DUBAI: It is no secret that Andrew Garfield’s latest movie, John Crowley’s “We Live in Time,” now in cinemas across the Middle East, is a tear-jerker that will pull at your heartstrings from Scene 1.

Beginning with the cancer diagnosis of co-main character Almut (Florence Pugh), the story then follows her back and forth through time to tell the story of her relationship with Tobias (Garfield), from their first encounter after a road accident to the birth of their daughter at a filling station and more.

“I think the point of this film is that it is everyone’s story,” Garfield told Arab News. “I think after any human being lives a certain amount of time, if they’re lucky, they get to experience terrible loss. And I know that that’s a strange way of phrasing it, but I do see it as a privilege to love deeply and therefore to lose terribly, to lose each other, whether it’s a partner or a mother or a father or a friend.”

While over the past few years Garfield has been on an on-and-off break from filming in an attempt to know himself better, the script from Justine Wright lured him back to set.

“I was in a very peaceful, contemplative place in my life, and reflecting on everything and wanting to be creative, but not necessarily wanting to be on a film set. But then, you know, reading the script, I thought, ‘Oh, this will be a very natural creative process,’” he said.

“There was a certain amount of letting go, but it was a letting go of a different kind. It was a letting go of too much overthinking. It felt like a very natural letting go, getting out of the way of not working too hard, letting the moment define the moment, letting myself be filled up, and trusting that the moment was enough,” said Garfield, who lost his mother to cancer in 2019.

His subsequent journey of self-discovery has further helped his craft as an actor.

“This is one of the privileges of being an actor, I think, being an artist, but particularly about being an actor is that, depending on the roles you get to play, you’re accessing and finding and inhabiting parts of yourself that you didn’t know were there and capabilities that you didn’t know you had. Dark and light, expressive, expansive and destructive and shady. So, yes, I’m definitely drawn to knowing myself as thoroughly as possible,” Garfield said.

“And yeah, I’m definitely seeking out as much of being in authentic relationship to myself, and therefore others, and therefore the world, and therefore my work as possible. And sometimes it’s really, really painful, because there are aspects of myself that I wish I didn’t have, like all of us. But the danger is, I think, if we try to exile those parts of ourselves, we end up being in denial of what we’re capable of, and then we end up really doing damage and electing the wrong people to lead countries, etc.

“So, yeah, it feels important to me to find all of those different parts and own them and welcome them; and therefore be able to govern them and not be governed by them, because they’re just unconscious drives.”

LONDON: It is easy to forget that, sometimes, all you want from a movie is a healthy dose of good vibes — and few genres are better suited to that than the sports biopic.

The film “Unstoppable” tells the real-life story of Anthony Robles, an American wrestler who won the 125-pound (57 kg) US National college wrestling championship in 2011 despite being born with one leg.

Directed by William Goldenberg (a storied screenwriter and editor, making his directorial debut here), “Unstoppable” stars Jharrel Jerome (“Moonlight,” “When They See Us”) as Robles, with Jennifer Lopez as his mother Judy and Bobby Cannavale as his stepfather Rick.

Already a talented high-school wrestler, Robles misses out on his dream college scholarship, but opts instead to pay to attend Arizona State University and win a place on their feted wrestling team.

Despite dealing with Rick’s abusive behavior at home, Robles continues to win over his teammates. And, backed by his mom’s unending belief, and that of his high-school coach (played by Michael Pena), he proves himself not only worthy of his spot, but an athlete capable of performing on the national stage.

Here is the thing with sports movies (or the good ones, at least), you have to really lean into every single cliche and embrace all the heartstring-plucking tropes. Because, if you do — and if the film has a decent cast doing an earnest job — the payoff is worth it.

And so it is with “Unstoppable,” a movie that is as determined as its real-world protagonist. Sure, there are a few story beats that get teased and then dropped. Sure, the by-the-numbers buildup to the climactic showdown is beyond predictable.

But this movie has a stellar lead performance from Jerome (helped by absolutely seamless effects and stunt work, which sees Robles himself performing some of the wrestling sequences), and an immensely talented supporting cast.

Lopez, Cannavale and Pena are all great, but Don Cheadle also deserves his share of the plaudits for his turn as Robles’ college coach and mentor.

Is this the most sophisticated exploration of the world of collegiate wrestling? Nah. But is it a heartwarmingly decent movie that will make you feel good? Absolutely.