaborating with regional talent, and tailoring content specifically to the market. That’s precisely what we’re doing here, and I believe it sets a new standard for successful partnerships in the region.”

Warner Bros. Discovery opened its first office in the region in Dubai in 2012. The investment reflects its “prioritization of working with the best creative talent, advancing technologies and forging key partnerships to fuel continued growth.”

It also serves as an opportunity for the company to “deepen their regional presence through a trusted platform that truly understands the market's nuances,” Kawkabani said.

The two companies have had a long-standing history, with OSN being the exclusive home for HBO content in the region. Just last year, OSN acquired the rights to all first-run Max Originals and the full Warner Bros. Pictures feature film library as part of a multi-year deal.

Jamie Cooke, executive vice president and managing director for Central Europe, Turkey and Middle East, at Warner Bros. Discovery said this was a “natural step” for the company, as “OSN has been a great partner and custodian of our content.”

He added: “We recognize that alongside enjoying the latest global hits, regional audiences also want stories from and about the region that reflect their own cultures and experiences.”

Kawkabani highlighted the importance of the MENA market on the global map.

He said: “It is no longer a peripheral market — it’s becoming central to the future of streaming. Our role is to drive this transformation from within the region, not just import it from the outside.”

Saudi Arabia has emerged as a key player in the region’s media and entertainment industry. In 2018, the Kingdom announced it would invest $64 billion in its entertainment sector over the coming decade. Since then, it has implemented several initiatives and investments to bolster these sectors.

Most recently, in January, Saudi Arabia’s General Entertainment Authority unveiled 29 investment opportunities aimed at expanding the entertainment landscape while fostering private sector participation and aligning with Vision 2030 objectives.

Saudi Arabia is “one of the most exciting and dynamic entertainment markets in the world right now” and the deal “aligns seamlessly with Saudi Arabia’s broader vision for its entertainment sector — one that prioritizes creativity, local talent, and global collaboration,” said Kawkabani.

“We view Saudi Arabia not just as a key market but as a creative hub that can lead the region forward,” he added.

Going forward, the deal will see the two companies invest in “high-quality, locally produced content, ensuring a richer and more diverse offering for viewers,” according to Cooke.

For OSN, Kawkabani said it wasn’t just about content licensing or capital, but rather about “two companies aligning on a vision to sustainably grow the regional streaming market in a way that resonates locally.”

He added: “We’re not here to follow trends; we’re here to shape them.”


Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

Updated 28 March 2025
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Majority of listeners tune in to Spotify during Ramadan’s pre-dawn hours

  • Spiritual, peaceful and relaxing audio is the most popular choice during Ramadan, with listenership of such playlists increasing by more than 3,000 percent in the first two weeks.

DUBAI: Streaming and content consumption habits change as audiences adjust to different routines during Ramadan, according to new data from Spotify.

This year saw a return of the streaming platform’s Ramadan Hub, with a specially curated selection of playlists, music and podcasts.

Based on an analysis of customers’ streaming habits during the first two weeks of Ramadan, Spotify found the majority of Saudi listeners tune in at around 3 a.m. Spiritual, peaceful and relaxing audio is the most popular choice, with listenership of such playlists increasing by more than 3,000 percent.

“With the Ramadan Hub, Spotify continues to be a companion for every moment of the holy month,” Mark Abou Jaoude, the platform’s head of music for the Middle East, North Africa and Pakistan told Arab News.

The playlist with the highest increase in listeners (3,750 percent) was “Duaa,” which features prayers and supplications. Similarly, “Ramadaniyat,” which features traditional Islamic songs, saw a streaming rise of almost 1,890 percent.

Users’ love of TV dramas is reflected in their streaming habits with the “Titrat Ramadan” playlist recording a 2,900 percent increase in streams. This features songs that appear in popular shows at this time, known as “titrat” and traditionally sung by Arab pop stars.

Another playlist gaining popularity is “Cooking Time,” which saw the number of streams increase by 743 percent. This serves as a cooking companion and features songs such as Nancy Ajram’s “Aam Betaala’ Feek,” Marwan Khoury’s “Kel El Qasayed” and Amr Diab’s “El Kalam Leek.”

“Over the past two years, local podcast listening hours have increased by nearly 90 percent (on Spotify),” Abou Jaoude said.

Spotify has also seen significant increases in the popularity of local podcasts such as “Finjan with Abdul Rahman Abu Maleh” and “Sawalif Business.” Users are also listening to lighter entertainment content, such as “Kanabat al-Sabt,” “Saturday Couch” and the “Abjoorah Podcast,” as well as religious shows like the “Omam Podcast,” which puts a modern spin on the stories of prophets.

“These shifting listening habits reflect the growing trend of audio in setting the atmosphere for these shared experiences during the month,” said Abou Jade.

“It’s great to see how our Saudi listeners use Spotify to enrich their Ramadan journey and deepen their connections during this meaningful time.”