DOHA: Mathaf: Arab Museum of Modern Art houses what could be described as an unlikely find for the Qatar-based institution.

“Le Barde Noir” — “The Black Bard” — is an oil-on-canvas painting by Jean-Leon Gerome, a French painter and sculptor who lived from 1824-1904. Created in 1888, it is as instantly captivating as it must have been when first created.

It features a character often said to be a Nubian musician, wrapped in pink fabric and sitting on a carpet as he stares out intensely. Behind him is an intricately tiled wall in blue hues, while his yellow shoes — similar to North African babouches — are placed neatly to one side.

The work, arguably one of Gerome’s most mesmerizing, bears many hallmarks of the Orientalist style pioneered by European artists in the 18th and 19th centuries that often featured imagined images of the eastern world.  

 

 

 

 

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The concept is explored, pondered and contested in “Seeing Is Believing: The Art and Influence of Gerome.” The exhibition, which runs at the museum until Feb. 22, sheds light on the artist’s legacy — how his art has both positively and adversely influenced depictions of the Middle East, North Africa, and South Asia region and continues to do so today.

Gerome was one of the most commercially successful European artists of the 19th century. At the time, he was celebrated as a visual storyteller and historian who brought the faraway lands of Greece, Rome and the East to life through his work.

 

 

 

 

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Ultimately, it would be the artist’s representations of North Africa and the wider Arab world that would constitute his legacy. From 1855 to 1880 he travelled to Egypt, Turkey and other areas to create some of Orientalism’s most poignant and memorable representations.

The show includes almost 400 works of art, many drawn from the forthcoming Lusail Museum’s impressive collection of Orientalist art, including European depictions of the Arab world dating from the 16th to 19th centuries. It also includes major loans from Qatar Museums’ General Collections and institutions worldwide such as the Metropolitan Museum of Art in New York and the Islamic Arts Museum in Malaysia.

The exhibition has been organized as a legacy of the Qatar–France 2020 Year of Culture, a year-long program of collaborations between institutions across both countries. It is jointly produced by the Lusail Museum, which is set to open in 2029, and Mathaf: Arab Museum of Modern Art, both in Doha.

It takes an in-depth look at Gerome’s practice and oeuvre through three sections. The first, “A Wider Lens, A New Gerome,” is curated by Emily Weeks and presents some of the artist’s most prominent paintings. “Between Gerome and Photography: Truth is Stranger than Fiction” is curated by Giles Hudson, curator of photographs at the Lusail Museum, and highlights his influence on photography of the Arab world. The final section, “I Swear I Saw That,” is curated by Sara Raza and explores Gerome’s impact on contemporary art.

The third section includes specially commissioned works by artists such as Babi Badalov from Azerbaijan and Nadia Kaabi-Linke from Tunisia, who reinterpret Gerome for the 21st century.

Guest curator Raza told Arab News that the opportunity was a chance “to reassess Gerome’s art within the context of the problems of the larger Orientalist genre and its continuation and manifestation in art and society.”

She said none of the artists in her section were interested in Gerome and added: “However, what they were interested in exploring was Orientalism’s continuation through their own visual languages and the ideas of free appropriation.”

ISLAMABAD: British rock band Coldplay’s lead singer Chris Martin recently won admiration on social media for inviting a Pakistani fan onstage during their Abu Dhabi concert and dedicating their popular song ‘Everglow’ to people suffering war in Palestine and other countries. 
Coldplay performed at Abu Dhabi on Jan. 9, returning to the UAE to perform for the first time since their powerhouse show at Expo 2020 Dubai. While entertaining thousands of fans in the crowd, Martin spotted a female fan holding a sign that read, “I traveled 10,000 km for this.” 
Inviting her onstage, he asked where she’d come from, to which the woman named Kinza replied: “Pakistan.”
Martin responded that he had traveled from Los Angeles where “everything was on fire,” adding that it was very strange to witness.
“So maybe we can sing this song for your brothers and sisters in Pakistan,” he said to loud cheers from thousands of fans. “And our brothers and sisters in Iran. Our brothers and sisters in the West Bank and Gaza. You can sing.”
He then proceeded to perform the band’s popular song Everglow, much to the delight of the attendees. 
Coldplay remains one of the most influential pop-rock acts since the late ‘90s. With guitarist Jonny Buckland, bassist Guy Berryman and drummer Will Champion filling out the lineup, the British musicians have long been fixtures on the charts with Hot 100 hits 2001’s “Yellow,” 2008’s “Viva La Vida,” and 2017’s “Something Just Like This.”
The band’s concert in Abu Dhabi was a visual and auditory spectacle, with fans wearing glowing wristbands that pulsed in sync with the music. There were bursts of confetti, large, illuminated planets suspended throughout the stadium where the concert was held, and balloons floating across the crowd during the band’s performance. 
Coldplay are scheduled to perform in the UAE capital today, Jan. 14 as well.