Action! Saudi Film Festival returns for 10th edition

The 10th Saudi Film Festival will begin May 2 at the King Abdulaziz Center for World Culture (Ithra) in Dhahran. (Shutterstock)
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Updated 02 May 2024
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Action! Saudi Film Festival returns for 10th edition

  • Everything you need to know about Ithra’s celebration of cinema 

DHAHRAN: The 10th Saudi Film Festival will begin May 2 at the King Abdulaziz Center for World Culture (Ithra) in Dhahran.  

This year’s eight-day event — organized by the Cinema Society in partnership with Ithra and with support from the Ministry of Culture — will feature 76 film screenings and 53 titles vying for 36 awards. The red carpet will be rolled out on both opening and closing nights, with filmmakers, actors and film buffs in attendance. There will be workshops and book signings and, of course, the opportunity for filmmakers from the Kingdom and the wider region to come together. 




The festival will open with “Underground,” a feature-length documentary by Saudi director Abdulrahman Sandokji about the Kingdom’s music industry. (Supplied)

The festival will open with “Underground,” a feature-length documentary by Saudi director Abdulrahman Sandokji about the Kingdom’s music industry. 

Festival director Ahmed Al-Mulla said at a press conference: “This event is fast developing into a must-attend festival across the GCC film community. This year’s 10th edition is shaping up to be the biggest and best yet.” 

“We have come a long way over the past decade and are pleased to see Saudi Film Festival’s importance and popularity across the region’s film community growing each passing year,” added SFF vice president, Mansour Al-Badran. “(It) has become a portal for cultural exchange and exploration, providing an avenue for cultural openness for the Kingdom and building bridges beyond borders for new programs and experiences.” 




Syrian filmmaker Mohammad Malas will be honored at this year’s Saudi Film Festival. (AFP)

The festival’s colorful history — back to its debut in 2008 — will be on display at the Cinema Society’s “Saudi Encyclopedia of Cinema,” which includes 20 books covering all aspects of film.  

This year’s edition has two main themes: Indian cinema and sci-fi films. The Spotlight on Indian Cinema program will explore India’s rich film industry beyond Bollywood and showcase Indian indie movies, which rarely get the chance to run in the Gulf region. Practical workshops and cultural seminars will be included for both the main themes, as well as programming designed especially for children.  

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The Plaza at Ithra will bring the future to the present by providing a Virtual Production Experience (NeoCyb) experience. Combining live-action film with digital environments or elements in real-time, virtual production uses advanced technologies such as real-time rendering engines and motion-capture to create immersive virtual environments that performers can interact with, enabling filmmakers to visualize and capture scenes with complex visual effects more efficiently and cost-effectively, by reducing the need for extensive post-production work. 

And speaking of production, the festival also includes a production market where people can meet up to work towards a common goal: making more movies. Filmmakers, producers, funders — and those seeking funding — will be present. The market is designed, the organizers say “to enhance the film industry in Saudi Arabia by encouraging collaboration between artists, producers, and investors in the cinema industry.” 

A total of 53 features, shorts and documentaries, nominated by the festival’s technical committee, will compete for 36 prizes at this year’s SFF. They will be displayed at the festival in three categories: the Film Competition, the Unexecuted Screenplay Competition, and the Production Market Projects Competition.  

There will also be a new category of prizes up for grabs: The Golden Palm, which will be presented to the best Saudi documentary about the environment as well as a second-place award for the best animated short film on the topic. 

On the sidelines of all the high-profile screenings, the festival also includes a myriad of activities for film professionals, including 10 training workshops, two of which will focus on production market participants and short- and long-scenario development. There will also be a symposium and a total of 13 masterclasses covering a wide range of topics. More details are available on Ithra’s website. 

SFF will also continue to celebrate the achievements of film pioneers in the Kingdom and the Gulf region. This year, the festival will honor Saudi actor Abdulmohsen Al-Nemer, who hails from nearby Al-Ahsa.  

Al-Nemer has starred in numerous films over his decades-long career, including “The Sun” (1990), “Shadows of Silence” (2006), “Thobe: The Wedding” (2016) and “Long Road” (2022). 

He also starred in last year’s award-winning “Hajjan,” an Ithra Film Production that premiered at the 2023 Toronto International Film Festival and recently took home three awards at the Gulf Film Festival including Best Feature, Best Actor and Best Cinematography. 

The festival will also honor Syrian director, Mohammad Malas, whose work has often been banned in his homeland but is recognized as one of his country’s leading auteurs. His documentary about Palestinian refugee camps in Lebanon, shot in the Eighties, “Al-Manam” was awarded first prize at the first International Documentary Festival in France in 1987. 


Over 4,000 participate in second World Athletics-certified marathon in Karachi

Updated 05 January 2025
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Over 4,000 participate in second World Athletics-certified marathon in Karachi

  • Athletes from Poland, Germany, Japan and other countries take part in marathon event
  • The event featured Marathon (42.195 KM), Marathon Relay, Half Marathon (21.0975 KM) and 5KM Fun Race

KARACHI: At least 4,000 people from all walks of life took part in an annual marathon event, accredited by the World Athletics and held in Pakistan’s southern port city of Karachi on Sunday, its organizer said. 

The event kicked off on Sunday morning from the city’s Nishan-e-Pakistan monument at Sea View. It featured five types of marathons, such as the Full Marathon (42.195km) the Half-Marathon (21.1 km), the Relay Marathon, a team of four participants for 42.2km (10.5km run, 10.5km run, 10.5km run, 10.5km run and the Fun Run, a 5 km run.

Athletes hailing from Poland, Germany, Japan and many others participated in the event, Sports in Pakistan, one of the organizers of the event, said in a press release. The marathon’s certification by the World Rankings Competition ensured a world-class experience for all participants, it added. 

“We are delighted with the overwhelming success of the Karachi Marathon 2025,” Shoaib Nizami, CEO of Sports in Pakistan, said. 

“The event has emerged as a testament to Karachi’s unwavering resilience and warm hospitality and we extend our sincerest gratitude to our participants, sponsors, and partners for their invaluable support.”

The top performers in each category were:

Marathon Category:

  • Male Winner (1st Prize): Israr Muhammad (Pakistan) – Time: 2:30:13 won Rs. 500,000/
  • Male Winner (2nd Prize): Muhammad Riaz (Pakistan) – 2:32:13 won Rs. 250,000/
  • Female Winner (1st Prize): Enub Khan (Pakistan) – 3:47:49 won Rs. 500,000/
  • Female Winner (2nd Prize): Uzma Abid (Pakistan) – 4:01:13 won Rs. 250,000/

Half Marathon Category:

  • Male Winner (1st Prize): Muhammad Ajhtar (Pakistan) – Time: 1:12:08 won Rs. 50,000/
  • Second Runner-up Male (2nd Prize): Qasim Bajwa (Pakistan) – 1:12:52 won Rs. 40,000/
  • Female Winner (1st Prize): Mumtaz Naimat – 1:43:26 won Rs. 50,000/
  • Second Runner-up Female (2nd Prize): Dua Nazakat (Pakistan) – 1:51:45 won Rs. 40,000/

The city saw its first-ever World Athletics-certified marathon last year in January 2024 where hundreds of people from all walks of life participated. 


Pic Group president David Sinapian discusses French brand’s expansion and Gulf success

Updated 05 January 2025
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Pic Group president David Sinapian discusses French brand’s expansion and Gulf success

DUBAI: With three Michelin stars at their flagship restaurant Maison Pic in Valence, France, the president of Pic Group, David Sinapian, and his wife and celebrated chef Anne-Sophie Pic are on a mission to take French culinary genius to the world.

After entering a long-term partnership with French luxury label Dior to open Dior Cafes around the world — starting with two outposts in Japan in December 2024 — Pic and Sinapian have their sights set on the Gulf.

“We have almost reached the potential for development of the catering business in Saudi Arabia, and I believe that the future holds great opportunities for the industry in the Kingdom. It is a no-brainer,” Sinapian told Arab News en Francais recently, three years after the Pic Group hosted a pop-up restaurant in AlUla.

Meanwhile, in the UAE, the group opened La Dame de Pic Dubai at the city’s swanky One&Only Zaabeel hotel in 2024, nabbing a Michelin star in the 2024 guide and being voted the World’s Best New Restaurant 2024 at the fifth annual World Culinary Awards.

“I have witnessed an evolution at a pace that continues to surprise me ... and that’s what characterizes business in the Emirates,” Sinapian said of the famously fast-paced food and beverage industry in the city.

“You can be in fashion one moment and quickly out of it the next, because the market changes, and if you can’t adapt, you’re left behind,” he added.

The Pic Group’s international accolades are the latest in a long list of culinary nods for a brand founded in the late 19th century.  

The precursor to Maison Pic, Cafe-Restaurant du Pin opened its rather more humble doors in 1889, with Pic’s great grandmother cooking ingredients hunted and farmed by her husband. Pic’s grandfather, Andre, then took over the family restaurant and earned it three Michelin stars in 1934.

Over the decades, Maison Pic lost and gained stars with the most recent blow being dealt after Pic’s father Jacques died in 1992 — the restaurant lost its third star in 1995 before Sophie-Anne returned in 1997 to head up the kitchen. After 10 years of creating memorable dishes in the restaurant, she gained back the third star in 2007.

“We began to build an ecosystem together and expand our business by opening other restaurants,” Sinapian told Arab News of the period that followed.

In 2009, they cut the ribbon on Pic au Beau-Rivage Palace in Lausanne, Switzerland.

“I was in charge of building the project in terms of identity, design and team building, while Anne-Sophie began to create a new menu using Swiss products,” Sinapian said, explaining their working relationship.

The Pic name then expanded its activity internationally, with openings in Paris, London, Singapore, Megeve, Hong Kong, and Dubai alongside its projects in Japan.

A new Monsieur Dior restaurant opening in Osaka, Japan, in 2025, will be orchestrated by the French chef.

“Anne-Sophie has had an affinity for Japan for a very long time, and so have I. It’s the love she has for tea, the products, and Japanese refinement,” Sinapian said.

 


French Algerian actress Sofia Boutella begins year with ‘SAS Rogue Heroes’

Updated 04 January 2025
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French Algerian actress Sofia Boutella begins year with ‘SAS Rogue Heroes’

DUBAI: French Algerian actress Sofia Boutella started the new year on a high note with the premiere of season two of the BBC series “SAS Rogue Heroes.”

“Happy New … SAS season 2 is out … and Happy New Year,” she wrote on Instagram this week, sharing on-set pictures of herself and her co-stars from the military drama, which chronicles the exploits of the British Army’s special forces unit.

Series two, created by Steven Knight (“Peaky Blinders”), picks up with British troops in the spring of 1943 during World War II.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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Returning for the sequel are actors Jack O’Connell, Connor Swindells, Dominic West and Sofia Boutella, who reprises her role as French intelligence agent Eve Mansour.

Commissioned by the BBC, the show is based on Ben Macintyre’s best-selling book of the same name, with season two having been directed by Stephen Woolfenden.

Boutella most recently starred “The Killer’s Game,” which hit cinemas in September, and Netflix’s “Rebel Moon — Part 2: The Scargiver.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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In the sci-fi adventure — a sequel to last year’s “Rebel Moon — Part One: A Child of Fire” — a peaceful colony on the edge of a galaxy finds itself threatened by the armies of a tyrannical ruling force.

Kora, played by Boutella, has assembled a small band of warriors — outsiders, insurgents, peasants and orphans of war from different worlds.

Boutella drew on her history as an immigrant. She grew up in Algeria during its civil war and later moved to France and found herself navigating the complexities of adapting to a different culture.

“Having left Algeria young, when I go back there I don’t feel like I belong to Algeria. And then, in France, I don’t feel like I belong to France because I didn’t grow up there,” she told Arab News in a previous interview.

Boutella has learned to embrace her rootlessness, though. “I feel like I belong to this planet. I have the freedom to travel wherever I want, without any limitation,” she said. “But sometimes, I miss the proximity and attachment that people have to their country.”

Kora was not Algiers-born Boutella’s first role as a sword-wielding extraterrestrial. The actress, who at the age of 10 fled to Paris with her family during the Algerian civil war, is known for her breakout performance in the Oscar-nominated film, “Star Trek Beyond,” in which she portrayed the fierce alien warrior, Jaylah.


What We Are Reading Today: South Sudan: The Untold Story

Updated 04 January 2025
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What We Are Reading Today: South Sudan: The Untold Story

Author: Hilde F. Johnson

South Sudan was granted independence and became the world’s newest country. Yet just two-and-a-half years after this momentous decision, the country was in the grips of renewed civil war and political strife.  

In this book, Hilde F. Johnson provides an unparalleled insider’s account of South Sudan’s descent from the ecstatic celebrations of July 2011 to the outbreak of the disastrous conflict in December 2013 and the early, bloody phase of the fighting.

Johnson’s personal and private contacts at the highest levels of government, accompanied by her deep knowledge of the country and its history, make this a unique eyewitness account of the turbulent first three years of the world’s newest – and yet most fragile – country.


REVIEW: ‘Squid Game’ enters a holding pattern 

Updated 03 January 2025
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REVIEW: ‘Squid Game’ enters a holding pattern 

  • Second season of the hit Netflix show feels tentative, ahead of its upcoming finale 

LONDON: The success of “Squid Game” in 2021 made a second season an inevitability, rather than a mere possibility proffered by a hopeful epilogue scene. But because this smash-hit show came out of South Korea, there was also an optimistic air to its steadily approaching release — could this addictively bleak dystopian thriller sidestep a lot of the Hollywood pitfalls and deliver a second season that was at least the equal of the first? 

Although it’s a sidestep of its own, the answer is… we’re not sure yet. And that’s because, although it’s billed as season two, these seven new episodes were shot back-to-back with season three (coming in 2025 and confirmed to be the last). So what you’re essentially getting here is the setup for the big finale still to come. That perhaps explains why, though the first season dropped viewers into the murderous titular competition pretty quickly, the actual ‘game’ of the second season of “Squid Game” doesn’t start until midway through the third episode. Before that, we’re reintroduced to main protagonist Seong Gi-hun (Lee Jung-Jae, still far and away the best thing about the show). Having won the first season’s brutal series of children’s games (for which the losers’ penalty is death), Gi-hun is spending his reward money trying to bring down the organizers of the competition, teaming up with season one detective Hwang Jun-ho (Wi Ha-joon) in an attempt to topple the shady cartel that is pressganging cash-strapped Koreans into murdering each other for money. When his plan to catch the game’s Front Man fails, he instead joins the latest intake, intent on helping the contestants escape with their lives. 

It’s an odd choice to spend so long building up to the competition — and even dallying on whether it can be proved it even exists — when that’s what viewers are here for. Once the games get going, “Squid Game” is as breathless and shocking as ever, and with a new cast of characters, there are fresh backstories to mine and some pretty pointed social commentary on greed, capitalism and social care (Korean commentators have suggested that the subtitles miss a few of the nuances of the script, which may be why some of the satire seems a little on the nose). Perhaps acknowledging what audiences will remember, there’s also a few decent twists that deserve to remain a surprise.  

But while season two of “Squid Game” is still great television, there’s no small amount of bloat here — and a sense of treading water for the final round still to come.