How a new tech academy is helping Saudi Arabia train its next generation of app developers 

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Updated 28 June 2024
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How a new tech academy is helping Saudi Arabia train its next generation of app developers 

  • The Apple Developer Academy in Riyadh will soon teach Saudi students how to design and code their own apps
  • Students at the all-female school will learn how to build, train, and deploy machine learning models across Apple devices

RIYADH: Saudi designers and entrepreneurs are making bold strides in the field of artificial intelligence, helped along by training schemes, mentors and new technologies provided by some of the world’s leading tech companies.

Silicon Valley heavyweight Apple recently unveiled a new program to train students to use the latest emerging technologies, creating opportunities for Saudi Arabia’s tech-savvy workforce of the future.

The Apple Developer Academy in Riyadh is among the institutions that will implement this training. Not only is it the first in the Middle East and North Africa region — it is also the only all-female academy of its kind in the world.

“Our mission is to empower female developers in KSA and the region, with skills for the tech jobs of tomorrow,” Ohood Al-Nayel, director of the Apple Developer Academy, told Arab News.




Ohood Al-Nayel. (Supplied)

“We aim to pioneer new frontiers in education. By empowering more women to be leaders in technology, we hope Saudi Arabia can become a hub for AI research, entrepreneurship and development in the region.”

Established as part of a collaboration between Apple and Tuwaiq Academy, the scheme is currently accepting 200 learners per year for its nine-month “The Academy” program, 330 for “The Foundation” four-week program, and 50 for its second-year visionary program. 

Scheduled to launch this autumn, the new custom-built core curriculum will teach students and alumni how to build, train and use machine-learning models across Apple devices.

“We have three goals,” Al-Nayel said. “The first is to teach our developers to always use and advocate for use of native tools like Xcode, Swift, and Apple frameworks, as this is important for iOS and app development. 

“Our second goal is to produce local Arabic apps that apply accessibility. Our final goal is not just to teach our learners how to code, but to instill in them a passion for lifelong learning and give them the tools to drive meaningful change. 

“We want our graduates to leave equipped with both strong technical skills and an innovative, entrepreneurial spirit that can transform any industry.”




The scheme is currently accepting 200 learners per year for its nine-month “The Academy” program. (Supplied)

Courses will include the fundamentals of AI technologies and frameworks, core machine learning and its ability to deliver fast performance on Apple devices, and guidance on how to build and train AI models from the ground up.

Students will learn from a guided curriculum and project-based assignments that include assistance from hundreds of mentors and more than 12,000 academy alumni worldwide.

With a focus on AI, learners will be able to apply the latest technology to fields as diverse as healthcare, education and transport.




With a focus on AI, learners will be able to apply the latest technology to fields as diverse as healthcare, education and transport. (Supplied)

Although the curriculum is yet to begin, students are already incorporating AI models to innovate the app market. 

One example is the “Artector” app, developed by Farah Al-Amri, Lujain Yahya, and Baynah bin Hathlin for art lovers who are visually impaired.

They found that the application programming interfaces of a current AI model contained biases and did not reflect the true nature of a given artwork. The team therefore trained their own AI model to better analyze art and describe it using a voiceover feature. 




The scheme is currently accepting 200 learners per year for its nine-month “The Academy” program. (Supplied)

The app functions as a visual tour guide, Al-Nayel said, providing an accessible auditory alternative.

“Users can explore various artworks and gain insights into their historical context, artistic techniques and symbolic meanings by accessing detailed descriptions either by reading or listening,” she said.

“This app enhances the art appreciation journey, enabling users to engage with and comprehend art pieces more effectively.”

Other apps include “PiClean,” which helps students clean up their surroundings and enhance environmental awareness, and “iSpeak,” which helps people conquer their fear of public speaking and communicate more clearly. 

By encouraging this kind of innovation, the academy wants students to learn important skills to contribute to local businesses and communities, and increase opportunities for developers, designers and entrepreneurs to build the growing iOS app economy.

“Our curriculum is agile and customized yearly based on feedback from regional industry leaders so learners gain skills that are applicable in the Saudi job market,” said Al-Nayel. 

The latest technologies and application programming interfaces unveiled at Apple’s Worldwide Developer Conference — WWDC24 — in San Francisco earlier in June offered students access to powerful new tools. 

Xcode 16, for instance, raises the bar in developer productivity. New features and performance improvements like Swift Assist streamline coding tasks and encourage students to explore new frameworks and innovate freely.

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Swift 6 also introduces enhancements designed to improve code clarity and simplify concurrent programming.

“At Apple, we see coding as a universal language and believe in empowering developers, creators, and entrepreneurs across the world with tools and technologies that will allow them to create phenomenal experiences,” Susan Prescott, vice president of developer relations at Apple, said in a statement.

“With the introduction of a curriculum dedicated to AI and other new technologies we introduced this week, we’re excited to see what students will build to share with their communities and the world.”

The new core curriculum will be provided to thousands of students and alumni across 18 developer academies in six countries — Saudi Arabia, Brazil, Indonesia, Italy, South Korea and the US.
 

 


Arab oil dominates Japan’s crude supply in May

Updated 10 sec ago
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Arab oil dominates Japan’s crude supply in May

TOKYO: The Arab share of Japan’s oil imports for May, as reported by the Agency for Natural Resources and Energy, amounted to 62.44 million barrels — 95.3 percent of all the oil Japan imported that month.  Imports during the month from the UAE, Saudi Arabia, Kuwait, Qatar, and the neutral zone between Saudi Arabia and Kuwait further underscored the strategic importance of these countries in Japan’s energy security.

The UAE was Japan’s top oil supplier, contributing 46.2 percent of total imports

Kuwait and Qatar followed with 5.44 million barrels (8.3%) and 2.73 million barrels (4.2%). The Neutral Zone provided 0.7 per cent of Japan’s total imports.

Japan continued with its sanctions on importing oil from Iran and Russia in May. 

The remaining imports, 4.7 per cent, were sourced from a range of countries, including the US (3.2%), Central and South America (0.9%), Southeast Asia (0.4%), and Oceania (0.2%).

 


Saudi king, crown prince offer condolences to king of Morocco

Saudi Arabia's King Salman and Crown Prince Mohammed bin Salman. (SPA)
Updated 30 June 2024
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Saudi king, crown prince offer condolences to king of Morocco

RIYADH: Saudi Arabia’s King Salman and Crown Prince Mohammed bin Salman sent cables of condolences to the king of Mohammed VI of the Kingdom of Morocco on the death of his mother, the Saudi Press Agency reported on Sunday.

In a cable to King Mohammed VI of Morocco, King Salman expressed deepest and sincere condolences on the death of Princess Lalla Latifa.

Crown Prince Mohammed bin Salman expressed 'my warmest and most sincere condolences' in a separate cable, the SPA said.

 


Saudi embassy in Lebanon urges citizens to leave country immediately

Updated 29 June 2024
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Saudi embassy in Lebanon urges citizens to leave country immediately

  • Embassy stressed previous call to all Saudi citizens to avoid travel to Lebanon

BEIRUT: The Embassy of Saudi Arabia in Lebanon said on Saturday it was closely following the developments of the current events in southern Lebanon, Saudi Press Agency reported. 

It stressed its previous call to all Saudi citizens to avoid travel to Lebanon, and urged citizens there to leave Lebanese territory immediately.

The embassy said should they need to, citizens must contact it in the event of any emergency.

The warning came as Iran on Saturday warned that “all Resistance Fronts,” a grouping of Iran and its regional allies, would confront Israel if it attacked Lebanon.

The comment from Iran’s mission to New York came with fears of a wider regional war involving Israel and Lebanon’s Iran-backed Hezbollah movement.

The two sides have engaged in near-daily exchanges of fire since the war in Gaza began.


UNESCO-inscribed oral tradition of Alheda’a reflects enduring bond between Arabs and camels

Updated 29 June 2024
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UNESCO-inscribed oral tradition of Alheda’a reflects enduring bond between Arabs and camels

  • Historical accounts credit Mudar bin Nizar with having invented Alheda’a. After a fall from his camel, he kept crying “Waidah! Waidah!” (Oh, my hand!). The camels began moving, thus beginning the tradition of using vocal cues to guide camels

RIYADH: Alheda’a, a folk art passed down through generations across Arabian societies, embodies the deep connection between camels and locals.

Camel herders use Alheda’a — a combination of sounds, gestures, and sometimes musical instruments — to communicate with their camels. These rhythmic expressions, inspired by poetry, form a unique vocabulary that camels seem to understand and obey.

According to a report by the Saudi Press Agency published on June 29, herders use Alheda’a to guide their camels through the desert, find pastures for grazing, and prepare them for watering, milking, and riding. It also allows them to quickly gather the herd together in case of sandstorms.

Historical accounts credit Mudar bin Nizar with having invented Alheda’a. After a fall from his camel, he kept crying “Waidah! Waidah!” (Oh, my hand!). The camels began moving, thus beginning the tradition of using vocal cues to guide camels.

Early Alheda’a mimicked natural camel noises — herders would urge their animals along with sounds including “Heh,” “Doh,” and “Dah.” These vocalizations, along with rajaz (short, improvised poems), are still used today, but their use varies depending on the environment.

Over time, Alheda’a has evolved into a more poetic artform, with distinct styles and vocabulary. It has incorporated deeper meanings, sung verses, and balanced rhythms.

Saudi folk heritage researcher Ibrahim Al-Khaldi told the SPA that Alheda’a was “essential” for nomadic caravans. It typically involved two people reciting simple rhyming verses in unison, a practice that helped encourage the camels while extracting water from wells. For larger water-extraction tasks, where gathering distant camels was crucial, up to four people might recite Alheda’a. Their voices, carried in the quiet of the desert night or dawn, would travel a great distance.

The chairman of the Saudi Society for Camel Studies, Dr. Mohammed Al-Otaibi, told the SPA that Alheda’a existed in pre-Islamic times. The short, impactful chants helped gather camels, guide their movements, and direct them back to their resting places.

Inscribed in 2022 on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity, Alheda’a has various specific chants — for departure, travel, watering, gathering, and drawing water from wells.

Camels hold a unique place in Arab society. Recognizing this rich cultural heritage, the Camel Club was established in Saudi Arabia under the directives of King Salman in 2017.

The Ministry of Culture even declared 2024 “Year of the Camel,” in honor of an animal seen as a cultural treasure, a pillar of national identity, and a valuable part of Arab heritage.

 


Saudi culture, landscape in the spotlight at Riyadh showcase

Updated 29 June 2024
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Saudi culture, landscape in the spotlight at Riyadh showcase

  • 15 local, global artists present work inspired by fusion of visual arts, fashion

RIYADH: The open studio at the second Intermix Residency offers entry into a realm of creative exploration in which artists from across the globe put the Kingdom’s natural landscapes and cultural elements at the center of their work.

Some 15 creators worked together over 10 weeks to develop their own artistic vision inspired by the fusion of visual arts and fashion, and centered around themes of transformation, innovation, and sustainability.

Kuwaiti artist Maha Alasaker uses her own body as a loom for weaving as she contemplates the complex relationship between body and land. (AN photos)

Italian visual artist Ivo Cotani told Arab News: “The residency (has) pushed me forward a lot. I’ve seen (it) not just in my productions, but (by) being myself in my art. I feel more mature and comfortable with what I’m doing.”

His artwork “I Am Nature” is a combination of various mediums and is inspired by local flora and fauna. His studio showcases small ceramic sculptures of oryxes, camels, eagles and other animals, abstract floral paintings, and animal-like flower masks made with the help of two artisans.

HIGHLIGHT

The Intermix Residency program is fully funded and initiated by Saudi Arabia’s Visual Arts Commission in collaboration with the Fashion Commission, and hosted in JAX District within Diriyah.

He added: “Whenever I work, I’m always relating to the land in some way. I have been looking at nature and the desert, and I also visited AlUla and saw the tombs and eagles there. From there I started creating and studying the animals of the desert. I was thinking of embodying nature in some way, and then I thought of masks.”

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

The open studio’s artworks delve into the intricacies of human experience, exploring how individuals embody memories, emotions, and interpretive codes that shape relationships between oneself, daily life, and the natural world, producing an archive of experiments, research, and possibilities.

Saudi visual artist Maram Alsuliman’s “Fragments of the Missing” reflects her background and interest in tradition. She investigates the why, how, and impact of forgotten, discontinued traditions, which are only temporarily preserved through oral transmission.

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

She told Arab News: “My family’s from Najran but I was born and raised in Jeddah, so I’ve always had this curiosity to know more about Najran. While it’s even difficult for me to learn about it, though my parents are from there, how will others learn? I’ve felt like it’s my responsibility to document and tell people about it through my art.”

Mirroring the residency’s sustainability theme, she uses objects that are discarded, like date seeds and broken coffee cups, to create abstract shapes that are then screen printed onto bags. The natural black dye is made from broken-down date seeds.

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

Alsuliman added: “My dad used to bring dates back from Najran in these plastic bags. For him he was carrying food, but I wanted to use them to carry my traditions.”

Alla Alsahli, a Syrian Palestinian designer born and raised in the US, incorporates material manipulation and repetition to tell stories that are rooted in culture and space.

Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah. (AN photo)

Her Intermix project explores the idea of preservation through architecture in Riyadh and beyond. Inspired by the triangular geometrical patterns of Najdi traditional mud buildings, Alsahli creates fashion pieces out of clay, rope and fabric.

Her first ensemble joins each handmade ceramic piece with thread to hold it together. The other is constructed using the throw-away muslin fabric, which is used as a prototype by most designers, linked together by rope. The process of connecting each element to the other symbolizes a hope of preservation.

As architecture goes through phases, construction followed by deconstruction, so the art mirrors the process.

She told Arab News: “The reconstruction phase — which is when people are trying to revive and bring that space back to life — we see that a lot here in Riyadh with Diriyah and Al-Bujairi where a lot of people want to hold on to that culture and style because it's so significant to Najd. I wanted to translate that into fashion to showcase the idea of reconstruction.

“When I started the project, I was thinking about Saudi Arabia a lot, but I felt bad for not relating it to myself and my identity. When I started thinking about myself more, I thought about Syria and Palestine and that’s where the idea of ruins and preservation came from.”

The program's mission is to foster a shared visual language that celebrates the expressive potential of both visual arts and fashion design.

Kuwaiti artist Maha Alasaker focuses on the relationship between nature and culture, with a particular emphasis on the natural colors that can be extracted from the land. This led her to investigate herbal medicines and their historic use in pain management for women.

She presents a live ongoing performance using her own body as a loom for weaving as she contemplates the complex relationship between body and land.

While Egyptian fashion designer Somaia Abolezz’s abstract wearable installations demonstrate elements of the caravan journey from Egypt to Makkah, Saudi artist Um Kalthoom Al-Alawi’s “Images of Memory” investigates what lies hidden and what is revealed through printed patterns on fabric.

The Intermix Residency program is fully funded and initiated by Saudi Arabia’s Visual Arts Commission in collaboration with the Fashion Commission, and hosted in JAX District within Diriyah.

It aims to provide emerging and mid-career Saudi nationals, residents, and international visual artists, fashion designers, and curators with a platform to innovate, experiment, and collaborate in a supportive creative environment.