Saudi films in the spotlight as RSIFF announces Arab Spectacular selection

Among the Saudi films is “My Driver and I,” the directorial debut of Saudi creative Ahd Kamel. (Supplied)
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Updated 59 min 29 sec ago
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Saudi films in the spotlight as RSIFF announces Arab Spectacular selection

DUBAI: The Red Sea International Film Festival (RSIFF) unveiled a five-film collection for its Arab Spectacular section, which features world premieres of three Saudi titles exploring societal changes in the Kingdom.

Antoine Khalife, director of Arab Programs & Film Classics for the RSIFF, said in a statement: “We know that our stories and the quality of the way we tell them deserve a place alongside other international films, which is why we are working hard to support and nurture our region’s filmmakers, providing them with a prestigious platform to present their work to international audiences, and facilitating networking opportunities with industry leaders.”

Among the Saudi films is “My Driver and I,” the directorial debut of Saudi creative Ahd Kamel. Set in 1980s and 90s Jeddah, the film follows a rebellious Saudi girl and her Sudanese driver as they form a friendship which is tested when she starts to take the wheel.

“Hobal,” by Saudi director Abdulaziz Alshlahei, follows a Bedouin family whose members are forced by its patriarch to live in isolation in the desert due to fear of an infectious disease during the 1990s.

The third Saudi film to screen in the section is the much-anticipated “Lail Nahar,” directed by filmmaker Abdulaziz Almuzaini, who is behind popular Saudi TV series and movie “Masameer.” When a renowned opera singer faces backlash after a viral accusation of racism, he stuns the public by announcing plans to marry a black woman — only to scramble for a bride and find an unexpected connection with Layl, a wedding singer.

Rounding off RSIFF‘s Arab Spectacular selection is renowned Algerian filmmaker Merzak Allouache’s dramedy “Front Row,” about a feud that breaks out between matriarchs who are vying for the best spot at the beach; and Egyptian director Omar Bakry’s “Abdo & Saneya,” a silent, black-and-white film about an Egyptian couple who immigrates to New York City in search of a cure for infertility without having any notion of modern American life.


Gigi, Bella Hadid make a stylish splash in Seoul and Dubai for fashion and jewelry launches

Updated 06 November 2024
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Gigi, Bella Hadid make a stylish splash in Seoul and Dubai for fashion and jewelry launches

DUBAI: US Dutch Palestinian model Gigi Hadid spent time in Seoul this week to launch her fashion brand Guest in Residence at a pop-up event in the city, while her sister Bella Hadid was in Dubai for the opening of Chopard’s new boutique in Dubai Mall.

For the event, Gigi wore a piece from her own collection—a chic brown cashmere coat called the Grizzly Coat—styled with straight-leg jeans, black loafers and a gold necklace. She wore her blonde hair in a sleek bob, complemented by winged eyeliner and a mauve lip.

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The supermodel also shared glimpses of her time in Seoul on Instagram. She hosted a dinner for her guests, which included notable names from the music and fashion world, such as CL, leader of the K-pop girl group 2NE1.

CL posted a clip with Hadid on her Instagram welcoming her to Seoul and shared a look at the dinner’s star-studded guest list. Attendees included NewJeans members Hanni, Danielle, and Minji, “Squid Game” star Jung Ho-yeon and Korean American rapper Jay Park.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The Guest in Residence pop-up is located in Seoul’s trendy Gangnam district and will run through Nov. 24.

Meanwhile, Bella surprised fans in Dubai on Tuesday with a visit to Dubai Mall. She joined Chopard’s creative director Caroline Scheufele for the ribbon-cutting ceremony before entering the boutique to meet with industry insiders and clients.

Bella Hadid touched down in the UAE this week. (Instagram) 

Later, she made a glamorous appearance at an after-party held at Jaipur Rugs in Alserkal Avenue. Wearing a flowing gold gown from Elie Saab’s Fall/ Winter 2004 Haute Couture collection, she smiled and waved to fans while mingling with guests and clients at the event.

Among the event's attendees was US Iraqi beauty mogul Huda Kattan, who posed for a photo with Bella and Scheufele.

Bella was named the new face and global ambassador for the luxury Swiss jewelry house in September.

Hadid first showed off Chopard creations at the 2021 Cannes Film Festival and has been spotted wearing jewelry by the maison on various red carpets as of late, including multiple sightings at the 2024 Cannes Film Festival. 

Bella has also been making waves in the beauty industry with her own fragrance brand, Orabella, which launched in May.


‘Kabhi Main Kabhi Tum,’ Pakistan’s most talked-about drama, concludes with cinematic finale

Updated 4 min 45 sec ago
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‘Kabhi Main Kabhi Tum,’ Pakistan’s most talked-about drama, concludes with cinematic finale

  • Starring Fahad Mustafa and Hania Aamir, the drama’s final episode sold out cinema tickets in advance
  • Kabhi Main Kabhi Tum earned a 9.2 rating on IMDb and trended on social media in India and Bangladesh

KARACHI: The makers of Pakistan’s most talked-about drama serial, Kabhi Main Kabhi Tum, attributed its success to content that resonated deeply with viewers, as its final episode screened in cinemas nationwide on Tuesday.
Starring leading actors Fahad Mustafa and Hania Aamir as Mustafa and Sharjeena, the drama has been a topic of discussion since its debut in July.
The 34-episode series aired twice a week, with the grand finale reaching audiences on the big screen along with television.
Each new episode kept the show trending on Twitter, not only in Pakistan but also in India and Bangladesh, sustaining its popularity across borders. The drama earned a 9.2 rating on IMDb, an exceptional achievement for Pakistani TV productions.
“What’s happening with Kabhi Main Kabhi Tum is unprecedented,” Jerjees Seja, CEO of ARY Digital Network, the channel that the drama, said. “This has never happened before [in the history of Pakistani television plays] and I wonder if this will happen again.”
“It’s [all about] how people resonate [and] how they associate with the content,” he continued. “It’s amazing how audiences have connected with the drama [and] with Sharjeena and Mustafa.”
Tickets for the final episode were sold out in advance for shows in Karachi, Lahore, Islamabad, Faisalabad and other cities, he informed. Shows were extended to midnight considering the demand for tickets.
“It’s a great thing to air the last episodes [of our dramas] in cinemas,” Pakistani artist Mehwish Hayat told Arab News on the sidelines of the finale. “There is no harm if cinemas are being revived through drama serials. The way people have filled the cinema halls across Pakistan to watch this last episode [of this play], it’s phenomenal. This trend should continue.”
Written by seasoned writer Farhat Ishtiaq and directed by Badar Mehmood, Kabhi Main Kabhi Tum followed the different stages of love in the life of lead characters Mustafa and Sharjeena.
“I think the story was quite relatable,” said Mehmood.
“Everyone was relating to one character or the other, be it Adeel, Mustafa, Sharjeena or Rubab,” he continued. “It was a very household story that happens in every home at different moments so that was very relatable.”
The ensemble cast, including Emmad Irfani, Naeema Butt, Bushra Ansari and Jawed Sheikh, was equally incredible and impactful.
“The love I am getting from all the people, not just in Pakistan [but] all over the world, it has absolutely taken me from my lowest low to the highest high in a matter of a few months,” Irfani, who played anti-hero Adeel, told Arab News.
“His capriciousness, his unpredictability [made Adeel resonate with audiences],” he added. “His antics are so volatile, he says something [and then] he does something else. I think that is what captivated the audience’s imagination and that is what inspired me to play Adeel in the first place.”
Those in attendance at the screening of the final episode said the drama resonated with them on multiple levels.
“It was a very family-oriented [drama],” Fauzia Mehtab, who came to the cinema but didn’t get the ticket to watch the show, told Arab News. “We could relate to it. It seemed like it’s the story of our house. And now we are going to get so bored on Monday and Tuesday because there will be no ‘Kabhi Main Kabhi Tum.’”
Fans at the screening could not contain their excitement to see Fahad Mustafa among them. Most of them were eager to click selfies with him, as he could be seen getting truly overwhelmed by the response.
“I came [to the cinema] to see the actors because I really like Fahad Mustafa,” Mehtab said. “I wanted to meet him, but you know you can’t meet him in these circumstances.”


Saudi Arabia unveils major film production hub in Riyadh

Updated 05 November 2024
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Saudi Arabia unveils major film production hub in Riyadh

  • Al-Hisn Big Time Studios to boost local, regional content creation with advanced production resources
  • Project area covers 300,000 sq. meters and includes a production village with metalworking and carpentry workshops, as well as costume design facilities

RIYADH: Saudi Arabia unveiled Al-Hisn Big Time Studios in Riyadh, a groundbreaking facility aimed at boosting the television and film production industry across the Middle East.

Chairman of the General Entertainment Authority Turki Al-Sheikh inaugurated the facility west of the Saudi capital.

Al-Hisn Big Time Studios, built in a remarkably short period of 120 days, features seven studio buildings covering an area of 10,500 sq. meters.

The total project area covers 300,000 sq. meters and includes a production village with metalworking and carpentry workshops, as well as costume design facilities.

Additional amenities include luxurious suites for VIPs, offices for film production, and fully equipped editing rooms, all creating an ideal work environment that enhances production efficiency.

Al-Sheikh said: “Al-Hisn Big Time Studios will become a stronghold for producing Arab and international content, particularly Saudi productions.”

He further emphasized the importance of local content consumption, saying: “Approximately 65 percent of the content consumed in the region is from Saudi Arabia.”

Al-Sheikh also highlighted the collaborative nature of the project, mentioning that productions will take place at various locations, including Diriyah Jax, Sony Studios, AlUla, and MBC Studios in Al-Nargis.

He added: “We constructed these state-of-the-art facilities in just four months, showcasing our commitment to rapid development.”

Minister of Information Salman Al-Dossary remarked on the opportunities presented by Al-Hisn Big Time Studios, saying: “You will not find a better place than this in the Arab world.”

He praised the integration of government agencies, stating: “Our collective efforts ensure the success of the project, positioning it as a beacon for the film industry.”

The studios aim to provide a comprehensive platform for film and television production, offering creative resources in one location.

“This integration will not only reduce costs and save time but also provide access to cutting-edge global technologies,” Al-Sheikh said, highlighting the studio’s potential to enhance competitiveness in the international market.

In the studios, visitors can explore a museum featuring vintage cameras alongside films shot with them. There are also costume rooms where fashion designers craft outfits for various productions.

Additionally, a dedicated building is set aside for pre-production work. The facility has several production studios, with many Saudi companies collaborating on site, from camera manufacturers to actors, all working together to bring creative visions to life.

Nawaf Almutairi, a founding partner of One Shot drone company, is one of the industry professionals using the studios. He expressed enthusiasm about the opportunities presented by Al-Hisn, saying: “This facility allows us to push the boundaries of aerial photography and filmmaking.”

His company has completed various projects in Saudi Arabia, notably contributing to the third installment of the film “Welad Rizk” with their custom-built drones.

Almutairi said: “We are excited to create innovative content that showcases the beauty of our country."

Abdulrahman Alnafisah, general manager and co-founder of Nebras Films, said: “Saudi Arabia has seen significant advancements in the media and film production sector, fostering growth both locally and regionally. In this transformative landscape, Nebras Films played a key role in the launch of Al-Hisn Big Time Studios, marking a pivotal moment in the evolution of Saudi cinema.

“This initiative underscores Nebras Films’ commitment to bolstering the Saudi film industry and nurturing local talent by creating a professional environment that aligns with international standards.”


Clinique La Prairie CEO talks ‘personalization’ of luxury healthcare ahead of Saudi opening

Updated 05 November 2024
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Clinique La Prairie CEO talks ‘personalization’ of luxury healthcare ahead of Saudi opening

DUBAI: Switzerland-based luxury healthcare resort Clinique La Prairie is set to open in Saudi Arabia’s Amaala wellness retreat next year, with CEO Simone Gibertoni telling Arab News “personalization is fundamental.”

With just 50 rooms, the healthcare resort will offer guests a holistic approach to health and wellness, combining evidence-based medicine with unique well-being, nutrition and movement plans, according to its website.

With just 50 rooms, the healthcare resort will offer guests a holistic approach to health and wellness, combining evidence-based medicine with unique well-being, nutrition
and movement plans, according to its website. (Supplied)

“If you want to be really personalized, you need to cater (for) a very small number of clients,” Gibertoni explained, adding: “Another very important point for me is always to underline the fact that our role is not just to give information, but to change people … intervention must be focused and must be very personalized.”

While the Swiss flagship boasts picturesque views and state of the art facilities, he insists: “The view of the lake is not enough, the nice food is not enough … there must be this idea that you feel better, you feel (like) a kind of new person and that’s why people are coming back.”

The Red Sea resort is not the first outside Switzerland; Clinique La Prairie Anji, on a tea plantation 180km west of Shanghai, China, opened its doors in 2024. Meanwhile, Dubai’s One & Only One Za’abeel hotel is home to a Clinique La Prairie Longevity Hub, billed as a day center rather than a resort-style experience.

When it comes to why the brand selected Saudi Arabia for such an investment, Gibertoni pointed to an alignment in healthcare philosophies.

“For such a big investment in Saudi, we are going to have only 50 rooms. In China, it’s another huge investment and we have only 29 rooms. It’s not easy to find the developer which is able to accept our philosophy and this is happening in Saudi Arabia,” he said.

The CEO also referred to long-term clients from the Gulf who have travelled to the European clinic for decades. The lure of a hub a little closer to home could be another reason for the brand’s latest venture.

Located on Saudi Arabia’s north-western coast, the Amaala resort will feature 30 brands, with Clinique La Prairie billed as one of the anchor offerings.

Last week, Gibertoni was in Dubai to announce the Longevity Fund, an endeavor to identify companies that “revolutionize the landscape of aging, health, and wellbeing.”

The fund will focus on driving science-based advancements in longevity under four banners — medical care, nutrition, movement and well-being.

Gibertoni explained: “Whenever there is a company with an innovation which is on the way to be ready for the market, this company always approaches us. So our question was ‘how can we be more impactful and not only introduce this technology to Clinique La Prairie … but can we also help this company to grow?”


Exploring innovation at ‘Behind the Curtains: Scenes of Craft’ exhibition in Saudi Arabia

Updated 05 November 2024
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Exploring innovation at ‘Behind the Curtains: Scenes of Craft’ exhibition in Saudi Arabia

  • Step backstage to experience the creative processes of 10 renowned design studios, where failure fuels creativity

DHAHRAN: As a part of the annual Tanween conference at the King Abdulaziz Center for World Culture, the “Behind the Curtains: Scenes of Craft” exhibition stands out as a captivating exploration of creativity, resilience and innovation in the world of design.

The exhibition, aligned with the Tanween 2024 theme “Fail Forward,” invites visitors to embrace the beauty of setbacks as vital stepping stones in the creative process.

The exhibition, aligned with the Tanween 2024 theme “Fail Forward,” invites visitors to embrace the beauty of setbacks as vital stepping stones in the creative process.
(Courtesy of Ithra Studios)

Curated and designed in collaboration with Isola Studio, the exhibition showcases the works of 10 internationally acclaimed studios specializing in crafts, circular design and material research, and is on until Nov. 6.

“The idea of staging the exhibition led us to the name ‘Behind the Curtains’ because we want to show what’s behind what you see, through a theater approach,” Gabriele Cavallaro, co-founder of Isola Studio, told Arab News.

“We asked studios to display their latest projects, not just the final results, but also the process, including failures, trials, and broken pieces. This highlights that reaching successful design involves going through mistakes and challenges.”

Curated and designed in collaboration with Isola Studio, the exhibition showcases the works of 10 internationally acclaimed studios specializing in crafts, circular design and material research.
(Courtesy of Ithra Studios)

Each studio provided a behind-the-scenes glimpse into their artistic processes, sharing inspirations, prototypes, and materials that did not make the final cut. This transparency highlighted the essential nature of experimentation in design.

At the heart of the exhibition lies an interactive workshop area, where visitors can partake in hands-on activities including sketching, molding, and experimenting with various materials, allowing them to experience the creative process firsthand. 

This interactive component emphasizes that creativity is often a non-linear journey filled with exploration and discovery.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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The “Fail Forward” theme runs throughout the exhibition, encouraging visitors to see failures as essential learning experiences. By sharing their struggles and lessons, the design studios inspire visitors to embrace their own creative challenges. 

Cavallaro expressed his hopes for visitors, stating: “I want them to understand the importance of taking risks in life to achieve success.”